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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30472E it is the complementary color #CFB8D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30472E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30472E shade: #354729, #46593C, #576B4F, #687D62 and #798F75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30472E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30472E shade: #30472E, #1F351B, #0E2308 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30472E shade: #30462E, #36462E, #3D462E, #44462E and #46432E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30472E shade: #30462E, #2E4633, #2E4639, #2E4640 and #2E4646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30472E shade matches the following richer shades: #30462E, #285024, #20591B, #186311 and #106C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30472E shade: #30462E, #383D37, #403341, #482A4A and #502154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30472E shade: #3D462E, #36462E, #30462E, #2E4632 and #2E4639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30472E shade: #0E150D, #1F2E1E, #30462E, #415F3E and #52784E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30472E shade: #30472E, #2E4446 and #462E3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30472E shade: #30472E, #2E3046 and #462E30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30472E shade: #30472E, #2E4446, #442E46 and #46312E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30472E shade: #30472E, #2E3C46, #442E46 and #46382E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 35 / 72

HEX #30472E

RGB 48 71 46

HSL 115.2, 0.21%, 0.23%

LAB 27.66, -14.78, 12.27

 

Complementary color

CMYK 1 / 12 / 0 / 18

HEX #CFB8D1

RGB 207 184 209

HSL 295.2, 0.21%, 0.77%

LAB 77.37, 12.63, -9.57

 

CMYK 25 / 0 / 42 / 72

HEX #354729

RGB 53 71 41

HSL 96, 0.27%, 0.22%

LAB 27.91, -13.6, 15.79

 

CMYK 21 / 0 / 33 / 65

HEX #46593C

RGB 70 89 60

HSL 99.31, 0.19%, 0.29%

LAB 35.54, -13.45, 14.47

 

CMYK 19 / 0 / 26 / 58

HEX #576B4F

RGB 87 107 79

HSL 102.86, 0.15%, 0.36%

LAB 42.92, -13.31, 13.3

 

CMYK 17 / 0 / 22 / 51

HEX #687D62

RGB 104 125 98

HSL 106.67, 0.12%, 0.44%

LAB 50.09, -13.18, 12.23

 

CMYK 15 / 0 / 18 / 44

HEX #798F75

RGB 121 143 117

HSL 110.77, 0.1%, 0.51%

LAB 57.07, -13.08, 11.26

 

CMYK 32 / 0 / 35 / 72

HEX #30472E

RGB 48 71 46

HSL 115.2, 0.21%, 0.23%

LAB 27.66, -14.78, 12.27

 

CMYK 42 / 0 / 49 / 79

HEX #1F351B

RGB 31 53 27

HSL 110.77, 0.33%, 0.16%

LAB 19.71, -15.05, 13.7

 

CMYK 60 / 0 / 77 / 86

HEX #0E2308

RGB 14 35 8

HSL 106.67, 0.63%, 0.08%

LAB 11.37, -15.16, 13.31

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 23 / 0 / 34 / 73

HEX #36462E

RGB 54 70 46

HSL 100, 0.21%, 0.23%

LAB 27.74, -11.71, 12.45

 

CMYK 13 / 0 / 34 / 73

HEX #3D462E

RGB 61 70 46

HSL 82.5, 0.21%, 0.23%

LAB 28.3, -8.63, 13.29

 

CMYK 3 / 0 / 34 / 73

HEX #44462E

RGB 68 70 46

HSL 65, 0.21%, 0.23%

LAB 28.92, -5.43, 14.23

 

CMYK 0 / 4 / 34 / 73

HEX #46432E

RGB 70 67 46

HSL 52.5, 0.21%, 0.23%

LAB 28.15, -2.63, 13.24

 

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 34 / 0 / 27 / 73

HEX #2E4633

RGB 46 70 51

HSL 132.5, 0.21%, 0.23%

LAB 27.3, -13.96, 8.56

 

CMYK 34 / 0 / 19 / 73

HEX #2E4639

RGB 46 70 57

HSL 147.5, 0.21%, 0.23%

LAB 27.45, -12.58, 4.9

 

CMYK 34 / 0 / 9 / 73

HEX #2E4640

RGB 46 70 64

HSL 165, 0.21%, 0.23%

LAB 27.66, -10.82, 0.65

 

CMYK 34 / 0 / 0 / 73

HEX #2E4646

RGB 46 70 70

HSL 180, 0.21%, 0.23%

LAB 27.85, -9.19, -2.97

 

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 50 / 0 / 55 / 69

HEX #285024

RGB 40 80 36

HSL 114.55, 0.38%, 0.23%

LAB 30.2, -24.31, 21.51

 

CMYK 64 / 0 / 70 / 65

HEX #20591B

RGB 32 89 27

HSL 115.16, 0.53%, 0.23%

LAB 32.99, -32.08, 29.49

 

CMYK 76 / 0 / 83 / 61

HEX #186311

RGB 24 99 17

HSL 114.88, 0.71%, 0.23%

LAB 36.29, -38.79, 37.05

 

CMYK 85 / 0 / 93 / 58

HEX #106C08

RGB 16 108 8

HSL 115.2, 0.86%, 0.23%

LAB 39.33, -43.71, 42.38

 

