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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33AC7D it is the complementary color #CC5382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33AC7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33AC7D shade: #38AC78, #49BE8B, #5AD09E, #6BE2B1 and #7CF4C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33AC7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33AC7D shade: #33AC7D, #229A6A, #118857, #007644 and #006431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33AC7D shade: #33AC7D, #33AC5D, #33AC3C, #4BAC33 and #6CAC33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33AC7D shade: #33AC7D, #33AC9E, #339AAC, #3379AC and #3359AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33AC7D shade matches the following richer shades: #33AC7D, #21BE81 and #0FD185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33AC7D shade: #33AC7D, #459A79, #578875, #6A7671 and #7C646D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33AC7D shade: #33AC3B, #33AC5C, #33AC7C, #33AC9C and #339CAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33AC7D shade: #206D4F, #2A8D66, #33AC7D, #42C693 and #62D0A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33AC7D shade: #33AC7D, #334BAC and #AC4B33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33AC7D shade: #33AC7D, #7C33AC and #AC7C33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33AC7D shade: #33AC7D, #334BAC, #AC3364 and #AC9433

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33AC7D shade: #33AC7D, #3F33AC, #AC3364 and #A0AC33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

Complementary color

CMYK 0 / 59 / 36 / 20

HEX #CC5382

RGB 204 83 130

HSL 336.69, 0.54%, 0.56%

LAB 52.55, 52.46, -1.64

 

CMYK 67 / 0 / 30 / 33

HEX #38AC78

RGB 56 172 120

HSL 153.1, 0.51%, 0.45%

LAB 63.1, -44.66, 17.53

 

CMYK 62 / 0 / 27 / 25

HEX #49BE8B

RGB 73 190 139

HSL 153.85, 0.47%, 0.52%

LAB 69.55, -44.9, 16.2

 

CMYK 57 / 0 / 24 / 18

HEX #5AD09E

RGB 90 208 158

HSL 154.58, 0.56%, 0.58%

LAB 75.92, -44.98, 14.98

 

CMYK 53 / 0 / 22 / 11

HEX #6BE2B1

RGB 107 226 177

HSL 155.29, 0.67%, 0.65%

LAB 82.21, -44.94, 13.87

 

CMYK 49 / 0 / 20 / 4

HEX #7CF4C4

RGB 124 244 196

HSL 156, 0.85%, 0.72%

LAB 88.43, -44.84, 12.84

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 78 / 0 / 31 / 40

HEX #229A6A

RGB 34 154 106

HSL 156, 0.64%, 0.37%

LAB 56.58, -43.73, 16.22

 

CMYK 88 / 0 / 36 / 47

HEX #118857

RGB 17 136 87

HSL 155.29, 0.78%, 0.3%

LAB 50, -42.62, 17.89

 

CMYK 100 / 0 / 42 / 54

HEX #007644

RGB 0 118 68

HSL 154.58, 1%, 0.23%

LAB 43.32, -41.03, 19.74

 

CMYK 100 / 0 / 51 / 61

HEX #006431

RGB 0 100 49

HSL 149.4, 1%, 0.2%

LAB 36.62, -38.1, 21.9

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 70 / 0 / 46 / 33

HEX #33AC5D

RGB 51 172 93

HSL 140.83, 0.54%, 0.44%

LAB 62.51, -50.76, 31.19

 

CMYK 70 / 0 / 65 / 33

HEX #33AC3C

RGB 51 172 60

HSL 124.46, 0.54%, 0.44%

LAB 62.11, -55.35, 46.67

 

CMYK 56 / 0 / 70 / 33

HEX #4BAC33

RGB 75 172 51

HSL 108.1, 0.54%, 0.44%

LAB 62.71, -50.8, 51.25

 

CMYK 37 / 0 / 70 / 33

HEX #6CAC33

RGB 108 172 51

HSL 91.74, 0.54%, 0.44%

LAB 64.11, -40.47, 53.13

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 70 / 0 / 8 / 33

HEX #33AC9E

RGB 51 172 158

HSL 173.06, 0.54%, 0.44%

LAB 63.9, -36.06, -2.41

 

CMYK 70 / 10 / 0 / 33

HEX #339AAC

RGB 51 154 172

HSL 188.93, 0.54%, 0.44%

LAB 58.78, -23.14, -17.94

 

CMYK 70 / 30 / 0 / 33

HEX #3379AC

RGB 51 121 172

HSL 205.29, 0.54%, 0.44%

LAB 48.71, -4.87, -33.51

 

CMYK 70 / 48 / 0 / 33

HEX #3359AC

RGB 51 89 172

HSL 221.16, 0.54%, 0.44%

LAB 39.29, 15.17, -48.47

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 83 / 0 / 32 / 25

HEX #21BE81

RGB 33 190 129

HSL 156.69, 0.7%, 0.44%

LAB 68.56, -52.89, 20.09

 

