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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EB4E4 it is the complementary color #D14B1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EB4E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EB4E4 shade: #33B4DF, #44C6F2, #55D8FF, #66EAFF and #77FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EB4E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EB4E4 shade: #2EB4E4, #1DA2D1, #0C90BE, #007EAB and #006C98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EB4E4 shade: #2FB4E4, #2F83E4, #2F52E4, #3C2FE4 and #6D2FE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EB4E4 shade: #2FB4E4, #2F83E4, #2F52E4 and #2F2FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EB4E4 shade matches the following richer shades: #2FB4E4 and #1CBDF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EB4E4 shade: #2FB4E4, #42ABD1, #55A2BE, #6899AB and #7B9098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EB4E4 shade: #2FE4B0, #2FE4E1, #2FB6E4, #2F86E4 and #2F56E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EB4E4 shade: #1683AA, #1A9FCF, #2FB4E4, #53C1E8 and #78CEED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EB4E4 shade: #2EB4E4, #802FE4 and #E4C82F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EB4E4 shade: #2EB4E4, #E42FB6 and #B6E42F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EB4E4 shade: #2EB4E4, #802FE4, #E45C2F and #92E42F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EB4E4 shade: #2EB4E4, #B62FE4, #E45C2F and #5CE42F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 21 / 0 / 11

HEX #2EB4E4

RGB 46 180 228

HSL 195.82, 0.77%, 0.54%

LAB 68.62, -18.92, -33.99

 

Complementary color

CMYK 0 / 64 / 87 / 18

HEX #D14B1B

RGB 209 75 27

HSL 15.82, 0.77%, 0.46%

LAB 50.29, 50.89, 53.16

 

CMYK 77 / 19 / 0 / 13

HEX #33B4DF

RGB 51 180 223

HSL 195, 0.73%, 0.54%

LAB 68.51, -20.09, -31.42

 

CMYK 72 / 18 / 0 / 5

HEX #44C6F2

RGB 68 198 242

HSL 195.17, 0.87%, 0.61%

LAB 74.84, -21.28, -31.93

 

CMYK 67 / 15 / 0 / 0

HEX #55D8FF

RGB 85 216 255

HSL 193.76, 1%, 0.67%

LAB 80.88, -24.04, -29.55

 

CMYK 60 / 8 / 0 / 0

HEX #66EAFF

RGB 102 234 255

HSL 188.24, 1%, 0.7%

LAB 86.45, -30.17, -21.03

 

CMYK 53 / 1 / 0 / 0

HEX #77FCFF

RGB 119 252 255

HSL 181.32, 1%, 0.73%

LAB 92.03, -35.6, -12.59

 

CMYK 80 / 21 / 0 / 11

HEX #2EB4E4

RGB 46 180 228

HSL 195.82, 0.77%, 0.54%

LAB 68.62, -18.92, -33.99

 

CMYK 86 / 22 / 0 / 18

HEX #1DA2D1

RGB 29 162 209

HSL 195.67, 0.76%, 0.47%

LAB 62.26, -17.24, -33.42

 

CMYK 94 / 24 / 0 / 25

HEX #0C90BE

RGB 12 144 190

HSL 195.51, 0.88%, 0.4%

LAB 55.83, -15.12, -32.76

 

CMYK 100 / 26 / 0 / 33

HEX #007EAB

RGB 0 126 171

HSL 195.79, 1%, 0.34%

LAB 49.33, -12.52, -32.02

 

CMYK 100 / 29 / 0 / 40

HEX #006C98

RGB 0 108 152

HSL 197.37, 1%, 0.3%

LAB 42.75, -9.35, -31.16

 

CMYK 79 / 21 / 0 / 11

HEX #2FB4E4

RGB 47 180 228

HSL 195.91, 0.77%, 0.54%

LAB 68.64, -18.83, -33.96

 

