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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33E93C it is the complementary color #CC16C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33E93C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33E93C shade: #38E937, #49FB4A, #5AFF5D, #6BFF70 and #7CFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33E93C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33E93C shade: #33E93C, #22D729, #11C516, #00B303 and #00A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33E93C shade: #33E93C, #5BE933, #8CE933, #BDE933 and #E9E433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33E93C shade: #33E93C, #33E96D, #33E99E, #33E9CF and #33D2E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33E93C shade matches the following richer shades: #33E93C and #21FB2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33E93C shade: #33E93C, #46D74D, #58C55D, #6AB36D and #7CA17E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33E93C shade: #8EE933, #5EE933, #33E939, #33E96A and #33E99A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33E93C shade: #13B71B, #17DD21, #33E93C, #59ED60 and #7EF184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33E93C shade: #33E93C, #33BFE9 and #E93376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33E93C shade: #33E93C, #3933E9 and #E93933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33E93C shade: #33E93C, #33BFE9, #E933E3 and #E95E33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33E93C shade: #33E93C, #3388E9, #E933E3 and #E99433

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

Complementary color

CMYK 0 / 89 / 4 / 20

HEX #CC16C3

RGB 204 22 195

HSL 302.97, 0.81%, 0.44%

LAB 48.7, 79.64, -45.91

 

CMYK 76 / 0 / 76 / 9

HEX #38E937

RGB 56 233 55

HSL 119.66, 0.8%, 0.56%

LAB 81.51, -74.43, 68.58

 

CMYK 71 / 0 / 71 / 2

HEX #49FB4A

RGB 73 251 74

HSL 120.34, 0.96%, 0.64%

LAB 87.44, -75.97, 68.3

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5D

RGB 90 255 93

HSL 121.09, 1%, 0.68%

LAB 89.15, -72.54, 63.01

 

CMYK 58 / 0 / 56 / 0

HEX #6BFF70

RGB 107 255 112

HSL 122.03, 1%, 0.71%

LAB 89.77, -66.95, 55.79

 

CMYK 51 / 0 / 49 / 0

HEX #7CFF83

RGB 124 255 131

HSL 123.21, 1%, 0.74%

LAB 90.53, -60.52, 48.14

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 84 / 0 / 81 / 16

HEX #22D729

RGB 34 215 41

HSL 122.32, 0.73%, 0.49%

LAB 75.51, -72.57, 66.84

 

CMYK 91 / 0 / 89 / 23

HEX #11C516

RGB 17 197 22

HSL 121.67, 0.84%, 0.42%

LAB 69.55, -69.66, 65.77

 

CMYK 100 / 0 / 98 / 30

HEX #00B303

RGB 0 179 3

HSL 121.01, 1%, 0.35%

LAB 63.55, -66.01, 63.4

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 61 / 0 / 78 / 9

HEX #5BE933

RGB 91 233 51

HSL 106.81, 0.81%, 0.56%

LAB 82.24, -68.33, 70.74

 

CMYK 40 / 0 / 78 / 9

HEX #8CE933

RGB 140 233 51

HSL 90.66, 0.81%, 0.56%

LAB 84.01, -54.68, 73.04

 

CMYK 19 / 0 / 78 / 9

HEX #BDE933

RGB 189 233 51

HSL 74.51, 0.81%, 0.56%

LAB 86.67, -36.98, 76.45

 

CMYK 0 / 2 / 78 / 9

HEX #E9E433

RGB 233 228 51

HSL 58.35, 0.81%, 0.56%

LAB 88.47, -16.8, 79.26

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 78 / 0 / 53 / 9

HEX #33E96D

RGB 51 233 109

HSL 139.12, 0.81%, 0.56%

LAB 81.88, -69.56, 47.43

 

CMYK 78 / 0 / 32 / 9

HEX #33E99E

RGB 51 233 158

HSL 155.27, 0.81%, 0.56%

LAB 82.62, -61.07, 24.13

 

CMYK 78 / 0 / 11 / 9

HEX #33E9CF

RGB 51 233 207

HSL 171.43, 0.81%, 0.56%

LAB 83.7, -49.6, 0.03

 

CMYK 78 / 10 / 0 / 9

HEX #33D2E9

RGB 51 210 233

HSL 187.58, 0.81%, 0.56%

LAB 77.69, -31.89, -22.77

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 87 / 0 / 82 / 2

HEX #21FB2C

RGB 33 251 44

HSL 123.03, 0.96%, 0.56%

LAB 86.75, -82.54, 76.4

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 67 / 0 / 64 / 16

HEX #46D74D

RGB 70 215 77

HSL 122.9, 0.64%, 0.56%

LAB 76.34, -64.66, 55.29

 

