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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FBB2A it is the complementary color #D044D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FBB2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FBB2A shade: #34BB25, #45CD38, #56DF4B, #67F15E and #78FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FBB2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FBB2A shade: #2FBB2A, #1EA917, #0D9704, #008500 and #007300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FBB2A shade: #2FBB2A, #56BB2A, #7DBB2A, #A4BB2A and #BBAA2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FBB2A shade: #2FBB2A, #2ABB4C, #2ABB73, #2ABB9A and #2AB4BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FBB2A shade matches the following richer shades: #2FBB2A, #1ECD17 and #0CE005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FBB2A shade: #2FBB2A, #40A83D, #52954F, #638362 and #747074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FBB2A shade: #7EBB2A, #58BB2A, #31BB2A, #2ABB49 and #2ABB70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FBB2A shade: #1E771B, #269922, #2FBB2A, #41D23C and #61DA5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FBB2A shade: #2FBB2A, #2AA5BB and #BB2A6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FBB2A shade: #2FBB2A, #2A31BB and #BB2A31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FBB2A shade: #2FBB2A, #2AA5BB, #B32ABB and #BB402A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FBB2A shade: #2FBB2A, #2A79BB, #B32ABB and #BB6B2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

Complementary color

CMYK 2 / 68 / 0 / 16

HEX #D044D5

RGB 208 68 213

HSL 297.93, 0.63%, 0.55%

LAB 54.39, 71.55, -47.16

 

CMYK 72 / 0 / 80 / 27

HEX #34BB25

RGB 52 187 37

HSL 114, 0.67%, 0.44%

LAB 66.83, -62.02, 59.93

 

CMYK 66 / 0 / 73 / 20

HEX #45CD38

RGB 69 205 56

HSL 114.77, 0.6%, 0.51%

LAB 73.03, -63.4, 59.93

 

CMYK 61 / 0 / 66 / 13

HEX #56DF4B

RGB 86 223 75

HSL 115.54, 0.7%, 0.58%

LAB 79.19, -64.31, 59.33

 

CMYK 57 / 0 / 61 / 5

HEX #67F15E

RGB 103 241 94

HSL 116.33, 0.84%, 0.66%

LAB 85.3, -64.88, 58.4

 

CMYK 53 / 0 / 56 / 0

HEX #78FF71

RGB 120 255 113

HSL 117.04, 1%, 0.72%

LAB 90.19, -63.76, 55.93

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 82 / 0 / 86 / 34

HEX #1EA917

RGB 30 169 23

HSL 117.12, 0.76%, 0.38%

LAB 60.53, -60.4, 57.71

 

CMYK 91 / 0 / 97 / 41

HEX #0D9704

RGB 13 151 4

HSL 116.33, 0.95%, 0.3%

LAB 54.27, -57.35, 55.72

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 54 / 0 / 78 / 27

HEX #56BB2A

RGB 86 187 42

HSL 101.79, 0.63%, 0.45%

LAB 67.79, -54.04, 59.65

 

CMYK 33 / 0 / 78 / 27

HEX #7DBB2A

RGB 125 187 42

HSL 85.66, 0.63%, 0.45%

LAB 69.52, -41.37, 61.9

 

CMYK 12 / 0 / 78 / 27

HEX #A4BB2A

RGB 164 187 42

HSL 69.52, 0.63%, 0.45%

LAB 71.96, -25.96, 65.05

 

CMYK 0 / 9 / 78 / 27

HEX #BBAA2A

RGB 187 170 42

HSL 52.97, 0.63%, 0.45%

LAB 69.1, -7.45, 63.12

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 78 / 0 / 59 / 27

HEX #2ABB4C

RGB 42 187 76

HSL 134.07, 0.63%, 0.45%

LAB 66.94, -59.96, 44.93

 

CMYK 78 / 0 / 39 / 27

HEX #2ABB73

RGB 42 187 115

HSL 150.21, 0.63%, 0.45%

LAB 67.48, -53.67, 26.1

 

CMYK 78 / 0 / 18 / 27

HEX #2ABB9A

RGB 42 187 154

HSL 166.34, 0.63%, 0.45%

LAB 68.29, -44.86, 6.16

 

CMYK 78 / 4 / 0 / 27

HEX #2AB4BB

RGB 42 180 187

HSL 182.9, 0.63%, 0.45%

LAB 67.07, -32.46, -13.83

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 85 / 0 / 89 / 20

HEX #1ECD17

RGB 30 205 23

HSL 117.69, 0.8%, 0.45%

LAB 72.23, -70.9, 67.95

 

