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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EAD3E it is the complementary color #D152C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EAD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EAD3E shade: #33AD39, #44BF4C, #55D15F, #66E372 and #77F585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EAD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EAD3E shade: #2EAD3E, #1D9B2B, #0C8918, #007705 and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EAD3E shade: #2EAD3E, #40AD2E, #62AD2E, #84AD2E and #A7AD2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EAD3E shade: #2EAD3E, #2EAD60, #2EAD82, #2EADA4 and #2E93AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EAD3E shade matches the following richer shades: #2EAD3E, #1CBE30 and #0AD023

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EAD3E shade: #2EAD3E, #3F9B4B, #518958, #637865 and #756673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EAD3E shade: #63AD2E, #41AD2E, #2EAD3C, #2EAD5E and #2EAD80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EAD3E shade: #1C6C26, #258C32, #2EAD3E, #39CA4C and #5AD369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EAD3E shade: #2EAD3E, #2E84AD and #AD2E52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EAD3E shade: #2EAD3E, #3C2EAD and #AD3C2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EAD3E shade: #2EAD3E, #2E84AD, #AD2E9E and #AD562E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EAD3E shade: #2EAD3E, #2E5EAD, #AD2E9E and #AD7C2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

Complementary color

CMYK 0 / 61 / 8 / 18

HEX #D152C1

RGB 209 82 193

HSL 307.56, 0.58%, 0.57%

LAB 55.52, 63.06, -33.94

 

CMYK 71 / 0 / 67 / 32

HEX #33AD39

RGB 51 173 57

HSL 122.95, 0.54%, 0.44%

LAB 62.41, -56.01, 48.28

 

CMYK 64 / 0 / 60 / 25

HEX #44BF4C

RGB 68 191 76

HSL 123.9, 0.49%, 0.51%

LAB 68.76, -56.87, 47.18

 

CMYK 59 / 0 / 55 / 18

HEX #55D15F

RGB 85 209 95

HSL 124.84, 0.57%, 0.58%

LAB 75.05, -57.36, 45.91

 

CMYK 55 / 0 / 50 / 11

HEX #66E372

RGB 102 227 114

HSL 125.76, 0.69%, 0.65%

LAB 81.28, -57.59, 44.59

 

CMYK 51 / 0 / 46 / 4

HEX #77F585

RGB 119 245 133

HSL 126.67, 0.86%, 0.71%

LAB 87.45, -57.66, 43.29

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 81 / 0 / 72 / 39

HEX #1D9B2B

RGB 29 155 43

HSL 126.67, 0.68%, 0.36%

LAB 55.97, -54.82, 47.02

 

CMYK 91 / 0 / 82 / 46

HEX #0C8918

RGB 12 137 24

HSL 125.76, 0.84%, 0.29%

LAB 49.54, -52.41, 47.31

 

CMYK 100 / 0 / 96 / 53

HEX #007705

RGB 0 119 5

HSL 122.52, 1%, 0.23%

LAB 43.07, -48.85, 46.21

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 63 / 0 / 73 / 32

HEX #40AD2E

RGB 64 173 46

HSL 111.5, 0.58%, 0.43%

LAB 62.65, -54.3, 52.99

 

CMYK 43 / 0 / 73 / 32

HEX #62AD2E

RGB 98 173 46

HSL 95.43, 0.58%, 0.43%

LAB 63.9, -44.68, 54.65

 

CMYK 24 / 0 / 73 / 32

HEX #84AD2E

RGB 132 173 46

HSL 79.37, 0.58%, 0.43%

LAB 65.74, -32.18, 57.08

 

CMYK 3 / 0 / 73 / 32

HEX #A7AD2E

RGB 167 173 46

HSL 62.83, 0.58%, 0.43%

LAB 68.24, -17.56, 60.36

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 73 / 0 / 45 / 32

HEX #2EAD60

RGB 46 173 96

HSL 143.62, 0.58%, 0.43%

LAB 62.77, -51.43, 29.94

 

CMYK 73 / 0 / 25 / 32

HEX #2EAD82

RGB 46 173 130

HSL 159.69, 0.58%, 0.43%

LAB 63.41, -44.39, 12.43

 

CMYK 73 / 0 / 5 / 32

HEX #2EADA4

RGB 46 173 164

HSL 175.75, 0.58%, 0.43%

LAB 64.28, -35.5, -5.21

 

CMYK 73 / 15 / 0 / 32

HEX #2E93AD

RGB 46 147 173

HSL 192.28, 0.58%, 0.43%

LAB 56.55, -19.84, -21.93

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 85 / 0 / 75 / 25

HEX #1CBE30

RGB 28 190 48

HSL 127.41, 0.74%, 0.43%

LAB 67.49, -65.36, 56.93

 

