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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F206E it is the complementary color #D0DF91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F206E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F206E shade: #342069, #45327C, #56448F, #6756A2 and #7868B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F206E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F206E shade: #2F206E, #1E0E5B, #0D0048, #000035 and #000022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F206E shade: #2F206E, #44206E, #59206E, #6E206E and #6E2059

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F206E shade: #2F206E and #20206E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F206E shade matches the following richer shades: #2F206E, #28147A and #210985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F206E shade: #2F206E, #362B63, #3D3757, #44424C and #4B4E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F206E shade: #203B6E, #20266E, #2E206E, #43206E and #58206E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F206E shade: #130D2E, #21164E, #2F206E, #3C298E and #4A32AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F206E shade: #2F206E, #6E2050 and #316E20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F206E shade: #2F206E, #6E2E20 and #206E2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F206E shade: #2F206E, #6E2050, #606E20 and #206E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F206E shade: #2F206E, #6E2039, #606E20 and #206E55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

Complementary color

CMYK 7 / 0 / 35 / 13

HEX #D0DF91

RGB 208 223 145

HSL 71.54, 0.55%, 0.72%

LAB 86.12, -17.27, 36.6

 

CMYK 50 / 70 / 0 / 59

HEX #342069

RGB 52 32 105

HSL 256.44, 0.53%, 0.27%

LAB 19.15, 29.13, -39.53

 

CMYK 44 / 60 / 0 / 51

HEX #45327C

RGB 69 50 124

HSL 255.41, 0.43%, 0.34%

LAB 26.74, 27.66, -39.34

 

CMYK 40 / 52 / 0 / 44

HEX #56448F

RGB 86 68 143

HSL 254.4, 0.36%, 0.41%

LAB 34.18, 26.34, -39.09

 

CMYK 36 / 47 / 0 / 36

HEX #6756A2

RGB 103 86 162

HSL 253.42, 0.31%, 0.49%

LAB 41.45, 25.21, -38.88

 

CMYK 34 / 43 / 0 / 29

HEX #7868B5

RGB 120 104 181

HSL 252.47, 0.34%, 0.56%

LAB 48.55, 24.22, -38.71

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 67 / 85 / 0 / 64

HEX #1E0E5B

RGB 30 14 91

HSL 252.47, 0.73%, 0.21%

LAB 11.59, 31.36, -42.73

 

CMYK 82 / 100 / 0 / 72

HEX #0D0048

RGB 13 0 72

HSL 250.83, 1%, 0.14%

LAB 5, 30.14, -40.6

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 38 / 71 / 0 / 57

HEX #44206E

RGB 68 32 110

HSL 267.69, 0.55%, 0.28%

LAB 21.53, 34.1, -38.82

 

CMYK 19 / 71 / 0 / 57

HEX #59206E

RGB 89 32 110

HSL 283.85, 0.55%, 0.28%

LAB 24.58, 39.05, -33.74

 

CMYK 0 / 71 / 0 / 57

HEX #6E206E

RGB 110 32 110

HSL 300, 0.55%, 0.28%

LAB 28.04, 44.3, -28.03

 

CMYK 0 / 71 / 19 / 57

HEX #6E2059

RGB 110 32 89

HSL 316.15, 0.55%, 0.28%

LAB 26.93, 40.72, -16.12

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 71 / 71 / 0 / 57

HEX #20206E

RGB 32 32 110

HSL 240, 0.55%, 0.28%

LAB 17.76, 27.32, -45.13

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 67 / 84 / 0 / 52

HEX #28147A

RGB 40 20 122

HSL 251.76, 0.72%, 0.28%

LAB 17.26, 39.36, -53.68

 

CMYK 75 / 93 / 0 / 48

HEX #210985

RGB 33 9 133

HSL 251.61, 0.87%, 0.28%

LAB 16.56, 46.47, -61.84

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 45 / 57 / 0 / 61

HEX #362B63

RGB 54 43 99

HSL 251.79, 0.39%, 0.28%

LAB 21.63, 20.52, -31.59

 

CMYK 30 / 37 / 0 / 66

HEX #3D3757

RGB 61 55 87

HSL 251.25, 0.23%, 0.28%

LAB 24.99, 10.8, -18.36

 

