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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #301894 it is the complementary color #CFE76B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #301894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #301894 shade: #35188F, #462AA2, #573CB5, #684EC8 and #7960DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #301894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #301894 shade: #301894, #1F0681, #0E006E, #00005B and #000048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #301894 shade: #301895, #521895, #731895, #951894 and #951873

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #301894 shade: #301895 and #181895

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #301894 shade matches the following richer shades: #301895 and #270AA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #301894 shade: #301895, #392687, #413479, #4A426B and #52505D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #301894 shade: #184395, #182295, #2F1895, #501895 and #711895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #301894 shade: #190C4E, #241271, #301895, #3B1EB8 and #4724DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #301894 shade: #301894, #951865 and #339518

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #301894 shade: #301894, #952F18 and #18952F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #301894 shade: #301894, #951865, #7E9518 and #189548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #301894 shade: #301894, #95183F, #7E9518 and #18956D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 84 / 0 / 42

HEX #301894

RGB 48 24 148

HSL 251.61, 0.72%, 0.34%

LAB 21.65, 46.19, -62.74

 

Complementary color

CMYK 10 / 0 / 54 / 9

HEX #CFE76B

RGB 207 231 107

HSL 71.61, 0.72%, 0.66%

LAB 87.72, -25.5, 56.84

 

CMYK 63 / 83 / 0 / 44

HEX #35188F

RGB 53 24 143

HSL 254.62, 0.71%, 0.33%

LAB 21.55, 45.21, -59.78

 

CMYK 57 / 74 / 0 / 36

HEX #462AA2

RGB 70 42 162

HSL 254, 0.59%, 0.4%

LAB 28.29, 44.15, -60.29

 

CMYK 52 / 67 / 0 / 29

HEX #573CB5

RGB 87 60 181

HSL 253.39, 0.5%, 0.47%

LAB 35.19, 42.69, -60.32

 

CMYK 48 / 61 / 0 / 22

HEX #684EC8

RGB 104 78 200

HSL 252.79, 0.53%, 0.55%

LAB 42.1, 41.21, -60.15

 

CMYK 45 / 56 / 0 / 14

HEX #7960DB

RGB 121 96 219

HSL 252.2, 0.63%, 0.62%

LAB 48.94, 39.82, -59.9

 

CMYK 68 / 84 / 0 / 42

HEX #301894

RGB 48 24 148

HSL 251.61, 0.72%, 0.34%

LAB 21.65, 46.19, -62.74

 

CMYK 76 / 95 / 0 / 49

HEX #1F0681

RGB 31 6 129

HSL 252.2, 0.91%, 0.26%

LAB 15.52, 46.25, -61.05

 

CMYK 87 / 100 / 0 / 57

HEX #0E006E

RGB 14 0 110

HSL 247.64, 1%, 0.22%

LAB 10.7, 42.86, -56.87

 

CMYK 100 / 100 / 0 / 64

HEX #00005B

RGB 0 0 91

HSL 240, 1%, 0.18%

LAB 6.82, 37.05, -50.72

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 68 / 84 / 0 / 42

HEX #301895

RGB 48 24 149

HSL 251.52, 0.72%, 0.34%

LAB 21.77, 46.49, -63.16

 

CMYK 45 / 84 / 0 / 42

HEX #521895

RGB 82 24 149

HSL 267.84, 0.72%, 0.34%

LAB 25.61, 50.46, -56.69

 

CMYK 23 / 84 / 0 / 42

HEX #731895

RGB 115 24 149

HSL 283.68, 0.72%, 0.34%

LAB 30.56, 55.73, -48.41

 

CMYK 0 / 84 / 1 / 42

HEX #951894

RGB 149 24 148

HSL 300.48, 0.72%, 0.34%

LAB 36.33, 61.92, -38.21

 

CMYK 0 / 84 / 23 / 42

HEX #951873

RGB 149 24 115

HSL 316.32, 0.72%, 0.34%

LAB 34.56, 57.08, -20.49

 

CMYK 68 / 84 / 0 / 42

HEX #301895

RGB 48 24 149

HSL 251.52, 0.72%, 0.34%

LAB 21.77, 46.49, -63.16

 

CMYK 84 / 84 / 0 / 42

HEX #181895

RGB 24 24 149

HSL 240, 0.72%, 0.34%

LAB 20.11, 44.83, -65.96

 

CMYK 68 / 84 / 0 / 42

HEX #301895

RGB 48 24 149

HSL 251.52, 0.72%, 0.34%

LAB 21.77, 46.49, -63.16

 

CMYK 76 / 94 / 0 / 36

HEX #270AA3

RGB 39 10 163

HSL 251.37, 0.88%, 0.34%

LAB 21.18, 54.73, -72.75

 

CMYK 68 / 84 / 0 / 42

HEX #301895

RGB 48 24 149

HSL 251.52, 0.72%, 0.34%

LAB 21.77, 46.49, -63.16

 

CMYK 58 / 72 / 0 / 47

HEX #392687

RGB 57 38 135

HSL 251.75, 0.56%, 0.34%

LAB 23.69, 36.02, -51.26

 

CMYK 46 / 57 / 0 / 53

HEX #413479

RGB 65 52 121

HSL 251.3, 0.4%, 0.34%

LAB 26.62, 24.46, -37.66

 

