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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F7E70 it is the complementary color #D0818F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F7E70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F7E70 shade: #347E6B, #45907E, #56A291, #67B4A4 and #78C6B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F7E70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F7E70 shade: #2F7E70, #1E6C5D, #0D5A4A, #004837 and #003624

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F7E70 shade: #2E7E70, #2E7E5A, #2E7E45, #2E7E2F and #437E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F7E70 shade: #2E7E70, #2E777E, #2E617E, #2E4C7E and #2E367E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F7E70 shade matches the following richer shades: #2E7E70, #208C79, #129A82 and #04A88B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F7E70 shade: #2E7E70, #3C7067, #4A625E, #585455 and #66464C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F7E70 shade: #2E7E45, #2E7E5A, #2E7E6F, #2E777E and #2E627E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F7E70 shade: #18423A, #236055, #2E7E70, #399C8B and #45BAA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F7E70 shade: #2F7E70, #302E7E and #7E502E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F7E70 shade: #2F7E70, #6F2E7E and #7E6F2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F7E70 shade: #2F7E70, #302E7E, #7E2E3D and #7D7E2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F7E70 shade: #2F7E70, #482E7E, #7E2E3D and #657E2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 11 / 51

HEX #2F7E70

RGB 47 126 112

HSL 169.37, 0.46%, 0.34%

LAB 47.87, -27.61, 0.48

 

Complementary color

CMYK 0 / 38 / 31 / 18

HEX #D0818F

RGB 208 129 143

HSL 349.37, 0.46%, 0.66%

LAB 62.59, 32.24, 5.44

 

CMYK 59 / 0 / 15 / 51

HEX #347E6B

RGB 52 126 107

HSL 164.59, 0.42%, 0.35%

LAB 47.9, -27.9, 3.48

 

CMYK 52 / 0 / 13 / 44

HEX #45907E

RGB 69 144 126

HSL 165.6, 0.35%, 0.42%

LAB 54.78, -27.9, 2.46

 

CMYK 47 / 0 / 10 / 36

HEX #56A291

RGB 86 162 145

HSL 166.58, 0.31%, 0.49%

LAB 61.54, -27.82, 1.55

 

CMYK 43 / 0 / 9 / 29

HEX #67B4A4

RGB 103 180 164

HSL 167.53, 0.34%, 0.55%

LAB 68.17, -27.7, 0.72

 

CMYK 39 / 0 / 8 / 22

HEX #78C6B7

RGB 120 198 183

HSL 168.46, 0.41%, 0.62%

LAB 74.7, -27.56, -0.06

 

CMYK 63 / 0 / 11 / 51

HEX #2F7E70

RGB 47 126 112

HSL 169.37, 0.46%, 0.34%

LAB 47.87, -27.61, 0.48

 

CMYK 72 / 0 / 14 / 58

HEX #1E6C5D

RGB 30 108 93

HSL 168.46, 0.57%, 0.27%

LAB 40.88, -27.22, 1.61

 

CMYK 86 / 0 / 18 / 65

HEX #0D5A4A

RGB 13 90 74

HSL 167.53, 0.75%, 0.2%

LAB 33.76, -26.4, 2.96

 

CMYK 100 / 0 / 24 / 72

HEX #004837

RGB 0 72 55

HSL 165.83, 1%, 0.14%

LAB 26.48, -24.96, 4.59

 

CMYK 100 / 0 / 33 / 79

HEX #003624

RGB 0 54 36

HSL 160, 1%, 0.11%

LAB 19.08, -22.07, 6.71

 

CMYK 63 / 0 / 11 / 51

HEX #2E7E70

RGB 46 126 112

HSL 169.5, 0.47%, 0.34%

LAB 47.84, -27.81, 0.43

 

CMYK 63 / 0 / 29 / 51

HEX #2E7E5A

RGB 46 126 90

HSL 153, 0.47%, 0.34%

LAB 47.29, -33.39, 12.55

 

CMYK 63 / 0 / 45 / 51

HEX #2E7E45

RGB 46 126 69

HSL 137.25, 0.47%, 0.34%

LAB 46.89, -37.71, 23.98

 

