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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33AB7F it is the complementary color #CC5480. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33AB7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33AB7F shade: #38AB7A, #49BD8D, #5ACFA0, #6BE1B3 and #7CF3C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33AB7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33AB7F shade: #33AB7F, #22996C, #118759, #007546 and #006333

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33AB7F shade: #33AC80, #33AC5F, #33AC3F, #48AC33 and #69AC33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33AB7F shade: #33AC80, #33ACA1, #3397AC, #3377AC and #3356AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33AB7F shade matches the following richer shades: #33AC80, #21BE85 and #0FD18A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33AB7F shade: #33AC80, #459A7B, #578876, #6A7671 and #7C646C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33AB7F shade: #33AC3F, #33AC60, #33AC80, #33ACA0 and #3398AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33AB7F shade: #206D51, #2A8D68, #33AC80, #42C696 and #62D0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33AB7F shade: #33AB7F, #3347AC and #AC4F33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33AB7F shade: #33AB7F, #8033AC and #AC8033

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33AB7F shade: #33AB7F, #3347AC, #AC3360 and #AC9833

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33AB7F shade: #33AB7F, #4333AC, #AC3360 and #9CAC33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 26 / 33

HEX #33AB7F

RGB 51 171 127

HSL 158, 0.54%, 0.44%

LAB 62.81, -43.51, 13.27

 

Complementary color

CMYK 0 / 59 / 37 / 20

HEX #CC5480

RGB 204 84 128

HSL 338, 0.54%, 0.56%

LAB 52.66, 51.77, -0.28

 

CMYK 67 / 0 / 29 / 33

HEX #38AB7A

RGB 56 171 122

HSL 154.43, 0.51%, 0.45%

LAB 62.82, -43.81, 16.05

 

CMYK 61 / 0 / 25 / 26

HEX #49BD8D

RGB 73 189 141

HSL 155.17, 0.47%, 0.51%

LAB 69.28, -44.04, 14.74

 

CMYK 57 / 0 / 23 / 19

HEX #5ACFA0

RGB 90 207 160

HSL 155.9, 0.55%, 0.58%

LAB 75.66, -44.11, 13.56

 

CMYK 52 / 0 / 20 / 12

HEX #6BE1B3

RGB 107 225 179

HSL 156.61, 0.66%, 0.65%

LAB 81.96, -44.08, 12.47

 

CMYK 49 / 0 / 19 / 5

HEX #7CF3C6

RGB 124 243 198

HSL 157.31, 0.83%, 0.72%

LAB 88.19, -43.98, 11.46

 

CMYK 70 / 0 / 26 / 33

HEX #33AB7F

RGB 51 171 127

HSL 158, 0.54%, 0.44%

LAB 62.81, -43.51, 13.27

 

CMYK 78 / 0 / 29 / 40

HEX #22996C

RGB 34 153 108

HSL 157.31, 0.64%, 0.37%

LAB 56.29, -42.87, 14.71

 

CMYK 87 / 0 / 34 / 47

HEX #118759

RGB 17 135 89

HSL 156.61, 0.78%, 0.3%

LAB 49.7, -41.77, 16.35

 

CMYK 100 / 0 / 40 / 54

HEX #007546

RGB 0 117 70

HSL 155.9, 1%, 0.23%

LAB 43.01, -40.21, 18.18

 

CMYK 100 / 0 / 48 / 61

HEX #006333

RGB 0 99 51

HSL 150.91, 1%, 0.19%

LAB 36.3, -37.33, 20.34

 

CMYK 70 / 0 / 26 / 33

HEX #33AC80

RGB 51 172 128

HSL 158.18, 0.54%, 0.44%

LAB 63.15, -43.7, 13.19

 

CMYK 70 / 0 / 45 / 33

HEX #33AC5F

RGB 51 172 95

HSL 141.82, 0.54%, 0.44%

LAB 62.54, -50.42, 30.18

 