CMYK 79 / 43 / 0 / 11

HEX #2F83E4

RGB 47 131 228

HSL 212.15, 0.77%, 0.54%

LAB 54.49, 9.06, -56.27

 

CMYK 79 / 64 / 0 / 11

HEX #2F52E4

RGB 47 82 228

HSL 228.4, 0.77%, 0.54%

LAB 41.6, 39.9, -77.17

 

CMYK 74 / 79 / 0 / 11

HEX #3C2FE4

RGB 60 47 228

HSL 244.31, 0.77%, 0.54%

LAB 35.19, 60.41, -87.71

 

CMYK 52 / 79 / 0 / 11

HEX #6D2FE4

RGB 109 47 228

HSL 260.55, 0.77%, 0.54%

LAB 39.39, 65.09, -80.64

 

CMYK 79 / 21 / 0 / 11

HEX #2FB4E4

RGB 47 180 228

HSL 195.91, 0.77%, 0.54%

LAB 68.64, -18.83, -33.96

 

CMYK 79 / 43 / 0 / 11

HEX #2F83E4

RGB 47 131 228

HSL 212.15, 0.77%, 0.54%

LAB 54.49, 9.06, -56.27

 

CMYK 79 / 64 / 0 / 11

HEX #2F52E4

RGB 47 82 228

HSL 228.4, 0.77%, 0.54%

LAB 41.6, 39.9, -77.17

 

CMYK 79 / 79 / 0 / 11

HEX #2F2FE4

RGB 47 47 228

HSL 240, 0.77%, 0.54%

LAB 34.48, 59.61, -88.92

 

CMYK 79 / 21 / 0 / 11

HEX #2FB4E4

RGB 47 180 228

HSL 195.91, 0.77%, 0.54%

LAB 68.64, -18.83, -33.96

 

CMYK 89 / 23 / 0 / 3

HEX #1CBDF7

RGB 28 189 247

HSL 195.89, 0.93%, 0.54%

LAB 71.8, -18.47, -39.4

 

CMYK 79 / 21 / 0 / 11

HEX #2FB4E4

RGB 47 180 228

HSL 195.91, 0.77%, 0.54%

LAB 68.64, -18.83, -33.96

 

CMYK 68 / 18 / 0 / 18

HEX #42ABD1

RGB 66 171 209

HSL 195.94, 0.61%, 0.54%

LAB 65.66, -18.04, -28.09

 

CMYK 55 / 15 / 0 / 25

HEX #55A2BE

RGB 85 162 190

HSL 196, 0.45%, 0.54%

LAB 62.92, -15.76, -21.68

 

CMYK 39 / 11 / 0 / 33

HEX #6899AB

RGB 104 153 171

HSL 196.12, 0.29%, 0.54%

LAB 60.49, -11.68, -14.6

 

CMYK 19 / 5 / 0 / 40

HEX #7B9098

RGB 123 144 152

HSL 196.55, 0.12%, 0.54%

LAB 58.44, -5.66, -6.75

 

CMYK 79 / 0 / 23 / 11

HEX #2FE4B0

RGB 47 228 176

HSL 162.76, 0.77%, 0.54%

LAB 81.42, -55.63, 13.07

 

CMYK 79 / 0 / 1 / 11

HEX #2FE4E1

RGB 47 228 225

HSL 179.01, 0.77%, 0.54%

LAB 82.66, -42.9, -11.02

 

CMYK 79 / 20 / 0 / 11

HEX #2FB6E4

RGB 47 182 228

HSL 195.25, 0.77%, 0.54%

LAB 69.23, -19.87, -33.05

 

CMYK 79 / 41 / 0 / 11

HEX #2F86E4

RGB 47 134 228

HSL 211.16, 0.77%, 0.54%

LAB 55.34, 7.23, -54.92

 

CMYK 79 / 62 / 0 / 11

HEX #2F56E4

RGB 47 86 228

HSL 227.07, 0.77%, 0.54%

LAB 42.55, 37.4, -75.6

 

