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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FE5CE it is the complementary color #D01A31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FE5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FE5CE shade: #34E5C9, #45F7DC, #56FFEF, #67FFFF and #78FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FE5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FE5CE shade: #2FE5CE, #1ED3BB, #0DC1A8, #00AF95 and #009D82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FE5CE shade: #2EE5CE, #2EE59C, #2EE56B, #2EE53A and #53E52E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FE5CE shade: #2EE5CE, #2ECAE5, #2E99E5, #2E68E5 and #2E36E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FE5CE shade matches the following richer shades: #2EE5CE and #1BF8DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FE5CE shade: #2EE5CE, #41D2BF, #54BFB1, #67ACA3 and #7A9995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FE5CE shade: #2EE56B, #2EE59B, #2EE5CC, #2ECCE5 and #2E9BE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FE5CE shade: #15AB98, #19D0B9, #2EE5CE, #52E9D6 and #77EEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FE5CE shade: #2FE5CE, #3A2EE5 and #E5832E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FE5CE shade: #2FE5CE, #CC2EE5 and #E5CC2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FE5CE shade: #2FE5CE, #3A2EE5, #E52E46 and #D8E52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FE5CE shade: #2FE5CE, #712EE5, #E52E46 and #A2E52E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 10 / 10

HEX #2FE5CE

RGB 47 229 206

HSL 172.42, 0.78%, 0.54%

LAB 82.43, -48.55, -1.29

 

Complementary color

CMYK 0 / 88 / 76 / 18

HEX #D01A31

RGB 208 26 49

HSL 352.42, 0.78%, 0.46%

LAB 44.76, 66.53, 36.86

 

CMYK 77 / 0 / 12 / 10

HEX #34E5C9

RGB 52 229 201

HSL 170.51, 0.77%, 0.55%

LAB 82.37, -49.39, 1.27

 

CMYK 72 / 0 / 11 / 3

HEX #45F7DC

RGB 69 247 220

HSL 170.9, 0.92%, 0.62%

LAB 88.43, -50.2, 0.16

 

CMYK 66 / 0 / 6 / 0

HEX #56FFEF

RGB 86 255 239

HSL 174.32, 1%, 0.67%

LAB 91.56, -46.53, -5.08

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 79 / 0 / 10 / 10

HEX #2FE5CE

RGB 47 229 206

HSL 172.42, 0.78%, 0.54%

LAB 82.43, -48.55, -1.29

 

CMYK 86 / 0 / 11 / 17

HEX #1ED3BB

RGB 30 211 187

HSL 172.04, 0.75%, 0.47%

LAB 76.35, -47.34, -0.09

 

CMYK 93 / 0 / 13 / 24

HEX #0DC1A8

RGB 13 193 168

HSL 171.67, 0.87%, 0.4%

LAB 70.21, -45.77, 1.25

 

CMYK 100 / 0 / 15 / 31

HEX #00AF95

RGB 0 175 149

HSL 171.09, 1%, 0.34%

LAB 64.02, -43.84, 2.72

 

CMYK 100 / 0 / 17 / 38

HEX #009D82

RGB 0 157 130

HSL 169.68, 1%, 0.31%

LAB 57.78, -41.43, 4.35

 

CMYK 80 / 0 / 10 / 10

HEX #2EE5CE

RGB 46 229 206

HSL 172.46, 0.78%, 0.54%

LAB 82.42, -48.63, -1.31

 

CMYK 80 / 0 / 32 / 10

HEX #2EE59C

RGB 46 229 156

HSL 156.07, 0.78%, 0.54%

LAB 81.3, -60.52, 23.35

 

CMYK 80 / 0 / 53 / 10

HEX #2EE56B

RGB 46 229 107

HSL 140, 0.78%, 0.54%

LAB 80.56, -69.1, 46.74

 

CMYK 80 / 0 / 75 / 10

HEX #2EE53A

RGB 46 229 58

HSL 123.93, 0.78%, 0.54%

LAB 80.14, -74.29, 66.24

 

CMYK 64 / 0 / 80 / 10

HEX #53E52E

RGB 83 229 46

HSL 107.87, 0.78%, 0.54%

LAB 80.78, -69.03, 70.7

 

CMYK 80 / 0 / 10 / 10

HEX #2EE5CE

RGB 46 229 206

HSL 172.46, 0.78%, 0.54%

LAB 82.42, -48.63, -1.31

 

CMYK 80 / 12 / 0 / 10

HEX #2ECAE5

RGB 46 202 229

HSL 188.85, 0.78%, 0.54%

LAB 75.13, -29.72, -24.53

 

CMYK 80 / 33 / 0 / 10

HEX #2E99E5

RGB 46 153 229

HSL 204.92, 0.78%, 0.54%

LAB 60.8, -3.73, -46.79

 

CMYK 80 / 55 / 0 / 10

HEX #2E68E5

RGB 46 104 229

HSL 220.98, 0.78%, 0.54%

LAB 47.16, 26.26, -68.66

 

CMYK 80 / 76 / 0 / 10

HEX #2E36E5

RGB 46 54 229

HSL 237.38, 0.78%, 0.54%

LAB 35.75, 56.38, -87.39

 

CMYK 80 / 0 / 10 / 10

HEX #2EE5CE

RGB 46 229 206

HSL 172.46, 0.78%, 0.54%

LAB 82.42, -48.63, -1.31

 

CMYK 89 / 0 / 11 / 3

HEX #1BF8DC

RGB 27 248 220

HSL 172.4, 0.94%, 0.54%

LAB 88.23, -54.04, -0.2

 

CMYK 80 / 0 / 10 / 10

HEX #2EE5CE

RGB 46 229 206

HSL 172.46, 0.78%, 0.54%

LAB 82.42, -48.63, -1.31

 

