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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30AA50 it is the complementary color #CF55AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30AA50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30AA50 shade: #35AA4B, #46BC5E, #57CE71, #68E084 and #79F297

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30AA50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30AA50 shade: #30AA50, #1F983D, #0E862A, #007417 and #006204

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30AA50 shade: #30AB50, #31AB30, #52AB30, #73AB30 and #94AB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30AA50 shade: #30AB50, #30AB71, #30AB92, #30A2AB and #3081AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30AA50 shade matches the following richer shades: #30AB50, #1EBC48 and #0CCE3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30AA50 shade: #30AB50, #419958, #538761, #657569 and #776472

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30AA50 shade: #53AB30, #32AB30, #30AB4E, #30AB6F and #30AB90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30AA50 shade: #1E6A32, #278A41, #30AB50, #3CC861 and #5CD17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30AA50 shade: #30AA50, #3073AB and #AB3042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30AA50 shade: #30AA50, #4E30AB and #AB4E30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30AA50 shade: #30AA50, #3073AB, #AB308C and #AB6730

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30AA50 shade: #30AA50, #304EAB, #AB308C and #AB8C30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 53 / 33

HEX #30AA50

RGB 48 170 80

HSL 135.74, 0.56%, 0.43%

LAB 61.62, -52.61, 36.69

 

Complementary color

CMYK 0 / 59 / 15 / 19

HEX #CF55AF

RGB 207 85 175

HSL 315.74, 0.56%, 0.57%

LAB 54.93, 58.44, -24.49

 

CMYK 69 / 0 / 56 / 33

HEX #35AA4B

RGB 53 170 75

HSL 131.28, 0.52%, 0.44%

LAB 61.67, -52.43, 39.24

 

CMYK 63 / 0 / 50 / 26

HEX #46BC5E

RGB 70 188 94

HSL 132.2, 0.47%, 0.51%

LAB 68.08, -52.96, 37.79

 

CMYK 58 / 0 / 45 / 19

HEX #57CE71

RGB 87 206 113

HSL 133.11, 0.55%, 0.57%

LAB 74.42, -53.2, 36.38

 

CMYK 54 / 0 / 41 / 12

HEX #68E084

RGB 104 224 132

HSL 134, 0.66%, 0.64%

LAB 80.69, -53.26, 35.02

 

CMYK 50 / 0 / 38 / 5

HEX #79F297

RGB 121 242 151

HSL 134.88, 0.82%, 0.71%

LAB 86.9, -53.2, 33.74

 

CMYK 72 / 0 / 53 / 33

HEX #30AA50

RGB 48 170 80

HSL 135.74, 0.56%, 0.43%

LAB 61.62, -52.61, 36.69

 

CMYK 80 / 0 / 60 / 40

HEX #1F983D

RGB 31 152 61

HSL 134.88, 0.66%, 0.36%

LAB 55.16, -51.54, 38.21

 

CMYK 90 / 0 / 69 / 47

HEX #0E862A

RGB 14 134 42

HSL 134, 0.81%, 0.29%

LAB 48.65, -49.72, 39.6

 

CMYK 100 / 0 / 80 / 55

HEX #007417

RGB 0 116 23

HSL 131.9, 1%, 0.23%

LAB 42.08, -46.93, 40.44

 

CMYK 100 / 0 / 96 / 62

HEX #006204

RGB 0 98 4

HSL 122.45, 1%, 0.19%

LAB 35.49, -42.54, 40.08

 

CMYK 72 / 0 / 53 / 33

HEX #30AB50

RGB 48 171 80

HSL 135.61, 0.56%, 0.43%

LAB 61.94, -52.98, 37.08

 

CMYK 71 / 0 / 72 / 33

HEX #31AB30

RGB 49 171 48

HSL 119.51, 0.56%, 0.43%

LAB 61.65, -56.54, 51.09

 

CMYK 52 / 0 / 72 / 33

HEX #52AB30

RGB 82 171 48

HSL 103.41, 0.56%, 0.43%

LAB 62.62, -48.72, 52.39

 

