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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #306DC0 it is the complementary color #CF923F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #306DC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #306DC0 shade: #356DBB, #467FCE, #5791E1, #68A3F4 and #79B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #306DC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #306DC0 shade: #306DC0, #1F5BAD, #0E499A, #003787 and #002574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #306DC0 shade: #2F6CBF, #2F46BF, #402FBF, #672FBF and #8E2FBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #306DC0 shade: #2F6CBF, #2F46BF and #2F2FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #306DC0 shade matches the following richer shades: #2F6CBF, #1C69D3 and #0966E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #306DC0 shade: #2F6CBF, #436FAC, #567298, #6A7585 and #7D7872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #306DC0 shade: #2FBABF, #2F94BF, #2F6EBF, #2F47BF and #3E2FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #306DC0 shade: #1F477D, #275A9E, #2F6CBF, #4781D1 and #6898D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #306DC0 shade: #306DC0, #9E2FBF and #A7BF2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #306DC0 shade: #306DC0, #BF2F6E and #6EBF2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #306DC0 shade: #306DC0, #9E2FBF, #BF812F and #51BF2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #306DC0 shade: #306DC0, #BF2FB6, #BF812F and #2FBF39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 43 / 0 / 25

HEX #306DC0

RGB 48 109 192

HSL 214.58, 0.6%, 0.47%

LAB 46.14, 9.39, -49.18

 

Complementary color

CMYK 0 / 29 / 70 / 19

HEX #CF923F

RGB 207 146 63

HSL 34.58, 0.6%, 0.53%

LAB 65.11, 15.18, 51.59

 

CMYK 72 / 42 / 0 / 27

HEX #356DBB

RGB 53 109 187

HSL 214.93, 0.56%, 0.47%

LAB 46.02, 8.22, -46.47

 

CMYK 66 / 38 / 0 / 19

HEX #467FCE

RGB 70 127 206

HSL 214.85, 0.58%, 0.54%

LAB 52.88, 6.59, -46.4

 

CMYK 61 / 36 / 0 / 12

HEX #5791E1

RGB 87 145 225

HSL 214.78, 0.7%, 0.61%

LAB 59.63, 5.3, -46.33

 

CMYK 57 / 33 / 0 / 4

HEX #68A3F4

RGB 104 163 244

HSL 214.71, 0.86%, 0.68%

LAB 66.27, 4.25, -46.29

 

CMYK 53 / 29 / 0 / 0

HEX #79B5FF

RGB 121 181 255

HSL 213.13, 1%, 0.74%

LAB 72.45, 0.97, -42.5

 

CMYK 75 / 43 / 0 / 25

HEX #306DC0

RGB 48 109 192

HSL 214.58, 0.6%, 0.47%

LAB 46.14, 9.39, -49.18

 

CMYK 82 / 47 / 0 / 32

HEX #1F5BAD

RGB 31 91 173

HSL 214.65, 0.7%, 0.4%

LAB 39.23, 11.74, -49.2

 

CMYK 91 / 53 / 0 / 40

HEX #0E499A

RGB 14 73 154

HSL 214.71, 0.83%, 0.33%

LAB 32.24, 14.76, -49.13

 

CMYK 100 / 59 / 0 / 47

HEX #003787

RGB 0 55 135

HSL 215.56, 1%, 0.26%

LAB 25.2, 18.56, -48.9

 

CMYK 100 / 68 / 0 / 55

HEX #002574

RGB 0 37 116

HSL 220.86, 1%, 0.23%

LAB 18.29, 23.36, -48.19

 

CMYK 75 / 43 / 0 / 25

HEX #2F6CBF

RGB 47 108 191

HSL 214.58, 0.61%, 0.47%

LAB 45.76, 9.52, -49.21

 

CMYK 75 / 63 / 0 / 25

HEX #2F46BF

RGB 47 70 191

HSL 230.42, 0.61%, 0.47%

LAB 35.49, 34.12, -65.84

 

CMYK 66 / 75 / 0 / 25

HEX #402FBF

RGB 64 47 191

HSL 247.08, 0.61%, 0.47%

LAB 31.54, 49.58, -72.29

 

CMYK 46 / 75 / 0 / 25

HEX #672FBF

RGB 103 47 191

HSL 263.33, 0.61%, 0.47%

LAB 35.36, 54.79, -65.88

 

CMYK 26 / 75 / 0 / 25

HEX #8E2FBF

RGB 142 47 191

HSL 279.58, 0.61%, 0.47%

LAB 40.48, 61.54, -57.31

 

CMYK 75 / 43 / 0 / 25

HEX #2F6CBF

RGB 47 108 191

HSL 214.58, 0.61%, 0.47%

LAB 45.76, 9.52, -49.21

 

CMYK 75 / 63 / 0 / 25

HEX #2F46BF

RGB 47 70 191

HSL 230.42, 0.61%, 0.47%

LAB 35.49, 34.12, -65.84

 

CMYK 75 / 75 / 0 / 25

HEX #2F2FBF

RGB 47 47 191

HSL 240, 0.61%, 0.47%

LAB 30.4, 47.97, -74.22

 

CMYK 75 / 43 / 0 / 25

HEX #2F6CBF

RGB 47 108 191

HSL 214.58, 0.61%, 0.47%

LAB 45.76, 9.52, -49.21

 

CMYK 87 / 50 / 0 / 17

HEX #1C69D3

RGB 28 105 211

HSL 214.75, 0.77%, 0.47%

LAB 45.71, 17.32, -60.81

 

CMYK 96 / 56 / 0 / 10

HEX #0966E6

RGB 9 102 230

HSL 214.75, 0.92%, 0.47%

LAB 46.01, 25.83, -71.12

 

