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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FB363 it is the complementary color #D04C9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FB363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FB363 shade: #34B35E, #45C571, #56D784, #67E997 and #78FBAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FB363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FB363 shade: #2FB363, #1EA150, #0D8F3D, #007D2A and #006B17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FB363 shade: #2FB162, #2FB13F, #42B12F, #65B12F and #88B12F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FB363 shade: #2FB162, #2FB185, #2FB1A8, #2F96B1 and #2F73B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FB363 shade matches the following richer shades: #2FB162, #1CC35E and #0AD55A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FB363 shade: #2FB162, #419F66, #538C6A, #657A6D and #776871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FB363 shade: #42B12F, #2FB13E, #2FB161, #2FB183 and #2FB1A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FB363 shade: #1D703E, #269050, #2FB162, #3DCB75 and #5ED48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FB363 shade: #2FB363, #2F65B1 and #B12F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FB363 shade: #2FB363, #612FB1 and #B1612F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FB363 shade: #2FB363, #2F65B1, #B12F7F and #B17B2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FB363 shade: #2FB363, #2F3EB1, #B12F7F and #B1A22F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 45 / 30

HEX #2FB363

RGB 47 179 99

HSL 143.64, 0.58%, 0.44%

LAB 64.76, -52.98, 30.94

 

Complementary color

CMYK 0 / 63 / 25 / 18

HEX #D04C9C

RGB 208 76 156

HSL 323.64, 0.58%, 0.56%

LAB 52.93, 59.91, -16.42

 

CMYK 71 / 0 / 47 / 30

HEX #34B35E

RGB 52 179 94

HSL 139.84, 0.55%, 0.45%

LAB 64.79, -53.04, 33.57

 

CMYK 65 / 0 / 43 / 23

HEX #45C571

RGB 69 197 113

HSL 140.63, 0.52%, 0.52%

LAB 71.14, -53.54, 32.06

 

CMYK 60 / 0 / 39 / 16

HEX #56D784

RGB 86 215 132

HSL 141.4, 0.62%, 0.59%

LAB 77.43, -53.77, 30.63

 

CMYK 56 / 0 / 35 / 9

HEX #67E997

RGB 103 233 151

HSL 142.15, 0.75%, 0.66%

LAB 83.65, -53.84, 29.3

 

CMYK 52 / 0 / 32 / 2

HEX #78FBAA

RGB 120 251 170

HSL 142.9, 0.94%, 0.73%

LAB 89.81, -53.8, 28.06

 

CMYK 74 / 0 / 45 / 30

HEX #2FB363

RGB 47 179 99

HSL 143.64, 0.58%, 0.44%

LAB 64.76, -52.98, 30.94

 

CMYK 81 / 0 / 50 / 37

HEX #1EA150

RGB 30 161 80

HSL 142.9, 0.69%, 0.37%

LAB 58.36, -51.97, 32.59

 

CMYK 91 / 0 / 57 / 44

HEX #0D8F3D

RGB 13 143 61

HSL 142.15, 0.83%, 0.31%

LAB 51.91, -50.32, 34.32

 

CMYK 100 / 0 / 66 / 51

HEX #007D2A

RGB 0 125 42

HSL 140.16, 1%, 0.25%

LAB 45.41, -47.85, 35.99

 

CMYK 100 / 0 / 79 / 58

HEX #006B17

RGB 0 107 23

HSL 132.9, 1%, 0.21%

LAB 38.86, -44.1, 37.24

 

CMYK 73 / 0 / 45 / 31

HEX #2FB162

RGB 47 177 98

HSL 143.54, 0.58%, 0.44%

LAB 64.1, -52.42, 30.62

 

CMYK 73 / 0 / 64 / 31

HEX #2FB13F

RGB 47 177 63

HSL 127.38, 0.58%, 0.44%

LAB 63.68, -57.42, 47.08

 

