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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ED636 it is the complementary color #D129C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ED636. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ED636 shade: #33D631, #44E844, #55FA57, #66FF6A and #77FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ED636. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ED636 shade: #2ED636, #1DC423, #0CB210, #00A000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ED636 shade: #2ED536, #53D52E, #80D52E, #ADD52E and #D5D02E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ED636 shade: #2ED536, #2ED563, #2ED590, #2ED5BD and #2EC0D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ED636 shade matches the following richer shades: #2ED536, #1AE924 and #05FE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ED636 shade: #2ED536, #42C148, #56AD5A, #6A996D and #7F847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ED636 shade: #82D52E, #55D52E, #2ED533, #2ED560 and #2ED58D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ED636 shade: #1D9422, #24B62B, #2ED536, #50DC57 and #73E378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ED636 shade: #2ED636, #2EAED5 and #D52E6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ED636 shade: #2ED636, #332ED5 and #D5332E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ED636 shade: #2ED636, #2EAED5, #D52ED0 and #D5552E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ED636 shade: #2ED636, #2E7CD5, #D52ED0 and #D5872E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 75 / 16

HEX #2ED636

RGB 46 214 54

HSL 122.86, 0.67%, 0.51%

LAB 75.41, -70.12, 62.87

 

Complementary color

CMYK 0 / 80 / 4 / 18

HEX #D129C9

RGB 209 41 201

HSL 302.86, 0.67%, 0.49%

LAB 51.1, 77.9, -45.5

 

CMYK 76 / 0 / 77 / 16

HEX #33D631

RGB 51 214 49

HSL 119.27, 0.67%, 0.52%

LAB 75.46, -69.8, 64.55

 

CMYK 71 / 0 / 71 / 9

HEX #44E844

RGB 68 232 68

HSL 120, 0.78%, 0.59%

LAB 81.49, -71.35, 64.28

 

CMYK 66 / 0 / 65 / 2

HEX #55FA57

RGB 85 250 87

HSL 120.73, 0.94%, 0.66%

LAB 87.48, -72.43, 63.54

 

CMYK 60 / 0 / 58 / 0

HEX #66FF6A

RGB 102 255 106

HSL 121.57, 1%, 0.7%

LAB 89.57, -68.73, 58.14

 

CMYK 53 / 0 / 51 / 0

HEX #77FF7D

RGB 119 255 125

HSL 122.65, 1%, 0.73%

LAB 90.29, -62.55, 50.6

 

CMYK 79 / 0 / 75 / 16

HEX #2ED636

RGB 46 214 54

HSL 122.86, 0.67%, 0.51%

LAB 75.41, -70.12, 62.87

 

CMYK 85 / 0 / 82 / 23

HEX #1DC423

RGB 29 196 35

HSL 122.16, 0.74%, 0.44%

LAB 69.37, -67.88, 62.73

 

CMYK 93 / 0 / 91 / 30

HEX #0CB210

RGB 12 178 16

HSL 121.45, 0.87%, 0.37%

LAB 63.31, -64.81, 61.46

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 78 / 0 / 75 / 16

HEX #2ED536

RGB 46 213 54

HSL 122.87, 0.67%, 0.51%

LAB 75.1, -69.82, 62.55

 

CMYK 61 / 0 / 78 / 16

HEX #53D52E

RGB 83 213 46

HSL 106.71, 0.67%, 0.51%

LAB 75.84, -63.74, 66.06

 

CMYK 40 / 0 / 78 / 16

HEX #80D52E

RGB 128 213 46

HSL 90.54, 0.67%, 0.51%

LAB 77.5, -50.94, 68.22

 

CMYK 19 / 0 / 78 / 16

HEX #ADD52E

RGB 173 213 46

HSL 74.37, 0.67%, 0.51%

LAB 79.99, -34.38, 71.42

 

CMYK 0 / 2 / 78 / 16

HEX #D5D02E

RGB 213 208 46

HSL 58.2, 0.67%, 0.51%

LAB 81.54, -15.5, 73.91

 

CMYK 78 / 0 / 75 / 16

HEX #2ED536

RGB 46 213 54

HSL 122.87, 0.67%, 0.51%

LAB 75.1, -69.82, 62.55

 

CMYK 78 / 0 / 54 / 16

HEX #2ED563

RGB 46 213 99

HSL 139.04, 0.67%, 0.51%

LAB 75.49, -64.99, 44.36

 

CMYK 78 / 0 / 32 / 16

HEX #2ED590

RGB 46 213 144

HSL 155.21, 0.67%, 0.51%

LAB 76.18, -57.07, 22.59

 

CMYK 78 / 0 / 11 / 16

HEX #2ED5BD

RGB 46 213 189

HSL 171.38, 0.67%, 0.51%

LAB 77.19, -46.36, 0.09

 

CMYK 78 / 10 / 0 / 16

HEX #2EC0D5

RGB 46 192 213

HSL 187.54, 0.67%, 0.51%

LAB 71.61, -29.85, -21.21

 

CMYK 78 / 0 / 75 / 16

HEX #2ED536

RGB 46 213 54

HSL 122.87, 0.67%, 0.51%

LAB 75.1, -69.82, 62.55

 

CMYK 89 / 0 / 85 / 9

HEX #1AE924

RGB 26 233 36

HSL 122.9, 0.82%, 0.51%

LAB 81.08, -78.48, 73.1

 

CMYK 98 / 0 / 93 / 0

HEX #05FE11

RGB 5 254 17

HSL 122.89, 0.99%, 0.51%

LAB 87.46, -85.53, 81.57

 

CMYK 78 / 0 / 75 / 16

HEX #2ED536

RGB 46 213 54

HSL 122.87, 0.67%, 0.51%

LAB 75.1, -69.82, 62.55

 

