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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EA511 it is the complementary color #D15AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EA511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EA511 shade: #33A50C, #44B71F, #55C932, #66DB45 and #77ED58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EA511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EA511 shade: #2EA511, #1D9300, #0C8100, #006F00 and #005D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EA511 shade: #2EA611, #56A611, #7EA611, #A6A511 and #A67D11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EA511 shade: #2EA611, #11A61C, #11A644, #11A66C and #11A694

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EA511 shade matches the following richer shades: #2EA611 and #25B502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EA511 shade: #2EA611, #379720, #40882F, #49793E and #526A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EA511 shade: #7EA611, #56A611, #2FA611, #11A61B and #11A643

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EA511 shade: #195B09, #24800D, #2EA611, #39CB15 and #49E722

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EA511 shade: #2EA511, #11A6A6 and #A6116A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EA511 shade: #2EA511, #112FA6 and #A6112F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EA511 shade: #2EA511, #11A6A6, #8811A6 and #A61111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EA511 shade: #2EA511, #1179A6, #8811A6 and #A63E11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 90 / 35

HEX #2EA511

RGB 46 165 17

HSL 108.24, 0.81%, 0.36%

LAB 59.46, -56.99, 58.15

 

Complementary color

CMYK 12 / 62 / 0 / 7

HEX #D15AEE

RGB 209 90 238

HSL 288.24, 0.81%, 0.64%

LAB 59.01, 67.47, -53.89

 

CMYK 69 / 0 / 93 / 35

HEX #33A50C

RGB 51 165 12

HSL 104.71, 0.86%, 0.35%

LAB 59.56, -56.18, 59.15

 

CMYK 63 / 0 / 83 / 28

HEX #44B71F

RGB 68 183 31

HSL 105.39, 0.71%, 0.42%

LAB 65.9, -57.8, 60.86

 

CMYK 58 / 0 / 75 / 21

HEX #55C932

RGB 85 201 50

HSL 106.09, 0.6%, 0.49%

LAB 72.18, -58.86, 61.3

 

CMYK 53 / 0 / 68 / 14

HEX #66DB45

RGB 102 219 69

HSL 106.8, 0.68%, 0.56%

LAB 78.41, -59.54, 60.99

 

CMYK 50 / 0 / 63 / 7

HEX #77ED58

RGB 119 237 88

HSL 107.52, 0.81%, 0.64%

LAB 84.58, -59.94, 60.25

 

CMYK 72 / 0 / 90 / 35

HEX #2EA511

RGB 46 165 17

HSL 108.24, 0.81%, 0.36%

LAB 59.46, -56.99, 58.15

 

CMYK 80 / 0 / 100 / 42

HEX #1D9300

RGB 29 147 0

HSL 108.16, 1%, 0.29%

LAB 53.09, -54.58, 55.52

 

CMYK 91 / 0 / 100 / 49

HEX #0C8100

RGB 12 129 0

HSL 114.42, 1%, 0.25%

LAB 46.68, -51.04, 50.31

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 72 / 0 / 90 / 35

HEX #2EA611

RGB 46 166 17

HSL 108.32, 0.81%, 0.36%

LAB 59.79, -57.31, 58.44

 

CMYK 48 / 0 / 90 / 35

HEX #56A611

RGB 86 166 17

HSL 92.21, 0.81%, 0.36%

LAB 61.04, -47.21, 59.99

 

CMYK 24 / 0 / 90 / 35

HEX #7EA611

RGB 126 166 17

HSL 76.11, 0.81%, 0.36%

LAB 63.13, -32.52, 62.59

 

CMYK 0 / 1 / 90 / 35

HEX #A6A511

RGB 166 165 17

HSL 59.6, 0.81%, 0.36%

LAB 65.79, -14.86, 65.97

 

CMYK 0 / 25 / 90 / 35

HEX #A67D11

RGB 166 125 17

HSL 43.49, 0.81%, 0.36%

LAB 54.88, 6.78, 57.35

 

CMYK 72 / 0 / 90 / 35

HEX #2EA611

RGB 46 166 17

HSL 108.32, 0.81%, 0.36%

LAB 59.79, -57.31, 58.44

 

CMYK 90 / 0 / 83 / 35

HEX #11A61C

RGB 17 166 28

HSL 124.43, 0.81%, 0.36%

LAB 59.41, -60.51, 55.38

 

CMYK 90 / 0 / 59 / 35

HEX #11A644

RGB 17 166 68

HSL 140.54, 0.81%, 0.36%

LAB 59.72, -56.7, 40.16

 

CMYK 90 / 0 / 35 / 35

HEX #11A66C

RGB 17 166 108

HSL 156.64, 0.81%, 0.36%

LAB 60.31, -49.6, 20.19

 

CMYK 90 / 0 / 11 / 35

HEX #11A694

RGB 17 166 148

HSL 172.75, 0.81%, 0.36%

LAB 61.25, -39.52, -0.76

 

CMYK 72 / 0 / 90 / 35

HEX #2EA611

RGB 46 166 17

HSL 108.32, 0.81%, 0.36%

LAB 59.79, -57.31, 58.44

 

CMYK 80 / 0 / 99 / 29

HEX #25B502

RGB 37 181 2

HSL 108.27, 0.98%, 0.36%

LAB 64.52, -63.72, 64.44

 

CMYK 72 / 0 / 90 / 35

HEX #2EA611

RGB 46 166 17

HSL 108.32, 0.81%, 0.36%

LAB 59.79, -57.31, 58.44

 

