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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309A5C it is the complementary color #CF65A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309A5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309A5C shade: #359A57, #46AC6A, #57BE7D, #68D090 and #79E2A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309A5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309A5C shade: #309A5C, #1F8849, #0E7636, #006423 and #005210

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309A5C shade: #309B5D, #309B40, #3E9B30, #5A9B30 and #779B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309A5C shade: #309B5D, #309B79, #309B96, #30839B and #30669B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309A5C shade matches the following richer shades: #309B5D, #20AB5A and #0FBC57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309A5C shade: #309B5D, #418A5F, #517A62, #626965 and #725968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309A5C shade: #3F9B30, #309B3F, #309B5B, #309B77 and #309B93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309A5C shade: #1D5C37, #277B4A, #309B5D, #3ABA6F and #55C985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309A5C shade: #309A5C, #305B9B and #9B3030

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309A5C shade: #309A5C, #5B309B and #9B5B30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309A5C shade: #309A5C, #305B9B, #9B3070 and #9B7030

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309A5C shade: #309A5C, #303B9B, #9B3070 and #9B9030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 40 / 40

HEX #309A5C

RGB 48 154 92

HSL 144.91, 0.52%, 0.4%

LAB 56.6, -44.49, 24.03

 

Complementary color

CMYK 0 / 51 / 21 / 19

HEX #CF65A3

RGB 207 101 163

HSL 324.91, 0.52%, 0.6%

LAB 57.29, 49.18, -13.92

 

CMYK 66 / 0 / 44 / 40

HEX #359A57

RGB 53 154 87

HSL 140.2, 0.49%, 0.41%

LAB 56.64, -44.45, 26.81

 

CMYK 59 / 0 / 38 / 33

HEX #46AC6A

RGB 70 172 106

HSL 141.18, 0.42%, 0.47%

LAB 63.22, -44.65, 25.34

 

CMYK 54 / 0 / 34 / 25

HEX #57BE7D

RGB 87 190 125

HSL 142.14, 0.44%, 0.54%

LAB 69.71, -44.66, 23.99

 

CMYK 50 / 0 / 31 / 18

HEX #68D090

RGB 104 208 144

HSL 143.08, 0.53%, 0.61%

LAB 76.11, -44.55, 22.74

 

CMYK 46 / 0 / 28 / 11

HEX #79E2A3

RGB 121 226 163

HSL 144, 0.64%, 0.68%

LAB 82.43, -44.38, 21.57

 

CMYK 69 / 0 / 40 / 40

HEX #309A5C

RGB 48 154 92

HSL 144.91, 0.52%, 0.4%

LAB 56.6, -44.49, 24.03

 

CMYK 77 / 0 / 46 / 47

HEX #1F8849

RGB 31 136 73

HSL 144, 0.63%, 0.33%

LAB 49.95, -43.83, 25.66

 

CMYK 88 / 0 / 54 / 54

HEX #0E7636

RGB 14 118 54

HSL 143.08, 0.79%, 0.26%

LAB 43.24, -42.55, 27.43

 

CMYK 100 / 0 / 65 / 61

HEX #006423

RGB 0 100 35

HSL 141, 1%, 0.2%

LAB 36.43, -40.42, 29.22

 

CMYK 100 / 0 / 80 / 68

HEX #005210

RGB 0 82 16

HSL 131.71, 1%, 0.16%

LAB 29.59, -36.59, 30.68

 

CMYK 69 / 0 / 40 / 39

HEX #309B5D

RGB 48 155 93

HSL 145.23, 0.53%, 0.4%

LAB 56.94, -44.7, 23.94

 

CMYK 69 / 0 / 59 / 39

HEX #309B40

RGB 48 155 64

HSL 128.97, 0.53%, 0.4%

LAB 56.53, -49.4, 38.45

 

CMYK 60 / 0 / 69 / 39

HEX #3E9B30

RGB 62 155 48

HSL 112.15, 0.53%, 0.4%

LAB 56.76, -48.06, 46.07

 

