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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #305086 it is the complementary color #CFAF79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #305086. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #305086 shade: #355081, #466294, #5774A7, #6886BA and #7998CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #305086. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #305086 shade: #305086, #1F3E73, #0E2C60, #001A4D and #00083A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #305086 shade: #305086, #303986, #3F3086, #563086 and #6D3086

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #305086 shade: #305086, #303986 and #303086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #305086 shade matches the following richer shades: #305086, #214C95, #1249A4 and #0445B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #305086 shade: #305086, #3F5478, #4E5869, #5D5C5A and #6C5F4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #305086 shade: #307F86, #306886, #305186, #303A86 and #3D3086

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #305086 shade: #1A2C4A, #253E68, #305086, #3B62A5 and #4B76BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #305086 shade: #305086, #773086 and #748630

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #305086 shade: #305086, #863051 and #518630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #305086 shade: #305086, #773086, #866530 and #408630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #305086 shade: #305086, #86307C, #866530 and #30863A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

Complementary color

CMYK 0 / 15 / 42 / 19

HEX #CFAF79

RGB 207 175 121

HSL 37.67, 0.47%, 0.64%

LAB 73.09, 4.27, 31.98

 

CMYK 59 / 38 / 0 / 49

HEX #355081

RGB 53 80 129

HSL 218.68, 0.42%, 0.36%

LAB 34.15, 5.67, -30.7

 

CMYK 53 / 34 / 0 / 42

HEX #466294

RGB 70 98 148

HSL 218.46, 0.36%, 0.43%

LAB 41.49, 4.67, -30.61

 

CMYK 48 / 31 / 0 / 35

HEX #5774A7

RGB 87 116 167

HSL 218.25, 0.31%, 0.5%

LAB 48.64, 3.9, -30.57

 

CMYK 44 / 28 / 0 / 27

HEX #6886BA

RGB 104 134 186

HSL 218.05, 0.37%, 0.57%

LAB 55.62, 3.3, -30.59

 

CMYK 41 / 26 / 0 / 20

HEX #7998CD

RGB 121 152 205

HSL 217.86, 0.46%, 0.64%

LAB 62.45, 2.8, -30.64

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 73 / 46 / 0 / 55

HEX #1F3E73

RGB 31 62 115

HSL 217.86, 0.58%, 0.29%

LAB 26.66, 8.12, -33.92

 

CMYK 85 / 54 / 0 / 62

HEX #0E2C60

RGB 14 44 96

HSL 218.05, 0.75%, 0.22%

LAB 18.97, 10.61, -34.05

 

CMYK 100 / 66 / 0 / 70

HEX #001A4D

RGB 0 26 77

HSL 219.74, 1%, 0.15%

LAB 11.1, 14.19, -34.07

 

CMYK 100 / 86 / 0 / 77

HEX #00083A

RGB 0 8 58

HSL 231.72, 1%, 0.11%

LAB 4.33, 16.19, -31.72

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 64 / 57 / 0 / 47

HEX #303986

RGB 48 57 134

HSL 233.72, 0.47%, 0.36%

LAB 27.51, 21.91, -44.45

 

CMYK 53 / 64 / 0 / 47

HEX #3F3086

RGB 63 48 134

HSL 250.47, 0.47%, 0.36%

LAB 26.42, 30.73, -46.15

 

CMYK 36 / 64 / 0 / 47

HEX #563086

RGB 86 48 134

HSL 266.51, 0.47%, 0.36%

LAB 28.94, 35.86, -41.96

 

CMYK 19 / 64 / 0 / 47

HEX #6D3086

RGB 109 48 134

HSL 282.56, 0.47%, 0.36%

LAB 32, 41.58, -36.88

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 64 / 57 / 0 / 47

HEX #303986

RGB 48 57 134

HSL 233.72, 0.47%, 0.36%

LAB 27.51, 21.91, -44.45

 

CMYK 64 / 64 / 0 / 47

HEX #303086

RGB 48 48 134

HSL 240, 0.47%, 0.36%

LAB 25.15, 27.93, -48.29

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 78 / 49 / 0 / 42

HEX #214C95

RGB 33 76 149

HSL 217.76, 0.64%, 0.36%

LAB 33.27, 12.42, -44.41

 

CMYK 89 / 55 / 0 / 36

HEX #1249A4

RGB 18 73 164

HSL 217.4, 0.8%, 0.36%

LAB 33.08, 19.12, -53.79

 

CMYK 98 / 61 / 0 / 30

HEX #0445B3

RGB 4 69 179

HSL 217.71, 0.96%, 0.36%

LAB 33, 27.29, -62.89

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 48 / 30 / 0 / 53

HEX #3F5478

RGB 63 84 120

HSL 217.89, 0.31%, 0.36%

LAB 35.51, 2.55, -22.97

 

