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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FEF98 it is the complementary color #D01067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FEF98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FEF98 shade: #34EF93, #45FFA6, #56FFB9, #67FFCC and #78FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FEF98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FEF98 shade: #2FEF98, #1EDD85, #0DCB72, #00B95F and #00A74C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FEF98 shade: #2EEF97, #2EEF63, #2EEF2F, #60EF2E and #94EF2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FEF98 shade: #2EEF97, #2EEFCB, #2EDEEF, #2EAAEF and #2E76EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FEF98 shade matches the following richer shades: #2EEF97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FEF98 shade: #2EEF97, #40DD96, #52CA94, #64B892 and #76A691

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FEF98 shade: #2EEF2E, #2EEF61, #2EEF95, #2EEFC8 and #2EE2EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FEF98 shade: #0EBC6D, #11E384, #2EEF97, #54F2AA and #7BF5BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FEF98 shade: #2FEF98, #2E61EF and #EF482E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FEF98 shade: #2FEF98, #952EEF and #EF952E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FEF98 shade: #2FEF98, #2E61EF, #EF2E88 and #EFBB2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FEF98 shade: #2FEF98, #342EEF, #EF2E88 and #E8EF2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 36 / 6

HEX #2FEF98

RGB 47 239 152

HSL 152.81, 0.86%, 0.56%

LAB 84.28, -64.85, 29.43

 

Complementary color

CMYK 0 / 92 / 50 / 18

HEX #D01067

RGB 208 16 103

HSL 332.81, 0.86%, 0.44%

LAB 45.3, 70.99, 4.34

 

CMYK 78 / 0 / 38 / 6

HEX #34EF93

RGB 52 239 147

HSL 150.48, 0.85%, 0.57%

LAB 84.26, -65.28, 31.94

 

CMYK 73 / 0 / 35 / 0

HEX #45FFA6

RGB 69 255 166

HSL 151.29, 1%, 0.64%

LAB 89.64, -65.39, 29.64

 

CMYK 66 / 0 / 27 / 0

HEX #56FFB9

RGB 86 255 185

HSL 155.15, 1%, 0.67%

LAB 90.32, -59.13, 20.99

 

CMYK 60 / 0 / 20 / 0

HEX #67FFCC

RGB 103 255 204

HSL 159.87, 1%, 0.7%

LAB 91.13, -52.15, 12.44

 

CMYK 53 / 0 / 13 / 0

HEX #78FFDF

RGB 120 255 223

HSL 165.78, 1%, 0.74%

LAB 92.06, -44.56, 4.04

 

CMYK 80 / 0 / 36 / 6

HEX #2FEF98

RGB 47 239 152

HSL 152.81, 0.86%, 0.56%

LAB 84.28, -64.85, 29.43

 

CMYK 86 / 0 / 40 / 13

HEX #1EDD85

RGB 30 221 133

HSL 152.36, 0.76%, 0.49%

LAB 78.28, -63.58, 31.06

 

CMYK 94 / 0 / 44 / 20

HEX #0DCB72

RGB 13 203 114

HSL 151.89, 0.88%, 0.42%

LAB 72.24, -61.87, 32.81

 

CMYK 100 / 0 / 49 / 27

HEX #00B95F

RGB 0 185 95

HSL 150.81, 1%, 0.36%

LAB 66.15, -59.65, 34.67

 

CMYK 100 / 0 / 54 / 35

HEX #00A74C

RGB 0 167 76

HSL 147.31, 1%, 0.33%

LAB 60.03, -56.79, 36.62

 

CMYK 81 / 0 / 37 / 6

HEX #2EEF97

RGB 46 239 151

HSL 152.64, 0.86%, 0.56%

LAB 84.25, -65.14, 29.9

 

CMYK 81 / 0 / 59 / 6

HEX #2EEF63

RGB 46 239 99

HSL 136.48, 0.86%, 0.56%

LAB 83.56, -73.33, 53.93

 

