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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FC031 it is the complementary color #D03FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FC031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FC031 shade: #34C02C, #45D23F, #56E452, #67F665 and #78FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FC031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FC031 shade: #2FC031, #1EAE1E, #0D9C0B, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FC031 shade: #2EC030, #54C02E, #7BC02E, #A3C02E and #C0B72E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FC031 shade: #2EC030, #2EC058, #2EC07F, #2EC0A7 and #2EB3C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FC031 shade matches the following richer shades: #2EC030, #1BD41D and #07E70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FC031 shade: #2EC030, #42AD43, #559A56, #688669 and #7C737C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FC031 shade: #7CC02E, #55C02E, #2EC02E, #2EC055 and #2EC07C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FC031 shade: #1E7E1F, #269F28, #2EC030, #46D248 and #67DA69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FC031 shade: #2FC031, #2EA3C0 and #C02E69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FC031 shade: #2FC031, #2E2EC0 and #C02E2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FC031 shade: #2FC031, #2EA3C0, #C02EC0 and #C04B2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FC031 shade: #2FC031, #2E77C0, #C02EC0 and #C0772E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 74 / 25

HEX #2FC031

RGB 47 192 49

HSL 120.83, 0.61%, 0.47%

LAB 68.41, -63.59, 57.58

 

Complementary color

CMYK 0 / 70 / 1 / 18

HEX #D03FCE

RGB 208 63 206

HSL 300.83, 0.61%, 0.53%

LAB 53.41, 72.16, -44.73

 

CMYK 73 / 0 / 77 / 25

HEX #34C02C

RGB 52 192 44

HSL 116.76, 0.63%, 0.46%

LAB 68.47, -63.17, 59.35

 

CMYK 67 / 0 / 70 / 18

HEX #45D23F

RGB 69 210 63

HSL 117.55, 0.62%, 0.54%

LAB 74.65, -64.49, 59.03

 

CMYK 62 / 0 / 64 / 11

HEX #56E452

RGB 86 228 82

HSL 118.36, 0.73%, 0.61%

LAB 80.78, -65.36, 58.23

 

CMYK 58 / 0 / 59 / 4

HEX #67F665

RGB 103 246 101

HSL 119.17, 0.89%, 0.68%

LAB 86.87, -65.91, 57.19

 

CMYK 53 / 0 / 53 / 0

HEX #78FF78

RGB 120 255 120

HSL 120, 1%, 0.74%

LAB 90.26, -62.93, 52.87

 

CMYK 76 / 0 / 74 / 25

HEX #2FC031

RGB 47 192 49

HSL 120.83, 0.61%, 0.47%

LAB 68.41, -63.59, 57.58

 

CMYK 83 / 0 / 83 / 32

HEX #1EAE1E

RGB 30 174 30

HSL 120, 0.71%, 0.4%

LAB 62.2, -61.55, 57.46

 

CMYK 92 / 0 / 93 / 39

HEX #0D9C0B

RGB 13 156 11

HSL 119.17, 0.87%, 0.33%

LAB 55.97, -58.6, 56.04

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 76 / 0 / 75 / 25

HEX #2EC030

RGB 46 192 48

HSL 120.82, 0.61%, 0.47%

LAB 68.38, -63.82, 57.9

 

CMYK 56 / 0 / 76 / 25

HEX #54C02E

RGB 84 192 46

HSL 104.38, 0.61%, 0.47%

LAB 69.31, -56.16, 59.81

 

CMYK 36 / 0 / 76 / 25

HEX #7BC02E

RGB 123 192 46

HSL 88.36, 0.61%, 0.47%

LAB 70.94, -44.02, 61.95

 

CMYK 15 / 0 / 76 / 25

HEX #A3C02E

RGB 163 192 46

HSL 71.92, 0.61%, 0.47%

LAB 73.34, -28.6, 65.06

 

CMYK 0 / 5 / 76 / 25

HEX #C0B72E

RGB 192 183 46

HSL 56.3, 0.61%, 0.47%

LAB 73.07, -11.85, 65.62

 

CMYK 76 / 0 / 75 / 25

HEX #2EC030

RGB 46 192 48

HSL 120.82, 0.61%, 0.47%

LAB 68.38, -63.82, 57.9

 

CMYK 76 / 0 / 54 / 25

HEX #2EC058

RGB 46 192 88

HSL 137.26, 0.61%, 0.47%

LAB 68.74, -59.49, 41.42

 

CMYK 76 / 0 / 34 / 25

HEX #2EC07F

RGB 46 192 127

HSL 153.29, 0.61%, 0.47%

LAB 69.34, -52.65, 22.25

 

CMYK 76 / 0 / 13 / 25

HEX #2EC0A7

RGB 46 192 167

HSL 169.73, 0.61%, 0.47%

LAB 70.23, -43.17, 1.85

 

CMYK 76 / 7 / 0 / 25

HEX #2EB3C0

RGB 46 179 192

HSL 185.34, 0.61%, 0.47%

LAB 67, -30.03, -16.69

 

CMYK 76 / 0 / 75 / 25

HEX #2EC030

RGB 46 192 48

HSL 120.82, 0.61%, 0.47%

LAB 68.38, -63.82, 57.9

 

CMYK 87 / 0 / 86 / 17

HEX #1BD41D

RGB 27 212 29

HSL 120.65, 0.77%, 0.47%

LAB 74.45, -72.89, 68.71

 

