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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EDFEF it is the complementary color #D12010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EDFEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EDFEF shade: #33DFEA, #44F1FD, #55FFFF, #66FFFF and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EDFEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EDFEF shade: #2EDFEF, #1DCDDC, #0CBBC9, #00A9B6 and #0097A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EDFEF shade: #2EDFEF, #2EABEF, #2E77EF, #2E43EF and #4D2EEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EDFEF shade: #2EDFEF, #2EABEF, #2E77EF, #2E43EF and #2E2EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EDFEF shade matches the following richer shades: #2EDFEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EDFEF shade: #2EDFEF, #40D0DD, #52C1CA, #64B1B8 and #76A2A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EDFEF shade: #2EEF95, #2EEFC8, #2EE2EF, #2EAEEF and #2E7BEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EDFEF shade: #0EAEBC, #11D1E3, #2EDFEF, #54E5F2 and #7BEAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EDFEF shade: #2EDFEF, #612EEF and #EFAE2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EDFEF shade: #2EDFEF, #EF2EE2 and #E2EF2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EDFEF shade: #2EDFEF, #612EEF, #EF3B2E and #BBEF2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EDFEF shade: #2EDFEF, #9B2EEF, #EF3B2E and #81EF2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

Complementary color

CMYK 0 / 85 / 92 / 18

HEX #D12010

RGB 209 32 16

HSL 4.97, 0.86%, 0.44%

LAB 45.12, 64.86, 53.54

 

CMYK 78 / 5 / 0 / 8

HEX #33DFEA

RGB 51 223 234

HSL 183.61, 0.81%, 0.56%

LAB 81.52, -37.7, -17.49

 

CMYK 73 / 5 / 0 / 1

HEX #44F1FD

RGB 68 241 253

HSL 183.89, 0.98%, 0.63%

LAB 87.6, -38.73, -18.32

 

CMYK 67 / 0 / 0 / 0

HEX #55FFFF

RGB 85 255 255

HSL 180, 1%, 0.67%

LAB 91.99, -42.44, -12.75

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 87 / 7 / 0 / 14

HEX #1DCDDC

RGB 29 205 220

HSL 184.71, 0.77%, 0.49%

LAB 75.51, -35.18, -19.11

 

CMYK 94 / 7 / 0 / 21

HEX #0CBBC9

RGB 12 187 201

HSL 184.44, 0.89%, 0.42%

LAB 69.35, -33.38, -18.12

 

CMYK 100 / 7 / 0 / 29

HEX #00A9B6

RGB 0 169 182

HSL 184.29, 1%, 0.36%

LAB 63.14, -31.21, -17.02

 

CMYK 100 / 7 / 0 / 36

HEX #0097A3

RGB 0 151 163

HSL 184.42, 1%, 0.32%

LAB 56.86, -28.64, -15.81

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 81 / 28 / 0 / 6

HEX #2EABEF

RGB 46 171 239

HSL 201.14, 0.86%, 0.56%

LAB 66.47, -10.32, -43.36

 

CMYK 81 / 50 / 0 / 6

HEX #2E77EF

RGB 46 119 239

HSL 217.31, 0.86%, 0.56%

LAB 51.84, 20.51, -66.67

 

CMYK 81 / 72 / 0 / 6

HEX #2E43EF

RGB 46 67 239

HSL 233.47, 0.86%, 0.56%

LAB 39.29, 52.57, -87.2

 

CMYK 68 / 81 / 0 / 6

HEX #4D2EEF

RGB 77 46 239

HSL 249.64, 0.86%, 0.56%

LAB 37.42, 65.25, -90.25

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 81 / 28 / 0 / 6

HEX #2EABEF

RGB 46 171 239

HSL 201.14, 0.86%, 0.56%

LAB 66.47, -10.32, -43.36

 

CMYK 81 / 50 / 0 / 6

HEX #2E77EF

RGB 46 119 239

HSL 217.31, 0.86%, 0.56%

LAB 51.84, 20.51, -66.67

 

CMYK 81 / 72 / 0 / 6

HEX #2E43EF

RGB 46 67 239

HSL 233.47, 0.86%, 0.56%

LAB 39.29, 52.57, -87.2

 

CMYK 81 / 81 / 0 / 6

HEX #2E2EEF

RGB 46 46 239

HSL 240, 0.86%, 0.56%

LAB 35.53, 63.32, -93.43

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 71 / 6 / 0 / 13

HEX #40D0DD

RGB 64 208 221

HSL 184.97, 0.7%, 0.56%

LAB 76.93, -33.14, -17.45

 