CMYK 11 / 13 / 0 / 70

HEX #44424C

RGB 68 66 76

HSL 252, 0.07%, 0.28%

LAB 28.5, 3.15, -5.73

 

CMYK 4 / 0 / 18 / 69

HEX #4B4E40

RGB 75 78 64

HSL 72.86, 0.1%, 0.28%

LAB 32.51, -4.1, 7.89

 

CMYK 71 / 46 / 0 / 57

HEX #203B6E

RGB 32 59 110

HSL 219.23, 0.55%, 0.28%

LAB 25.44, 8.38, -32.68

 

CMYK 71 / 65 / 0 / 57

HEX #20266E

RGB 32 38 110

HSL 235.38, 0.55%, 0.28%

LAB 19.3, 23.23, -42.61

 

CMYK 58 / 71 / 0 / 57

HEX #2E206E

RGB 46 32 110

HSL 250.77, 0.55%, 0.28%

LAB 18.97, 29.58, -43.11

 

CMYK 39 / 71 / 0 / 57

HEX #43206E

RGB 67 32 110

HSL 266.92, 0.55%, 0.28%

LAB 21.4, 33.87, -39.04

 

CMYK 20 / 71 / 0 / 57

HEX #58206E

RGB 88 32 110

HSL 283.08, 0.55%, 0.28%

LAB 24.43, 38.81, -34

 

CMYK 59 / 72 / 0 / 82

HEX #130D2E

RGB 19 13 46

HSL 250.91, 0.56%, 0.12%

LAB 5.63, 12.76, -20.72

 

CMYK 58 / 72 / 0 / 69

HEX #21164E

RGB 33 22 78

HSL 251.79, 0.56%, 0.2%

LAB 12.27, 22.55, -32.76

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 58 / 71 / 0 / 44

HEX #3C298E

RGB 60 41 142

HSL 251.29, 0.55%, 0.36%

LAB 25.26, 36.99, -53.04

 

CMYK 57 / 71 / 0 / 32

HEX #4A32AE

RGB 74 50 174

HSL 251.61, 0.55%, 0.44%

LAB 31.33, 44.03, -62.52

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 0 / 71 / 27 / 57

HEX #6E2050

RGB 110 32 80

HSL 323.08, 0.55%, 0.28%

LAB 26.53, 39.37, -10.79

 

CMYK 55 / 0 / 71 / 57

HEX #316E20

RGB 49 110 32

HSL 106.92, 0.55%, 0.28%

LAB 41.07, -35.39, 36.1

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 0 / 58 / 71 / 57

HEX #6E2E20

RGB 110 46 32

HSL 10.77, 0.55%, 0.28%

LAB 27.77, 27.37, 22.7

 

CMYK 71 / 0 / 58 / 57

HEX #206E2E

RGB 32 110 46

HSL 130.77, 0.55%, 0.28%

LAB 40.66, -38.06, 28.63

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 0 / 71 / 27 / 57

HEX #6E2050

RGB 110 32 80

HSL 323.08, 0.55%, 0.28%

LAB 26.53, 39.37, -10.79

 

CMYK 13 / 0 / 71 / 57

HEX #606E20

RGB 96 110 32

HSL 70.77, 0.55%, 0.28%

LAB 43.86, -16.9, 39.88

 

CMYK 71 / 0 / 44 / 57

HEX #206E3E

RGB 32 110 62

HSL 143.08, 0.55%, 0.28%

LAB 40.91, -35.3, 20.09

 

CMYK 57 / 71 / 0 / 57

HEX #2F206E

RGB 47 32 110

HSL 251.54, 0.55%, 0.28%

LAB 19.07, 29.77, -42.94

 

CMYK 0 / 71 / 48 / 57

HEX #6E2039

RGB 110 32 57

HSL 340.77, 0.55%, 0.28%

LAB 25.69, 36.5, 3.45

 

CMYK 13 / 0 / 71 / 57

HEX #606E20

RGB 96 110 32

HSL 70.77, 0.55%, 0.28%

LAB 43.86, -16.9, 39.88

 

CMYK 71 / 0 / 23 / 57

HEX #206E55

RGB 32 110 85

HSL 160.77, 0.55%, 0.28%

LAB 41.4, -30.02, 7.19

 

Description

Color code: HEX #2F206E | qconv.com Color code: HEX #2F206E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 32 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 32 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 71 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 71% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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