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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F6400 it is the complementary color #D09BFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F6400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F6400 shade: #346400, #45760E, #568821, #679A34 and #78AC47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F6400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F6400 shade: #2F6400, #1E5200, #0D4000, #002E00 and #001C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F6400 shade: #2F6600, #4B6600, #666500, #664900 and #662E00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F6400 shade: #2F6600, #146600, #006607, #006622 and #00663E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F6400 shade matches the following richer shades: #2F6600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F6400 shade: #2F6600, #305D08, #305510, #314D18 and #314421

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F6400 shade: #666400, #4C6600, #316600, #166600 and #006605

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F6400 shade: #091300, #1C3C00, #2F6600, #438F00 and #56B800

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F6400 shade: #2F6400, #006649 and #66005A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F6400 shade: #2F6400, #003166 and #660031

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F6400 shade: #2F6400, #006649, #340066 and #66001C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F6400 shade: #2F6400, #006466, #340066 and #660100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 100 / 61

HEX #2F6400

RGB 47 100 0

HSL 91.8, 1%, 0.2%

LAB 37.33, -33.83, 43.23

 

Complementary color

CMYK 18 / 39 / 0 / 0

HEX #D09BFF

RGB 208 155 255

HSL 271.8, 1%, 0.8%

LAB 72.28, 38.12, -42.32

 

CMYK 48 / 0 / 100 / 61

HEX #346400

RGB 52 100 0

HSL 88.8, 1%, 0.2%

LAB 37.56, -32.08, 43.51

 

CMYK 42 / 0 / 88 / 54

HEX #45760E

RGB 69 118 14

HSL 88.27, 0.79%, 0.26%

LAB 44.59, -33.19, 46.21

 

CMYK 37 / 0 / 76 / 47

HEX #568821

RGB 86 136 33

HSL 89.13, 0.61%, 0.33%

LAB 51.49, -33.85, 46.91

 

CMYK 33 / 0 / 66 / 40

HEX #679A34

RGB 103 154 52

HSL 90, 0.5%, 0.4%

LAB 58.27, -34.22, 46.51

 

CMYK 30 / 0 / 59 / 33

HEX #78AC47

RGB 120 172 71

HSL 90.89, 0.42%, 0.48%

LAB 64.93, -34.39, 45.62

 

CMYK 53 / 0 / 100 / 61

HEX #2F6400

RGB 47 100 0

HSL 91.8, 1%, 0.2%

LAB 37.33, -33.83, 43.23

 

CMYK 63 / 0 / 100 / 68

HEX #1E5200

RGB 30 82 0

HSL 98.05, 1%, 0.16%

LAB 30.18, -31.89, 37.32

 

CMYK 80 / 0 / 100 / 75

HEX #0D4000

RGB 13 64 0

HSL 107.81, 1%, 0.13%

LAB 22.84, -29.37, 30.52

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 54 / 0 / 100 / 60

HEX #2F6600

RGB 47 102 0

HSL 92.35, 1%, 0.2%

LAB 38.03, -34.67, 43.78

 

CMYK 26 / 0 / 100 / 60

HEX #4B6600

RGB 75 102 0

HSL 75.88, 1%, 0.2%

LAB 39.58, -23.65, 45.65

 

CMYK 0 / 1 / 100 / 60

HEX #666500

RGB 102 101 0

HSL 59.41, 1%, 0.2%

LAB 41.43, -10.44, 47.99

 

CMYK 0 / 28 / 100 / 60

HEX #664900

RGB 102 73 0

HSL 42.94, 1%, 0.2%

LAB 33.11, 6.16, 42.1

 

CMYK 0 / 55 / 100 / 60

HEX #662E00

RGB 102 46 0

HSL 27.06, 1%, 0.2%

LAB 26.09, 22.57, 36.67

 

CMYK 54 / 0 / 100 / 60

HEX #2F6600

RGB 47 102 0

HSL 92.35, 1%, 0.2%

LAB 38.03, -34.67, 43.78

 

CMYK 80 / 0 / 100 / 60

HEX #146600

RGB 20 102 0

HSL 108.24, 1%, 0.2%

LAB 37.21, -41.51, 42.78

 

CMYK 100 / 0 / 93 / 60

HEX #006607

RGB 0 102 7

HSL 124.12, 1%, 0.2%

LAB 36.96, -43.61, 40.5

 

CMYK 100 / 0 / 67 / 60

HEX #006622

RGB 0 102 34

HSL 140, 1%, 0.2%

LAB 37.15, -41.24, 30.54

 

CMYK 100 / 0 / 39 / 60

HEX #00663E

RGB 0 102 62

HSL 156.47, 1%, 0.2%

LAB 37.57, -36.12, 15.58

 

CMYK 54 / 0 / 100 / 60

HEX #2F6600

RGB 47 102 0

HSL 92.35, 1%, 0.2%

LAB 38.03, -34.67, 43.78

 

CMYK 54 / 0 / 100 / 60

HEX #2F6600

RGB 47 102 0

HSL 92.35, 1%, 0.2%

LAB 38.03, -34.67, 43.78

 

CMYK 48 / 0 / 91 / 64

HEX #305D08

RGB 48 93 8

HSL 91.76, 0.84%, 0.2%

LAB 34.95, -30.09, 38.94

 

