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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #307C0F it is the complementary color #CF83F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #307C0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #307C0F shade: #357C0A, #468E1D, #57A030, #68B243 and #79C456

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #307C0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #307C0F shade: #307C0F, #1F6A00, #0E5800, #004600 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #307C0F shade: #2F7A0F, #4C7A0F, #697A0F, #7A6E0F and #7A510F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #307C0F shade: #2F7A0F, #127A0F, #0F7A28, #0F7A45 and #0F7A62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #307C0F shade matches the following richer shades: #2F7A0F and #2B8504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #307C0F shade: #2F7A0F, #346F1A, #386425, #3C5930 and #414D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #307C0F shade: #6A7A0F, #4D7A0F, #317A0F, #147A0F and #0F7A26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #307C0F shade: #133106, #21550A, #2F7A0F, #3D9F13 and #4CC318

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #307C0F shade: #307C0F, #0F7A6E and #7A0F5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #307C0F shade: #307C0F, #0F317A and #7A0F31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #307C0F shade: #307C0F, #0F7A6E, #580F7A and #7A0F1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #307C0F shade: #307C0F, #0F667A, #580F7A and #7A220F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 88 / 51

HEX #307C0F

RGB 48 124 15

HSL 101.83, 0.78%, 0.27%

LAB 45.74, -42.42, 46.63

 

Complementary color

CMYK 14 / 45 / 0 / 6

HEX #CF83F0

RGB 207 131 240

HSL 281.83, 0.78%, 0.73%

LAB 66.36, 47.49, -43.4

 

CMYK 57 / 0 / 92 / 51

HEX #357C0A

RGB 53 124 10

HSL 97.37, 0.85%, 0.26%

LAB 45.9, -41.21, 47.97

 

CMYK 51 / 0 / 80 / 44

HEX #468E1D

RGB 70 142 29

HSL 98.23, 0.66%, 0.34%

LAB 52.66, -42.22, 49.18

 

CMYK 46 / 0 / 70 / 37

HEX #57A030

RGB 87 160 48

HSL 99.11, 0.54%, 0.41%

LAB 59.33, -42.77, 49.06

 

CMYK 42 / 0 / 62 / 30

HEX #68B243

RGB 104 178 67

HSL 100, 0.45%, 0.48%

LAB 65.9, -43.04, 48.31

 

CMYK 38 / 0 / 56 / 23

HEX #79C456

RGB 121 196 86

HSL 100.91, 0.48%, 0.55%

LAB 72.37, -43.14, 47.28

 

CMYK 61 / 0 / 88 / 51

HEX #307C0F

RGB 48 124 15

HSL 101.83, 0.78%, 0.27%

LAB 45.74, -42.42, 46.63

 

CMYK 71 / 0 / 100 / 58

HEX #1F6A00

RGB 31 106 0

HSL 102.45, 1%, 0.21%

LAB 38.9, -40.7, 44.23

 

CMYK 84 / 0 / 100 / 65

HEX #0E5800

RGB 14 88 0

HSL 110.45, 1%, 0.17%

LAB 31.97, -37.77, 38.56

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 61 / 0 / 88 / 52

HEX #2F7A0F

RGB 47 122 15

HSL 102.06, 0.78%, 0.27%

LAB 45.02, -41.93, 45.98

 

CMYK 38 / 0 / 88 / 52

HEX #4C7A0F

RGB 76 122 15

HSL 85.79, 0.78%, 0.27%

LAB 46.3, -32.28, 47.59

 

CMYK 14 / 0 / 88 / 52

HEX #697A0F

RGB 105 122 15

HSL 69.53, 0.78%, 0.27%

LAB 48.21, -19.98, 49.98

 

CMYK 0 / 10 / 88 / 52

HEX #7A6E0F

RGB 122 110 15

HSL 53.27, 0.78%, 0.27%

LAB 46.07, -5.48, 48.79

 

CMYK 0 / 34 / 88 / 52

HEX #7A510F

RGB 122 81 15

HSL 37.01, 0.78%, 0.27%

LAB 37.94, 11.55, 41.96

 

CMYK 61 / 0 / 88 / 52

HEX #2F7A0F

RGB 47 122 15

HSL 102.06, 0.78%, 0.27%

LAB 45.02, -41.93, 45.98

 

CMYK 85 / 0 / 88 / 52

HEX #127A0F

RGB 18 122 15

HSL 118.32, 0.78%, 0.27%

LAB 44.35, -47.64, 45.12

 

CMYK 88 / 0 / 67 / 52

HEX #0F7A28

RGB 15 122 40

HSL 134.02, 0.78%, 0.27%

LAB 44.48, -45.86, 35.93

 

CMYK 88 / 0 / 43 / 52

HEX #0F7A45

RGB 15 122 69

HSL 150.28, 0.78%, 0.27%

LAB 44.87, -41.17, 21.23

 

CMYK 88 / 0 / 20 / 52

HEX #0F7A62

RGB 15 122 98

HSL 166.54, 0.78%, 0.27%

LAB 45.5, -34.18, 5.24

 

CMYK 61 / 0 / 88 / 52

HEX #2F7A0F

RGB 47 122 15

HSL 102.06, 0.78%, 0.27%

LAB 45.02, -41.93, 45.98

 

CMYK 68 / 0 / 97 / 48

HEX #2B8504

RGB 43 133 4

HSL 101.86, 0.94%, 0.27%

LAB 48.63, -47.32, 51.31

 

CMYK 61 / 0 / 88 / 52

HEX #2F7A0F

RGB 47 122 15

HSL 102.06, 0.78%, 0.27%

LAB 45.02, -41.93, 45.98

 