CMYK 75 / 43 / 0 / 25

HEX #2F6CBF

RGB 47 108 191

HSL 214.58, 0.61%, 0.47%

LAB 45.76, 9.52, -49.21

 

CMYK 61 / 35 / 0 / 33

HEX #436FAC

RGB 67 111 172

HSL 214.86, 0.44%, 0.47%

LAB 46.37, 4.03, -37.15

 

CMYK 43 / 25 / 0 / 40

HEX #567298

RGB 86 114 152

HSL 214.55, 0.28%, 0.47%

LAB 47.34, 0.29, -23.81

 

CMYK 20 / 12 / 0 / 48

HEX #6A7585

RGB 106 117 133

HSL 215.56, 0.11%, 0.47%

LAB 48.86, -0.42, -10.14

 

CMYK 0 / 4 / 9 / 51

HEX #7D7872

RGB 125 120 114

HSL 32.73, 0.05%, 0.47%

LAB 50.7, 0.77, 3.96

 

CMYK 75 / 3 / 0 / 25

HEX #2FBABF

RGB 47 186 191

HSL 182.08, 0.61%, 0.47%

LAB 69.1, -33.58, -12.97

 

CMYK 75 / 23 / 0 / 25

HEX #2F94BF

RGB 47 148 191

HSL 197.92, 0.61%, 0.47%

LAB 57.6, -14.19, -30.53

 

CMYK 75 / 42 / 0 / 25

HEX #2F6EBF

RGB 47 110 191

HSL 213.75, 0.61%, 0.47%

LAB 46.34, 8.26, -48.29

 

CMYK 75 / 63 / 0 / 25

HEX #2F47BF

RGB 47 71 191

HSL 230, 0.61%, 0.47%

LAB 35.74, 33.48, -65.43

 

CMYK 68 / 75 / 0 / 25

HEX #3E2FBF

RGB 62 47 191

HSL 246.25, 0.61%, 0.47%

LAB 31.39, 49.37, -72.54

 

CMYK 75 / 43 / 0 / 51

HEX #1F477D

RGB 31 71 125

HSL 214.47, 0.6%, 0.31%

LAB 30.1, 5.95, -34.71

 

CMYK 75 / 43 / 0 / 38

HEX #275A9E

RGB 39 90 158

HSL 214.29, 0.6%, 0.39%

LAB 38.22, 7.45, -41.88

 

CMYK 75 / 43 / 0 / 25

HEX #2F6CBF

RGB 47 108 191

HSL 214.58, 0.61%, 0.47%

LAB 45.76, 9.52, -49.21

 

CMYK 66 / 38 / 0 / 18

HEX #4781D1

RGB 71 129 209

HSL 214.78, 0.6%, 0.55%

LAB 53.65, 6.6, -46.88

 

CMYK 52 / 30 / 0 / 15

HEX #6898D9

RGB 104 152 217

HSL 214.51, 0.6%, 0.63%

LAB 62.01, 2.15, -38.09

 

CMYK 75 / 43 / 0 / 25

HEX #306DC0

RGB 48 109 192

HSL 214.58, 0.6%, 0.47%

LAB 46.14, 9.39, -49.18

 

CMYK 17 / 75 / 0 / 25

HEX #9E2FBF

RGB 158 47 191

HSL 286.25, 0.61%, 0.47%

LAB 42.86, 64.6, -53.35

 

CMYK 13 / 0 / 75 / 25

HEX #A7BF2F

RGB 167 191 47

HSL 70, 0.61%, 0.47%

LAB 73.34, -26.43, 64.84

 

CMYK 75 / 43 / 0 / 25

HEX #306DC0

RGB 48 109 192

HSL 214.58, 0.6%, 0.47%

LAB 46.14, 9.39, -49.18

 

CMYK 0 / 75 / 42 / 25

HEX #BF2F6E

RGB 191 47 110

HSL 333.75, 0.61%, 0.47%

LAB 44.57, 60.64, -1.47

 

CMYK 42 / 0 / 75 / 25

HEX #6EBF2F

RGB 110 191 47

HSL 93.75, 0.61%, 0.47%

LAB 70.02, -47.99, 60.51

 

CMYK 75 / 43 / 0 / 25

HEX #306DC0

RGB 48 109 192

HSL 214.58, 0.6%, 0.47%

LAB 46.14, 9.39, -49.18

 

CMYK 17 / 75 / 0 / 25

HEX #9E2FBF

RGB 158 47 191

HSL 286.25, 0.61%, 0.47%

LAB 42.86, 64.6, -53.35

 

CMYK 0 / 32 / 75 / 25

HEX #BF812F

RGB 191 129 47

HSL 34.17, 0.61%, 0.47%

LAB 58.96, 16.77, 51.78

 

CMYK 58 / 0 / 75 / 25

HEX #51BF2F

RGB 81 191 47

HSL 105.83, 0.61%, 0.47%

LAB 68.91, -56.51, 59.04

 

CMYK 75 / 43 / 0 / 25

HEX #306DC0

RGB 48 109 192

HSL 214.58, 0.6%, 0.47%

LAB 46.14, 9.39, -49.18

 

CMYK 0 / 75 / 5 / 25

HEX #BF2FB6

RGB 191 47 182

HSL 303.75, 0.61%, 0.47%

LAB 47.61, 69.81, -40.19

 

CMYK 0 / 32 / 75 / 25

HEX #BF812F

RGB 191 129 47

HSL 34.17, 0.61%, 0.47%

LAB 58.96, 16.77, 51.78

 

CMYK 75 / 0 / 70 / 25

HEX #2FBF39

RGB 47 191 57

HSL 124.17, 0.61%, 0.47%

LAB 68.14, -62.61, 54.37

 

Description

Color code: HEX #306DC0 | qconv.com Color code: HEX #306DC0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 109 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 109 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 43 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 43% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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