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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ECBCB it is the complementary color #D13434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ECBCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ECBCB shade: #33CBC6, #44DDD9, #55EFEC, #66FFFF and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ECBCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ECBCB shade: #2ECBCB, #1DB9B8, #0CA7A5, #009592 and #00837F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ECBCB shade: #2ECBCB, #2ECBA1, #2ECB76, #2ECB4C and #3ACB2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ECBCB shade: #2ECBCB, #2EA1CB, #2E76CB, #2E4CCB and #2E2ECB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ECBCB shade matches the following richer shades: #2ECBCB, #1ADFDF and #05F4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ECBCB shade: #2ECBCB, #42B7B7, #56A3A3, #6A8F8F and #7F7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ECBCB shade: #2ECB77, #2ECBA1, #2ECBCB, #2EA1CB and #2E77CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ECBCB shade: #1E8888, #26AAAA, #2ECBCB, #4CD6D6 and #6EDEDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ECBCB shade: #2ECBCB, #4D2ECB and #CB8C2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ECBCB shade: #2ECBCB, #CB2ECB and #CBCB2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ECBCB shade: #2ECBCB, #4D2ECB, #CB2E2E and #ACCB2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ECBCB shade: #2ECBCB, #7C2ECB, #CB2E2E and #7CCB2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

Complementary color

CMYK 0 / 75 / 75 / 18

HEX #D13434

RGB 209 52 52

HSL 0, 0.63%, 0.51%

LAB 47.31, 60.36, 38

 

CMYK 75 / 0 / 2 / 20

HEX #33CBC6

RGB 51 203 198

HSL 178.03, 0.6%, 0.5%

LAB 74.5, -38.99, -8.71

 

CMYK 69 / 0 / 2 / 13

HEX #44DDD9

RGB 68 221 217

HSL 178.43, 0.69%, 0.57%

LAB 80.71, -39.79, -9.64

 

CMYK 64 / 0 / 1 / 6

HEX #55EFEC

RGB 85 239 236

HSL 178.83, 0.83%, 0.64%

LAB 86.86, -40.4, -10.49

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 84 / 0 / 1 / 27

HEX #1DB9B8

RGB 29 185 184

HSL 179.62, 0.73%, 0.42%

LAB 68.33, -36.81, -10.3

 

CMYK 93 / 0 / 1 / 35

HEX #0CA7A5

RGB 12 167 165

HSL 179.23, 0.87%, 0.35%

LAB 62.03, -35.19, -9.16

 

CMYK 100 / 0 / 2 / 42

HEX #009592

RGB 0 149 146

HSL 178.79, 1%, 0.29%

LAB 55.65, -33.15, -7.89

 

CMYK 100 / 0 / 3 / 49

HEX #00837F

RGB 0 131 127

HSL 178.17, 1%, 0.26%

LAB 49.21, -30.61, -6.47

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 77 / 0 / 21 / 20

HEX #2ECBA1

RGB 46 203 161

HSL 163.95, 0.63%, 0.49%

LAB 73.46, -49.32, 9.76

 

CMYK 77 / 0 / 42 / 20

HEX #2ECB76

RGB 46 203 118

HSL 147.52, 0.63%, 0.49%

LAB 72.63, -58.48, 31.34

 

CMYK 77 / 0 / 63 / 20

HEX #2ECB4C

RGB 46 203 76

HSL 131.46, 0.63%, 0.49%

LAB 72.1, -64.67, 50.86

 

CMYK 71 / 0 / 77 / 20

HEX #3ACB2E

RGB 58 203 46

HSL 115.41, 0.63%, 0.49%

LAB 72.1, -65.51, 62.28

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 77 / 21 / 0 / 20

HEX #2EA1CB

RGB 46 161 203

HSL 196.05, 0.63%, 0.49%

LAB 61.98, -17.27, -30.48

 

CMYK 77 / 42 / 0 / 20

HEX #2E76CB

RGB 46 118 203

HSL 212.48, 0.63%, 0.49%

LAB 49.31, 7.64, -50.42

 

CMYK 77 / 63 / 0 / 20

HEX #2E4CCB

RGB 46 76 203

HSL 228.54, 0.63%, 0.49%

LAB 37.95, 34.55, -68.8

 

CMYK 77 / 77 / 0 / 20

HEX #2E2ECB

RGB 46 46 203

HSL 240, 0.63%, 0.49%

LAB 31.46, 52.29, -79.5

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 88 / 0 / 0 / 13

HEX #1ADFDF

RGB 26 223 223

HSL 180, 0.79%, 0.49%

LAB 80.92, -42.64, -12.58

 

