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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F8DDE it is the complementary color #D07221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F8DDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F8DDE shade: #348DD9, #459FEC, #56B1FF, #67C3FF and #78D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F8DDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F8DDE shade: #2F8DDE, #1E7BCB, #0D69B8, #0057A5 and #004592

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F8DDE shade: #2F8DDE, #2F5EDE, #302FDE, #5F2FDE and #8E2FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F8DDE shade: #2F8DDE, #2F5EDE and #2F2FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F8DDE shade matches the following richer shades: #2F8DDE and #1C8FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F8DDE shade: #2F8DDE, #438CCB, #568AB7, #6989A4 and #7D8791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F8DDE shade: #2FDED0, #2FBEDE, #2F8FDE, #2F61DE and #2F32DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F8DDE shade: #1962A2, #1E78C6, #2F8DDE, #53A1E4 and #77B4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F8DDE shade: #2F8DDE, #A12FDE and #D5DE2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F8DDE shade: #2F8DDE, #DE2F8F and #8FDE2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F8DDE shade: #2F8DDE, #A12FDE, #DE7E2F and #6CDE2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F8DDE shade: #2F8DDE, #D52FDE, #DE7E2F and #38DE2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

Complementary color

CMYK 0 / 45 / 84 / 18

HEX #D07221

RGB 208 114 33

HSL 27.77, 0.73%, 0.47%

LAB 57.61, 31.64, 56.91

 

CMYK 76 / 35 / 0 / 15

HEX #348DD9

RGB 52 141 217

HSL 207.64, 0.68%, 0.53%

LAB 56.87, -0.43, -46.31

 

CMYK 71 / 33 / 0 / 7

HEX #459FEC

RGB 69 159 236

HSL 207.66, 0.81%, 0.6%

LAB 63.44, -2.01, -46.45

 

CMYK 66 / 31 / 0 / 0

HEX #56B1FF

RGB 86 177 255

HSL 207.69, 1%, 0.67%

LAB 69.92, -3.29, -46.56

 

CMYK 60 / 24 / 0 / 0

HEX #67C3FF

RGB 103 195 255

HSL 203.68, 1%, 0.7%

LAB 75.53, -10.24, -37.76

 

CMYK 53 / 16 / 0 / 0

HEX #78D5FF

RGB 120 213 255

HSL 198.67, 1%, 0.74%

LAB 81.18, -16.37, -28.99

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 85 / 39 / 0 / 20

HEX #1E7BCB

RGB 30 123 203

HSL 207.75, 0.74%, 0.46%

LAB 50.4, 3.03, -48.71

 

CMYK 93 / 43 / 0 / 28

HEX #0D69B8

RGB 13 105 184

HSL 207.72, 0.87%, 0.39%

LAB 43.73, 5.79, -48.44

 

CMYK 100 / 47 / 0 / 35

HEX #0057A5

RGB 0 87 165

HSL 208.36, 1%, 0.32%

LAB 36.99, 9.19, -48.08

 

CMYK 100 / 53 / 0 / 43

HEX #004592

RGB 0 69 146

HSL 211.64, 1%, 0.29%

LAB 30.23, 13.41, -47.52

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 79 / 58 / 0 / 13

HEX #2F5EDE

RGB 47 94 222

HSL 223.89, 0.73%, 0.53%

LAB 44.07, 30.13, -69.72

 

CMYK 78 / 79 / 0 / 13

HEX #302FDE

RGB 48 47 222

HSL 240.34, 0.73%, 0.53%

LAB 33.85, 57.84, -86.53

 

CMYK 57 / 79 / 0 / 13

HEX #5F2FDE

RGB 95 47 222

HSL 256.46, 0.73%, 0.53%

LAB 37.37, 61.9, -80.59

 

CMYK 36 / 79 / 0 / 13

HEX #8E2FDE

RGB 142 47 222

HSL 272.57, 0.73%, 0.53%

LAB 42.85, 68.21, -71.39

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 79 / 58 / 0 / 13

HEX #2F5EDE

RGB 47 94 222

HSL 223.89, 0.73%, 0.53%

LAB 44.07, 30.13, -69.72

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 88 / 41 / 0 / 5

HEX #1C8FF2

RGB 28 143 242

HSL 207.76, 0.89%, 0.53%

LAB 58.32, 5.58, -57.94

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 67 / 31 / 0 / 20

HEX #438CCB

RGB 67 140 203

HSL 207.79, 0.57%, 0.53%

LAB 56.35, -2.67, -39.23

 

