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Color name
HEX #305690

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #305690 it is the complementary color #CFA96F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #305690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #305690 shade: #35568B, #46689E, #577AB1, #688CC4 and #799ED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #305690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #305690 shade: #305690, #1F447D, #0E326A, #002057 and #000E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #305690 shade: #305691, #303C91, #3E3091, #583091 and #723091

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #305690 shade: #305691, #303C91 and #303091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #305690 shade matches the following richer shades: #305691, #2053A1, #1150B0 and #014DC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #305690 shade: #305691, #405A81, #4F5D71, #5F6062 and #6F6352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #305690 shade: #308A91, #307191, #305791, #303D91 and #3D3091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #305690 shade: #1B3153, #264472, #305691, #3A69B0 and #4F7DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #305690 shade: #305690, #7D3091 and #7D9130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #305690 shade: #305690, #913057 and #579130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #305690 shade: #305690, #7D3091, #916A30 and #439130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #305690 shade: #305690, #913087, #916A30 and #30913A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 40 / 0 / 44

HEX #305690

RGB 48 86 144

HSL 216.25, 0.5%, 0.38%

LAB 36.55, 6.18, -36.08

 

Complementary color

CMYK 0 / 18 / 46 / 19

HEX #CFA96F

RGB 207 169 111

HSL 36.25, 0.5%, 0.62%

LAB 71.41, 6.44, 35.08

 

CMYK 62 / 38 / 0 / 45

HEX #35568B

RGB 53 86 139

HSL 216.98, 0.45%, 0.38%

LAB 36.51, 5.34, -33.09

 

CMYK 56 / 34 / 0 / 38

HEX #46689E

RGB 70 104 158

HSL 216.82, 0.39%, 0.45%

LAB 43.76, 4.25, -33.01

 

CMYK 51 / 31 / 0 / 31

HEX #577AB1

RGB 87 122 177

HSL 216.67, 0.37%, 0.52%

LAB 50.83, 3.41, -32.97

 

CMYK 47 / 29 / 0 / 23

HEX #688CC4

RGB 104 140 196

HSL 216.52, 0.44%, 0.59%

LAB 57.74, 2.75, -32.98

 

CMYK 44 / 27 / 0 / 16

HEX #799ED7

RGB 121 158 215

HSL 216.38, 0.54%, 0.66%

LAB 64.5, 2.2, -33.02

 

CMYK 67 / 40 / 0 / 44

HEX #305690

RGB 48 86 144

HSL 216.25, 0.5%, 0.38%

LAB 36.55, 6.18, -36.08

 

CMYK 75 / 46 / 0 / 51

HEX #1F447D

RGB 31 68 125

HSL 216.38, 0.6%, 0.31%

LAB 29.17, 7.99, -36.2

 

CMYK 87 / 53 / 0 / 58

HEX #0E326A

RGB 14 50 106

HSL 216.52, 0.77%, 0.24%

LAB 21.64, 10.58, -36.27

 

CMYK 100 / 63 / 0 / 66

HEX #002057

RGB 0 32 87

HSL 217.93, 1%, 0.17%

LAB 13.95, 14.19, -36.22

 

CMYK 100 / 79 / 0 / 73

HEX #000E44

RGB 0 14 68

HSL 227.65, 1%, 0.13%

LAB 6.61, 19, -35.16

 

CMYK 67 / 41 / 0 / 43

HEX #305691

RGB 48 86 145

HSL 216.49, 0.5%, 0.38%

LAB 36.61, 6.55, -36.6

 

CMYK 67 / 59 / 0 / 43

HEX #303C91

RGB 48 60 145

HSL 232.58, 0.5%, 0.38%

LAB 29.17, 23.93, -48.56

 

CMYK 57 / 67 / 0 / 43

HEX #3E3091

RGB 62 48 145

HSL 248.66, 0.5%, 0.38%

LAB 27.25, 34.11, -51.64

 

CMYK 39 / 67 / 0 / 43

HEX #583091

RGB 88 48 145

HSL 264.74, 0.5%, 0.38%

LAB 29.99, 39.3, -47.05

 

CMYK 21 / 67 / 0 / 43

HEX #723091

RGB 114 48 145

HSL 280.82, 0.5%, 0.38%

LAB 33.43, 45.28, -41.34

 

CMYK 67 / 41 / 0 / 43

HEX #305691

RGB 48 86 145

HSL 216.49, 0.5%, 0.38%

LAB 36.61, 6.55, -36.6

 

CMYK 67 / 59 / 0 / 43

HEX #303C91

RGB 48 60 145

HSL 232.58, 0.5%, 0.38%

LAB 29.17, 23.93, -48.56

 

CMYK 67 / 67 / 0 / 43

HEX #303091

RGB 48 48 145

HSL 240, 0.5%, 0.38%

LAB 26.12, 31.83, -53.53

 

CMYK 67 / 41 / 0 / 43

HEX #305691

RGB 48 86 145

HSL 216.49, 0.5%, 0.38%

LAB 36.61, 6.55, -36.6

 

CMYK 80 / 48 / 0 / 37

HEX #2053A1

RGB 32 83 161

HSL 216.28, 0.67%, 0.38%

LAB 36.11, 12.38, -47.07

 

CMYK 90 / 55 / 0 / 31

HEX #1150B0

RGB 17 80 176

HSL 216.23, 0.82%, 0.38%

LAB 35.97, 19.19, -56.26

 

CMYK 99 / 60 / 0 / 25

HEX #014DC0

RGB 1 77 192

HSL 216.13, 0.99%, 0.38%

LAB 36.21, 27.02, -65.28

 