CMYK 87 / 23 / 0 / 33

HEX #1683AA

RGB 22 131 170

HSL 195.81, 0.77%, 0.38%

LAB 51.04, -14.62, -28.75

 

CMYK 87 / 23 / 0 / 19

HEX #1A9FCF

RGB 26 159 207

HSL 195.91, 0.78%, 0.46%

LAB 61.24, -16.52, -33.89

 

CMYK 79 / 21 / 0 / 11

HEX #2FB4E4

RGB 47 180 228

HSL 195.91, 0.77%, 0.54%

LAB 68.64, -18.83, -33.96

 

CMYK 64 / 17 / 0 / 9

HEX #53C1E8

RGB 83 193 232

HSL 195.7, 0.76%, 0.62%

LAB 73.42, -19.68, -28.69

 

CMYK 49 / 13 / 0 / 7

HEX #78CEED

RGB 120 206 237

HSL 195.9, 0.76%, 0.7%

LAB 78.61, -17.8, -23.33

 

CMYK 80 / 21 / 0 / 11

HEX #2EB4E4

RGB 46 180 228

HSL 195.82, 0.77%, 0.54%

LAB 68.62, -18.92, -33.99

 

CMYK 44 / 79 / 0 / 11

HEX #802FE4

RGB 128 47 228

HSL 266.85, 0.77%, 0.54%

LAB 41.57, 67.54, -76.98

 

CMYK 0 / 12 / 79 / 11

HEX #E4C82F

RGB 228 200 47

HSL 50.72, 0.77%, 0.54%

LAB 80.74, -5.03, 73.41

 

CMYK 80 / 21 / 0 / 11

HEX #2EB4E4

RGB 46 180 228

HSL 195.82, 0.77%, 0.54%

LAB 68.62, -18.92, -33.99

 

CMYK 0 / 79 / 20 / 11

HEX #E42FB6

RGB 228 47 182

HSL 315.25, 0.77%, 0.54%

LAB 53.93, 77.78, -29.83

 

CMYK 20 / 0 / 79 / 11

HEX #B6E42F

RGB 182 228 47

HSL 75.25, 0.77%, 0.54%

LAB 84.81, -37.61, 75.7

 

CMYK 80 / 21 / 0 / 11

HEX #2EB4E4

RGB 46 180 228

HSL 195.82, 0.77%, 0.54%

LAB 68.62, -18.92, -33.99

 

CMYK 44 / 79 / 0 / 11

HEX #802FE4

RGB 128 47 228

HSL 266.85, 0.77%, 0.54%

LAB 41.57, 67.54, -76.98

 

CMYK 0 / 60 / 79 / 11

HEX #E45C2F

RGB 228 92 47

HSL 14.92, 0.77%, 0.54%

LAB 56.44, 50.64, 51.08

 

CMYK 36 / 0 / 79 / 11

HEX #92E42F

RGB 146 228 47

HSL 87.18, 0.77%, 0.54%

LAB 82.81, -50.86, 73.14

 

CMYK 80 / 21 / 0 / 11

HEX #2EB4E4

RGB 46 180 228

HSL 195.82, 0.77%, 0.54%

LAB 68.62, -18.92, -33.99

 

CMYK 20 / 79 / 0 / 11

HEX #B62FE4

RGB 182 47 228

HSL 284.75, 0.77%, 0.54%

LAB 48.98, 75.92, -64.58

 

CMYK 0 / 60 / 79 / 11

HEX #E45C2F

RGB 228 92 47

HSL 14.92, 0.77%, 0.54%

LAB 56.44, 50.64, 51.08

 

CMYK 60 / 0 / 79 / 11

HEX #5CE42F

RGB 92 228 47

HSL 105.08, 0.77%, 0.54%

LAB 80.72, -66.65, 70.46

 

Description

Color code: HEX #2EB4E4 | qconv.com Color code: HEX #2EB4E4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 180 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 180 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 21 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 21% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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