CMYK 42 / 0 / 69 / 39

HEX #5A9B30

RGB 90 155 48

HSL 96.45, 0.53%, 0.4%

LAB 57.88, -39.67, 47.58

 

CMYK 23 / 0 / 69 / 39

HEX #779B30

RGB 119 155 48

HSL 80.19, 0.53%, 0.4%

LAB 59.51, -28.74, 49.79

 

CMYK 69 / 0 / 40 / 39

HEX #309B5D

RGB 48 155 93

HSL 145.23, 0.53%, 0.4%

LAB 56.94, -44.7, 23.94

 

CMYK 69 / 0 / 22 / 39

HEX #309B79

RGB 48 155 121

HSL 160.93, 0.53%, 0.4%

LAB 57.51, -38.55, 9.14

 

CMYK 69 / 0 / 3 / 39

HEX #309B96

RGB 48 155 150

HSL 177.2, 0.53%, 0.4%

LAB 58.3, -30.76, -6.18

 

CMYK 69 / 15 / 0 / 39

HEX #30839B

RGB 48 131 155

HSL 193.46, 0.53%, 0.4%

LAB 50.95, -16.88, -20.14

 

CMYK 69 / 34 / 0 / 39

HEX #30669B

RGB 48 102 155

HSL 209.72, 0.53%, 0.4%

LAB 42, 0.06, -34.07

 

CMYK 69 / 0 / 40 / 39

HEX #309B5D

RGB 48 155 93

HSL 145.23, 0.53%, 0.4%

LAB 56.94, -44.7, 23.94

 

CMYK 81 / 0 / 47 / 33

HEX #20AB5A

RGB 32 171 90

HSL 145.04, 0.68%, 0.4%

LAB 61.8, -53.62, 31.77

 

CMYK 92 / 0 / 54 / 26

HEX #0FBC57

RGB 15 188 87

HSL 144.97, 0.85%, 0.4%

LAB 67.09, -61.26, 39.83

 

CMYK 69 / 0 / 40 / 39

HEX #309B5D

RGB 48 155 93

HSL 145.23, 0.53%, 0.4%

LAB 56.94, -44.7, 23.94

 

CMYK 53 / 0 / 31 / 46

HEX #418A5F

RGB 65 138 95

HSL 144.66, 0.36%, 0.4%

LAB 51.98, -33.22, 16.24

 

CMYK 34 / 0 / 20 / 52

HEX #517A62

RGB 81 122 98

HSL 144.88, 0.2%, 0.4%

LAB 47.69, -19.86, 8.65

 

CMYK 7 / 0 / 4 / 59

HEX #626965

RGB 98 105 101

HSL 145.71, 0.03%, 0.4%

LAB 43.71, -3.53, 1.32

 

CMYK 0 / 22 / 9 / 55

HEX #725968

RGB 114 89 104

HSL 324, 0.12%, 0.4%

LAB 40.77, 12.99, -4.66

 

CMYK 59 / 0 / 69 / 39

HEX #3F9B30

RGB 63 155 48

HSL 111.59, 0.53%, 0.4%

LAB 56.79, -47.81, 46.11

 

CMYK 69 / 0 / 59 / 39

HEX #309B3F

RGB 48 155 63

HSL 128.41, 0.53%, 0.4%

LAB 56.52, -49.54, 38.92

 

CMYK 69 / 0 / 41 / 39

HEX #309B5B

RGB 48 155 91

HSL 144.11, 0.53%, 0.4%

LAB 56.91, -45.08, 24.98

 

CMYK 69 / 0 / 23 / 39

HEX #309B77

RGB 48 155 119

HSL 159.81, 0.53%, 0.4%

LAB 57.47, -39.04, 10.2

 

CMYK 69 / 0 / 5 / 39

HEX #309B93

RGB 48 155 147

HSL 175.51, 0.53%, 0.4%

LAB 58.21, -31.62, -4.61

 