CMYK 66 / 0 / 63 / 24

HEX #42C148

RGB 66 193 72

HSL 122.83, 0.51%, 0.51%

LAB 69.3, -58.44, 49.56

 

CMYK 50 / 0 / 48 / 32

HEX #56AD5A

RGB 86 173 90

HSL 122.76, 0.35%, 0.51%

LAB 63.84, -43.66, 34.64

 

CMYK 31 / 0 / 29 / 40

HEX #6A996D

RGB 106 153 109

HSL 123.83, 0.19%, 0.51%

LAB 58.93, -25.1, 18.19

 

CMYK 4 / 0 / 4 / 48

HEX #7F847F

RGB 127 132 127

HSL 120, 0.02%, 0.51%

LAB 54.6, -2.85, 2.05

 

CMYK 39 / 0 / 78 / 16

HEX #82D52E

RGB 130 213 46

HSL 89.82, 0.67%, 0.51%

LAB 77.6, -50.27, 68.34

 

CMYK 60 / 0 / 78 / 16

HEX #55D52E

RGB 85 213 46

HSL 105.99, 0.67%, 0.51%

LAB 75.9, -63.27, 66.14

 

CMYK 78 / 0 / 76 / 16

HEX #2ED533

RGB 46 213 51

HSL 121.8, 0.67%, 0.51%

LAB 75.08, -70.03, 63.52

 

CMYK 78 / 0 / 55 / 16

HEX #2ED560

RGB 46 213 96

HSL 137.96, 0.67%, 0.51%

LAB 75.46, -65.41, 45.73

 

CMYK 78 / 0 / 34 / 16

HEX #2ED58D

RGB 46 213 141

HSL 154.13, 0.67%, 0.51%

LAB 76.13, -57.69, 24.09

 

CMYK 80 / 0 / 77 / 42

HEX #1D9422

RGB 29 148 34

HSL 122.52, 0.67%, 0.35%

LAB 53.55, -53.32, 47.95

 

CMYK 80 / 0 / 76 / 29

HEX #24B62B

RGB 36 182 43

HSL 122.88, 0.67%, 0.43%

LAB 64.97, -62.44, 56.16

 

CMYK 78 / 0 / 75 / 16

HEX #2ED536

RGB 46 213 54

HSL 122.87, 0.67%, 0.51%

LAB 75.1, -69.82, 62.55

 

CMYK 64 / 0 / 60 / 14

HEX #50DC57

RGB 80 220 87

HSL 123, 0.67%, 0.59%

LAB 78.22, -63.34, 53.2

 

CMYK 49 / 0 / 47 / 11

HEX #73E378

RGB 115 227 120

HSL 122.68, 0.67%, 0.67%

LAB 81.81, -53.46, 42.45

 

CMYK 79 / 0 / 75 / 16

HEX #2ED636

RGB 46 214 54

HSL 122.86, 0.67%, 0.51%

LAB 75.41, -70.12, 62.87

 

CMYK 78 / 18 / 0 / 16

HEX #2EAED5

RGB 46 174 213

HSL 194.01, 0.67%, 0.51%

LAB 66.26, -20.79, -29.42

 

CMYK 0 / 78 / 50 / 16

HEX #D52E6B

RGB 213 46 107

HSL 338.08, 0.67%, 0.51%

LAB 48.46, 66.58, 6.52

 

CMYK 79 / 0 / 75 / 16

HEX #2ED636

RGB 46 214 54

HSL 122.86, 0.67%, 0.51%

LAB 75.41, -70.12, 62.87

 

CMYK 76 / 78 / 0 / 16

HEX #332ED5

RGB 51 46 213

HSL 241.8, 0.67%, 0.51%

LAB 32.84, 55.76, -83.01

 

CMYK 0 / 76 / 78 / 16

HEX #D5332E

RGB 213 51 46

HSL 1.8, 0.67%, 0.51%

LAB 47.89, 61.66, 42.18

 

CMYK 79 / 0 / 75 / 16

HEX #2ED636

RGB 46 214 54

HSL 122.86, 0.67%, 0.51%

LAB 75.41, -70.12, 62.87

 

CMYK 78 / 18 / 0 / 16

HEX #2EAED5

RGB 46 174 213

HSL 194.01, 0.67%, 0.51%

LAB 66.26, -20.79, -29.42

 

CMYK 0 / 78 / 2 / 16

HEX #D52ED0

RGB 213 46 208

HSL 301.8, 0.67%, 0.51%

LAB 52.57, 78.52, -47.16

 

CMYK 0 / 60 / 78 / 16

HEX #D5552E

RGB 213 85 46

HSL 14.01, 0.67%, 0.51%

LAB 52.77, 48.41, 47.13

 

CMYK 79 / 0 / 75 / 16

HEX #2ED636

RGB 46 214 54

HSL 122.86, 0.67%, 0.51%

LAB 75.41, -70.12, 62.87

 

CMYK 78 / 42 / 0 / 16

HEX #2E7CD5

RGB 46 124 213

HSL 211.98, 0.67%, 0.51%

LAB 51.61, 7.67, -52.43

 

CMYK 0 / 78 / 2 / 16

HEX #D52ED0

RGB 213 46 208

HSL 301.8, 0.67%, 0.51%

LAB 52.57, 78.52, -47.16

 

CMYK 0 / 37 / 78 / 16

HEX #D5872E

RGB 213 135 46

HSL 31.98, 0.67%, 0.51%

LAB 63.07, 22.93, 57.1

 

Description

Color code: HEX #2ED636 | qconv.com Color code: HEX #2ED636 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 214 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 214 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 75 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 75% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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