CMYK 59 / 4 / 0 / 21

HEX #52C1CA

RGB 82 193 202

HSL 184.5, 0.53%, 0.56%

LAB 72.36, -28.7, -14.01

 

CMYK 46 / 4 / 0 / 28

HEX #64B1B8

RGB 100 177 184

HSL 185, 0.37%, 0.56%

LAB 67.74, -21.9, -11

 

CMYK 29 / 2 / 0 / 35

HEX #76A2A6

RGB 118 162 166

HSL 185, 0.21%, 0.56%

LAB 63.71, -13.78, -6.88

 

CMYK 81 / 0 / 38 / 6

HEX #2EEF95

RGB 46 239 149

HSL 152.02, 0.86%, 0.56%

LAB 84.22, -65.52, 30.86

 

CMYK 81 / 0 / 16 / 6

HEX #2EEFC8

RGB 46 239 200

HSL 167.88, 0.86%, 0.56%

LAB 85.24, -54.29, 5.95

 

CMYK 81 / 5 / 0 / 6

HEX #2EE2EF

RGB 46 226 239

HSL 184.04, 0.86%, 0.56%

LAB 82.49, -38.02, -18.69

 

CMYK 81 / 27 / 0 / 6

HEX #2EAEEF

RGB 46 174 239

HSL 200.21, 0.86%, 0.56%

LAB 67.34, -11.96, -42

 

CMYK 81 / 49 / 0 / 6

HEX #2E7BEF

RGB 46 123 239

HSL 216.06, 0.86%, 0.56%

LAB 52.93, 18.01, -64.92

 

CMYK 93 / 7 / 0 / 26

HEX #0EAEBC

RGB 14 174 188

HSL 184.83, 0.86%, 0.4%

LAB 64.96, -31.21, -17.6

 

CMYK 93 / 8 / 0 / 11

HEX #11D1E3

RGB 17 209 227

HSL 185.14, 0.86%, 0.48%

LAB 76.84, -35.43, -20.87

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 65 / 5 / 0 / 5

HEX #54E5F2

RGB 84 229 242

HSL 184.94, 0.86%, 0.64%

LAB 84.14, -34.29, -17.72

 

CMYK 50 / 4 / 0 / 4

HEX #7BEAF5

RGB 123 234 245

HSL 185.41, 0.86%, 0.72%

LAB 86.82, -28.91, -15.15

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 59 / 81 / 0 / 6

HEX #612EEF

RGB 97 46 239

HSL 255.85, 0.86%, 0.56%

LAB 39.12, 67.01, -87.37

 

CMYK 0 / 27 / 81 / 6

HEX #EFAE2E

RGB 239 174 46

HSL 39.79, 0.86%, 0.56%

LAB 75.34, 13.2, 69.38

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 0 / 81 / 5 / 6

HEX #EF2EE2

RGB 239 46 226

HSL 304.04, 0.86%, 0.56%

LAB 57.84, 86.15, -48.75

 

CMYK 5 / 0 / 81 / 6

HEX #E2EF2E

RGB 226 239 46

HSL 64.04, 0.86%, 0.56%

LAB 90.83, -25.14, 82.39

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 59 / 81 / 0 / 6

HEX #612EEF

RGB 97 46 239

HSL 255.85, 0.86%, 0.56%

LAB 39.12, 67.01, -87.37

 

CMYK 0 / 75 / 81 / 6

HEX #EF3B2E

RGB 239 59 46

HSL 4.04, 0.86%, 0.56%

LAB 53.68, 66.87, 49.57

 

CMYK 22 / 0 / 81 / 6

HEX #BBEF2E

RGB 187 239 46

HSL 76.17, 0.86%, 0.56%

LAB 88.21, -40.61, 79.1

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 35 / 81 / 0 / 6

HEX #9B2EEF

RGB 155 46 239

HSL 273.89, 0.86%, 0.56%

LAB 45.85, 74.14, -76.07

 

CMYK 0 / 75 / 81 / 6

HEX #EF3B2E

RGB 239 59 46

HSL 4.04, 0.86%, 0.56%

LAB 53.68, 66.87, 49.57

 

CMYK 46 / 0 / 81 / 6

HEX #81EF2E

RGB 129 239 46

HSL 94.2, 0.86%, 0.56%

LAB 85.3, -60.66, 75.4

 

Description

Color code: HEX #2EDFEF | qconv.com Color code: HEX #2EDFEF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 223 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 223 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 7 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 7% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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