CMYK 31 / 38 / 0 / 58

HEX #4A426B

RGB 74 66 107

HSL 251.71, 0.24%, 0.34%

LAB 30.43, 13.61, -22.67

 

CMYK 12 / 14 / 0 / 64

HEX #52505D

RGB 82 80 93

HSL 249.23, 0.08%, 0.34%

LAB 34.64, 3.75, -7.29

 

CMYK 84 / 55 / 0 / 42

HEX #184395

RGB 24 67 149

HSL 219.36, 0.72%, 0.34%

LAB 30.35, 17.59, -49.14

 

CMYK 84 / 77 / 0 / 42

HEX #182295

RGB 24 34 149

HSL 235.2, 0.72%, 0.34%

LAB 21.97, 39.45, -62.87

 

CMYK 68 / 84 / 0 / 42

HEX #2F1895

RGB 47 24 149

HSL 251.04, 0.72%, 0.34%

LAB 21.68, 46.4, -63.31

 

CMYK 46 / 84 / 0 / 42

HEX #501895

RGB 80 24 149

HSL 266.88, 0.72%, 0.34%

LAB 25.35, 50.18, -57.14

 

CMYK 24 / 84 / 0 / 42

HEX #711895

RGB 113 24 149

HSL 282.72, 0.72%, 0.34%

LAB 30.24, 55.38, -48.95

 

CMYK 68 / 85 / 0 / 69

HEX #190C4E

RGB 25 12 78

HSL 251.82, 0.73%, 0.18%

LAB 9.15, 27.45, -37.89

 

CMYK 68 / 84 / 0 / 56

HEX #241271

RGB 36 18 113

HSL 251.37, 0.73%, 0.26%

LAB 15.49, 37.1, -50.81

 

CMYK 68 / 84 / 0 / 42

HEX #301895

RGB 48 24 149

HSL 251.52, 0.72%, 0.34%

LAB 21.77, 46.49, -63.16

 

CMYK 68 / 84 / 0 / 28

HEX #3B1EB8

RGB 59 30 184

HSL 251.3, 0.72%, 0.42%

LAB 27.63, 55.03, -74.64

 

CMYK 68 / 84 / 0 / 14

HEX #4724DB

RGB 71 36 219

HSL 251.48, 0.72%, 0.5%

LAB 33.38, 63.31, -85.53

 

CMYK 68 / 84 / 0 / 42

HEX #301894

RGB 48 24 148

HSL 251.61, 0.72%, 0.34%

LAB 21.65, 46.19, -62.74

 

CMYK 0 / 84 / 32 / 42

HEX #951865

RGB 149 24 101

HSL 323.04, 0.72%, 0.34%

LAB 33.95, 55.34, -12.52

 

CMYK 66 / 0 / 84 / 42

HEX #339518

RGB 51 149 24

HSL 107.04, 0.72%, 0.34%

LAB 54.31, -50.29, 52

 

CMYK 68 / 84 / 0 / 42

HEX #301894

RGB 48 24 148

HSL 251.61, 0.72%, 0.34%

LAB 21.65, 46.19, -62.74

 

CMYK 0 / 68 / 84 / 42

HEX #952F18

RGB 149 47 24

HSL 11.04, 0.72%, 0.34%

LAB 34.98, 41.62, 37.07

 

CMYK 84 / 0 / 68 / 42

HEX #18952F

RGB 24 149 47

HSL 131.04, 0.72%, 0.34%

LAB 53.91, -53.08, 43.18

 

CMYK 68 / 84 / 0 / 42

HEX #301894

RGB 48 24 148

HSL 251.61, 0.72%, 0.34%

LAB 21.65, 46.19, -62.74

 

CMYK 0 / 84 / 32 / 42

HEX #951865

RGB 149 24 101

HSL 323.04, 0.72%, 0.34%

LAB 33.95, 55.34, -12.52

 

CMYK 15 / 0 / 84 / 42

HEX #7E9518

RGB 126 149 24

HSL 71.04, 0.72%, 0.34%

LAB 58.03, -24.13, 56.73

 

CMYK 84 / 0 / 52 / 42

HEX #189548

RGB 24 149 72

HSL 143.04, 0.72%, 0.34%

LAB 54.19, -49.69, 31.52

 

CMYK 68 / 84 / 0 / 42

HEX #301894

RGB 48 24 148

HSL 251.61, 0.72%, 0.34%

LAB 21.65, 46.19, -62.74

 

CMYK 0 / 84 / 58 / 42

HEX #95183F

RGB 149 24 63

HSL 341.28, 0.72%, 0.34%

LAB 32.7, 51.7, 10.43

 

CMYK 15 / 0 / 84 / 42

HEX #7E9518

RGB 126 149 24

HSL 71.04, 0.72%, 0.34%

LAB 58.03, -24.13, 56.73

 

CMYK 84 / 0 / 27 / 42

HEX #18956D

RGB 24 149 109

HSL 160.8, 0.72%, 0.34%

LAB 54.86, -42.1, 12.13

 

Description

Color code: HEX #301894 | qconv.com Color code: HEX #301894 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 24 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 24 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 84 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 84% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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