CMYK 70 / 0 / 63 / 33

HEX #33AC3F

RGB 51 172 63

HSL 125.95, 0.54%, 0.44%

LAB 62.14, -55.02, 45.38

 

CMYK 58 / 0 / 70 / 33

HEX #48AC33

RGB 72 172 51

HSL 109.59, 0.54%, 0.44%

LAB 62.61, -51.59, 51.11

 

CMYK 39 / 0 / 70 / 33

HEX #69AC33

RGB 105 172 51

HSL 93.22, 0.54%, 0.44%

LAB 63.96, -41.52, 52.93

 

CMYK 70 / 0 / 26 / 33

HEX #33AC80

RGB 51 172 128

HSL 158.18, 0.54%, 0.44%

LAB 63.15, -43.7, 13.19

 

CMYK 70 / 0 / 6 / 33

HEX #33ACA1

RGB 51 172 161

HSL 174.55, 0.54%, 0.44%

LAB 63.98, -35.22, -3.96

 

CMYK 70 / 12 / 0 / 33

HEX #3397AC

RGB 51 151 172

HSL 190.41, 0.54%, 0.44%

LAB 57.86, -21.58, -19.35

 

CMYK 70 / 31 / 0 / 33

HEX #3377AC

RGB 51 119 172

HSL 206.28, 0.54%, 0.44%

LAB 48.1, -3.68, -34.46

 

CMYK 70 / 50 / 0 / 33

HEX #3356AC

RGB 51 86 172

HSL 222.64, 0.54%, 0.44%

LAB 38.44, 17.14, -49.83

 

CMYK 70 / 0 / 26 / 33

HEX #33AC80

RGB 51 172 128

HSL 158.18, 0.54%, 0.44%

LAB 63.15, -43.7, 13.19

 

CMYK 83 / 0 / 30 / 25

HEX #21BE85

RGB 33 190 133

HSL 158.22, 0.7%, 0.44%

LAB 68.64, -52.01, 18.05

 

CMYK 93 / 0 / 34 / 18

HEX #0FD18A

RGB 15 209 138

HSL 158.04, 0.87%, 0.44%

LAB 74.53, -59.18, 23.44

 

CMYK 70 / 0 / 26 / 33

HEX #33AC80

RGB 51 172 128

HSL 158.18, 0.54%, 0.44%

LAB 63.15, -43.7, 13.19

 

CMYK 55 / 0 / 20 / 40

HEX #459A7B

RGB 69 154 123

HSL 158.12, 0.38%, 0.44%

LAB 57.85, -33.42, 8.58

 

CMYK 36 / 0 / 13 / 47

HEX #578876

RGB 87 136 118

HSL 157.96, 0.22%, 0.44%

LAB 52.89, -20.82, 4.44

 

CMYK 10 / 0 / 4 / 54

HEX #6A7671

RGB 106 118 113

HSL 155, 0.05%, 0.44%

LAB 48.53, -5.54, 1.22

 

CMYK 0 / 19 / 13 / 51

HEX #7C646C

RGB 124 100 108

HSL 340, 0.11%, 0.44%

LAB 44.92, 11.05, -0.87

 

CMYK 70 / 0 / 63 / 33

HEX #33AC3F

RGB 51 172 63

HSL 125.95, 0.54%, 0.44%

LAB 62.14, -55.02, 45.38

 

CMYK 70 / 0 / 44 / 33

HEX #33AC60

RGB 51 172 96

HSL 142.31, 0.54%, 0.44%

LAB 62.55, -50.24, 29.68

 

CMYK 70 / 0 / 26 / 33

HEX #33AC80

RGB 51 172 128

HSL 158.18, 0.54%, 0.44%

LAB 63.15, -43.7, 13.19

 

CMYK 70 / 0 / 7 / 33

HEX #33ACA0

RGB 51 172 160

HSL 174.05, 0.54%, 0.44%

LAB 63.96, -35.5, -3.44

 

