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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #303E5E it is the complementary color #CFC1A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #303E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #303E5E shade: #353E59, #46506C, #57627F, #687492 and #7986A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #303E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #303E5E shade: #303E5E, #1F2C4B, #0E1A38, #000825 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #303E5E shade: #303E5E, #30325E, #3B305E, #47305E and #53305E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #303E5E shade: #303E5E, #30325E and #30305E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #303E5E shade matches the following richer shades: #303E5E, #243969, #193575, #0D3080 and #022C8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #303E5E shade: #303E5E, #3C4252, #474747, #534C3B and #5E5030

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #303E5E shade: #30575E, #304B5E, #303F5E, #30325E and #3A305E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #303E5E shade: #141A27, #222C43, #303E5E, #3E5079 and #4C6294

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #303E5E shade: #303E5E, #58305E and #515E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #303E5E shade: #303E5E, #5E303F and #3F5E30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #303E5E shade: #303E5E, #58305E, #5E4F30 and #355E30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #303E5E shade: #303E5E, #5E3055, #5E4F30 and #305E38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

Complementary color

CMYK 0 / 7 / 22 / 19

HEX #CFC1A1

RGB 207 193 161

HSL 41.74, 0.32%, 0.72%

LAB 78.45, -0.18, 17.91

 

CMYK 40 / 30 / 0 / 65

HEX #353E59

RGB 53 62 89

HSL 225, 0.25%, 0.28%

LAB 26.52, 4.02, -17.35

 

CMYK 35 / 26 / 0 / 58

HEX #46506C

RGB 70 80 108

HSL 224.21, 0.21%, 0.35%

LAB 34.24, 3.51, -17.43

 

CMYK 31 / 23 / 0 / 50

HEX #57627F

RGB 87 98 127

HSL 223.5, 0.19%, 0.42%

LAB 41.68, 3.11, -17.58

 

CMYK 29 / 21 / 0 / 43

HEX #687492

RGB 104 116 146

HSL 222.86, 0.17%, 0.49%

LAB 48.9, 2.78, -17.77

 

CMYK 27 / 19 / 0 / 35

HEX #7986A5

RGB 121 134 165

HSL 222.27, 0.2%, 0.56%

LAB 55.92, 2.49, -18.01

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 59 / 41 / 0 / 71

HEX #1F2C4B

RGB 31 44 75

HSL 222.27, 0.42%, 0.21%

LAB 18.37, 5.09, -20.92

 

CMYK 75 / 54 / 0 / 78

HEX #0E1A38

RGB 14 26 56

HSL 222.86, 0.6%, 0.14%

LAB 9.94, 6.68, -21.16

 

CMYK 100 / 78 / 0 / 85

HEX #000825

RGB 0 8 37

HSL 227.03, 1%, 0.07%

LAB 2.78, 5.27, -18.46

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 49 / 47 / 0 / 63

HEX #30325E

RGB 48 50 94

HSL 237.39, 0.32%, 0.28%

LAB 22.72, 12.38, -26.61

 

CMYK 37 / 49 / 0 / 63

HEX #3B305E

RGB 59 48 94

HSL 254.35, 0.32%, 0.28%

LAB 23.18, 16.99, -25.82

 

CMYK 24 / 49 / 0 / 63

HEX #47305E

RGB 71 48 94

HSL 270, 0.32%, 0.28%

LAB 24.52, 20.79, -23.61

 

CMYK 12 / 49 / 0 / 63

HEX #53305E

RGB 83 48 94

HSL 285.65, 0.32%, 0.28%

LAB 26.04, 24.76, -21.11

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 49 / 47 / 0 / 63

HEX #30325E

RGB 48 50 94

HSL 237.39, 0.32%, 0.28%

LAB 22.72, 12.38, -26.61

 

CMYK 49 / 49 / 0 / 63

HEX #30305E

RGB 48 48 94

HSL 240, 0.32%, 0.28%

LAB 22.13, 13.77, -27.55

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 66 / 46 / 0 / 59

HEX #243969

RGB 36 57 105

HSL 221.74, 0.49%, 0.28%

LAB 24.71, 8.59, -30.64

 

CMYK 79 / 55 / 0 / 54

HEX #193575

RGB 25 53 117

HSL 221.74, 0.65%, 0.28%

LAB 23.79, 14.37, -39.82

 

CMYK 90 / 63 / 0 / 50

HEX #0D3080

RGB 13 48 128

HSL 221.74, 0.82%, 0.28%

LAB 22.85, 21.35, -48.34

 

