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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F5879 it is the complementary color #D0A786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F5879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F5879 shade: #345874, #456A87, #567C9A, #678EAD and #78A0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F5879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F5879 shade: #2F5879, #1E4666, #0D3453, #002240 and #00102D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F5879 shade: #2F5879, #2F4479, #2F3079, #422F79 and #552F79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F5879 shade: #2F5879, #2F4479, #2F3079 and #2F2F79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F5879 shade matches the following richer shades: #2F5879, #215986, #135B94 and #065CA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F5879 shade: #2F5879, #3C566B, #4A555D, #575350 and #655242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F5879 shade: #2F7971, #2F6C79, #2F5979, #2F4579 and #2F3179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F5879 shade: #182C3D, #23425B, #2F5879, #3A6D96 and #4683B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F5879 shade: #2F5879, #5E2F79 and #76792F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F5879 shade: #2F5879, #792F59 and #59792F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F5879 shade: #2F5879, #5E2F79, #794F2F and #4A792F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F5879 shade: #2F5879, #742F79, #794F2F and #34792F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

Complementary color

CMYK 0 / 20 / 36 / 18

HEX #D0A786

RGB 208 167 134

HSL 26.76, 0.44%, 0.67%

LAB 71.4, 10.47, 22.77

 

CMYK 55 / 24 / 0 / 55

HEX #345874

RGB 52 88 116

HSL 206.25, 0.38%, 0.33%

LAB 35.93, -4.17, -19.89

 

CMYK 49 / 21 / 0 / 47

HEX #456A87

RGB 69 106 135

HSL 206.36, 0.32%, 0.4%

LAB 43.25, -4.66, -20.09

 

CMYK 44 / 19 / 0 / 40

HEX #567C9A

RGB 86 124 154

HSL 206.47, 0.28%, 0.47%

LAB 50.37, -5.02, -20.32

 

CMYK 40 / 18 / 0 / 32

HEX #678EAD

RGB 103 142 173

HSL 206.57, 0.3%, 0.54%

LAB 57.32, -5.3, -20.56

 

CMYK 38 / 17 / 0 / 25

HEX #78A0C0

RGB 120 160 192

HSL 206.67, 0.36%, 0.61%

LAB 64.11, -5.52, -20.82

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 71 / 31 / 0 / 60

HEX #1E4666

RGB 30 70 102

HSL 206.67, 0.55%, 0.26%

LAB 28.42, -2.59, -22.85

 

CMYK 84 / 37 / 0 / 67

HEX #0D3453

RGB 13 52 83

HSL 206.57, 0.73%, 0.19%

LAB 20.7, -0.95, -22.67

 

CMYK 100 / 47 / 0 / 75

HEX #002240

RGB 0 34 64

HSL 208.13, 1%, 0.13%

LAB 12.7, 1.65, -22.44

 

CMYK 100 / 64 / 0 / 82

HEX #00102D

RGB 0 16 45

HSL 218.67, 1%, 0.09%

LAB 5.06, 5.19, -20.96

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 61 / 44 / 0 / 53

HEX #2F4479

RGB 47 68 121

HSL 222.97, 0.44%, 0.33%

LAB 29.71, 9.42, -32.79

 

CMYK 61 / 60 / 0 / 53

HEX #2F3079

RGB 47 48 121

HSL 239.19, 0.44%, 0.33%

LAB 24, 23.09, -41.98

 

CMYK 45 / 61 / 0 / 53

HEX #422F79

RGB 66 47 121

HSL 255.41, 0.44%, 0.33%

LAB 25.48, 27.91, -39.49

 

CMYK 30 / 61 / 0 / 53

HEX #552F79

RGB 85 47 121

HSL 270.81, 0.44%, 0.33%

LAB 27.7, 32.72, -35.81

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 61 / 44 / 0 / 53

HEX #2F4479

RGB 47 68 121

HSL 222.97, 0.44%, 0.33%

LAB 29.71, 9.42, -32.79

 

CMYK 61 / 60 / 0 / 53

HEX #2F3079

RGB 47 48 121

HSL 239.19, 0.44%, 0.33%

LAB 24, 23.09, -41.98

 

CMYK 61 / 61 / 0 / 53

HEX #2F2F79

RGB 47 47 121

HSL 240, 0.44%, 0.33%

LAB 23.73, 23.77, -42.41

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 75 / 34 / 0 / 47

HEX #215986

RGB 33 89 134

HSL 206.73, 0.6%, 0.33%

LAB 36.35, -2.01, -30.36

 

CMYK 87 / 39 / 0 / 42

HEX #135B94

RGB 19 91 148

HSL 206.51, 0.77%, 0.33%

LAB 37.41, 0.66, -37.2

 