CMYK 95 / 0 / 98 / 12

HEX #0CE005

RGB 12 224 5

HSL 118.08, 0.96%, 0.45%

LAB 78.11, -77.64, 75.02

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 62 / 0 / 64 / 34

HEX #40A83D

RGB 64 168 61

HSL 118.32, 0.47%, 0.45%

LAB 61.16, -51.1, 45.27

 

CMYK 45 / 0 / 47 / 42

HEX #52954F

RGB 82 149 79

HSL 117.43, 0.31%, 0.45%

LAB 55.94, -36.11, 30.39

 

CMYK 24 / 0 / 25 / 49

HEX #638362

RGB 99 131 98

HSL 118.18, 0.14%, 0.45%

LAB 51.57, -18.29, 14.24

 

CMYK 0 / 3 / 0 / 55

HEX #747074

RGB 116 112 116

HSL 300, 0.02%, 0.45%

LAB 47.7, 2.35, -1.67

 

CMYK 33 / 0 / 78 / 27

HEX #7EBB2A

RGB 126 187 42

HSL 85.24, 0.63%, 0.45%

LAB 69.57, -41, 61.97

 

CMYK 53 / 0 / 78 / 27

HEX #58BB2A

RGB 88 187 42

HSL 100.97, 0.63%, 0.45%

LAB 67.86, -53.48, 59.74

 

CMYK 74 / 0 / 78 / 27

HEX #31BB2A

RGB 49 187 42

HSL 117.1, 0.63%, 0.45%

LAB 66.79, -62.21, 58.35

 

CMYK 78 / 0 / 61 / 27

HEX #2ABB49

RGB 42 187 73

HSL 132.83, 0.63%, 0.45%

LAB 66.91, -60.34, 46.27

 

CMYK 78 / 0 / 40 / 27

HEX #2ABB70

RGB 42 187 112

HSL 148.97, 0.63%, 0.45%

LAB 67.43, -54.25, 27.62

 

CMYK 75 / 0 / 77 / 53

HEX #1E771B

RGB 30 119 27

HSL 118.04, 0.63%, 0.29%

LAB 43.58, -43.98, 40.58

 

CMYK 75 / 0 / 78 / 40

HEX #269922

RGB 38 153 34

HSL 117.98, 0.64%, 0.37%

LAB 55.39, -53.59, 49.81

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 69 / 0 / 71 / 18

HEX #41D23C

RGB 65 210 60

HSL 118, 0.63%, 0.53%

LAB 74.54, -65.49, 60

 

CMYK 56 / 0 / 57 / 15

HEX #61DA5D

RGB 97 218 93

HSL 118.08, 0.63%, 0.61%

LAB 78.15, -58.09, 50.59

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 78 / 12 / 0 / 27

HEX #2AA5BB

RGB 42 165 187

HSL 189.1, 0.63%, 0.45%

LAB 62.5, -25.08, -20.75

 

CMYK 0 / 78 / 43 / 27

HEX #BB2A6B

RGB 187 42 107

HSL 333.1, 0.63%, 0.45%

LAB 43.19, 60.81, -1.73

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 78 / 74 / 0 / 27

HEX #2A31BB

RGB 42 49 187

HSL 237.1, 0.63%, 0.45%

LAB 30.1, 45.12, -72.35

 

CMYK 0 / 78 / 74 / 27

HEX #BB2A31

RGB 187 42 49

HSL 357.1, 0.63%, 0.45%

LAB 41.91, 56.8, 32.52

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 78 / 12 / 0 / 27

HEX #2AA5BB

RGB 42 165 187

HSL 189.1, 0.63%, 0.45%

LAB 62.5, -25.08, -20.75

 

CMYK 4 / 78 / 0 / 27

HEX #B32ABB

RGB 179 42 187

HSL 296.69, 0.63%, 0.45%

LAB 45.4, 69.58, -46.76

 

CMYK 0 / 66 / 78 / 27

HEX #BB402A

RGB 187 64 42

HSL 9.1, 0.63%, 0.45%

LAB 44.8, 48.35, 39.63

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 78 / 35 / 0 / 27

HEX #2A79BB

RGB 42 121 187

HSL 207.31, 0.63%, 0.45%

LAB 49.2, -0.63, -41.43

 

CMYK 4 / 78 / 0 / 27

HEX #B32ABB

RGB 179 42 187

HSL 296.69, 0.63%, 0.45%

LAB 45.4, 69.58, -46.76

 

CMYK 0 / 43 / 78 / 27

HEX #BB6B2A

RGB 187 107 42

HSL 26.9, 0.63%, 0.45%

LAB 53.22, 26.92, 48.14

 

Description

Color code: HEX #2FBB2A | qconv.com Color code: HEX #2FBB2A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 187 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 187 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 78 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 78% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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