CMYK 33 / 0 / 72 / 33

HEX #73AB30

RGB 115 171 48

HSL 87.32, 0.56%, 0.43%

LAB 64.15, -37.7, 54.44

 

CMYK 13 / 0 / 72 / 33

HEX #94AB30

RGB 148 171 48

HSL 71.22, 0.56%, 0.43%

LAB 66.24, -24.55, 57.21

 

CMYK 72 / 0 / 53 / 33

HEX #30AB50

RGB 48 171 80

HSL 135.61, 0.56%, 0.43%

LAB 61.94, -52.98, 37.08

 

CMYK 72 / 0 / 34 / 33

HEX #30AB71

RGB 48 171 113

HSL 151.71, 0.56%, 0.43%

LAB 62.46, -47.07, 20.45

 

CMYK 72 / 0 / 15 / 33

HEX #30AB92

RGB 48 171 146

HSL 167.8, 0.56%, 0.43%

LAB 63.2, -39.26, 3.26

 

CMYK 72 / 5 / 0 / 33

HEX #30A2AB

RGB 48 162 171

HSL 184.39, 0.56%, 0.43%

LAB 61.14, -27.9, -13.81

 

CMYK 72 / 25 / 0 / 33

HEX #3081AB

RGB 48 129 171

HSL 200.49, 0.56%, 0.43%

LAB 51, -10.32, -29.35

 

CMYK 72 / 0 / 53 / 33

HEX #30AB50

RGB 48 171 80

HSL 135.61, 0.56%, 0.43%

LAB 61.94, -52.98, 37.08

 

CMYK 84 / 0 / 62 / 26

HEX #1EBC48

RGB 30 188 72

HSL 135.95, 0.72%, 0.43%

LAB 67.06, -62.17, 46.84

 

CMYK 94 / 0 / 69 / 19

HEX #0CCE3F

RGB 12 206 63

HSL 135.77, 0.89%, 0.43%

LAB 72.61, -69.84, 56.66

 

CMYK 72 / 0 / 53 / 33

HEX #30AB50

RGB 48 171 80

HSL 135.61, 0.56%, 0.43%

LAB 61.94, -52.98, 37.08

 

CMYK 58 / 0 / 42 / 40

HEX #419958

RGB 65 153 88

HSL 135.68, 0.4%, 0.43%

LAB 56.69, -41.15, 26.41

 

CMYK 39 / 0 / 28 / 47

HEX #538761

RGB 83 135 97

HSL 136.15, 0.24%, 0.43%

LAB 51.87, -26.07, 15.08

 

CMYK 14 / 0 / 10 / 54

HEX #657569

RGB 101 117 105

HSL 135, 0.07%, 0.43%

LAB 47.64, -8.5, 4.62

 

CMYK 0 / 16 / 4 / 53

HEX #776472

RGB 119 100 114

HSL 315.79, 0.09%, 0.43%

LAB 44.59, 10.24, -5.03

 

CMYK 51 / 0 / 72 / 33

HEX #53AB30

RGB 83 171 48

HSL 102.93, 0.56%, 0.43%

LAB 62.66, -48.42, 52.45

 

CMYK 71 / 0 / 72 / 33

HEX #32AB30

RGB 50 171 48

HSL 119.02, 0.56%, 0.43%

LAB 61.67, -56.36, 51.12

 

CMYK 72 / 0 / 54 / 33

HEX #30AB4E

RGB 48 171 78

HSL 134.63, 0.56%, 0.43%

LAB 61.92, -53.27, 38.04

 

CMYK 72 / 0 / 35 / 33

HEX #30AB6F

RGB 48 171 111

HSL 150.73, 0.56%, 0.43%

LAB 62.42, -47.48, 21.49

 

CMYK 72 / 0 / 16 / 33

HEX #30AB90

RGB 48 171 144

HSL 166.83, 0.56%, 0.43%

LAB 63.15, -39.78, 4.3

 

