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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33EF85 it is the complementary color #CC107A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33EF85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33EF85 shade: #38EF80, #49FF93, #5AFFA6, #6BFFB9 and #7CFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33EF85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33EF85 shade: #33EF85, #22DD72, #11CB5F, #00B94C and #00A739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33EF85 shade: #34EE85, #34EE53, #47EE34, #79EE34 and #ABEE34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33EF85 shade: #34EE85, #34EEB7, #34EEE9, #34C0EE and #348EEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33EF85 shade matches the following richer shades: #34EE85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33EF85 shade: #34EE85, #45DC87, #57CB89, #69B98C and #7BA78E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33EF85 shade: #46EE34, #34EE53, #34EE84, #34EEB6 and #34EEE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33EF85 shade: #0FC05C, #12E66F, #34EE85, #5AF19C and #80F4B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33EF85 shade: #33EF85, #3478EE and #EE3A34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33EF85 shade: #33EF85, #8434EE and #EE8434

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33EF85 shade: #33EF85, #3478EE, #EE349D and #EEAA34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33EF85 shade: #33EF85, #3440EE, #EE349D and #EEE234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 44 / 6

HEX #33EF85

RGB 51 239 133

HSL 146.17, 0.85%, 0.57%

LAB 84.03, -67.86, 38.61

 

Complementary color

CMYK 0 / 92 / 40 / 20

HEX #CC107A

RGB 204 16 122

HSL 326.17, 0.85%, 0.43%

LAB 45.1, 71.69, -7.82

 

CMYK 77 / 0 / 46 / 6

HEX #38EF80

RGB 56 239 128

HSL 143.61, 0.85%, 0.58%

LAB 84.03, -68.11, 41.07

 

CMYK 71 / 0 / 42 / 0

HEX #49FF93

RGB 73 255 147

HSL 144.4, 1%, 0.64%

LAB 89.41, -68.24, 38.77

 

CMYK 65 / 0 / 35 / 0

HEX #5AFFA6

RGB 90 255 166

HSL 147.64, 1%, 0.68%

LAB 90.07, -62.19, 30.28

 

CMYK 58 / 0 / 27 / 0

HEX #6BFFB9

RGB 107 255 185

HSL 151.62, 1%, 0.71%

LAB 90.85, -55.37, 21.8

 

CMYK 51 / 0 / 20 / 0

HEX #7CFFCC

RGB 124 255 204

HSL 156.64, 1%, 0.74%

LAB 91.76, -47.89, 13.42

 

CMYK 79 / 0 / 44 / 6

HEX #33EF85

RGB 51 239 133

HSL 146.17, 0.85%, 0.57%

LAB 84.03, -67.86, 38.61

 

CMYK 85 / 0 / 48 / 13

HEX #22DD72

RGB 34 221 114

HSL 145.67, 0.73%, 0.5%

LAB 78.03, -66.58, 40.24

 

CMYK 92 / 0 / 53 / 20

HEX #11CB5F

RGB 17 203 95

HSL 145.16, 0.85%, 0.43%

LAB 72, -64.81, 41.94

 

CMYK 100 / 0 / 59 / 27

HEX #00B94C

RGB 0 185 76

HSL 144.65, 1%, 0.36%

LAB 65.92, -62.54, 43.64

 

CMYK 100 / 0 / 66 / 35

HEX #00A739

RGB 0 167 57

HSL 140.48, 1%, 0.33%

LAB 59.83, -59.33, 45.28

 

CMYK 78 / 0 / 44 / 7

HEX #34EE85

RGB 52 238 133

HSL 146.13, 0.85%, 0.57%

LAB 83.74, -67.41, 38.24

 

CMYK 78 / 0 / 65 / 7

HEX #34EE53

RGB 52 238 83

HSL 130, 0.85%, 0.57%

LAB 83.18, -74.13, 60.27

 

CMYK 70 / 0 / 78 / 7

HEX #47EE34

RGB 71 238 52

HSL 113.87, 0.85%, 0.57%

LAB 83.3, -73.82, 71.29

 

CMYK 49 / 0 / 78 / 7

HEX #79EE34

RGB 121 238 52

HSL 97.74, 0.85%, 0.57%

LAB 84.72, -62.35, 73.14

 

CMYK 28 / 0 / 78 / 7

HEX #ABEE34

RGB 171 238 52

HSL 81.61, 0.85%, 0.57%

LAB 87.02, -45.93, 76.1

 

CMYK 78 / 0 / 44 / 7

HEX #34EE85

RGB 52 238 133

HSL 146.13, 0.85%, 0.57%

LAB 83.74, -67.41, 38.24

 

CMYK 78 / 0 / 23 / 7

HEX #34EEB7

RGB 52 238 183

HSL 162.26, 0.85%, 0.57%

LAB 84.64, -57.41, 13.97

 

CMYK 78 / 0 / 2 / 7

HEX #34EEE9

RGB 52 238 233

HSL 178.39, 0.85%, 0.57%

LAB 85.89, -44.63, -10.42

 

CMYK 78 / 19 / 0 / 7

HEX #34C0EE

RGB 52 192 238

HSL 194.84, 0.85%, 0.57%

LAB 72.63, -21.27, -33.22

 

CMYK 78 / 40 / 0 / 7

HEX #348EEE

RGB 52 142 238

HSL 210.97, 0.85%, 0.57%

LAB 58.27, 6.59, -55.78

 

CMYK 78 / 0 / 44 / 7

HEX #34EE85

RGB 52 238 133

HSL 146.13, 0.85%, 0.57%

LAB 83.74, -67.41, 38.24

 