CMYK 70 / 12 / 0 / 33

HEX #3398AC

RGB 51 152 172

HSL 189.92, 0.54%, 0.44%

LAB 58.17, -22.1, -18.88

 

CMYK 71 / 0 / 26 / 57

HEX #206D51

RGB 32 109 81

HSL 158.18, 0.55%, 0.28%

LAB 40.96, -30.58, 8.97

 

CMYK 70 / 0 / 26 / 45

HEX #2A8D68

RGB 42 141 104

HSL 157.58, 0.54%, 0.36%

LAB 52.44, -37.54, 11.64

 

CMYK 70 / 0 / 26 / 33

HEX #33AC80

RGB 51 172 128

HSL 158.18, 0.54%, 0.44%

LAB 63.15, -43.7, 13.19

 

CMYK 67 / 0 / 24 / 22

HEX #42C696

RGB 66 198 150

HSL 158.18, 0.54%, 0.52%

LAB 72.06, -47.09, 13.75

 

CMYK 53 / 0 / 19 / 18

HEX #62D0A8

RGB 98 208 168

HSL 158.18, 0.54%, 0.6%

LAB 76.4, -41.04, 10.36

 

CMYK 70 / 0 / 26 / 33

HEX #33AB7F

RGB 51 171 127

HSL 158, 0.54%, 0.44%

LAB 62.81, -43.51, 13.27

 

CMYK 70 / 59 / 0 / 33

HEX #3347AC

RGB 51 71 172

HSL 230.08, 0.54%, 0.44%

LAB 34.37, 27.01, -56.42

 

CMYK 0 / 54 / 70 / 33

HEX #AC4F33

RGB 172 79 51

HSL 13.88, 0.54%, 0.44%

LAB 45.08, 36.11, 34.3

 

CMYK 70 / 0 / 26 / 33

HEX #33AB7F

RGB 51 171 127

HSL 158, 0.54%, 0.44%

LAB 62.81, -43.51, 13.27

 

CMYK 26 / 70 / 0 / 33

HEX #8033AC

RGB 128 51 172

HSL 278.18, 0.54%, 0.44%

LAB 37.73, 53.04, -50.64

 

CMYK 0 / 26 / 70 / 33

HEX #AC8033

RGB 172 128 51

HSL 38.18, 0.54%, 0.44%

LAB 56.53, 9.12, 46.83

 

CMYK 70 / 0 / 26 / 33

HEX #33AB7F

RGB 51 171 127

HSL 158, 0.54%, 0.44%

LAB 62.81, -43.51, 13.27

 

CMYK 70 / 59 / 0 / 33

HEX #3347AC

RGB 51 71 172

HSL 230.08, 0.54%, 0.44%

LAB 34.37, 27.01, -56.42

 

CMYK 0 / 70 / 44 / 33

HEX #AC3360

RGB 172 51 96

HSL 337.69, 0.54%, 0.44%

LAB 41.19, 52.41, 1.9

 

CMYK 0 / 12 / 70 / 33

HEX #AC9833

RGB 172 152 51

HSL 50.08, 0.54%, 0.44%

LAB 62.9, -4.1, 53.38

 

CMYK 70 / 0 / 26 / 33

HEX #33AB7F

RGB 51 171 127

HSL 158, 0.54%, 0.44%

LAB 62.81, -43.51, 13.27

 

CMYK 61 / 70 / 0 / 33

HEX #4333AC

RGB 67 51 172

HSL 247.93, 0.54%, 0.44%

LAB 30.73, 41.81, -62.32

 

CMYK 0 / 70 / 44 / 33

HEX #AC3360

RGB 172 51 96

HSL 337.69, 0.54%, 0.44%

LAB 41.19, 52.41, 1.9

 

CMYK 9 / 0 / 70 / 33

HEX #9CAC33

RGB 156 172 51

HSL 67.93, 0.54%, 0.44%

LAB 67.14, -21.5, 57.18

 

Description

Color code: HEX #33AB7F | qconv.com Color code: HEX #33AB7F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 171 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 171 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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