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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EA771 it is the complementary color #D1588E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EA771. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EA771 shade: #33A76C, #44B97F, #55CB92, #66DDA5 and #77EFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EA771. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EA771 shade: #2EA771, #1D955E, #0C834B, #007138 and #005F25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EA771 shade: #2EA871, #2EA850, #2EA82F, #4DA82E and #6EA82E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EA771 shade: #2EA871, #2EA892, #2E9CA8, #2E7BA8 and #2E5AA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EA771 shade matches the following richer shades: #2EA871, #1CB973 and #0BCA75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EA771 shade: #2EA871, #3F966F, #50856D, #62746C and #73626A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EA771 shade: #2EA830, #2EA850, #2EA871, #2EA891 and #2E9DA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EA771 shade: #1C6745, #25875B, #2EA871, #37C887 and #57D19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EA771 shade: #2EA771, #2E4CA8 and #A8402E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EA771 shade: #2EA771, #712EA8 and #A8712E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EA771 shade: #2EA771, #2E4CA8, #A82E64 and #A8892E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EA771 shade: #2EA771, #342EA8, #A82E64 and #A2A82E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 32 / 35

HEX #2EA771

RGB 46 167 113

HSL 153.22, 0.57%, 0.42%

LAB 61.14, -45.77, 18.65

 

Complementary color

CMYK 0 / 58 / 32 / 18

HEX #D1588E

RGB 209 88 142

HSL 333.22, 0.57%, 0.58%

LAB 54.54, 53.19, -5.72

 

CMYK 69 / 0 / 35 / 35

HEX #33A76C

RGB 51 167 108

HSL 149.48, 0.53%, 0.43%

LAB 61.15, -46.01, 21.41

 

CMYK 63 / 0 / 31 / 27

HEX #44B97F

RGB 68 185 127

HSL 150.26, 0.46%, 0.5%

LAB 67.62, -46.33, 19.99

 

CMYK 58 / 0 / 28 / 20

HEX #55CB92

RGB 85 203 146

HSL 151.02, 0.53%, 0.56%

LAB 74.01, -46.44, 18.69

 

CMYK 54 / 0 / 25 / 13

HEX #66DDA5

RGB 102 221 165

HSL 151.76, 0.64%, 0.63%

LAB 80.32, -46.43, 17.5

 

CMYK 50 / 0 / 23 / 6

HEX #77EFB8

RGB 119 239 184

HSL 152.5, 0.79%, 0.7%

LAB 86.56, -46.33, 16.39

 

CMYK 72 / 0 / 32 / 35

HEX #2EA771

RGB 46 167 113

HSL 153.22, 0.57%, 0.42%

LAB 61.14, -45.77, 18.65

 

CMYK 81 / 0 / 37 / 42

HEX #1D955E

RGB 29 149 94

HSL 152.5, 0.67%, 0.35%

LAB 54.62, -44.98, 20.23

 

CMYK 91 / 0 / 43 / 49

HEX #0C834B

RGB 12 131 75

HSL 151.76, 0.83%, 0.28%

LAB 48.03, -43.65, 22

 

CMYK 100 / 0 / 50 / 56

HEX #007138

RGB 0 113 56

HSL 149.73, 1%, 0.22%

LAB 41.37, -41.57, 23.97

 

CMYK 100 / 0 / 61 / 63

HEX #005F25

RGB 0 95 37

HSL 143.37, 1%, 0.19%

LAB 34.64, -38.37, 26.09

 

CMYK 73 / 0 / 33 / 34

HEX #2EA871

RGB 46 168 113

HSL 152.95, 0.57%, 0.42%

LAB 61.46, -46.17, 19.08

 

CMYK 73 / 0 / 52 / 34

HEX #2EA850

RGB 46 168 80

HSL 136.72, 0.57%, 0.42%

LAB 60.93, -52.22, 35.83

 

CMYK 73 / 0 / 72 / 34

HEX #2EA82F

RGB 46 168 47

HSL 120.49, 0.57%, 0.42%

LAB 60.6, -56.15, 50.36

 