CMYK 99 / 69 / 0 / 45

HEX #022C8C

RGB 2 44 140

HSL 221.74, 0.97%, 0.28%

LAB 22.68, 28.52, -56.15

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 27 / 20 / 0 / 68

HEX #3C4252

RGB 60 66 82

HSL 223.64, 0.15%, 0.28%

LAB 28.02, 1.68, -10.43

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 15 / 49 / 63

HEX #5E5030

RGB 94 80 48

HSL 41.74, 0.32%, 0.28%

LAB 34.66, 0.92, 20.96

 

CMYK 49 / 7 / 0 / 63

HEX #30575E

RGB 48 87 94

HSL 189.13, 0.32%, 0.28%

LAB 34.5, -11.69, -8.36

 

CMYK 49 / 20 / 0 / 63

HEX #304B5E

RGB 48 75 94

HSL 204.78, 0.32%, 0.28%

LAB 30.57, -4.37, -14.35

 

CMYK 49 / 33 / 0 / 63

HEX #303F5E

RGB 48 63 94

HSL 220.43, 0.32%, 0.28%

LAB 26.71, 3.46, -20.32

 

CMYK 49 / 47 / 0 / 63

HEX #30325E

RGB 48 50 94

HSL 237.39, 0.32%, 0.28%

LAB 22.72, 12.38, -26.61

 

CMYK 38 / 49 / 0 / 63

HEX #3A305E

RGB 58 48 94

HSL 253.04, 0.32%, 0.28%

LAB 23.07, 16.68, -25.99

 

CMYK 49 / 33 / 0 / 85

HEX #141A27

RGB 20 26 39

HSL 221.05, 0.32%, 0.12%

LAB 9.27, 1.51, -9.76

 

CMYK 49 / 34 / 0 / 74

HEX #222C43

RGB 34 44 67

HSL 221.82, 0.33%, 0.2%

LAB 18.13, 3.04, -15.83

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 49 / 34 / 0 / 53

HEX #3E5079

RGB 62 80 121

HSL 221.69, 0.32%, 0.36%

LAB 34.28, 5.18, -25.51

 

CMYK 49 / 34 / 0 / 42

HEX #4C6294

RGB 76 98 148

HSL 221.67, 0.32%, 0.44%

LAB 41.86, 6.18, -30.01

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 6 / 49 / 0 / 63

HEX #58305E

RGB 88 48 94

HSL 292.17, 0.32%, 0.28%

LAB 26.73, 26.43, -19.99

 

CMYK 14 / 0 / 49 / 63

HEX #515E30

RGB 81 94 48

HSL 76.96, 0.32%, 0.28%

LAB 37.79, -13.36, 24.61

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 0 / 49 / 33 / 63

HEX #5E303F

RGB 94 48 63

HSL 340.43, 0.32%, 0.28%

LAB 26.31, 22.83, -0.04

 

CMYK 33 / 0 / 49 / 63

HEX #3F5E30

RGB 63 94 48

HSL 100.43, 0.32%, 0.28%

LAB 36.51, -20.97, 22.75

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 6 / 49 / 0 / 63

HEX #58305E

RGB 88 48 94

HSL 292.17, 0.32%, 0.28%

LAB 26.73, 26.43, -19.99

 

CMYK 0 / 16 / 49 / 63

HEX #5E4F30

RGB 94 79 48

HSL 40.43, 0.32%, 0.28%

LAB 34.37, 1.53, 20.59

 

CMYK 44 / 0 / 49 / 63

HEX #355E30

RGB 53 94 48

HSL 113.48, 0.32%, 0.28%

LAB 35.94, -24.73, 21.91

 

CMYK 49 / 34 / 0 / 63

HEX #303E5E

RGB 48 62 94

HSL 221.74, 0.32%, 0.28%

LAB 26.4, 4.13, -20.81

 

CMYK 0 / 49 / 10 / 63

HEX #5E3055

RGB 94 48 85

HSL 311.74, 0.32%, 0.28%

LAB 27.16, 26.64, -13.36

 

CMYK 0 / 16 / 49 / 63

HEX #5E4F30

RGB 94 79 48

HSL 40.43, 0.32%, 0.28%

LAB 34.37, 1.53, 20.59

 

CMYK 49 / 0 / 40 / 63

HEX #305E38

RGB 48 94 56

HSL 130.43, 0.32%, 0.28%

LAB 35.83, -25.03, 17.03

 

Description

Color code: HEX #303E5E | qconv.com Color code: HEX #303E5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 62 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 62 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 34 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 34% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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