CMYK 72 / 0 / 53 / 58

HEX #1E6A32

RGB 30 106 50

HSL 135.79, 0.56%, 0.27%

LAB 39.27, -36.24, 24.76

 

CMYK 72 / 0 / 53 / 46

HEX #278A41

RGB 39 138 65

HSL 135.76, 0.56%, 0.35%

LAB 50.68, -44.63, 30.87

 

CMYK 72 / 0 / 53 / 33

HEX #30AB50

RGB 48 171 80

HSL 135.61, 0.56%, 0.43%

LAB 61.94, -52.98, 37.08

 

CMYK 70 / 0 / 52 / 22

HEX #3CC861

RGB 60 200 97

HSL 135.86, 0.56%, 0.51%

LAB 71.64, -58.81, 40.67

 

CMYK 56 / 0 / 41 / 18

HEX #5CD17B

RGB 92 209 123

HSL 135.9, 0.56%, 0.59%

LAB 75.64, -51.61, 32.92

 

CMYK 72 / 0 / 53 / 33

HEX #30AA50

RGB 48 170 80

HSL 135.74, 0.56%, 0.43%

LAB 61.62, -52.61, 36.69

 

CMYK 72 / 33 / 0 / 33

HEX #3073AB

RGB 48 115 171

HSL 207.32, 0.56%, 0.43%

LAB 46.75, -2.09, -36.01

 

CMYK 0 / 72 / 61 / 33

HEX #AB3042

RGB 171 48 66

HSL 351.22, 0.56%, 0.43%

LAB 39.86, 50.74, 18.88

 

CMYK 72 / 0 / 53 / 33

HEX #30AA50

RGB 48 170 80

HSL 135.74, 0.56%, 0.43%

LAB 61.62, -52.61, 36.69

 

CMYK 54 / 72 / 0 / 33

HEX #4E30AB

RGB 78 48 171

HSL 254.63, 0.56%, 0.43%

LAB 31.05, 44.84, -61.16

 

CMYK 0 / 54 / 72 / 33

HEX #AB4E30

RGB 171 78 48

HSL 14.63, 0.56%, 0.43%

LAB 44.69, 36.07, 35.47

 

CMYK 72 / 0 / 53 / 33

HEX #30AA50

RGB 48 170 80

HSL 135.74, 0.56%, 0.43%

LAB 61.62, -52.61, 36.69

 

CMYK 72 / 33 / 0 / 33

HEX #3073AB

RGB 48 115 171

HSL 207.32, 0.56%, 0.43%

LAB 46.75, -2.09, -36.01

 

CMYK 0 / 72 / 18 / 33

HEX #AB308C

RGB 171 48 140

HSL 315.12, 0.56%, 0.43%

LAB 42.25, 58.6, -23.74

 

CMYK 0 / 40 / 72 / 33

HEX #AB6730

RGB 171 103 48

HSL 26.83, 0.56%, 0.43%

LAB 50.18, 22.55, 41.49

 

CMYK 72 / 0 / 53 / 33

HEX #30AA50

RGB 48 170 80

HSL 135.74, 0.56%, 0.43%

LAB 61.62, -52.61, 36.69

 

CMYK 72 / 54 / 0 / 33

HEX #304EAB

RGB 48 78 171

HSL 225.37, 0.56%, 0.43%

LAB 36.02, 21.6, -53.16

 

CMYK 0 / 72 / 18 / 33

HEX #AB308C

RGB 171 48 140

HSL 315.12, 0.56%, 0.43%

LAB 42.25, 58.6, -23.74

 

CMYK 0 / 18 / 72 / 33

HEX #AB8C30

RGB 171 140 48

HSL 44.88, 0.56%, 0.43%

LAB 59.55, 1.84, 51.22

 

Description

Color code: HEX #30AA50 | qconv.com Color code: HEX #30AA50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 170 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 170 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 53 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 53% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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