CMYK 54 / 0 / 73 / 34

HEX #4DA82E

RGB 77 168 46

HSL 104.75, 0.57%, 0.42%

LAB 61.46, -49.14, 51.91

 

CMYK 35 / 0 / 73 / 34

HEX #6EA82E

RGB 110 168 46

HSL 88.52, 0.57%, 0.42%

LAB 62.94, -38.35, 53.89

 

CMYK 73 / 0 / 33 / 34

HEX #2EA871

RGB 46 168 113

HSL 152.95, 0.57%, 0.42%

LAB 61.46, -46.17, 19.08

 

CMYK 73 / 0 / 13 / 34

HEX #2EA892

RGB 46 168 146

HSL 169.18, 0.57%, 0.42%

LAB 62.22, -38.2, 1.83

 

CMYK 73 / 7 / 0 / 34

HEX #2E9CA8

RGB 46 156 168

HSL 185.9, 0.57%, 0.42%

LAB 59.15, -26.1, -15.14

 

CMYK 73 / 27 / 0 / 34

HEX #2E7BA8

RGB 46 123 168

HSL 202.13, 0.57%, 0.42%

LAB 48.98, -8.21, -30.77

 

CMYK 73 / 46 / 0 / 34

HEX #2E5AA8

RGB 46 90 168

HSL 218.36, 0.57%, 0.42%

LAB 39.11, 12.27, -46.41

 

CMYK 73 / 0 / 33 / 34

HEX #2EA871

RGB 46 168 113

HSL 152.95, 0.57%, 0.42%

LAB 61.46, -46.17, 19.08

 

CMYK 85 / 0 / 38 / 27

HEX #1CB973

RGB 28 185 115

HSL 153.25, 0.74%, 0.42%

LAB 66.66, -54.39, 24.98

 

CMYK 95 / 0 / 42 / 21

HEX #0BCA75

RGB 11 202 117

HSL 153.3, 0.9%, 0.42%

LAB 71.96, -61.05, 30.91

 

CMYK 73 / 0 / 33 / 34

HEX #2EA871

RGB 46 168 113

HSL 152.95, 0.57%, 0.42%

LAB 61.46, -46.17, 19.08

 

CMYK 58 / 0 / 26 / 41

HEX #3F966F

RGB 63 150 111

HSL 153.1, 0.41%, 0.42%

LAB 56.1, -35.73, 12.87

 

CMYK 40 / 0 / 18 / 48

HEX #50856D

RGB 80 133 109

HSL 152.83, 0.25%, 0.42%

LAB 51.36, -23.47, 7.43

 

CMYK 16 / 0 / 7 / 55

HEX #62746C

RGB 98 116 108

HSL 153.33, 0.08%, 0.42%

LAB 47.2, -8.41, 2.18

 

CMYK 0 / 15 / 8 / 55

HEX #73626A

RGB 115 98 106

HSL 331.76, 0.08%, 0.42%

LAB 43.39, 8.31, -2

 

CMYK 73 / 0 / 71 / 34

HEX #2EA830

RGB 46 168 48

HSL 120.98, 0.57%, 0.42%

LAB 60.6, -56.07, 49.98

 

CMYK 73 / 0 / 52 / 34

HEX #2EA850

RGB 46 168 80

HSL 136.72, 0.57%, 0.42%

LAB 60.93, -52.22, 35.83

 

CMYK 73 / 0 / 33 / 34

HEX #2EA871

RGB 46 168 113

HSL 152.95, 0.57%, 0.42%

LAB 61.46, -46.17, 19.08

 

CMYK 73 / 0 / 14 / 34

HEX #2EA891

RGB 46 168 145

HSL 168.69, 0.57%, 0.42%

LAB 62.19, -38.46, 2.36

 

CMYK 73 / 7 / 0 / 34

HEX #2E9DA8

RGB 46 157 168

HSL 185.41, 0.57%, 0.42%

LAB 59.45, -26.6, -14.67

 