CMYK 69 / 0 / 9 / 18

HEX #41D2BF

RGB 65 210 191

HSL 172.14, 0.62%, 0.54%

LAB 76.67, -42.31, -1.71

 

CMYK 56 / 0 / 7 / 25

HEX #54BFB1

RGB 84 191 177

HSL 172.15, 0.46%, 0.54%

LAB 71.09, -34.12, -2.24

 

CMYK 40 / 0 / 5 / 33

HEX #67ACA3

RGB 103 172 163

HSL 172.17, 0.29%, 0.54%

LAB 65.77, -23.97, -2.24

 

CMYK 20 / 0 / 3 / 40

HEX #7A9995

RGB 122 153 149

HSL 172.26, 0.13%, 0.54%

LAB 60.86, -11.61, -1.47

 

CMYK 80 / 0 / 53 / 10

HEX #2EE56B

RGB 46 229 107

HSL 140, 0.78%, 0.54%

LAB 80.56, -69.1, 46.74

 

CMYK 80 / 0 / 32 / 10

HEX #2EE59B

RGB 46 229 155

HSL 155.74, 0.78%, 0.54%

LAB 81.28, -60.73, 23.84

 

CMYK 80 / 0 / 11 / 10

HEX #2EE5CC

RGB 46 229 204

HSL 171.8, 0.78%, 0.54%

LAB 82.37, -49.16, -0.33

 

CMYK 80 / 11 / 0 / 10

HEX #2ECCE5

RGB 46 204 229

HSL 188.2, 0.78%, 0.54%

LAB 75.71, -30.69, -23.63

 

CMYK 80 / 32 / 0 / 10

HEX #2E9BE5

RGB 46 155 229

HSL 204.26, 0.78%, 0.54%

LAB 61.38, -4.88, -45.88

 

CMYK 88 / 0 / 11 / 33

HEX #15AB98

RGB 21 171 152

HSL 172.4, 0.78%, 0.38%

LAB 62.97, -40.35, -0.47

 

CMYK 88 / 0 / 11 / 18

HEX #19D0B9

RGB 25 208 185

HSL 172.46, 0.79%, 0.46%

LAB 75.34, -46.91, -0.49

 

CMYK 80 / 0 / 10 / 10

HEX #2EE5CE

RGB 46 229 206

HSL 172.46, 0.78%, 0.54%

LAB 82.42, -48.63, -1.31

 

CMYK 65 / 0 / 8 / 9

HEX #52E9D6

RGB 82 233 214

HSL 172.45, 0.77%, 0.62%

LAB 84.45, -43.96, -2.49

 

CMYK 50 / 0 / 6 / 7

HEX #77EEDF

RGB 119 238 223

HSL 172.44, 0.78%, 0.7%

LAB 87.19, -37.17, -3.07

 

CMYK 79 / 0 / 10 / 10

HEX #2FE5CE

RGB 47 229 206

HSL 172.42, 0.78%, 0.54%

LAB 82.43, -48.55, -1.29

 

CMYK 75 / 80 / 0 / 10

HEX #3A2EE5

RGB 58 46 229

HSL 243.93, 0.78%, 0.54%

LAB 35.02, 61.03, -88.56

 

CMYK 0 / 43 / 80 / 10

HEX #E5832E

RGB 229 131 46

HSL 27.87, 0.78%, 0.54%

LAB 64.23, 31.73, 58.92

 

CMYK 79 / 0 / 10 / 10

HEX #2FE5CE

RGB 47 229 206

HSL 172.42, 0.78%, 0.54%

LAB 82.43, -48.55, -1.29

 

CMYK 11 / 80 / 0 / 10

HEX #CC2EE5

RGB 204 46 229

HSL 291.8, 0.78%, 0.54%

LAB 52.34, 80.19, -59.56

 

CMYK 0 / 11 / 80 / 10

HEX #E5CC2E

RGB 229 204 46

HSL 51.8, 0.78%, 0.54%

LAB 81.86, -6.68, 74.72

 

CMYK 79 / 0 / 10 / 10

HEX #2FE5CE

RGB 47 229 206

HSL 172.42, 0.78%, 0.54%

LAB 82.43, -48.55, -1.29

 

CMYK 75 / 80 / 0 / 10

HEX #3A2EE5

RGB 58 46 229

HSL 243.93, 0.78%, 0.54%

LAB 35.02, 61.03, -88.56

 

CMYK 0 / 80 / 69 / 10

HEX #E52E46

RGB 229 46 70

HSL 352.13, 0.78%, 0.54%

LAB 50.75, 68.59, 32.53

 

CMYK 6 / 0 / 80 / 10

HEX #D8E52E

RGB 216 229 46

HSL 64.26, 0.78%, 0.54%

LAB 87.4, -24.48, 79.14

 

CMYK 79 / 0 / 10 / 10

HEX #2FE5CE

RGB 47 229 206

HSL 172.42, 0.78%, 0.54%

LAB 82.43, -48.55, -1.29

 

CMYK 51 / 80 / 0 / 10

HEX #712EE5

RGB 113 46 229

HSL 261.97, 0.78%, 0.54%

LAB 39.78, 66.22, -80.54

 

CMYK 0 / 80 / 69 / 10

HEX #E52E46

RGB 229 46 70

HSL 352.13, 0.78%, 0.54%

LAB 50.75, 68.59, 32.53

 

CMYK 29 / 0 / 80 / 10

HEX #A2E52E

RGB 162 229 46

HSL 81.97, 0.78%, 0.54%

LAB 83.92, -45.64, 74.73

 

Description

Color code: HEX #2FE5CE | qconv.com Color code: HEX #2FE5CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 229 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 229 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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