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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309ECE it is the complementary color #CF6131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309ECE shade: #359EC9, #46B0DC, #57C2EF, #68D4FF and #79E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309ECE shade: #309ECE, #1F8CBB, #0E7AA8, #006895 and #005682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309ECE shade: #309ECE, #3073CE, #3049CE, #4230CE and #6C30CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309ECE shade: #309ECE, #3073CE, #3049CE and #3030CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309ECE shade matches the following richer shades: #309ECE, #1BA6E3 and #07AEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309ECE shade: #309ECE, #4596B9, #598EA5, #6E8690 and #827E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309ECE shade: #30CEA9, #30C9CE, #309FCE, #3074CE and #304ACE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309ECE shade: #206B8B, #2884AD, #309ECE, #51AED6 and #73BDDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309ECE shade: #309ECE, #7F30CE and #CEBE30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309ECE shade: #309ECE, #CE309F and #9FCE30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309ECE shade: #309ECE, #7F30CE, #CE5F30 and #7FCE30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309ECE shade: #309ECE, #AE30CE, #CE5F30 and #50CE30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

Complementary color

CMYK 0 / 53 / 76 / 19

HEX #CF6131

RGB 207 97 49

HSL 18.23, 0.62%, 0.5%

LAB 54.07, 40.53, 46.65

 

CMYK 74 / 21 / 0 / 21

HEX #359EC9

RGB 53 158 201

HSL 197.43, 0.58%, 0.5%

LAB 61.16, -15.5, -30.63

 

CMYK 68 / 20 / 0 / 14

HEX #46B0DC

RGB 70 176 220

HSL 197.6, 0.68%, 0.57%

LAB 67.67, -16.57, -31.05

 

CMYK 64 / 19 / 0 / 6

HEX #57C2EF

RGB 87 194 239

HSL 197.76, 0.83%, 0.64%

LAB 74.09, -17.4, -31.43

 

CMYK 59 / 17 / 0 / 0

HEX #68D4FF

RGB 104 212 255

HSL 197.09, 1%, 0.7%

LAB 80.32, -18.94, -30.37

 

CMYK 53 / 10 / 0 / 0

HEX #79E6FF

RGB 121 230 255

HSL 191.19, 1%, 0.74%

LAB 85.95, -24.71, -21.73

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 83 / 25 / 0 / 27

HEX #1F8CBB

RGB 31 140 187

HSL 198.08, 0.72%, 0.43%

LAB 54.69, -12.81, -32.81

 

CMYK 92 / 27 / 0 / 34

HEX #0E7AA8

RGB 14 122 168

HSL 197.92, 0.85%, 0.36%

LAB 48.06, -10.75, -32.25

 

CMYK 100 / 30 / 0 / 42

HEX #006895

RGB 0 104 149

HSL 198.12, 1%, 0.29%

LAB 41.33, -8.15, -31.61

 

CMYK 100 / 34 / 0 / 49

HEX #005682

RGB 0 86 130

HSL 200.31, 1%, 0.25%

LAB 34.53, -4.73, -30.81

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 77 / 44 / 0 / 19

HEX #3073CE

RGB 48 115 206

HSL 214.56, 0.62%, 0.5%

LAB 48.69, 10.87, -53.12

 

CMYK 77 / 65 / 0 / 19

HEX #3049CE

RGB 48 73 206

HSL 230.51, 0.62%, 0.5%

LAB 37.57, 37.73, -71.16

 

CMYK 68 / 77 / 0 / 19

HEX #4230CE

RGB 66 48 206

HSL 246.84, 0.62%, 0.5%

LAB 33.41, 53.85, -77.97

 

CMYK 48 / 77 / 0 / 19

HEX #6C30CE

RGB 108 48 206

HSL 262.78, 0.62%, 0.5%

LAB 37.41, 58.95, -71.26

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 77 / 44 / 0 / 19

HEX #3073CE

RGB 48 115 206

HSL 214.56, 0.62%, 0.5%

LAB 48.69, 10.87, -53.12

 

CMYK 77 / 65 / 0 / 19

HEX #3049CE

RGB 48 73 206

HSL 230.51, 0.62%, 0.5%

LAB 37.57, 37.73, -71.16

 

CMYK 77 / 77 / 0 / 19

HEX #3030CE

RGB 48 48 206

HSL 240, 0.62%, 0.5%

LAB 32.25, 52.34, -79.92

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 88 / 27 / 0 / 11

HEX #1BA6E3

RGB 27 166 227

HSL 198.3, 0.79%, 0.5%

LAB 64.2, -13.19, -40.35

 

CMYK 97 / 30 / 0 / 3

HEX #07AEF7

RGB 7 174 247

HSL 198.25, 0.94%, 0.5%

LAB 67.3, -11.18, -46.45

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 63 / 19 / 0 / 27

HEX #4596B9

RGB 69 150 185

HSL 198.1, 0.46%, 0.5%

LAB 58.58, -13.94, -25.57

 