CMYK 78 / 0 / 44 / 7

HEX #34EE85

RGB 52 238 133

HSL 146.13, 0.85%, 0.57%

LAB 83.74, -67.41, 38.24

 

CMYK 69 / 0 / 39 / 14

HEX #45DC87

RGB 69 220 135

HSL 146.23, 0.68%, 0.57%

LAB 78.58, -58.31, 30.55

 

CMYK 57 / 0 / 33 / 20

HEX #57CB89

RGB 87 203 137

HSL 145.86, 0.53%, 0.57%

LAB 73.9, -47.81, 23.31

 

CMYK 43 / 0 / 24 / 27

HEX #69B98C

RGB 105 185 140

HSL 146.25, 0.36%, 0.57%

LAB 69.18, -34.83, 15.31

 

CMYK 26 / 0 / 15 / 35

HEX #7BA78E

RGB 123 167 142

HSL 145.91, 0.2%, 0.57%

LAB 64.8, -20.14, 8.17

 

CMYK 71 / 0 / 78 / 7

HEX #46EE34

RGB 70 238 52

HSL 114.19, 0.85%, 0.57%

LAB 83.28, -73.99, 71.27

 

CMYK 78 / 0 / 65 / 7

HEX #34EE53

RGB 52 238 83

HSL 130, 0.85%, 0.57%

LAB 83.18, -74.13, 60.27

 

CMYK 78 / 0 / 45 / 7

HEX #34EE84

RGB 52 238 132

HSL 145.81, 0.85%, 0.57%

LAB 83.73, -67.58, 38.71

 

CMYK 78 / 0 / 24 / 7

HEX #34EEB6

RGB 52 238 182

HSL 161.94, 0.85%, 0.57%

LAB 84.62, -57.64, 14.46

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 92 / 0 / 52 / 25

HEX #0FC05C

RGB 15 192 92

HSL 146.1, 0.86%, 0.41%

LAB 68.44, -61.8, 39.04

 

CMYK 92 / 0 / 52 / 10

HEX #12E66F

RGB 18 230 111

HSL 146.32, 0.85%, 0.49%

LAB 80.67, -70.96, 44.93

 

CMYK 78 / 0 / 44 / 7

HEX #34EE85

RGB 52 238 133

HSL 146.13, 0.85%, 0.57%

LAB 83.74, -67.41, 38.24

 

CMYK 63 / 0 / 35 / 5

HEX #5AF19C

RGB 90 241 156

HSL 146.23, 0.84%, 0.65%

LAB 85.75, -58.72, 29.51

 

CMYK 48 / 0 / 27 / 4

HEX #80F4B3

RGB 128 244 179

HSL 146.38, 0.84%, 0.73%

LAB 88.23, -47.29, 21.35

 

CMYK 79 / 0 / 44 / 6

HEX #33EF85

RGB 51 239 133

HSL 146.17, 0.85%, 0.57%

LAB 84.03, -67.86, 38.61

 

CMYK 78 / 50 / 0 / 7

HEX #3478EE

RGB 52 120 238

HSL 218.06, 0.85%, 0.57%

LAB 52.22, 20.08, -65.51

 

CMYK 0 / 76 / 78 / 7

HEX #EE3A34

RGB 238 58 52

HSL 1.94, 0.85%, 0.57%

LAB 53.44, 67.06, 46.16

 

CMYK 79 / 0 / 44 / 6

HEX #33EF85

RGB 51 239 133

HSL 146.17, 0.85%, 0.57%

LAB 84.03, -67.86, 38.61

 

CMYK 45 / 78 / 0 / 7

HEX #8434EE

RGB 132 52 238

HSL 265.81, 0.85%, 0.57%

LAB 43.56, 68.59, -79.37

 

CMYK 0 / 45 / 78 / 7

HEX #EE8434

RGB 238 132 52

HSL 25.81, 0.85%, 0.57%

LAB 65.69, 35.05, 58.27

 

CMYK 79 / 0 / 44 / 6

HEX #33EF85

RGB 51 239 133

HSL 146.17, 0.85%, 0.57%

LAB 84.03, -67.86, 38.61

 

CMYK 78 / 50 / 0 / 7

HEX #3478EE

RGB 52 120 238

HSL 218.06, 0.85%, 0.57%

LAB 52.22, 20.08, -65.51

 

CMYK 0 / 78 / 34 / 7

HEX #EE349D

RGB 238 52 157

HSL 326.13, 0.85%, 0.57%

LAB 55.14, 75.92, -13.17

 

CMYK 0 / 29 / 78 / 7

HEX #EEAA34

RGB 238 170 52

HSL 38.06, 0.85%, 0.57%

LAB 74.3, 15.08, 66.35

 

CMYK 79 / 0 / 44 / 6

HEX #33EF85

RGB 51 239 133

HSL 146.17, 0.85%, 0.57%

LAB 84.03, -67.86, 38.61

 

CMYK 78 / 73 / 0 / 7

HEX #3440EE

RGB 52 64 238

HSL 236.13, 0.85%, 0.57%

LAB 38.85, 54.31, -87.36

 

CMYK 0 / 78 / 34 / 7

HEX #EE349D

RGB 238 52 157

HSL 326.13, 0.85%, 0.57%

LAB 55.14, 75.92, -13.17

 

CMYK 0 / 5 / 78 / 7

HEX #EEE234

RGB 238 226 52

HSL 56.13, 0.85%, 0.57%

LAB 88.36, -13.7, 79.04

 

Description

Color code: HEX #33EF85 | qconv.com Color code: HEX #33EF85 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 239 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 239 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 44 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 44% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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