CMYK 98 / 0 / 0 / 4

HEX #05F4F4

RGB 5 244 244

HSL 180, 0.96%, 0.49%

LAB 87.61, -46.4, -13.65

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 64 / 0 / 0 / 28

HEX #42B7B7

RGB 66 183 183

HSL 180, 0.47%, 0.49%

LAB 68.35, -31.95, -9.65

 

CMYK 47 / 0 / 0 / 36

HEX #56A3A3

RGB 86 163 163

HSL 180, 0.31%, 0.49%

LAB 62.35, -23.71, -7.38

 

CMYK 26 / 0 / 0 / 44

HEX #6A8F8F

RGB 106 143 143

HSL 180, 0.15%, 0.49%

LAB 56.77, -12.74, -4.18

 

CMYK 0 / 4 / 4 / 50

HEX #7F7A7A

RGB 127 122 122

HSL 0, 0.02%, 0.49%

LAB 51.65, 1.9, 0.67

 

CMYK 77 / 0 / 41 / 20

HEX #2ECB77

RGB 46 203 119

HSL 147.9, 0.63%, 0.49%

LAB 72.64, -58.29, 30.85

 

CMYK 77 / 0 / 21 / 20

HEX #2ECBA1

RGB 46 203 161

HSL 163.95, 0.63%, 0.49%

LAB 73.46, -49.32, 9.76

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 77 / 21 / 0 / 20

HEX #2EA1CB

RGB 46 161 203

HSL 196.05, 0.63%, 0.49%

LAB 61.98, -17.27, -30.48

 

CMYK 77 / 41 / 0 / 20

HEX #2E77CB

RGB 46 119 203

HSL 212.1, 0.63%, 0.49%

LAB 49.6, 7.02, -49.96

 

CMYK 78 / 0 / 0 / 47

HEX #1E8888

RGB 30 136 136

HSL 180, 0.64%, 0.33%

LAB 51.45, -28.05, -8.35

 

CMYK 78 / 0 / 0 / 33

HEX #26AAAA

RGB 38 170 170

HSL 180, 0.63%, 0.41%

LAB 63.4, -33.24, -9.89

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 64 / 0 / 0 / 16

HEX #4CD6D6

RGB 76 214 214

HSL 180, 0.63%, 0.57%

LAB 78.74, -36.31, -10.95

 

CMYK 50 / 0 / 0 / 13

HEX #6EDEDE

RGB 110 222 222

HSL 180, 0.63%, 0.65%

LAB 82.29, -31.84, -9.83

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 62 / 77 / 0 / 20

HEX #4D2ECB

RGB 77 46 203

HSL 251.85, 0.63%, 0.49%

LAB 33.65, 55.07, -75.8

 

CMYK 0 / 31 / 77 / 20

HEX #CB8C2E

RGB 203 140 46

HSL 35.92, 0.63%, 0.49%

LAB 63.05, 15.92, 56.66

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 0 / 77 / 0 / 20

HEX #CB2ECB

RGB 203 46 203

HSL 300, 0.63%, 0.49%

LAB 50.64, 75.79, -47.45

 

CMYK 0 / 0 / 77 / 20

HEX #CBCB2E

RGB 203 203 46

HSL 60, 0.63%, 0.49%

LAB 79.39, -17.24, 71.69

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 62 / 77 / 0 / 20

HEX #4D2ECB

RGB 77 46 203

HSL 251.85, 0.63%, 0.49%

LAB 33.65, 55.07, -75.8

 

CMYK 0 / 77 / 77 / 20

HEX #CB2E2E

RGB 203 46 46

HSL 0, 0.63%, 0.49%

LAB 45.42, 60.22, 39.01

 

CMYK 15 / 0 / 77 / 20

HEX #ACCB2E

RGB 172 203 46

HSL 71.85, 0.63%, 0.49%

LAB 77.09, -30.14, 68.75

 

CMYK 77 / 0 / 0 / 20

HEX #2ECBCB

RGB 46 203 203

HSL 180, 0.63%, 0.49%

LAB 74.57, -38.06, -11.31

 

CMYK 39 / 77 / 0 / 20

HEX #7C2ECB

RGB 124 46 203

HSL 269.81, 0.63%, 0.49%

LAB 38.81, 61.47, -67.13

 

CMYK 0 / 77 / 77 / 20

HEX #CB2E2E

RGB 203 46 46

HSL 0, 0.63%, 0.49%

LAB 45.42, 60.22, 39.01

 

CMYK 39 / 0 / 77 / 20

HEX #7CCB2E

RGB 124 203 46

HSL 90.19, 0.63%, 0.49%

LAB 74.31, -48.24, 65.16

 

Description

Color code: HEX #2ECBCB | qconv.com Color code: HEX #2ECBCB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 203 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 203 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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