CMYK 46 / 14 / 0 / 35

HEX #598EA5

RGB 89 142 165

HSL 198.16, 0.3%, 0.5%

LAB 56.27, -11.26, -17.64

 

CMYK 24 / 7 / 0 / 44

HEX #6E8690

RGB 110 134 144

HSL 197.65, 0.13%, 0.5%

LAB 54.43, -6.22, -8.21

 

CMYK 0 / 3 / 5 / 49

HEX #827E7C

RGB 130 126 124

HSL 20, 0.02%, 0.5%

LAB 53.08, 1.12, 1.62

 

CMYK 77 / 0 / 18 / 19

HEX #30CEA9

RGB 48 206 169

HSL 165.95, 0.62%, 0.5%

LAB 74.59, -48.36, 7.08

 

CMYK 77 / 2 / 0 / 19

HEX #30C9CE

RGB 48 201 206

HSL 181.9, 0.62%, 0.5%

LAB 74.1, -36.06, -13.65

 

CMYK 77 / 23 / 0 / 19

HEX #309FCE

RGB 48 159 206

HSL 197.85, 0.62%, 0.5%

LAB 61.55, -14.95, -32.82

 

CMYK 77 / 44 / 0 / 19

HEX #3074CE

RGB 48 116 206

HSL 214.18, 0.62%, 0.5%

LAB 48.98, 10.24, -52.67

 

CMYK 77 / 64 / 0 / 19

HEX #304ACE

RGB 48 74 206

HSL 230.13, 0.62%, 0.5%

LAB 37.81, 37.1, -70.77

 

CMYK 77 / 23 / 0 / 45

HEX #206B8B

RGB 32 107 139

HSL 197.94, 0.63%, 0.34%

LAB 42.29, -11.22, -24.09

 

CMYK 77 / 24 / 0 / 32

HEX #2884AD

RGB 40 132 173

HSL 198.5, 0.62%, 0.42%

LAB 51.8, -12.39, -29.27

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 62 / 19 / 0 / 16

HEX #51AED6

RGB 81 174 214

HSL 198.05, 0.62%, 0.58%

LAB 67.18, -15.62, -28.47

 

CMYK 48 / 15 / 0 / 13

HEX #73BDDE

RGB 115 189 222

HSL 198.5, 0.62%, 0.66%

LAB 73.1, -14.24, -23.66

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 38 / 77 / 0 / 19

HEX #7F30CE

RGB 127 48 206

HSL 270, 0.62%, 0.5%

LAB 39.72, 61.86, -67.38

 

CMYK 0 / 8 / 77 / 19

HEX #CEBE30

RGB 206 190 48

HSL 53.92, 0.62%, 0.5%

LAB 76.17, -9.32, 68.26

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 0 / 77 / 23 / 19

HEX #CE309F

RGB 206 48 159

HSL 317.85, 0.62%, 0.5%

LAB 49.18, 69.66, -23.97

 

CMYK 23 / 0 / 77 / 19

HEX #9FCE30

RGB 159 206 48

HSL 77.85, 0.62%, 0.5%

LAB 77.12, -36.6, 67.87

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 38 / 77 / 0 / 19

HEX #7F30CE

RGB 127 48 206

HSL 270, 0.62%, 0.5%

LAB 39.72, 61.86, -67.38

 

CMYK 0 / 54 / 77 / 19

HEX #CE5F30

RGB 206 95 48

HSL 17.85, 0.62%, 0.5%

LAB 53.51, 41.1, 46.53

 

CMYK 38 / 0 / 77 / 19

HEX #7FCE30

RGB 127 206 48

HSL 90, 0.62%, 0.5%

LAB 75.37, -48.34, 65.6

 

CMYK 77 / 23 / 0 / 19

HEX #309ECE

RGB 48 158 206

HSL 198.23, 0.62%, 0.5%

LAB 61.25, -14.41, -33.28

 

CMYK 16 / 77 / 0 / 19

HEX #AE30CE

RGB 174 48 206

HSL 287.85, 0.62%, 0.5%

LAB 46.4, 70.13, -56.23

 

CMYK 0 / 54 / 77 / 19

HEX #CE5F30

RGB 206 95 48

HSL 17.85, 0.62%, 0.5%

LAB 53.51, 41.1, 46.53

 

CMYK 61 / 0 / 77 / 19

HEX #50CE30

RGB 80 206 48

HSL 107.85, 0.62%, 0.5%

LAB 73.59, -61.93, 63.27

 

Description

Color code: HEX #309ECE | qconv.com Color code: HEX #309ECE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 158 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 158 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 23 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 23% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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