CMYK 93 / 0 / 36 / 18

HEX #0FD185

RGB 15 209 133

HSL 156.49, 0.87%, 0.44%

LAB 74.44, -60.22, 25.93

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 55 / 0 / 21 / 40

HEX #459A79

RGB 69 154 121

HSL 156.71, 0.38%, 0.44%

LAB 57.81, -33.89, 9.64

 

CMYK 36 / 0 / 14 / 47

HEX #578875

RGB 87 136 117

HSL 156.73, 0.22%, 0.44%

LAB 52.86, -21.05, 4.98

 

CMYK 10 / 0 / 4 / 54

HEX #6A7671

RGB 106 118 113

HSL 155, 0.05%, 0.44%

LAB 48.53, -5.54, 1.22

 

CMYK 0 / 19 / 12 / 51

HEX #7C646D

RGB 124 100 109

HSL 337.5, 0.11%, 0.44%

LAB 44.95, 11.23, -1.43

 

CMYK 70 / 0 / 66 / 33

HEX #33AC3B

RGB 51 172 59

HSL 123.97, 0.54%, 0.44%

LAB 62.1, -55.46, 47.1

 

CMYK 70 / 0 / 47 / 33

HEX #33AC5C

RGB 51 172 92

HSL 140.33, 0.54%, 0.44%

LAB 62.49, -50.93, 31.69

 

CMYK 70 / 0 / 28 / 33

HEX #33AC7C

RGB 51 172 124

HSL 156.2, 0.54%, 0.44%

LAB 63.06, -44.61, 15.27

 

CMYK 70 / 0 / 9 / 33

HEX #33AC9C

RGB 51 172 156

HSL 172.07, 0.54%, 0.44%

LAB 63.84, -36.61, -1.38

 

CMYK 70 / 9 / 0 / 33

HEX #339CAC

RGB 51 156 172

HSL 187.93, 0.54%, 0.44%

LAB 59.4, -24.16, -17.01

 

CMYK 71 / 0 / 28 / 57

HEX #206D4F

RGB 32 109 79

HSL 156.62, 0.55%, 0.28%

LAB 40.91, -31.08, 10.1

 

CMYK 70 / 0 / 28 / 45

HEX #2A8D66

RGB 42 141 102

HSL 156.36, 0.54%, 0.36%

LAB 52.4, -38.02, 12.72

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 67 / 0 / 26 / 22

HEX #42C693

RGB 66 198 147

HSL 156.82, 0.54%, 0.52%

LAB 72, -47.76, 15.28

 

CMYK 53 / 0 / 21 / 18

HEX #62D0A5

RGB 98 208 165

HSL 156.55, 0.54%, 0.6%

LAB 76.33, -41.7, 11.87

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 70 / 56 / 0 / 33

HEX #334BAC

RGB 51 75 172

HSL 228.1, 0.54%, 0.44%

LAB 35.43, 24.38, -54.71

 

CMYK 0 / 56 / 70 / 33

HEX #AC4B33

RGB 172 75 51

HSL 11.9, 0.54%, 0.44%

LAB 44.29, 38.14, 33.39

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 28 / 70 / 0 / 33

HEX #7C33AC

RGB 124 51 172

HSL 276.2, 0.54%, 0.44%

LAB 37.17, 52.2, -51.56

 

CMYK 0 / 28 / 70 / 33

HEX #AC7C33

RGB 172 124 51

HSL 36.2, 0.54%, 0.44%

LAB 55.51, 11.36, 45.75

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 70 / 56 / 0 / 33

HEX #334BAC

RGB 51 75 172

HSL 228.1, 0.54%, 0.44%

LAB 35.43, 24.38, -54.71

 

CMYK 0 / 70 / 42 / 33

HEX #AC3364

RGB 172 51 100

HSL 335.7, 0.54%, 0.44%

LAB 41.31, 52.82, -0.44

 

CMYK 0 / 14 / 70 / 33

HEX #AC9433

RGB 172 148 51

HSL 48.1, 0.54%, 0.44%

LAB 61.82, -1.93, 52.28

 

CMYK 70 / 0 / 27 / 33

HEX #33AC7D

RGB 51 172 125

HSL 156.69, 0.54%, 0.44%

LAB 63.09, -44.39, 14.75

 

CMYK 63 / 70 / 0 / 33

HEX #3F33AC

RGB 63 51 172

HSL 245.95, 0.54%, 0.44%

LAB 30.41, 41.25, -62.87

 

CMYK 0 / 70 / 42 / 33

HEX #AC3364

RGB 172 51 100

HSL 335.7, 0.54%, 0.44%

LAB 41.31, 52.82, -0.44

 

CMYK 7 / 0 / 70 / 33

HEX #A0AC33

RGB 160 172 51

HSL 65.95, 0.54%, 0.44%

LAB 67.44, -19.8, 57.58

 

Description

Color code: HEX #33AC7D | qconv.com Color code: HEX #33AC7D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 172 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 172 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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