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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30A3CE it is the complementary color #CF5C31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30A3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30A3CE shade: #35A3C9, #46B5DC, #57C7EF, #68D9FF and #79EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30A3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30A3CE shade: #30A3CE, #1F91BB, #0E7FA8, #006D95 and #005B82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30A3CE shade: #30A3CE, #3078CE, #304ECE, #3D30CE and #6730CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30A3CE shade: #30A3CE, #3078CE, #304ECE and #3030CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30A3CE shade matches the following richer shades: #30A3CE, #1BACE3 and #07B6F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30A3CE shade: #30A3CE, #459AB9, #5990A5, #6E8790 and #827D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30A3CE shade: #30CEA4, #30CECE, #30A4CE, #307ACE and #3050CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30A3CE shade: #206E8B, #2889AD, #30A3CE, #51B2D6 and #73C1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30A3CE shade: #30A3CE, #7A30CE and #CEB930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30A3CE shade: #30A3CE, #CE30A4 and #A4CE30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30A3CE shade: #30A3CE, #7A30CE, #CE5A30 and #84CE30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30A3CE shade: #30A3CE, #A930CE, #CE5A30 and #55CE30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

Complementary color

CMYK 0 / 56 / 76 / 19

HEX #CF5C31

RGB 207 92 49

HSL 16.33, 0.62%, 0.5%

LAB 53.1, 43, 45.67

 

CMYK 74 / 19 / 0 / 21

HEX #35A3C9

RGB 53 163 201

HSL 195.41, 0.58%, 0.5%

LAB 62.65, -18.19, -28.32

 

CMYK 68 / 18 / 0 / 14

HEX #46B5DC

RGB 70 181 220

HSL 195.6, 0.68%, 0.57%

LAB 69.12, -19.2, -28.8

 

CMYK 64 / 17 / 0 / 6

HEX #57C7EF

RGB 87 199 239

HSL 195.79, 0.83%, 0.64%

LAB 75.52, -19.98, -29.24

 

CMYK 59 / 15 / 0 / 0

HEX #68D9FF

RGB 104 217 255

HSL 195.1, 1%, 0.7%

LAB 81.72, -21.47, -28.22

 

CMYK 53 / 8 / 0 / 0

HEX #79EBFF

RGB 121 235 255

HSL 188.96, 1%, 0.74%

LAB 87.34, -27.16, -19.62

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 83 / 22 / 0 / 27

HEX #1F91BB

RGB 31 145 187

HSL 196.15, 0.72%, 0.43%

LAB 56.22, -15.58, -30.44

 

CMYK 92 / 24 / 0 / 34

HEX #0E7FA8

RGB 14 127 168

HSL 195.97, 0.85%, 0.36%

LAB 49.62, -13.6, -29.82

 

CMYK 100 / 27 / 0 / 42

HEX #006D95

RGB 0 109 149

HSL 196.11, 1%, 0.29%

LAB 42.92, -11.11, -29.11

 

CMYK 100 / 30 / 0 / 49

HEX #005B82

RGB 0 91 130

HSL 198, 1%, 0.25%

LAB 36.16, -7.84, -28.24

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 77 / 42 / 0 / 19

HEX #3078CE

RGB 48 120 206

HSL 212.66, 0.62%, 0.5%

LAB 50.12, 7.75, -50.84

 

CMYK 77 / 62 / 0 / 19

HEX #304ECE

RGB 48 78 206

HSL 228.61, 0.62%, 0.5%

LAB 38.78, 34.57, -69.18

 

CMYK 70 / 77 / 0 / 19

HEX #3D30CE

RGB 61 48 206

HSL 244.94, 0.62%, 0.5%

LAB 33.05, 53.38, -78.58

 

CMYK 50 / 77 / 0 / 19

HEX #6730CE

RGB 103 48 206

HSL 260.89, 0.62%, 0.5%

LAB 36.84, 58.24, -72.2

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 77 / 42 / 0 / 19

HEX #3078CE

RGB 48 120 206

HSL 212.66, 0.62%, 0.5%

LAB 50.12, 7.75, -50.84

 

CMYK 77 / 62 / 0 / 19

HEX #304ECE

RGB 48 78 206

HSL 228.61, 0.62%, 0.5%

LAB 38.78, 34.57, -69.18

 

CMYK 77 / 77 / 0 / 19

HEX #3030CE

RGB 48 48 206

HSL 240, 0.62%, 0.5%

LAB 32.25, 52.34, -79.92

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 88 / 24 / 0 / 11

HEX #1BACE3

RGB 27 172 227

HSL 196.5, 0.79%, 0.5%

LAB 65.97, -16.44, -37.59

 