CMYK 63 / 0 / 63 / 51

HEX #2E7E2F

RGB 46 126 47

HSL 120.75, 0.47%, 0.34%

LAB 46.59, -41.04, 35.16

 

CMYK 47 / 0 / 63 / 51

HEX #437E2E

RGB 67 126 46

HSL 104.25, 0.47%, 0.34%

LAB 47.38, -35.06, 36.75

 

CMYK 63 / 0 / 11 / 51

HEX #2E7E70

RGB 46 126 112

HSL 169.5, 0.47%, 0.34%

LAB 47.84, -27.81, 0.43

 

CMYK 63 / 6 / 0 / 51

HEX #2E777E

RGB 46 119 126

HSL 185.25, 0.47%, 0.34%

LAB 46.02, -20.09, -10.58

 

CMYK 63 / 23 / 0 / 51

HEX #2E617E

RGB 46 97 126

HSL 201.75, 0.47%, 0.34%

LAB 38.96, -7.6, -21.36

 

CMYK 63 / 40 / 0 / 51

HEX #2E4C7E

RGB 46 76 126

HSL 217.5, 0.47%, 0.34%

LAB 32.38, 5.69, -31.67

 

CMYK 63 / 57 / 0 / 51

HEX #2E367E

RGB 46 54 126

HSL 234, 0.47%, 0.34%

LAB 25.94, 20.63, -41.99

 

CMYK 63 / 0 / 11 / 51

HEX #2E7E70

RGB 46 126 112

HSL 169.5, 0.47%, 0.34%

LAB 47.84, -27.81, 0.43

 

CMYK 77 / 0 / 14 / 45

HEX #208C79

RGB 32 140 121

HSL 169.44, 0.63%, 0.34%

LAB 52.34, -34.16, 1.67

 

CMYK 88 / 0 / 16 / 40

HEX #129A82

RGB 18 154 130

HSL 169.41, 0.79%, 0.34%

LAB 56.93, -39.23, 3.14

 

CMYK 98 / 0 / 17 / 34

HEX #04A88B

RGB 4 168 139

HSL 169.39, 0.95%, 0.34%

LAB 61.56, -43.45, 4.74

 

CMYK 63 / 0 / 11 / 51

HEX #2E7E70

RGB 46 126 112

HSL 169.5, 0.47%, 0.34%

LAB 47.84, -27.81, 0.43

 

CMYK 46 / 0 / 8 / 56

HEX #3C7067

RGB 60 112 103

HSL 169.62, 0.3%, 0.34%

LAB 43.55, -19.8, -0.42

 

CMYK 24 / 0 / 4 / 62

HEX #4A625E

RGB 74 98 94

HSL 170, 0.14%, 0.34%

LAB 39.58, -9.89, -0.66

 

CMYK 0 / 5 / 3 / 65

HEX #585455

RGB 88 84 85

HSL 345, 0.02%, 0.34%

LAB 36.12, 1.83, -0.01

 

CMYK 0 / 31 / 25 / 60

HEX #66464C

RGB 102 70 76

HSL 348.75, 0.19%, 0.34%

LAB 33.41, 14.71, 1.92

 

CMYK 63 / 0 / 45 / 51

HEX #2E7E45

RGB 46 126 69

HSL 137.25, 0.47%, 0.34%

LAB 46.89, -37.71, 23.98

 

CMYK 63 / 0 / 29 / 51

HEX #2E7E5A

RGB 46 126 90

HSL 153, 0.47%, 0.34%

LAB 47.29, -33.39, 12.55

 

CMYK 63 / 0 / 12 / 51

HEX #2E7E6F

RGB 46 126 111

HSL 168.75, 0.47%, 0.34%

LAB 47.82, -28.08, 0.98

 

CMYK 63 / 6 / 0 / 51

HEX #2E777E

RGB 46 119 126

HSL 185.25, 0.47%, 0.34%

LAB 46.02, -20.09, -10.58

 