CMYK 26 / 16 / 0 / 59

HEX #4E5869

RGB 78 88 105

HSL 217.78, 0.15%, 0.36%

LAB 37.15, 0.32, -11.05

 

CMYK 0 / 1 / 3 / 64

HEX #5D5C5A

RGB 93 92 90

HSL 40, 0.02%, 0.36%

LAB 39.1, -0.01, 1.28

 

CMYK 0 / 12 / 31 / 58

HEX #6C5F4B

RGB 108 95 75

HSL 36.36, 0.18%, 0.36%

LAB 41.03, 1.83, 13.38

 

CMYK 64 / 5 / 0 / 47

HEX #307F86

RGB 48 127 134

HSL 184.88, 0.47%, 0.36%

LAB 48.92, -21.47, -10.94

 

CMYK 64 / 22 / 0 / 47

HEX #306886

RGB 48 104 134

HSL 200.93, 0.47%, 0.36%

LAB 41.61, -8.62, -22.1

 

CMYK 64 / 40 / 0 / 47

HEX #305186

RGB 48 81 134

HSL 216.98, 0.47%, 0.36%

LAB 34.47, 5.76, -33.29

 

CMYK 64 / 57 / 0 / 47

HEX #303A86

RGB 48 58 134

HSL 233.02, 0.47%, 0.36%

LAB 27.78, 21.23, -44.01

 

CMYK 54 / 64 / 0 / 47

HEX #3D3086

RGB 61 48 134

HSL 249.07, 0.47%, 0.36%

LAB 26.24, 30.33, -46.47

 

CMYK 65 / 41 / 0 / 71

HEX #1A2C4A

RGB 26 44 74

HSL 217.5, 0.48%, 0.2%

LAB 17.99, 3.43, -20.86

 

CMYK 64 / 40 / 0 / 59

HEX #253E68

RGB 37 62 104

HSL 217.61, 0.48%, 0.28%

LAB 26.27, 4.96, -27.51

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 64 / 41 / 0 / 35

HEX #3B62A5

RGB 59 98 165

HSL 217.92, 0.47%, 0.44%

LAB 41.82, 8.16, -40.26

 

CMYK 61 / 38 / 0 / 25

HEX #4B76BE

RGB 75 118 190

HSL 217.57, 0.47%, 0.52%

LAB 49.7, 7.47, -42.28

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 11 / 64 / 0 / 47

HEX #773086

RGB 119 48 134

HSL 289.53, 0.47%, 0.36%

LAB 33.47, 44.16, -34.45

 

CMYK 13 / 0 / 64 / 47

HEX #748630

RGB 116 134 48

HSL 72.56, 0.47%, 0.36%

LAB 52.92, -19.52, 42.78

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 0 / 64 / 40 / 47

HEX #863051

RGB 134 48 81

HSL 336.98, 0.47%, 0.36%

LAB 33.51, 39.99, -0.56

 

CMYK 40 / 0 / 64 / 47

HEX #518630

RGB 81 134 48

HSL 96.98, 0.47%, 0.36%

LAB 50.7, -33.57, 39.71

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 11 / 64 / 0 / 47

HEX #773086

RGB 119 48 134

HSL 289.53, 0.47%, 0.36%

LAB 33.47, 44.16, -34.45

 

CMYK 0 / 25 / 64 / 47

HEX #866530

RGB 134 101 48

HSL 36.98, 0.47%, 0.36%

LAB 45.07, 7.1, 34.53

 

CMYK 52 / 0 / 64 / 47

HEX #408630

RGB 64 134 48

HSL 108.84, 0.47%, 0.36%

LAB 49.92, -39.21, 38.62

 

CMYK 64 / 40 / 0 / 47

HEX #305086

RGB 48 80 134

HSL 217.67, 0.47%, 0.36%

LAB 34.16, 6.41, -33.77

 

CMYK 0 / 64 / 7 / 47

HEX #86307C

RGB 134 48 124

HSL 306.98, 0.47%, 0.36%

LAB 35.28, 46.31, -25.23

 

CMYK 0 / 25 / 64 / 47

HEX #866530

RGB 134 101 48

HSL 36.98, 0.47%, 0.36%

LAB 45.07, 7.1, 34.53

 

CMYK 64 / 0 / 57 / 47

HEX #30863A

RGB 48 134 58

HSL 126.98, 0.47%, 0.36%

LAB 49.48, -42.26, 33.08

 

Description

Color code: HEX #305086 | qconv.com Color code: HEX #305086 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 80 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 80 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 40 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 40% 0% 47% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

82% - CANAPI 2013
Link: http://www.canapi.jmschoenstatt.cl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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