CMYK 97 / 26 / 0 / 3

HEX #07B6F7

RGB 7 182 247

HSL 196.25, 0.94%, 0.5%

LAB 69.62, -15.51, -42.8

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 63 / 17 / 0 / 27

HEX #459AB9

RGB 69 154 185

HSL 196.03, 0.46%, 0.5%

LAB 59.78, -16.11, -23.73

 

CMYK 46 / 13 / 0 / 35

HEX #5990A5

RGB 89 144 165

HSL 196.58, 0.3%, 0.5%

LAB 56.87, -12.37, -16.74

 

CMYK 24 / 6 / 0 / 44

HEX #6E8790

RGB 110 135 144

HSL 195.88, 0.13%, 0.5%

LAB 54.72, -6.78, -7.78

 

CMYK 0 / 4 / 5 / 49

HEX #827D7C

RGB 130 125 124

HSL 10, 0.02%, 0.5%

LAB 52.81, 1.7, 1.21

 

CMYK 77 / 0 / 20 / 19

HEX #30CEA4

RGB 48 206 164

HSL 164.05, 0.62%, 0.5%

LAB 74.48, -49.59, 9.6

 

CMYK 77 / 0 / 0 / 19

HEX #30CECE

RGB 48 206 206

HSL 180, 0.62%, 0.5%

LAB 75.59, -38.37, -11.41

 

CMYK 77 / 20 / 0 / 19

HEX #30A4CE

RGB 48 164 206

HSL 195.95, 0.62%, 0.5%

LAB 63.04, -17.64, -30.51

 

CMYK 77 / 41 / 0 / 19

HEX #307ACE

RGB 48 122 206

HSL 211.9, 0.62%, 0.5%

LAB 50.69, 6.52, -49.93

 

CMYK 77 / 61 / 0 / 19

HEX #3050CE

RGB 48 80 206

HSL 227.85, 0.62%, 0.5%

LAB 39.28, 33.29, -68.37

 

CMYK 77 / 21 / 0 / 45

HEX #206E8B

RGB 32 110 139

HSL 196.26, 0.63%, 0.34%

LAB 43.25, -12.96, -22.61

 

CMYK 77 / 21 / 0 / 32

HEX #2889AD

RGB 40 137 173

HSL 196.24, 0.62%, 0.42%

LAB 53.34, -15.18, -26.89

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 62 / 17 / 0 / 16

HEX #51B2D6

RGB 81 178 214

HSL 196.24, 0.62%, 0.58%

LAB 68.35, -17.73, -26.68

 

CMYK 48 / 13 / 0 / 13

HEX #73C1DE

RGB 115 193 222

HSL 196.26, 0.62%, 0.66%

LAB 74.23, -16.34, -21.94

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 41 / 77 / 0 / 19

HEX #7A30CE

RGB 122 48 206

HSL 268.1, 0.62%, 0.5%

LAB 39.08, 61.07, -68.44

 

CMYK 0 / 10 / 77 / 19

HEX #CEB930

RGB 206 185 48

HSL 52.03, 0.62%, 0.5%

LAB 74.85, -6.74, 67.05

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 0 / 77 / 20 / 19

HEX #CE30A4

RGB 206 48 164

HSL 315.95, 0.62%, 0.5%

LAB 49.39, 70.3, -26.6

 

CMYK 20 / 0 / 77 / 19

HEX #A4CE30

RGB 164 206 48

HSL 75.95, 0.62%, 0.5%

LAB 77.43, -34.65, 68.27

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 41 / 77 / 0 / 19

HEX #7A30CE

RGB 122 48 206

HSL 268.1, 0.62%, 0.5%

LAB 39.08, 61.07, -68.44

 

CMYK 0 / 56 / 77 / 19

HEX #CE5A30

RGB 206 90 48

HSL 15.95, 0.62%, 0.5%

LAB 52.56, 43.55, 45.56

 

CMYK 36 / 0 / 77 / 19

HEX #84CE30

RGB 132 206 48

HSL 88.1, 0.62%, 0.5%

LAB 75.61, -46.62, 65.92

 

CMYK 77 / 21 / 0 / 19

HEX #30A3CE

RGB 48 163 206

HSL 196.33, 0.62%, 0.5%

LAB 62.74, -17.11, -30.97

 

CMYK 18 / 77 / 0 / 19

HEX #A930CE

RGB 169 48 206

HSL 285.95, 0.62%, 0.5%

LAB 45.64, 69.2, -57.49

 

CMYK 0 / 56 / 77 / 19

HEX #CE5A30

RGB 206 90 48

HSL 15.95, 0.62%, 0.5%

LAB 52.56, 43.55, 45.56

 

CMYK 59 / 0 / 77 / 19

HEX #55CE30

RGB 85 206 48

HSL 105.95, 0.62%, 0.5%

LAB 73.73, -60.74, 63.46

 

Description

Color code: HEX #30A3CE | qconv.com Color code: HEX #30A3CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 163 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 163 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 21 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 21% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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