CMYK 81 / 0 / 80 / 6

HEX #2EEF2F

RGB 46 239 47

HSL 120.31, 0.86%, 0.56%

LAB 83.19, -77.88, 72.42

 

CMYK 60 / 0 / 81 / 6

HEX #60EF2E

RGB 96 239 46

HSL 104.46, 0.86%, 0.56%

LAB 84.18, -69.44, 73.97

 

CMYK 38 / 0 / 81 / 6

HEX #94EF2E

RGB 148 239 46

HSL 88.29, 0.86%, 0.56%

LAB 86.12, -54.64, 76.44

 

CMYK 81 / 0 / 37 / 6

HEX #2EEF97

RGB 46 239 151

HSL 152.64, 0.86%, 0.56%

LAB 84.25, -65.14, 29.9

 

CMYK 81 / 0 / 15 / 6

HEX #2EEFCB

RGB 46 239 203

HSL 168.81, 0.86%, 0.56%

LAB 85.31, -53.54, 4.48

 

CMYK 81 / 7 / 0 / 6

HEX #2EDEEF

RGB 46 222 239

HSL 185.28, 0.86%, 0.56%

LAB 81.32, -36.17, -20.46

 

CMYK 81 / 29 / 0 / 6

HEX #2EAAEF

RGB 46 170 239

HSL 201.45, 0.86%, 0.56%

LAB 66.18, -9.77, -43.81

 

CMYK 81 / 51 / 0 / 6

HEX #2E76EF

RGB 46 118 239

HSL 217.62, 0.86%, 0.56%

LAB 51.58, 21.14, -67.11

 

CMYK 81 / 0 / 37 / 6

HEX #2EEF97

RGB 46 239 151

HSL 152.64, 0.86%, 0.56%

LAB 84.25, -65.14, 29.9

 

CMYK 81 / 0 / 37 / 6

HEX #2EEF97

RGB 46 239 151

HSL 152.64, 0.86%, 0.56%

LAB 84.25, -65.14, 29.9

 

CMYK 71 / 0 / 32 / 13

HEX #40DD96

RGB 64 221 150

HSL 152.87, 0.7%, 0.56%

LAB 79.04, -56.57, 23.42

 

CMYK 59 / 0 / 27 / 21

HEX #52CA94

RGB 82 202 148

HSL 153, 0.53%, 0.56%

LAB 73.66, -46.23, 17.12

 

CMYK 46 / 0 / 21 / 28

HEX #64B892

RGB 100 184 146

HSL 152.86, 0.37%, 0.56%

LAB 68.8, -34.47, 11.48

 

CMYK 29 / 0 / 13 / 35

HEX #76A691

RGB 118 166 145

HSL 153.75, 0.21%, 0.56%

LAB 64.3, -20.63, 5.74

 

CMYK 81 / 0 / 81 / 6

HEX #2EEF2E

RGB 46 239 46

HSL 120, 0.86%, 0.56%

LAB 83.18, -77.93, 72.68

 

CMYK 81 / 0 / 59 / 6

HEX #2EEF61

RGB 46 239 97

HSL 135.85, 0.86%, 0.56%

LAB 83.54, -73.57, 54.78

 

CMYK 81 / 0 / 38 / 6

HEX #2EEF95

RGB 46 239 149

HSL 152.02, 0.86%, 0.56%

LAB 84.22, -65.52, 30.86

 

CMYK 81 / 0 / 16 / 6

HEX #2EEFC8

RGB 46 239 200

HSL 167.88, 0.86%, 0.56%

LAB 85.24, -54.29, 5.95

 

CMYK 81 / 5 / 0 / 6

HEX #2EE2EF

RGB 46 226 239

HSL 184.04, 0.86%, 0.56%

LAB 82.49, -38.02, -18.69

 