CMYK 73 / 0 / 33 / 60

HEX #1C6745

RGB 28 103 69

HSL 152.8, 0.57%, 0.26%

LAB 38.51, -31.51, 12.75

 

CMYK 73 / 0 / 33 / 47

HEX #25875B

RGB 37 135 91

HSL 153.06, 0.57%, 0.34%

LAB 50.07, -38.81, 15.77

 

CMYK 73 / 0 / 33 / 34

HEX #2EA871

RGB 46 168 113

HSL 152.95, 0.57%, 0.42%

LAB 61.46, -46.17, 19.08

 

CMYK 73 / 0 / 33 / 22

HEX #37C887

RGB 55 200 135

HSL 153.1, 0.57%, 0.5%

LAB 72.14, -52.86, 21.84

 

CMYK 58 / 0 / 26 / 18

HEX #57D19A

RGB 87 209 154

HSL 152.95, 0.57%, 0.58%

LAB 76.04, -46.88, 17.27

 

CMYK 72 / 0 / 32 / 35

HEX #2EA771

RGB 46 167 113

HSL 153.22, 0.57%, 0.42%

LAB 61.14, -45.77, 18.65

 

CMYK 73 / 55 / 0 / 34

HEX #2E4CA8

RGB 46 76 168

HSL 225.25, 0.57%, 0.42%

LAB 35.16, 21.52, -52.77

 

CMYK 0 / 62 / 73 / 34

HEX #A8402E

RGB 168 64 46

HSL 8.85, 0.57%, 0.42%

LAB 41.51, 41.73, 32.88

 

CMYK 72 / 0 / 32 / 35

HEX #2EA771

RGB 46 167 113

HSL 153.22, 0.57%, 0.42%

LAB 61.14, -45.77, 18.65

 

CMYK 33 / 73 / 0 / 34

HEX #712EA8

RGB 113 46 168

HSL 272.95, 0.57%, 0.42%

LAB 34.58, 51.3, -53.43

 

CMYK 0 / 33 / 73 / 34

HEX #A8712E

RGB 168 113 46

HSL 32.95, 0.57%, 0.42%

LAB 52.21, 15.5, 44.48

 

CMYK 72 / 0 / 32 / 35

HEX #2EA771

RGB 46 167 113

HSL 153.22, 0.57%, 0.42%

LAB 61.14, -45.77, 18.65

 

CMYK 73 / 55 / 0 / 34

HEX #2E4CA8

RGB 46 76 168

HSL 225.25, 0.57%, 0.42%

LAB 35.16, 21.52, -52.77

 

CMYK 0 / 73 / 40 / 34

HEX #A82E64

RGB 168 46 100

HSL 333.44, 0.57%, 0.42%

LAB 39.91, 53.51, -2.57

 

CMYK 0 / 18 / 73 / 34

HEX #A8892E

RGB 168 137 46

HSL 44.75, 0.57%, 0.42%

LAB 58.43, 2.04, 50.83

 

CMYK 72 / 0 / 32 / 35

HEX #2EA771

RGB 46 167 113

HSL 153.22, 0.57%, 0.42%

LAB 61.14, -45.77, 18.65

 

CMYK 69 / 73 / 0 / 34

HEX #342EA8

RGB 52 46 168

HSL 242.95, 0.57%, 0.42%

LAB 28.14, 41.45, -64.22

 

CMYK 0 / 73 / 40 / 34

HEX #A82E64

RGB 168 46 100

HSL 333.44, 0.57%, 0.42%

LAB 39.91, 53.51, -2.57

 

CMYK 4 / 0 / 73 / 34

HEX #A2A82E

RGB 162 168 46

HSL 62.95, 0.57%, 0.42%

LAB 66.43, -17.17, 58.49

 

Description

Color code: HEX #2EA771 | qconv.com Color code: HEX #2EA771 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 167 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 167 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 32% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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