CMYK 63 / 0 / 73 / 31

HEX #42B12F

RGB 66 177 47

HSL 111.23, 0.58%, 0.44%

LAB 64, -55.18, 54.01

 

CMYK 43 / 0 / 73 / 31

HEX #65B12F

RGB 101 177 47

HSL 95.08, 0.58%, 0.44%

LAB 65.29, -45.26, 55.72

 

CMYK 23 / 0 / 73 / 31

HEX #88B12F

RGB 136 177 47

HSL 78.92, 0.58%, 0.44%

LAB 67.19, -32.39, 58.23

 

CMYK 73 / 0 / 45 / 31

HEX #2FB162

RGB 47 177 98

HSL 143.54, 0.58%, 0.44%

LAB 64.1, -52.42, 30.62

 

CMYK 73 / 0 / 25 / 31

HEX #2FB185

RGB 47 177 133

HSL 159.69, 0.58%, 0.44%

LAB 64.76, -45.21, 12.68

 

CMYK 73 / 0 / 5 / 31

HEX #2FB1A8

RGB 47 177 168

HSL 175.85, 0.58%, 0.44%

LAB 65.65, -36.08, -5.4

 

CMYK 73 / 15 / 0 / 31

HEX #2F96B1

RGB 47 150 177

HSL 192.46, 0.58%, 0.44%

LAB 57.65, -19.98, -22.52

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B1

RGB 47 115 177

HSL 208.62, 0.58%, 0.44%

LAB 47.03, -0.04, -39.07

 

CMYK 73 / 0 / 45 / 31

HEX #2FB162

RGB 47 177 98

HSL 143.54, 0.58%, 0.44%

LAB 64.1, -52.42, 30.62

 

CMYK 86 / 0 / 52 / 24

HEX #1CC35E

RGB 28 195 94

HSL 143.71, 0.75%, 0.44%

LAB 69.53, -61.6, 39.42

 

CMYK 95 / 0 / 58 / 16

HEX #0AD55A

RGB 10 213 90

HSL 143.65, 0.91%, 0.44%

LAB 75.07, -68.95, 47.96

 

CMYK 73 / 0 / 45 / 31

HEX #2FB162

RGB 47 177 98

HSL 143.54, 0.58%, 0.44%

LAB 64.1, -52.42, 30.62

 

CMYK 59 / 0 / 36 / 38

HEX #419F66

RGB 65 159 102

HSL 143.62, 0.42%, 0.44%

LAB 58.86, -41.1, 21.67

 

CMYK 41 / 0 / 24 / 45

HEX #538C6A

RGB 83 140 106

HSL 144.21, 0.26%, 0.44%

LAB 53.64, -26.72, 12.39

 

CMYK 17 / 0 / 11 / 52

HEX #657A6D

RGB 101 122 109

HSL 142.86, 0.09%, 0.44%

LAB 49.24, -10.49, 4.56

 

CMYK 0 / 13 / 5 / 53

HEX #776871

RGB 119 104 113

HSL 324, 0.07%, 0.44%

LAB 45.65, 7.65, -2.86

 

CMYK 63 / 0 / 73 / 31

HEX #42B12F

RGB 66 177 47

HSL 111.23, 0.58%, 0.44%

LAB 64, -55.18, 54.01

 

CMYK 73 / 0 / 65 / 31

HEX #2FB13E

RGB 47 177 62

HSL 126.92, 0.58%, 0.44%

LAB 63.67, -57.53, 47.5

 

CMYK 73 / 0 / 45 / 31

HEX #2FB161

RGB 47 177 97

HSL 143.08, 0.58%, 0.44%

LAB 64.09, -52.59, 31.12

 

CMYK 73 / 0 / 26 / 31

HEX #2FB183

RGB 47 177 131

HSL 158.77, 0.58%, 0.44%

LAB 64.71, -45.67, 13.71

 

CMYK 73 / 0 / 6 / 31

HEX #2FB1A6

RGB 47 177 166

HSL 174.92, 0.58%, 0.44%

LAB 65.59, -36.65, -4.38

 