CMYK 63 / 22 / 0 / 51

HEX #2E627E

RGB 46 98 126

HSL 201, 0.47%, 0.34%

LAB 39.28, -8.2, -20.86

 

CMYK 64 / 0 / 12 / 74

HEX #18423A

RGB 24 66 58

HSL 168.57, 0.47%, 0.18%

LAB 24.94, -16.91, 0.48

 

CMYK 64 / 0 / 11 / 62

HEX #236055

RGB 35 96 85

HSL 169.18, 0.47%, 0.26%

LAB 36.7, -22.54, 0.45

 

CMYK 63 / 0 / 11 / 51

HEX #2E7E70

RGB 46 126 112

HSL 169.5, 0.47%, 0.34%

LAB 47.84, -27.81, 0.43

 

CMYK 63 / 0 / 11 / 39

HEX #399C8B

RGB 57 156 139

HSL 169.7, 0.46%, 0.42%

LAB 58.52, -32.82, 0.42

 

CMYK 63 / 0 / 11 / 27

HEX #45BAA5

RGB 69 186 165

HSL 169.23, 0.46%, 0.5%

LAB 68.82, -37.73, 0.97

 

CMYK 63 / 0 / 11 / 51

HEX #2F7E70

RGB 47 126 112

HSL 169.37, 0.46%, 0.34%

LAB 47.87, -27.61, 0.48

 

CMYK 62 / 63 / 0 / 51

HEX #302E7E

RGB 48 46 126

HSL 241.5, 0.47%, 0.34%

LAB 23.96, 26.41, -45.19

 

CMYK 0 / 37 / 63 / 51

HEX #7E502E

RGB 126 80 46

HSL 25.5, 0.47%, 0.34%

LAB 38.5, 15.69, 27.72

 

CMYK 63 / 0 / 11 / 51

HEX #2F7E70

RGB 47 126 112

HSL 169.37, 0.46%, 0.34%

LAB 47.87, -27.61, 0.48

 

CMYK 12 / 63 / 0 / 51

HEX #6F2E7E

RGB 111 46 126

HSL 288.75, 0.47%, 0.34%

LAB 31.44, 41.37, -32.77

 

CMYK 0 / 12 / 63 / 51

HEX #7E6F2E

RGB 126 111 46

HSL 48.75, 0.47%, 0.34%

LAB 46.98, -2.57, 37.47

 

CMYK 63 / 0 / 11 / 51

HEX #2F7E70

RGB 47 126 112

HSL 169.37, 0.46%, 0.34%

LAB 47.87, -27.61, 0.48

 

CMYK 62 / 63 / 0 / 51

HEX #302E7E

RGB 48 46 126

HSL 241.5, 0.47%, 0.34%

LAB 23.96, 26.41, -45.19

 

CMYK 0 / 63 / 52 / 51

HEX #7E2E3D

RGB 126 46 61

HSL 348.75, 0.47%, 0.34%

LAB 31.18, 35.98, 8.94

 

CMYK 1 / 0 / 63 / 51

HEX #7D7E2E

RGB 125 126 46

HSL 60.75, 0.47%, 0.34%

LAB 51.24, -11.42, 42.1

 

CMYK 63 / 0 / 11 / 51

HEX #2F7E70

RGB 47 126 112

HSL 169.37, 0.46%, 0.34%

LAB 47.87, -27.61, 0.48

 

CMYK 43 / 63 / 0 / 51

HEX #482E7E

RGB 72 46 126

HSL 259.5, 0.47%, 0.34%

LAB 26.27, 31.46, -41.34

 

CMYK 0 / 63 / 52 / 51

HEX #7E2E3D

RGB 126 46 61

HSL 348.75, 0.47%, 0.34%

LAB 31.18, 35.98, 8.94

 

CMYK 20 / 0 / 63 / 51

HEX #657E2E

RGB 101 126 46

HSL 78.75, 0.47%, 0.34%

LAB 49.36, -21.99, 39.5

 

Description

Color code: HEX #2F7E70 | qconv.com Color code: HEX #2F7E70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 126 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 126 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 11 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 11% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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