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 8 / 0 / 10 / 76

HEX #383D37

RGB 56 61 55

HSL 110, 0.05%, 0.23%

LAB 25.12, -3.48, 2.98

 

CMYK 2 / 22 / 0 / 75

HEX #403341

RGB 64 51 65

HSL 295.71, 0.12%, 0.23%

LAB 23.13, 8.82, -6.54

 

CMYK 3 / 43 / 0 / 71

HEX #482A4A

RGB 72 42 74

HSL 296.25, 0.28%, 0.23%

LAB 22.05, 20.01, -14.18

 

CMYK 5 / 61 / 0 / 67

HEX #502154

RGB 80 33 84

HSL 295.29, 0.44%, 0.23%

LAB 21.7, 30.33, -21.35

 

CMYK 13 / 0 / 34 / 73

HEX #3D462E

RGB 61 70 46

HSL 82.5, 0.21%, 0.23%

LAB 28.3, -8.63, 13.29

 

CMYK 23 / 0 / 34 / 73

HEX #36462E

RGB 54 70 46

HSL 100, 0.21%, 0.23%

LAB 27.74, -11.71, 12.45

 

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 34 / 0 / 29 / 73

HEX #2E4632

RGB 46 70 50

HSL 130, 0.21%, 0.23%

LAB 27.27, -14.18, 9.17

 

CMYK 34 / 0 / 19 / 73

HEX #2E4639

RGB 46 70 57

HSL 147.5, 0.21%, 0.23%

LAB 27.45, -12.58, 4.9

 

CMYK 33 / 0 / 38 / 92

HEX #0E150D

RGB 14 21 13

HSL 112.5, 0.24%, 0.07%

LAB 5.95, -4.27, 3.39

 

CMYK 33 / 0 / 35 / 82

HEX #1F2E1E

RGB 31 46 30

HSL 116.25, 0.21%, 0.15%

LAB 17.17, -10.3, 8.35

 

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 32 / 0 / 35 / 63

HEX #415F3E

RGB 65 95 62

HSL 114.55, 0.21%, 0.31%

LAB 37.22, -18.4, 15.46

 

CMYK 32 / 0 / 35 / 53

HEX #52784E

RGB 82 120 78

HSL 114.29, 0.21%, 0.39%

LAB 46.68, -22.36, 18.92

 

CMYK 32 / 0 / 35 / 72

HEX #30472E

RGB 48 71 46

HSL 115.2, 0.21%, 0.23%

LAB 27.66, -14.78, 12.27

 

CMYK 34 / 3 / 0 / 73

HEX #2E4446

RGB 46 68 70

HSL 185, 0.21%, 0.23%

LAB 27.18, -7.96, -3.97

 

CMYK 0 / 34 / 17 / 73

HEX #462E3A

RGB 70 46 58

HSL 330, 0.21%, 0.23%

LAB 22.17, 13.19, -3.17

 

CMYK 32 / 0 / 35 / 72

HEX #30472E

RGB 48 71 46

HSL 115.2, 0.21%, 0.23%

LAB 27.66, -14.78, 12.27

 

CMYK 34 / 31 / 0 / 73

HEX #2E3046

RGB 46 48 70

HSL 235, 0.21%, 0.23%

LAB 20.58, 5.25, -13.98

 

CMYK 0 / 34 / 31 / 73

HEX #462E30

RGB 70 46 48

HSL 355, 0.21%, 0.23%

LAB 21.83, 11.37, 3.17

 

CMYK 32 / 0 / 35 / 72

HEX #30472E

RGB 48 71 46

HSL 115.2, 0.21%, 0.23%

LAB 27.66, -14.78, 12.27

 

CMYK 34 / 3 / 0 / 73

HEX #2E4446

RGB 46 68 70

HSL 185, 0.21%, 0.23%

LAB 27.18, -7.96, -3.97

 

CMYK 3 / 34 / 0 / 73

HEX #442E46

RGB 68 46 70

HSL 295, 0.21%, 0.23%

LAB 22.39, 14.95, -10.99

 

CMYK 0 / 30 / 34 / 73

HEX #46312E

RGB 70 49 46

HSL 7.5, 0.21%, 0.23%

LAB 22.64, 9.05, 5.67

 

CMYK 32 / 0 / 35 / 72

HEX #30472E

RGB 48 71 46

HSL 115.2, 0.21%, 0.23%

LAB 27.66, -14.78, 12.27

 

CMYK 34 / 14 / 0 / 73

HEX #2E3C46

RGB 46 60 70

HSL 205, 0.21%, 0.23%

LAB 24.5, -2.87, -7.99

 

CMYK 3 / 34 / 0 / 73

HEX #442E46

RGB 68 46 70

HSL 295, 0.21%, 0.23%

LAB 22.39, 14.95, -10.99

 

CMYK 0 / 20 / 34 / 73

HEX #46382E

RGB 70 56 46

HSL 25, 0.21%, 0.23%

LAB 24.73, 4.44, 8.59

 

Description

Color code: HEX #30472E | qconv.com Color code: HEX #30472E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 71 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 71 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 35 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 35% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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