CMYK 97 / 0 / 95 / 9

HEX #07E70B

RGB 7 231 11

HSL 121.07, 0.94%, 0.47%

LAB 80.3, -79.57, 76.27

 

CMYK 76 / 0 / 75 / 25

HEX #2EC030

RGB 46 192 48

HSL 120.82, 0.61%, 0.47%

LAB 68.38, -63.82, 57.9

 

CMYK 62 / 0 / 61 / 32

HEX #42AD43

RGB 66 173 67

HSL 120.56, 0.45%, 0.47%

LAB 62.89, -51.82, 44.53

 

CMYK 45 / 0 / 44 / 40

HEX #559A56

RGB 85 154 86

HSL 120.87, 0.29%, 0.47%

LAB 57.76, -36.34, 29.02

 

CMYK 22 / 0 / 22 / 47

HEX #688669

RGB 104 134 105

HSL 122, 0.13%, 0.47%

LAB 52.96, -16.74, 12.2

 

CMYK 0 / 7 / 0 / 51

HEX #7C737C

RGB 124 115 124

HSL 300, 0.04%, 0.47%

LAB 49.5, 5.24, -3.7

 

CMYK 35 / 0 / 76 / 25

HEX #7CC02E

RGB 124 192 46

HSL 87.95, 0.61%, 0.47%

LAB 71, -43.66, 62.01

 

CMYK 56 / 0 / 76 / 25

HEX #55C02E

RGB 85 192 46

HSL 103.97, 0.61%, 0.47%

LAB 69.35, -55.89, 59.85

 

CMYK 76 / 0 / 76 / 25

HEX #2EC02E

RGB 46 192 46

HSL 120, 0.61%, 0.47%

LAB 68.37, -63.96, 58.56

 

CMYK 76 / 0 / 56 / 25

HEX #2EC055

RGB 46 192 85

HSL 136.03, 0.61%, 0.47%

LAB 68.7, -59.91, 42.82

 

CMYK 76 / 0 / 35 / 25

HEX #2EC07C

RGB 46 192 124

HSL 152.05, 0.61%, 0.47%

LAB 69.28, -53.26, 23.77

 

CMYK 76 / 0 / 75 / 51

HEX #1E7E1F

RGB 30 126 31

HSL 120.63, 0.62%, 0.31%

LAB 46.04, -46.08, 41.52

 

CMYK 76 / 0 / 75 / 38

HEX #269F28

RGB 38 159 40

HSL 120.99, 0.61%, 0.39%

LAB 57.43, -55.1, 49.71

 

CMYK 76 / 0 / 75 / 25

HEX #2EC030

RGB 46 192 48

HSL 120.82, 0.61%, 0.47%

LAB 68.38, -63.82, 57.9

 

CMYK 67 / 0 / 66 / 18

HEX #46D248

RGB 70 210 72

HSL 120.86, 0.61%, 0.55%

LAB 74.74, -63.48, 55.6

 

CMYK 53 / 0 / 52 / 15

HEX #67DA69

RGB 103 218 105

HSL 121.04, 0.61%, 0.63%

LAB 78.49, -55.1, 45.47

 

CMYK 76 / 0 / 74 / 25

HEX #2FC031

RGB 47 192 49

HSL 120.83, 0.61%, 0.47%

LAB 68.41, -63.59, 57.58

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 0 / 76 / 45 / 25

HEX #C02E69

RGB 192 46 105

HSL 335.75, 0.61%, 0.47%

LAB 44.49, 60.75, 1.53

 

CMYK 76 / 0 / 74 / 25

HEX #2FC031

RGB 47 192 49

HSL 120.83, 0.61%, 0.47%

LAB 68.41, -63.59, 57.58

 

CMYK 76 / 76 / 0 / 25

HEX #2E2EC0

RGB 46 46 192

HSL 240, 0.61%, 0.47%

LAB 30.26, 48.76, -75.04

 

CMYK 0 / 76 / 76 / 25

HEX #C02E2E

RGB 192 46 46

HSL 0, 0.61%, 0.47%

LAB 43.3, 56.92, 36.09

 

CMYK 76 / 0 / 74 / 25

HEX #2FC031

RGB 47 192 49

HSL 120.83, 0.61%, 0.47%

LAB 68.41, -63.59, 57.58

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 0 / 76 / 0 / 25

HEX #C02EC0

RGB 192 46 192

HSL 300, 0.61%, 0.47%

LAB 48.22, 71.87, -45.05

 

CMYK 0 / 61 / 76 / 25

HEX #C04B2E

RGB 192 75 46

HSL 11.92, 0.61%, 0.47%

LAB 47.54, 45.39, 40.65

 

CMYK 76 / 0 / 74 / 25

HEX #2FC031

RGB 47 192 49

HSL 120.83, 0.61%, 0.47%

LAB 68.41, -63.59, 57.58

 

CMYK 76 / 38 / 0 / 25

HEX #2E77C0

RGB 46 119 192

HSL 210, 0.61%, 0.47%

LAB 48.98, 2.92, -44.64

 

CMYK 0 / 76 / 0 / 25

HEX #C02EC0

RGB 192 46 192

HSL 300, 0.61%, 0.47%

LAB 48.22, 71.87, -45.05

 

CMYK 0 / 38 / 76 / 25

HEX #C0772E

RGB 192 119 46

HSL 30, 0.61%, 0.47%

LAB 56.68, 22.66, 50

 

Description

Color code: HEX #2FC031 | qconv.com Color code: HEX #2FC031 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 192 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 192 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 74% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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