CMYK 96 / 43 / 0 / 36

HEX #065CA2

RGB 6 92 162

HSL 206.92, 0.93%, 0.33%

LAB 38.38, 4.94, -44.05

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 44 / 20 / 0 / 58

HEX #3C566B

RGB 60 86 107

HSL 206.81, 0.28%, 0.33%

LAB 35.36, -3.66, -15.14

 

CMYK 20 / 9 / 0 / 64

HEX #4A555D

RGB 74 85 93

HSL 205.26, 0.11%, 0.33%

LAB 35.49, -2.36, -6.1

 

CMYK 0 / 5 / 8 / 66

HEX #575350

RGB 87 83 80

HSL 25.71, 0.04%, 0.33%

LAB 35.58, 1.02, 2.33

 

CMYK 0 / 19 / 35 / 60

HEX #655242

RGB 101 82 66

HSL 27.43, 0.21%, 0.33%

LAB 36.36, 5.28, 12.36

 

CMYK 61 / 0 / 7 / 53

HEX #2F7971

RGB 47 121 113

HSL 173.51, 0.44%, 0.33%

LAB 46.27, -24.83, -2.46

 

CMYK 61 / 11 / 0 / 53

HEX #2F6C79

RGB 47 108 121

HSL 190.54, 0.44%, 0.33%

LAB 42.32, -15.46, -13.16

 

CMYK 61 / 26 / 0 / 53

HEX #2F5979

RGB 47 89 121

HSL 205.95, 0.44%, 0.33%

LAB 36.23, -4.24, -22.52

 

CMYK 61 / 43 / 0 / 53

HEX #2F4579

RGB 47 69 121

HSL 222.16, 0.44%, 0.33%

LAB 30.01, 8.74, -32.31

 

CMYK 61 / 60 / 0 / 53

HEX #2F3179

RGB 47 49 121

HSL 238.38, 0.44%, 0.33%

LAB 24.26, 22.42, -41.54

 

CMYK 61 / 28 / 0 / 76

HEX #182C3D

RGB 24 44 61

HSL 207.57, 0.44%, 0.17%

LAB 17.14, -2.12, -13.28

 

CMYK 62 / 27 / 0 / 64

HEX #23425B

RGB 35 66 91

HSL 206.79, 0.44%, 0.25%

LAB 26.76, -3.03, -18.35

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 61 / 27 / 0 / 41

HEX #3A6D96

RGB 58 109 150

HSL 206.74, 0.44%, 0.41%

LAB 44.29, -4.12, -27.48

 

CMYK 61 / 27 / 0 / 29

HEX #4683B4

RGB 70 131 180

HSL 206.73, 0.44%, 0.49%

LAB 52.76, -4.65, -31.74

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 22 / 61 / 0 / 53

HEX #5E2F79

RGB 94 47 121

HSL 278.11, 0.44%, 0.33%

LAB 28.88, 35.13, -33.84

 

CMYK 2 / 0 / 61 / 53

HEX #76792F

RGB 118 121 47

HSL 62.43, 0.44%, 0.33%

LAB 49.17, -11.77, 39.2

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 0 / 61 / 26 / 53

HEX #792F59

RGB 121 47 89

HSL 325.95, 0.44%, 0.33%

LAB 31.39, 37.19, -9.13

 

CMYK 26 / 0 / 61 / 53

HEX #59792F

RGB 89 121 47

HSL 85.95, 0.44%, 0.33%

LAB 46.98, -24.38, 36.15

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 22 / 61 / 0 / 53

HEX #5E2F79

RGB 94 47 121

HSL 278.11, 0.44%, 0.33%

LAB 28.88, 35.13, -33.84

 

CMYK 0 / 35 / 61 / 53

HEX #794F2F

RGB 121 79 47

HSL 25.95, 0.44%, 0.33%

LAB 37.59, 14.08, 25.9

 

CMYK 39 / 0 / 61 / 53

HEX #4A792F

RGB 74 121 47

HSL 98.11, 0.44%, 0.33%

LAB 46.09, -30.22, 34.9

 

CMYK 61 / 27 / 0 / 53

HEX #2F5879

RGB 47 88 121

HSL 206.76, 0.44%, 0.33%

LAB 35.92, -3.62, -23.02

 

CMYK 4 / 61 / 0 / 53

HEX #742F79

RGB 116 47 121

HSL 295.95, 0.44%, 0.33%

LAB 32.09, 41.21, -28.55

 

CMYK 0 / 35 / 61 / 53

HEX #794F2F

RGB 121 79 47

HSL 25.95, 0.44%, 0.33%

LAB 37.59, 14.08, 25.9

 

CMYK 57 / 0 / 61 / 53

HEX #34792F

RGB 52 121 47

HSL 115.95, 0.44%, 0.33%

LAB 45.1, -37.43, 33.49

 

Description

Color code: HEX #2F5879 | qconv.com Color code: HEX #2F5879 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 88 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 88 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 27 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 27% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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