CMYK 68 / 0 / 40 / 64

HEX #1D5C37

RGB 29 92 55

HSL 144.76, 0.52%, 0.24%

LAB 34.38, -29.51, 15.57

 

CMYK 68 / 0 / 40 / 52

HEX #277B4A

RGB 39 123 74

HSL 145, 0.52%, 0.32%

LAB 45.76, -37, 19.66

 

CMYK 69 / 0 / 40 / 39

HEX #309B5D

RGB 48 155 93

HSL 145.23, 0.53%, 0.4%

LAB 56.94, -44.7, 23.94

 

CMYK 69 / 0 / 40 / 27

HEX #3ABA6F

RGB 58 186 111

HSL 144.84, 0.52%, 0.48%

LAB 67.4, -51.69, 28.16

 

CMYK 58 / 0 / 34 / 21

HEX #55C985

RGB 85 201 133

HSL 144.83, 0.52%, 0.56%

LAB 73.15, -48.19, 24.4

 

CMYK 69 / 0 / 40 / 40

HEX #309A5C

RGB 48 154 92

HSL 144.91, 0.52%, 0.4%

LAB 56.6, -44.49, 24.03

 

CMYK 69 / 41 / 0 / 39

HEX #305B9B

RGB 48 91 155

HSL 215.89, 0.53%, 0.4%

LAB 38.69, 7.03, -39.32

 

CMYK 0 / 69 / 69 / 39

HEX #9B3030

RGB 155 48 48

HSL 0, 0.53%, 0.4%

LAB 36.55, 44.35, 25.27

 

CMYK 69 / 0 / 40 / 40

HEX #309A5C

RGB 48 154 92

HSL 144.91, 0.52%, 0.4%

LAB 56.6, -44.49, 24.03

 

CMYK 41 / 69 / 0 / 39

HEX #5B309B

RGB 91 48 155

HSL 264.11, 0.53%, 0.4%

LAB 31.12, 42.64, -51.32

 

CMYK 0 / 41 / 69 / 39

HEX #9B5B30

RGB 155 91 48

HSL 24.11, 0.53%, 0.4%

LAB 45.17, 22.36, 35.36

 

CMYK 69 / 0 / 40 / 40

HEX #309A5C

RGB 48 154 92

HSL 144.91, 0.52%, 0.4%

LAB 56.6, -44.49, 24.03

 

CMYK 69 / 41 / 0 / 39

HEX #305B9B

RGB 48 91 155

HSL 215.89, 0.53%, 0.4%

LAB 38.69, 7.03, -39.32

 

CMYK 0 / 69 / 28 / 39

HEX #9B3070

RGB 155 48 112

HSL 324.11, 0.53%, 0.4%

LAB 38.29, 50.43, -12.78

 

CMYK 0 / 28 / 69 / 39

HEX #9B7030

RGB 155 112 48

HSL 35.89, 0.53%, 0.4%

LAB 50.42, 10.34, 41.15

 

CMYK 69 / 0 / 40 / 40

HEX #309A5C

RGB 48 154 92

HSL 144.91, 0.52%, 0.4%

LAB 56.6, -44.49, 24.03

 

CMYK 69 / 62 / 0 / 39

HEX #303B9B

RGB 48 59 155

HSL 233.83, 0.53%, 0.4%

LAB 29.72, 28.26, -53.77

 

CMYK 0 / 69 / 28 / 39

HEX #9B3070

RGB 155 48 112

HSL 324.11, 0.53%, 0.4%

LAB 38.29, 50.43, -12.78

 

CMYK 0 / 7 / 69 / 39

HEX #9B9030

RGB 155 144 48

HSL 53.83, 0.53%, 0.4%

LAB 59.09, -7.54, 50.25

 

Description

Color code: HEX #309A5C | qconv.com Color code: HEX #309A5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 154 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 154 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 40 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 40% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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