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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FC9FC it is the complementary color #D03603. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FC9FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FC9FC shade: #34C9F7, #45DBFF, #56EDFF, #67FFFF and #78FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FC9FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FC9FC shade: #2FC9FC, #1EB7E9, #0DA5D6, #0093C3 and #0081B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FC9FC shade: #31C9FB, #3192FB, #315CFB, #3C31FB and #7331FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FC9FC shade: #31C9FB, #3192FB, #315CFB and #3131FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FC9FC shade matches the following richer shades: #31C9FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FC9FC shade: #31C9FB, #41C0EA, #52B8DA, #63AFC9 and #74A7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FC9FC shade: #31FBBF, #31FBF5, #31CCFB, #3196FB and #3160FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FC9FC shade: #03A2D7, #08BEFB, #31C9FB, #59D3FC and #82DEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FC9FC shade: #2FC9FC, #8831FB and #FBDA31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FC9FC shade: #2FC9FC, #FB31CC and #CCFB31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FC9FC shade: #2FC9FC, #8831FB, #FB6031 and #A3FB31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FC9FC shade: #2FC9FC, #C531FB, #FB6031 and #67FB31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 20 / 0 / 1

HEX #2FC9FC

RGB 47 201 252

HSL 194.93, 0.97%, 0.59%

LAB 75.7, -21.74, -36

 

Complementary color

CMYK 0 / 74 / 99 / 18

HEX #D03603

RGB 208 54 3

HSL 14.93, 0.97%, 0.41%

LAB 47.05, 58.34, 58.29

 

CMYK 79 / 19 / 0 / 3

HEX #34C9F7

RGB 52 201 247

HSL 194.15, 0.92%, 0.59%

LAB 75.59, -22.94, -33.49

 

CMYK 73 / 14 / 0 / 0

HEX #45DBFF

RGB 69 219 255

HSL 191.61, 1%, 0.64%

LAB 81.37, -27.62, -28.83

 

CMYK 66 / 7 / 0 / 0

HEX #56EDFF

RGB 86 237 255

HSL 186.39, 1%, 0.67%

LAB 86.88, -34.07, -20.41

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 81 / 20 / 0 / 1

HEX #2FC9FC

RGB 47 201 252

HSL 194.93, 0.97%, 0.59%

LAB 75.7, -21.74, -36

 

CMYK 87 / 21 / 0 / 9

HEX #1EB7E9

RGB 30 183 233

HSL 194.78, 0.82%, 0.52%

LAB 69.49, -20.01, -35.39

 

CMYK 94 / 23 / 0 / 16

HEX #0DA5D6

RGB 13 165 214

HSL 194.63, 0.89%, 0.45%

LAB 63.22, -17.9, -34.71

 

CMYK 100 / 25 / 0 / 24

HEX #0093C3

RGB 0 147 195

HSL 194.77, 1%, 0.38%

LAB 56.89, -15.37, -33.95

 

CMYK 100 / 27 / 0 / 31

HEX #0081B0

RGB 0 129 176

HSL 196.02, 1%, 0.35%

LAB 50.49, -12.35, -33.09

 

CMYK 80 / 20 / 0 / 2

HEX #31C9FB

RGB 49 201 251

HSL 194.85, 0.96%, 0.59%

LAB 75.69, -21.9, -35.48

 

CMYK 80 / 42 / 0 / 2

HEX #3192FB

RGB 49 146 251

HSL 211.19, 0.96%, 0.59%

LAB 60.05, 8.66, -60.11

 

CMYK 80 / 63 / 0 / 2

HEX #315CFB

RGB 49 92 251

HSL 227.23, 0.96%, 0.59%

LAB 46, 42.07, -82.87

 

CMYK 76 / 80 / 0 / 2

HEX #3C31FB

RGB 60 49 251

HSL 243.27, 0.96%, 0.59%

LAB 38.06, 66.22, -95.97

 

CMYK 54 / 80 / 0 / 2

HEX #7331FB

RGB 115 49 251

HSL 259.6, 0.96%, 0.59%

LAB 42.47, 70.8, -88.53

 

CMYK 80 / 20 / 0 / 2

HEX #31C9FB

RGB 49 201 251

HSL 194.85, 0.96%, 0.59%

LAB 75.69, -21.9, -35.48

 

CMYK 80 / 42 / 0 / 2

HEX #3192FB

RGB 49 146 251

HSL 211.19, 0.96%, 0.59%

LAB 60.05, 8.66, -60.11

 

CMYK 80 / 63 / 0 / 2

HEX #315CFB

RGB 49 92 251

HSL 227.23, 0.96%, 0.59%

LAB 46, 42.07, -82.87

 

CMYK 80 / 80 / 0 / 2

HEX #3131FB

RGB 49 49 251

HSL 240, 0.96%, 0.59%

LAB 37.51, 65.65, -96.9

 

CMYK 80 / 20 / 0 / 2

HEX #31C9FB

RGB 49 201 251

HSL 194.85, 0.96%, 0.59%

LAB 75.69, -21.9, -35.48

 

CMYK 80 / 20 / 0 / 2

HEX #31C9FB

RGB 49 201 251

HSL 194.85, 0.96%, 0.59%

LAB 75.69, -21.9, -35.48

 

CMYK 72 / 18 / 0 / 8

HEX #41C0EA

RGB 65 192 234

HSL 194.91, 0.8%, 0.59%

LAB 72.74, -21.12, -30.87

 