CMYK 44 / 0 / 81 / 67

HEX #305510

RGB 48 85 16

HSL 92.17, 0.68%, 0.2%

LAB 32.17, -25.95, 33.74

 

CMYK 36 / 0 / 69 / 70

HEX #314D18

RGB 49 77 24

HSL 91.7, 0.52%, 0.2%

LAB 29.48, -20.89, 27.35

 

CMYK 28 / 0 / 51 / 73

HEX #314421

RGB 49 68 33

HSL 92.57, 0.35%, 0.2%

LAB 26.44, -14.88, 18.75

 

CMYK 0 / 2 / 100 / 60

HEX #666400

RGB 102 100 0

HSL 58.82, 1%, 0.2%

LAB 41.12, -9.87, 47.76

 

CMYK 25 / 0 / 100 / 60

HEX #4C6600

RGB 76 102 0

HSL 75.29, 1%, 0.2%

LAB 39.65, -23.21, 45.73

 

CMYK 52 / 0 / 100 / 60

HEX #316600

RGB 49 102 0

HSL 91.18, 1%, 0.2%

LAB 38.12, -33.99, 43.89

 

CMYK 78 / 0 / 100 / 60

HEX #166600

RGB 22 102 0

HSL 107.06, 1%, 0.2%

LAB 37.25, -41.16, 42.83

 

CMYK 100 / 0 / 95 / 60

HEX #006605

RGB 0 102 5

HSL 122.94, 1%, 0.2%

LAB 36.96, -43.71, 41.04

 

CMYK 53 / 0 / 100 / 93

HEX #091300

RGB 9 19 0

HSL 91.58, 1%, 0.04%

LAB 4.73, -6.24, 6.97

 

CMYK 53 / 0 / 100 / 76

HEX #1C3C00

RGB 28 60 0

HSL 92, 1%, 0.12%

LAB 21.87, -23.03, 29.68

 

CMYK 54 / 0 / 100 / 60

HEX #2F6600

RGB 47 102 0

HSL 92.35, 1%, 0.2%

LAB 38.03, -34.67, 43.78

 

CMYK 53 / 0 / 100 / 44

HEX #438F00

RGB 67 143 0

HSL 91.89, 1%, 0.28%

LAB 52.77, -44.65, 55.7

 

CMYK 53 / 0 / 100 / 28

HEX #56B800

RGB 86 184 0

HSL 91.96, 1%, 0.36%

LAB 66.72, -54.37, 66.96

 

CMYK 53 / 0 / 100 / 61

HEX #2F6400

RGB 47 100 0

HSL 91.8, 1%, 0.2%

LAB 37.33, -33.83, 43.23

 

CMYK 100 / 0 / 28 / 60

HEX #006649

RGB 0 102 73

HSL 162.94, 1%, 0.2%

LAB 37.81, -33.38, 9.31

 

CMYK 0 / 100 / 12 / 60

HEX #66005A

RGB 102 0 90

HSL 307.06, 1%, 0.2%

LAB 22.17, 48.25, -24.35

 

CMYK 53 / 0 / 100 / 61

HEX #2F6400

RGB 47 100 0

HSL 91.8, 1%, 0.2%

LAB 37.33, -33.83, 43.23

 

CMYK 100 / 52 / 0 / 60

HEX #003166

RGB 0 49 102

HSL 211.18, 1%, 0.2%

LAB 20.66, 8.28, -35.27

 

CMYK 0 / 100 / 52 / 60

HEX #660031

RGB 102 0 49

HSL 331.18, 1%, 0.2%

LAB 20.23, 43.3, 0.9

 

CMYK 53 / 0 / 100 / 61

HEX #2F6400

RGB 47 100 0

HSL 91.8, 1%, 0.2%

LAB 37.33, -33.83, 43.23

 

CMYK 100 / 0 / 28 / 60

HEX #006649

RGB 0 102 73

HSL 162.94, 1%, 0.2%

LAB 37.81, -33.38, 9.31

 

CMYK 49 / 100 / 0 / 60

HEX #340066

RGB 52 0 102

HSL 270.59, 1%, 0.2%

LAB 13.76, 42.89, -46.39

 

CMYK 0 / 100 / 73 / 60

HEX #66001C

RGB 102 0 28

HSL 343.53, 1%, 0.2%

LAB 19.67, 41.82, 15.1

 

CMYK 53 / 0 / 100 / 61

HEX #2F6400

RGB 47 100 0

HSL 91.8, 1%, 0.2%

LAB 37.33, -33.83, 43.23

 

CMYK 100 / 2 / 0 / 60

HEX #006466

RGB 0 100 102

HSL 181.18, 1%, 0.2%

LAB 37.97, -23.51, -8.24

 

CMYK 49 / 100 / 0 / 60

HEX #340066

RGB 52 0 102

HSL 270.59, 1%, 0.2%

LAB 13.76, 42.89, -46.39

 

CMYK 0 / 99 / 100 / 60

HEX #660100

RGB 102 1 0

HSL 0.59, 1%, 0.2%

LAB 19.42, 40.62, 29.76

 

Description

Color code: HEX #2F6400 | qconv.com Color code: HEX #2F6400 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 100 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 100 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 100 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 100% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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