CMYK 53 / 25 / 0 / 28

HEX #568AB7

RGB 86 138 183

HSL 207.84, 0.4%, 0.53%

LAB 55.66, -4.35, -28.9

 

CMYK 36 / 16 / 0 / 36

HEX #6989A4

RGB 105 137 164

HSL 207.46, 0.24%, 0.53%

LAB 55.66, -4.36, -17.92

 

CMYK 14 / 7 / 0 / 43

HEX #7D8791

RGB 125 135 145

HSL 210, 0.08%, 0.53%

LAB 55.82, -1.49, -6.6

 

CMYK 79 / 0 / 6 / 13

HEX #2FDED0

RGB 47 222 208

HSL 175.2, 0.73%, 0.53%

LAB 80.4, -45.01, -5.34

 

CMYK 79 / 14 / 0 / 13

HEX #2FBEDE

RGB 47 190 222

HSL 190.97, 0.73%, 0.53%

LAB 71.35, -25.92, -26.51

 

CMYK 79 / 36 / 0 / 13

HEX #2F8FDE

RGB 47 143 222

HSL 207.09, 0.73%, 0.53%

LAB 57.58, -0.35, -47.99

 

CMYK 79 / 56 / 0 / 13

HEX #2F61DE

RGB 47 97 222

HSL 222.86, 0.73%, 0.53%

LAB 44.84, 28.21, -68.46

 

CMYK 79 / 77 / 0 / 13

HEX #2F32DE

RGB 47 50 222

HSL 238.97, 0.73%, 0.53%

LAB 34.31, 56.29, -85.76

 

CMYK 85 / 40 / 0 / 36

HEX #1962A2

RGB 25 98 162

HSL 208.03, 0.73%, 0.37%

LAB 40.49, 2.28, -40.66

 

CMYK 85 / 39 / 0 / 22

HEX #1E78C6

RGB 30 120 198

HSL 207.86, 0.74%, 0.45%

LAB 49.24, 2.96, -47.71

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 64 / 29 / 0 / 11

HEX #53A1E4

RGB 83 161 228

HSL 207.72, 0.73%, 0.61%

LAB 64.1, -3.65, -40.96

 

CMYK 49 / 23 / 0 / 9

HEX #77B4E9

RGB 119 180 233

HSL 207.89, 0.72%, 0.69%

LAB 71.18, -5.38, -32.57

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 27 / 79 / 0 / 13

HEX #A12FDE

RGB 161 47 222

HSL 279.09, 0.73%, 0.53%

LAB 45.47, 71.24, -67

 

CMYK 4 / 0 / 79 / 13

HEX #D5DE2F

RGB 213 222 47

HSL 63.09, 0.73%, 0.53%

LAB 85.3, -22.32, 76.95

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 0 / 79 / 36 / 13

HEX #DE2F8F

RGB 222 47 143

HSL 327.09, 0.73%, 0.53%

LAB 51.32, 71.92, -10.9

 

CMYK 36 / 0 / 79 / 13

HEX #8FDE2F

RGB 143 222 47

HSL 87.09, 0.73%, 0.53%

LAB 80.9, -49.45, 71.34

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 27 / 79 / 0 / 13

HEX #A12FDE

RGB 161 47 222

HSL 279.09, 0.73%, 0.53%

LAB 45.47, 71.24, -67

 

CMYK 0 / 43 / 79 / 13

HEX #DE7E2F

RGB 222 126 47

HSL 27.09, 0.73%, 0.53%

LAB 62.22, 31.52, 56.3

 

CMYK 51 / 0 / 79 / 13

HEX #6CDE2F

RGB 108 222 47

HSL 99.09, 0.73%, 0.53%

LAB 79.41, -60.46, 69.41

 

CMYK 79 / 36 / 0 / 13

HEX #2F8DDE

RGB 47 141 222

HSL 207.77, 0.73%, 0.53%

LAB 57.01, 0.83, -48.9

 

CMYK 4 / 79 / 0 / 13

HEX #D52FDE

RGB 213 47 222

HSL 296.91, 0.73%, 0.53%

LAB 53.44, 80.43, -53.75

 

CMYK 0 / 43 / 79 / 13

HEX #DE7E2F

RGB 222 126 47

HSL 27.09, 0.73%, 0.53%

LAB 62.22, 31.52, 56.3

 

CMYK 75 / 0 / 79 / 13

HEX #38DE2F

RGB 56 222 47

HSL 116.91, 0.73%, 0.53%

LAB 78.05, -71.63, 67.65

 

Description

Color code: HEX #2F8DDE | qconv.com Color code: HEX #2F8DDE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 141 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 141 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 36 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 36% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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