CMYK 62 / 16 / 0 / 15

HEX #52B8DA

RGB 82 184 218

HSL 195, 0.65%, 0.59%

LAB 70.27, -19.47, -25.91

 

CMYK 51 / 13 / 0 / 21

HEX #63AFC9

RGB 99 175 201

HSL 195.29, 0.49%, 0.59%

LAB 67.67, -16.42, -20.49

 

CMYK 37 / 9 / 0 / 28

HEX #74A7B8

RGB 116 167 184

HSL 195, 0.32%, 0.59%

LAB 65.6, -12.54, -14.12

 

CMYK 80 / 0 / 24 / 2

HEX #31FBBF

RGB 49 251 191

HSL 162.18, 0.96%, 0.59%

LAB 88.64, -60.86, 15.47

 

CMYK 80 / 0 / 2 / 2

HEX #31FBF5

RGB 49 251 245

HSL 178.22, 0.96%, 0.59%

LAB 89.97, -47.19, -10.62

 

CMYK 80 / 19 / 0 / 2

HEX #31CCFB

RGB 49 204 251

HSL 193.96, 0.96%, 0.59%

LAB 76.56, -23.42, -34.14

 

CMYK 80 / 40 / 0 / 2

HEX #3196FB

RGB 49 150 251

HSL 210, 0.96%, 0.59%

LAB 61.16, 6.27, -58.34

 

CMYK 80 / 62 / 0 / 2

HEX #3160FB

RGB 49 96 251

HSL 226.04, 0.96%, 0.59%

LAB 46.95, 39.6, -81.32

 

CMYK 99 / 25 / 0 / 16

HEX #03A2D7

RGB 3 162 215

HSL 195, 0.97%, 0.43%

LAB 62.31, -16.23, -36.69

 

CMYK 97 / 24 / 0 / 2

HEX #08BEFB

RGB 8 190 251

HSL 195.06, 0.97%, 0.51%

LAB 72.12, -18.33, -41.06

 

CMYK 80 / 20 / 0 / 2

HEX #31C9FB

RGB 49 201 251

HSL 194.85, 0.96%, 0.59%

LAB 75.69, -21.9, -35.48

 

CMYK 65 / 16 / 0 / 1

HEX #59D3FC

RGB 89 211 252

HSL 195.09, 0.96%, 0.67%

LAB 79.47, -21.84, -30.12

 

CMYK 49 / 12 / 0 / 1

HEX #82DEFD

RGB 130 222 253

HSL 195.12, 0.97%, 0.75%

LAB 84.01, -19.38, -23.59

 

CMYK 81 / 20 / 0 / 1

HEX #2FC9FC

RGB 47 201 252

HSL 194.93, 0.97%, 0.59%

LAB 75.7, -21.74, -36

 

CMYK 46 / 80 / 0 / 2

HEX #8831FB

RGB 136 49 251

HSL 265.84, 0.96%, 0.59%

LAB 44.8, 73.25, -84.62

 

CMYK 0 / 13 / 80 / 2

HEX #FBDA31

RGB 251 218 49

HSL 50.2, 0.96%, 0.59%

LAB 87.42, -4.35, 79.49

 

CMYK 81 / 20 / 0 / 1

HEX #2FC9FC

RGB 47 201 252

HSL 194.93, 0.97%, 0.59%

LAB 75.7, -21.74, -36

 

CMYK 0 / 80 / 19 / 2

HEX #FB31CC

RGB 251 49 204

HSL 313.96, 0.96%, 0.59%

LAB 59.03, 84.94, -34.25

 

CMYK 19 / 0 / 80 / 2

HEX #CCFB31

RGB 204 251 49

HSL 73.96, 0.96%, 0.59%

LAB 92.6, -39.29, 82.62

 

CMYK 81 / 20 / 0 / 1

HEX #2FC9FC

RGB 47 201 252

HSL 194.93, 0.97%, 0.59%

LAB 75.7, -21.74, -36

 

CMYK 46 / 80 / 0 / 2

HEX #8831FB

RGB 136 49 251

HSL 265.84, 0.96%, 0.59%

LAB 44.8, 73.25, -84.62

 

CMYK 0 / 62 / 80 / 2

HEX #FB6031

RGB 251 96 49

HSL 13.96, 0.96%, 0.59%

LAB 60.87, 56.99, 55.69

 

CMYK 35 / 0 / 80 / 2

HEX #A3FB31

RGB 163 251 49

HSL 86.14, 0.96%, 0.59%

LAB 90.32, -54.24, 79.73

 

CMYK 81 / 20 / 0 / 1

HEX #2FC9FC

RGB 47 201 252

HSL 194.93, 0.97%, 0.59%

LAB 75.7, -21.74, -36

 

CMYK 22 / 80 / 0 / 2

HEX #C531FB

RGB 197 49 251

HSL 283.96, 0.96%, 0.59%

LAB 52.98, 82.09, -70.91

 

CMYK 0 / 62 / 80 / 2

HEX #FB6031

RGB 251 96 49

HSL 13.96, 0.96%, 0.59%

LAB 60.87, 56.99, 55.69

 

CMYK 59 / 0 / 80 / 2

HEX #67FB31

RGB 103 251 49

HSL 103.96, 0.96%, 0.59%

LAB 88.02, -71.65, 76.78

 

Description

Color code: HEX #2FC9FC | qconv.com Color code: HEX #2FC9FC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 201 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 201 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 20 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 20% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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