CMYK 95 / 0 / 83 / 18

HEX #0AD023

RGB 10 208 35

HSL 127.58, 0.91%, 0.43%

LAB 73.09, -72.49, 66.09

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 59 / 0 / 52 / 39

HEX #3F9B4B

RGB 63 155 75

HSL 127.83, 0.42%, 0.43%

LAB 57.08, -44.56, 33.74

 

CMYK 41 / 0 / 36 / 46

HEX #518958

RGB 81 137 88

HSL 127.5, 0.26%, 0.43%

LAB 52.23, -29.39, 20.64

 

CMYK 18 / 0 / 16 / 53

HEX #637865

RGB 99 120 101

HSL 125.71, 0.1%, 0.43%

LAB 48.29, -11.74, 7.9

 

CMYK 0 / 13 / 2 / 54

HEX #756673

RGB 117 102 115

HSL 308, 0.07%, 0.43%

LAB 44.97, 8.47, -5.09

 

CMYK 43 / 0 / 73 / 32

HEX #63AD2E

RGB 99 173 46

HSL 94.96, 0.58%, 0.43%

LAB 63.95, -44.35, 54.71

 

CMYK 62 / 0 / 73 / 32

HEX #41AD2E

RGB 65 173 46

HSL 111.02, 0.58%, 0.43%

LAB 62.68, -54.07, 53.03

 

CMYK 73 / 0 / 65 / 32

HEX #2EAD3C

RGB 46 173 60

HSL 126.61, 0.58%, 0.43%

LAB 62.33, -56.56, 46.89

 

CMYK 73 / 0 / 46 / 32

HEX #2EAD5E

RGB 46 173 94

HSL 142.68, 0.58%, 0.43%

LAB 62.74, -51.78, 30.94

 

CMYK 73 / 0 / 26 / 32

HEX #2EAD80

RGB 46 173 128

HSL 158.74, 0.58%, 0.43%

LAB 63.36, -44.86, 13.47

 

CMYK 74 / 0 / 65 / 58

HEX #1C6C26

RGB 28 108 38

HSL 127.5, 0.59%, 0.27%

LAB 39.77, -39.2, 31.65

 

CMYK 74 / 0 / 64 / 45

HEX #258C32

RGB 37 140 50

HSL 127.57, 0.58%, 0.35%

LAB 51.13, -47.79, 38.82

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 72 / 0 / 62 / 21

HEX #39CA4C

RGB 57 202 76

HSL 127.86, 0.58%, 0.51%

LAB 71.98, -62.71, 50.78

 

CMYK 57 / 0 / 50 / 17

HEX #5AD369

RGB 90 211 105

HSL 127.44, 0.58%, 0.59%

LAB 75.94, -55.61, 42.25

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 73 / 24 / 0 / 32

HEX #2E84AD

RGB 46 132 173

HSL 199.37, 0.58%, 0.43%

LAB 51.95, -11.62, -29.03

 

CMYK 0 / 73 / 53 / 32

HEX #AD2E52

RGB 173 46 82

HSL 342.99, 0.58%, 0.43%

LAB 40.32, 53.29, 9.5

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 65 / 73 / 0 / 32

HEX #3C2EAD

RGB 60 46 173

HSL 246.61, 0.58%, 0.43%

LAB 29.24, 44.02, -65.4

 

CMYK 0 / 65 / 73 / 32

HEX #AD3C2E

RGB 173 60 46

HSL 6.61, 0.58%, 0.43%

LAB 41.71, 45.35, 33.34

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 73 / 24 / 0 / 32

HEX #2E84AD

RGB 46 132 173

HSL 199.37, 0.58%, 0.43%

LAB 51.95, -11.62, -29.03

 

CMYK 0 / 73 / 9 / 32

HEX #AD2E9E

RGB 173 46 158

HSL 307.09, 0.58%, 0.43%

LAB 43.22, 62.43, -33.09

 

CMYK 0 / 50 / 73 / 32

HEX #AD562E

RGB 173 86 46

HSL 18.9, 0.58%, 0.43%

LAB 46.63, 32.59, 38.77

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3E

RGB 46 173 62

HSL 127.56, 0.58%, 0.43%

LAB 62.35, -56.34, 46.03

 

CMYK 73 / 46 / 0 / 32

HEX #2E5EAD

RGB 46 94 173

HSL 217.32, 0.58%, 0.43%

LAB 40.58, 11.56, -47

 

CMYK 0 / 73 / 9 / 32

HEX #AD2E9E

RGB 173 46 158

HSL 307.09, 0.58%, 0.43%

LAB 43.22, 62.43, -33.09

 

CMYK 0 / 28 / 73 / 32

HEX #AD7C2E

RGB 173 124 46

HSL 36.85, 0.58%, 0.43%

LAB 55.58, 11.54, 48.14

 

Description

Color code: HEX #2EAD3E | qconv.com Color code: HEX #2EAD3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 173 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 173 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 64 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 64% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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