CMYK 74 / 0 / 45 / 56

HEX #1D703E

RGB 29 112 62

HSL 143.86, 0.59%, 0.28%

LAB 41.53, -36.7, 20.89

 

CMYK 74 / 0 / 44 / 44

HEX #269050

RGB 38 144 80

HSL 143.77, 0.58%, 0.36%

LAB 52.88, -44.54, 25.65

 

CMYK 73 / 0 / 45 / 31

HEX #2FB162

RGB 47 177 98

HSL 143.54, 0.58%, 0.44%

LAB 64.1, -52.42, 30.62

 

CMYK 70 / 0 / 42 / 20

HEX #3DCB75

RGB 61 203 117

HSL 143.66, 0.58%, 0.52%

LAB 72.88, -56.52, 32.24

 

CMYK 56 / 0 / 34 / 17

HEX #5ED48C

RGB 94 212 140

HSL 143.39, 0.58%, 0.6%

LAB 76.9, -49.37, 25.84

 

CMYK 74 / 0 / 45 / 30

HEX #2FB363

RGB 47 179 99

HSL 143.64, 0.58%, 0.44%

LAB 64.76, -52.98, 30.94

 

CMYK 73 / 43 / 0 / 31

HEX #2F65B1

RGB 47 101 177

HSL 215.08, 0.58%, 0.44%

LAB 42.89, 8.7, -45.64

 

CMYK 0 / 73 / 72 / 31

HEX #B12F31

RGB 177 47 49

HSL 359.08, 0.58%, 0.44%

LAB 40.58, 52.05, 30.47

 

CMYK 74 / 0 / 45 / 30

HEX #2FB363

RGB 47 179 99

HSL 143.64, 0.58%, 0.44%

LAB 64.76, -52.98, 30.94

 

CMYK 45 / 73 / 0 / 31

HEX #612FB1

RGB 97 47 177

HSL 263.08, 0.58%, 0.44%

LAB 33.45, 50.15, -60.74

 

CMYK 0 / 45 / 73 / 31

HEX #B1612F

RGB 177 97 47

HSL 23.08, 0.58%, 0.44%

LAB 49.62, 28.37, 41.63

 

CMYK 74 / 0 / 45 / 30

HEX #2FB363

RGB 47 179 99

HSL 143.64, 0.58%, 0.44%

LAB 64.76, -52.98, 30.94

 

CMYK 73 / 43 / 0 / 31

HEX #2F65B1

RGB 47 101 177

HSL 215.08, 0.58%, 0.44%

LAB 42.89, 8.7, -45.64

 

CMYK 0 / 73 / 28 / 31

HEX #B12F7F

RGB 177 47 127

HSL 323.08, 0.58%, 0.44%

LAB 42.63, 58.76, -15.12

 

CMYK 0 / 31 / 73 / 31

HEX #B17B2F

RGB 177 123 47

HSL 35.08, 0.58%, 0.44%

LAB 55.8, 13.93, 48.07

 

CMYK 74 / 0 / 45 / 30

HEX #2FB363

RGB 47 179 99

HSL 143.64, 0.58%, 0.44%

LAB 64.76, -52.98, 30.94

 

CMYK 73 / 65 / 0 / 31

HEX #2F3EB1

RGB 47 62 177

HSL 233.08, 0.58%, 0.44%

LAB 32.31, 34.17, -62.77

 

CMYK 0 / 73 / 28 / 31

HEX #B12F7F

RGB 177 47 127

HSL 323.08, 0.58%, 0.44%

LAB 42.63, 58.76, -15.12

 

CMYK 0 / 8 / 73 / 31

HEX #B1A22F

RGB 177 162 47

HSL 53.08, 0.58%, 0.44%

LAB 66.05, -7.43, 58.21

 

Description

Color code: HEX #2FB363 | qconv.com Color code: HEX #2FB363 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 179 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 179 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 45 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 45% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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