CMYK 67 / 41 / 0 / 43

HEX #305691

RGB 48 86 145

HSL 216.49, 0.5%, 0.38%

LAB 36.61, 6.55, -36.6

 

CMYK 50 / 30 / 0 / 49

HEX #405A81

RGB 64 90 129

HSL 216, 0.34%, 0.38%

LAB 37.82, 1.94, -24.89

 

CMYK 30 / 18 / 0 / 56

HEX #4F5D71

RGB 79 93 113

HSL 215.29, 0.18%, 0.38%

LAB 39.04, -0.27, -13.11

 

CMYK 3 / 2 / 0 / 62

HEX #5F6062

RGB 95 96 98

HSL 220, 0.02%, 0.38%

LAB 40.7, 0.04, -1.28

 

CMYK 0 / 11 / 26 / 56

HEX #6F6352

RGB 111 99 82

HSL 35.17, 0.15%, 0.38%

LAB 42.63, 1.82, 11.42

 

CMYK 67 / 5 / 0 / 43

HEX #308A91

RGB 48 138 145

HSL 184.33, 0.5%, 0.38%

LAB 52.78, -23.8, -11.55

 

CMYK 67 / 22 / 0 / 43

HEX #307191

RGB 48 113 145

HSL 199.79, 0.5%, 0.38%

LAB 44.92, -10.12, -23.56

 

CMYK 67 / 40 / 0 / 43

HEX #305791

RGB 48 87 145

HSL 215.88, 0.5%, 0.38%

LAB 36.91, 5.9, -36.12

 

CMYK 67 / 58 / 0 / 43

HEX #303D91

RGB 48 61 145

HSL 231.96, 0.5%, 0.38%

LAB 29.44, 23.25, -48.12

 

CMYK 58 / 67 / 0 / 43

HEX #3D3091

RGB 61 48 145

HSL 248.04, 0.5%, 0.38%

LAB 27.16, 33.93, -51.79

 

CMYK 67 / 41 / 0 / 67

HEX #1B3153

RGB 27 49 83

HSL 216.43, 0.51%, 0.22%

LAB 20.26, 3.66, -23.32

 

CMYK 67 / 40 / 0 / 55

HEX #264472

RGB 38 68 114

HSL 216.32, 0.5%, 0.3%

LAB 28.8, 4.9, -29.86

 

CMYK 67 / 41 / 0 / 43

HEX #305691

RGB 48 86 145

HSL 216.49, 0.5%, 0.38%

LAB 36.61, 6.55, -36.6

 

CMYK 67 / 40 / 0 / 31

HEX #3A69B0

RGB 58 105 176

HSL 216.1, 0.5%, 0.46%

LAB 44.43, 7.51, -42.58

 

CMYK 60 / 36 / 0 / 23

HEX #4F7DC4

RGB 79 125 196

HSL 216.41, 0.5%, 0.54%

LAB 52.19, 6.03, -41.77

 

CMYK 67 / 40 / 0 / 44

HEX #305690

RGB 48 86 144

HSL 216.25, 0.5%, 0.38%

LAB 36.55, 6.18, -36.08

 

CMYK 14 / 67 / 0 / 43

HEX #7D3091

RGB 125 48 145

HSL 287.63, 0.5%, 0.38%

LAB 35.04, 47.93, -38.67

 

CMYK 14 / 0 / 67 / 43

HEX #7D9130

RGB 125 145 48

HSL 72.37, 0.5%, 0.38%

LAB 56.9, -21.29, 47.21

 

CMYK 67 / 40 / 0 / 44

HEX #305690

RGB 48 86 144

HSL 216.25, 0.5%, 0.38%

LAB 36.55, 6.18, -36.08

 

CMYK 0 / 67 / 40 / 43

HEX #913057

RGB 145 48 87

HSL 335.88, 0.5%, 0.38%

LAB 35.64, 44.3, -1.08

 

CMYK 40 / 0 / 67 / 43

HEX #579130

RGB 87 145 48

HSL 95.88, 0.5%, 0.38%

LAB 54.54, -36.35, 43.99

 

CMYK 67 / 40 / 0 / 44

HEX #305690

RGB 48 86 144

HSL 216.25, 0.5%, 0.38%

LAB 36.55, 6.18, -36.08

 

CMYK 14 / 67 / 0 / 43

HEX #7D3091

RGB 125 48 145

HSL 287.63, 0.5%, 0.38%

LAB 35.04, 47.93, -38.67

 

CMYK 0 / 27 / 67 / 43

HEX #916A30

RGB 145 106 48

HSL 35.88, 0.5%, 0.38%

LAB 47.68, 9.24, 37.82

 

CMYK 54 / 0 / 67 / 43

HEX #439130

RGB 67 145 48

HSL 108.25, 0.5%, 0.38%

LAB 53.66, -42.82, 42.78

 

CMYK 67 / 40 / 0 / 44

HEX #305690

RGB 48 86 144

HSL 216.25, 0.5%, 0.38%

LAB 36.55, 6.18, -36.08

 

CMYK 0 / 67 / 7 / 43

HEX #913087

RGB 145 48 135

HSL 306.19, 0.5%, 0.38%

LAB 37.63, 51.13, -28.22

 

CMYK 0 / 27 / 67 / 43

HEX #916A30

RGB 145 106 48

HSL 35.88, 0.5%, 0.38%

LAB 47.68, 9.24, 37.82

 

CMYK 67 / 0 / 60 / 43

HEX #30913A

RGB 48 145 58

HSL 126.19, 0.5%, 0.38%

LAB 53.15, -46.48, 37.41

 

Description

Color code: HEX #305690 | qconv.com Color code: HEX #305690 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 86 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 86 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 40 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 40% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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