CMYK 55 / 0 / 53 / 23

HEX #58C55D

RGB 88 197 93

HSL 122.75, 0.48%, 0.56%

LAB 71.42, -52.36, 42.5

 

CMYK 41 / 0 / 39 / 30

HEX #6AB36D

RGB 106 179 109

HSL 122.47, 0.32%, 0.56%

LAB 66.83, -37.42, 28.77

 

CMYK 23 / 0 / 22 / 37

HEX #7CA17E

RGB 124 161 126

HSL 123.24, 0.16%, 0.56%

LAB 62.74, -19.81, 14.17

 

CMYK 39 / 0 / 78 / 9

HEX #8EE933

RGB 142 233 51

HSL 90, 0.81%, 0.56%

LAB 84.1, -54.03, 73.16

 

CMYK 60 / 0 / 78 / 9

HEX #5EE933

RGB 94 233 51

HSL 105.82, 0.81%, 0.56%

LAB 82.32, -67.65, 70.85

 

CMYK 78 / 0 / 76 / 9

HEX #33E939

RGB 51 233 57

HSL 121.98, 0.81%, 0.56%

LAB 81.44, -74.95, 67.87

 

CMYK 78 / 0 / 55 / 9

HEX #33E96A

RGB 51 233 106

HSL 138.13, 0.81%, 0.56%

LAB 81.85, -69.97, 48.78

 

CMYK 78 / 0 / 34 / 9

HEX #33E99A

RGB 51 233 154

HSL 153.96, 0.81%, 0.56%

LAB 82.55, -61.89, 26.09

 

CMYK 90 / 0 / 85 / 28

HEX #13B71B

RGB 19 183 27

HSL 122.93, 0.81%, 0.4%

LAB 65.03, -65.36, 60.75

 

CMYK 90 / 0 / 85 / 13

HEX #17DD21

RGB 23 221 33

HSL 123.03, 0.81%, 0.48%

LAB 77.28, -75.51, 70.36

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 62 / 0 / 59 / 7

HEX #59ED60

RGB 89 237 96

HSL 122.84, 0.8%, 0.64%

LAB 83.72, -66.36, 55.65

 

CMYK 48 / 0 / 45 / 5

HEX #7EF184

RGB 126 241 132

HSL 123.13, 0.8%, 0.72%

LAB 86.51, -54.41, 42.64

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 78 / 18 / 0 / 9

HEX #33BFE9

RGB 51 191 233

HSL 193.85, 0.81%, 0.56%

LAB 72.13, -22.49, -31.29

 

CMYK 0 / 78 / 49 / 9

HEX #E93376

RGB 233 51 118

HSL 337.91, 0.81%, 0.56%

LAB 52.95, 71.34, 6.75

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 76 / 78 / 0 / 9

HEX #3933E9

RGB 57 51 233

HSL 241.98, 0.81%, 0.56%

LAB 36.22, 59.81, -88.87

 

CMYK 0 / 76 / 78 / 9

HEX #E93933

RGB 233 57 51

HSL 1.98, 0.81%, 0.56%

LAB 52.39, 65.87, 45.31

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 78 / 18 / 0 / 9

HEX #33BFE9

RGB 51 191 233

HSL 193.85, 0.81%, 0.56%

LAB 72.13, -22.49, -31.29

 

CMYK 0 / 78 / 3 / 9

HEX #E933E3

RGB 233 51 227

HSL 301.98, 0.81%, 0.56%

LAB 57.31, 84, -50.22

 

CMYK 0 / 60 / 78 / 9

HEX #E95E33

RGB 233 94 51

HSL 14.18, 0.81%, 0.56%

LAB 57.62, 51.65, 50.61

 

CMYK 78 / 0 / 74 / 9

HEX #33E93C

RGB 51 233 60

HSL 122.97, 0.81%, 0.56%

LAB 81.46, -74.74, 66.92

 

CMYK 78 / 42 / 0 / 9

HEX #3388E9

RGB 51 136 233

HSL 211.98, 0.81%, 0.56%

LAB 56.28, 8.27, -56.18

 

CMYK 0 / 78 / 3 / 9

HEX #E933E3

RGB 233 51 227

HSL 301.98, 0.81%, 0.56%

LAB 57.31, 84, -50.22

 

CMYK 0 / 36 / 78 / 9

HEX #E99433

RGB 233 148 51

HSL 31.98, 0.81%, 0.56%

LAB 68.56, 24.59, 61.17

 

Description

Color code: HEX #33E93C | qconv.com Color code: HEX #33E93C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 233 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 233 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 74% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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