CMYK 93 / 0 / 42 / 26

HEX #0EBC6D

RGB 14 188 109

HSL 152.76, 0.86%, 0.4%

LAB 67.4, -57.57, 29.09

 

CMYK 93 / 0 / 42 / 11

HEX #11E384

RGB 17 227 132

HSL 152.86, 0.86%, 0.48%

LAB 80.02, -66.55, 33.85

 

CMYK 81 / 0 / 37 / 6

HEX #2EEF97

RGB 46 239 151

HSL 152.64, 0.86%, 0.56%

LAB 84.25, -65.14, 29.9

 

CMYK 65 / 0 / 30 / 5

HEX #54F2AA

RGB 84 242 170

HSL 152.66, 0.86%, 0.64%

LAB 86.15, -57.48, 22.9

 

CMYK 50 / 0 / 23 / 4

HEX #7BF5BD

RGB 123 245 189

HSL 152.46, 0.86%, 0.72%

LAB 88.54, -46.95, 16.6

 

CMYK 80 / 0 / 36 / 6

HEX #2FEF98

RGB 47 239 152

HSL 152.81, 0.86%, 0.56%

LAB 84.28, -64.85, 29.43

 

CMYK 81 / 59 / 0 / 6

HEX #2E61EF

RGB 46 97 239

HSL 224.15, 0.86%, 0.56%

LAB 46.13, 34.4, -75.97

 

CMYK 0 / 70 / 81 / 6

HEX #EF482E

RGB 239 72 46

HSL 8.08, 0.86%, 0.56%

LAB 55.26, 62.5, 51.07

 

CMYK 80 / 0 / 36 / 6

HEX #2FEF98

RGB 47 239 152

HSL 152.81, 0.86%, 0.56%

LAB 84.28, -64.85, 29.43

 

CMYK 38 / 81 / 0 / 6

HEX #952EEF

RGB 149 46 239

HSL 272.02, 0.86%, 0.56%

LAB 45.05, 73.28, -77.41

 

CMYK 0 / 38 / 81 / 6

HEX #EF952E

RGB 239 149 46

HSL 32.02, 0.86%, 0.56%

LAB 69.5, 26.4, 64.19

 

CMYK 80 / 0 / 36 / 6

HEX #2FEF98

RGB 47 239 152

HSL 152.81, 0.86%, 0.56%

LAB 84.28, -64.85, 29.43

 

CMYK 81 / 59 / 0 / 6

HEX #2E61EF

RGB 46 97 239

HSL 224.15, 0.86%, 0.56%

LAB 46.13, 34.4, -75.97

 

CMYK 0 / 81 / 43 / 6

HEX #EF2E88

RGB 239 46 136

HSL 332.02, 0.86%, 0.56%

LAB 54.11, 75.63, -2.22

 

CMYK 0 / 22 / 81 / 6

HEX #EFBB2E

RGB 239 187 46

HSL 43.83, 0.86%, 0.56%

LAB 78.51, 6.37, 72.16

 

CMYK 80 / 0 / 36 / 6

HEX #2FEF98

RGB 47 239 152

HSL 152.81, 0.86%, 0.56%

LAB 84.28, -64.85, 29.43

 

CMYK 78 / 81 / 0 / 6

HEX #342EEF

RGB 52 46 239

HSL 241.87, 0.86%, 0.56%

LAB 35.82, 63.62, -92.93

 

CMYK 0 / 81 / 43 / 6

HEX #EF2E88

RGB 239 46 136

HSL 332.02, 0.86%, 0.56%

LAB 54.11, 75.63, -2.22

 

CMYK 3 / 0 / 81 / 6

HEX #E8EF2E

RGB 232 239 46

HSL 62.18, 0.86%, 0.56%

LAB 91.27, -22.69, 82.95

 

Description

Color code: HEX #2FEF98 | qconv.com Color code: HEX #2FEF98 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 239 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 239 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 36 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 36% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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