CMYK 64 / 0 / 79 / 41

HEX #379720

RGB 55 151 32

HSL 108.4, 0.65%, 0.36%

LAB 55.12, -49.59, 50.37

 

CMYK 53 / 0 / 65 / 47

HEX #40882F

RGB 64 136 47

HSL 108.54, 0.49%, 0.36%

LAB 50.57, -40.15, 39.81

 

CMYK 40 / 0 / 49 / 53

HEX #49793E

RGB 73 121 62

HSL 108.81, 0.32%, 0.36%

LAB 46.23, -28.67, 27.22

 

CMYK 23 / 0 / 28 / 58

HEX #526A4C

RGB 82 106 76

HSL 108, 0.16%, 0.36%

LAB 42.19, -15.27, 14.02

 

CMYK 24 / 0 / 90 / 35

HEX #7EA611

RGB 126 166 17

HSL 76.11, 0.81%, 0.36%

LAB 63.13, -32.52, 62.59

 

CMYK 48 / 0 / 90 / 35

HEX #56A611

RGB 86 166 17

HSL 92.21, 0.81%, 0.36%

LAB 61.04, -47.21, 59.99

 

CMYK 72 / 0 / 90 / 35

HEX #2FA611

RGB 47 166 17

HSL 107.92, 0.81%, 0.36%

LAB 59.81, -57.13, 58.46

 

CMYK 90 / 0 / 84 / 35

HEX #11A61B

RGB 17 166 27

HSL 124.03, 0.81%, 0.36%

LAB 59.41, -60.56, 55.64

 

CMYK 90 / 0 / 60 / 35

HEX #11A643

RGB 17 166 67

HSL 140.13, 0.81%, 0.36%

LAB 59.7, -56.83, 40.62

 

CMYK 73 / 0 / 90 / 64

HEX #195B09

RGB 25 91 9

HSL 108.29, 0.82%, 0.2%

LAB 33.37, -36.15, 36.9

 

CMYK 72 / 0 / 90 / 50

HEX #24800D

RGB 36 128 13

HSL 108, 0.82%, 0.28%

LAB 46.77, -46.78, 47.88

 

CMYK 72 / 0 / 90 / 35

HEX #2EA611

RGB 46 166 17

HSL 108.32, 0.81%, 0.36%

LAB 59.79, -57.31, 58.44

 

CMYK 72 / 0 / 90 / 20

HEX #39CB15

RGB 57 203 21

HSL 108.13, 0.81%, 0.44%

LAB 71.98, -66.86, 68.24

 

CMYK 68 / 0 / 85 / 9

HEX #49E722

RGB 73 231 34

HSL 108.12, 0.8%, 0.52%

LAB 81.12, -72.18, 73.81

 

CMYK 72 / 0 / 90 / 35

HEX #2EA511

RGB 46 165 17

HSL 108.24, 0.81%, 0.36%

LAB 59.46, -56.99, 58.15

 

CMYK 90 / 0 / 0 / 35

HEX #11A6A6

RGB 17 166 166

HSL 180, 0.81%, 0.36%

LAB 61.78, -34.19, -10.09

 

CMYK 0 / 90 / 36 / 35

HEX #A6116A

RGB 166 17 106

HSL 324.16, 0.81%, 0.36%

LAB 37.02, 61.38, -10.73

 

CMYK 72 / 0 / 90 / 35

HEX #2EA511

RGB 46 165 17

HSL 108.24, 0.81%, 0.36%

LAB 59.46, -56.99, 58.15

 

CMYK 90 / 72 / 0 / 35

HEX #112FA6

RGB 17 47 166

HSL 227.92, 0.81%, 0.36%

LAB 26.46, 37.28, -65.84

 

CMYK 0 / 90 / 72 / 35

HEX #A6112F

RGB 166 17 47

HSL 347.92, 0.81%, 0.36%

LAB 35.43, 56.92, 25.05

 

CMYK 72 / 0 / 90 / 35

HEX #2EA511

RGB 46 165 17

HSL 108.24, 0.81%, 0.36%

LAB 59.46, -56.99, 58.15

 

CMYK 90 / 0 / 0 / 35

HEX #11A6A6

RGB 17 166 166

HSL 180, 0.81%, 0.36%

LAB 61.78, -34.19, -10.09

 

CMYK 18 / 90 / 0 / 35

HEX #8811A6

RGB 136 17 166

HSL 287.92, 0.81%, 0.36%

LAB 34.78, 64.14, -51.75

 

CMYK 0 / 90 / 90 / 35

HEX #A61111

RGB 166 17 17

HSL 0, 0.81%, 0.36%

LAB 35.1, 55.98, 41.98

 

CMYK 72 / 0 / 90 / 35

HEX #2EA511

RGB 46 165 17

HSL 108.24, 0.81%, 0.36%

LAB 59.46, -56.99, 58.15

 

CMYK 90 / 27 / 0 / 35

HEX #1179A6

RGB 17 121 166

HSL 198.12, 0.81%, 0.36%

LAB 47.68, -10.75, -31.67

 

CMYK 18 / 90 / 0 / 35

HEX #8811A6

RGB 136 17 166

HSL 287.92, 0.81%, 0.36%

LAB 34.78, 64.14, -51.75

 

CMYK 0 / 63 / 90 / 35

HEX #A63E11

RGB 166 62 17

HSL 18.12, 0.81%, 0.36%

LAB 40.56, 40.92, 46.17

 

Description

Color code: HEX #2EA511 | qconv.com Color code: HEX #2EA511 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 165 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 165 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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