CMYK 53 / 0 / 77 / 56

HEX #346F1A

RGB 52 111 26

HSL 101.65, 0.62%, 0.27%

LAB 41.49, -35.39, 39.1

 

CMYK 44 / 0 / 63 / 61

HEX #386425

RGB 56 100 37

HSL 101.9, 0.46%, 0.27%

LAB 38, -28.06, 30.41

 

CMYK 33 / 0 / 46 / 65

HEX #3C5930

RGB 60 89 48

HSL 102.44, 0.3%, 0.27%

LAB 34.64, -19.52, 20.34

 

CMYK 16 / 0 / 23 / 70

HEX #414D3B

RGB 65 77 59

HSL 100, 0.13%, 0.27%

LAB 31.22, -8.73, 9.12

 

CMYK 13 / 0 / 88 / 52

HEX #6A7A0F

RGB 106 122 15

HSL 68.97, 0.78%, 0.27%

LAB 48.28, -19.53, 50.08

 

CMYK 37 / 0 / 88 / 52

HEX #4D7A0F

RGB 77 122 15

HSL 85.23, 0.78%, 0.27%

LAB 46.35, -31.89, 47.66

 

CMYK 60 / 0 / 88 / 52

HEX #317A0F

RGB 49 122 15

HSL 100.93, 0.78%, 0.27%

LAB 45.09, -41.38, 46.06

 

CMYK 84 / 0 / 88 / 52

HEX #147A0F

RGB 20 122 15

HSL 117.2, 0.78%, 0.27%

LAB 44.38, -47.39, 45.16

 

CMYK 88 / 0 / 69 / 52

HEX #0F7A26

RGB 15 122 38

HSL 132.9, 0.78%, 0.27%

LAB 44.46, -46.09, 36.82

 

CMYK 61 / 0 / 88 / 81

HEX #133106

RGB 19 49 6

HSL 101.86, 0.78%, 0.11%

LAB 17.22, -20.62, 21.79

 

CMYK 61 / 0 / 88 / 67

HEX #21550A

RGB 33 85 10

HSL 101.6, 0.79%, 0.19%

LAB 31.45, -31.6, 34.94

 

CMYK 61 / 0 / 88 / 52

HEX #2F7A0F

RGB 47 122 15

HSL 102.06, 0.78%, 0.27%

LAB 45.02, -41.93, 45.98

 

CMYK 62 / 0 / 88 / 38

HEX #3D9F13

RGB 61 159 19

HSL 102, 0.79%, 0.35%

LAB 57.88, -51.65, 56.52

 

CMYK 61 / 0 / 88 / 24

HEX #4CC318

RGB 76 195 24

HSL 101.75, 0.78%, 0.43%

LAB 69.92, -60.3, 66.1

 

CMYK 61 / 0 / 88 / 51

HEX #307C0F

RGB 48 124 15

HSL 101.83, 0.78%, 0.27%

LAB 45.74, -42.42, 46.63

 

CMYK 88 / 0 / 10 / 52

HEX #0F7A6E

RGB 15 122 110

HSL 173.27, 0.78%, 0.27%

LAB 45.83, -30.71, -1.4

 

CMYK 0 / 88 / 25 / 52

HEX #7A0F5C

RGB 122 15 92

HSL 316.82, 0.78%, 0.27%

LAB 27.44, 49.81, -17.12

 

CMYK 61 / 0 / 88 / 51

HEX #307C0F

RGB 48 124 15

HSL 101.83, 0.78%, 0.27%

LAB 45.74, -42.42, 46.63

 

CMYK 88 / 60 / 0 / 52

HEX #0F317A

RGB 15 49 122

HSL 220.93, 0.78%, 0.27%

LAB 22.67, 18.26, -44.85

 

CMYK 0 / 88 / 60 / 52

HEX #7A0F31

RGB 122 15 49

HSL 340.93, 0.78%, 0.27%

LAB 25.87, 45.32, 9.5

 

CMYK 61 / 0 / 88 / 51

HEX #307C0F

RGB 48 124 15

HSL 101.83, 0.78%, 0.27%

LAB 45.74, -42.42, 46.63

 

CMYK 88 / 0 / 10 / 52

HEX #0F7A6E

RGB 15 122 110

HSL 173.27, 0.78%, 0.27%

LAB 45.83, -30.71, -1.4

 

CMYK 28 / 88 / 0 / 52

HEX #580F7A

RGB 88 15 122

HSL 280.93, 0.78%, 0.27%

LAB 23.07, 48.01, -43.89

 

CMYK 0 / 88 / 78 / 52

HEX #7A0F1B

RGB 122 15 27

HSL 353.27, 0.78%, 0.27%

LAB 25.44, 44.06, 23.77

 

CMYK 61 / 0 / 88 / 51

HEX #307C0F

RGB 48 124 15

HSL 101.83, 0.78%, 0.27%

LAB 45.74, -42.42, 46.63

 

CMYK 88 / 16 / 0 / 52

HEX #0F667A

RGB 15 102 122

HSL 191.21, 0.78%, 0.27%

LAB 39.6, -16.38, -18.01

 

CMYK 28 / 88 / 0 / 52

HEX #580F7A

RGB 88 15 122

HSL 280.93, 0.78%, 0.27%

LAB 23.07, 48.01, -43.89

 

CMYK 0 / 72 / 88 / 52

HEX #7A220F

RGB 122 34 15

HSL 10.65, 0.78%, 0.27%

LAB 27.62, 37.2, 33.04

 

Description

Color code: HEX #307C0F | qconv.com Color code: HEX #307C0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 124 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 124 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 88 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 88% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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