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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EA4E5 it is the complementary color #D15B1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EA4E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EA4E5 shade: #33A4E0, #44B6F3, #55C8FF, #66DAFF and #77ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EA4E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EA4E5 shade: #2EA4E5, #1D92D2, #0C80BF, #006EAC and #005C99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EA4E5 shade: #2EA4E5, #2E72E5, #2E41E5, #4C2EE5 and #7D2EE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EA4E5 shade: #2EA4E5, #2E72E5, #2E41E5 and #2E2EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EA4E5 shade matches the following richer shades: #2EA4E5 and #1BA9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EA4E5 shade: #2EA4E5, #419ED2, #5499BF, #6793AC and #7A8E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EA4E5 shade: #2EE5C3, #2ED5E5, #2EA5E5, #2E74E5 and #2E43E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EA4E5 shade: #1576AB, #198FD0, #2EA4E5, #52B4E9 and #77C4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EA4E5 shade: #2EA4E5, #922EE5 and #E5DC2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EA4E5 shade: #2EA4E5, #E52EA5 and #A5E52E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EA4E5 shade: #2EA4E5, #922EE5, #E56E2E and #80E52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EA4E5 shade: #2EA4E5, #C92EE5, #E56E2E and #49E52E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

Complementary color

CMYK 0 / 56 / 88 / 18

HEX #D15B1A

RGB 209 91 26

HSL 21.31, 0.78%, 0.46%

LAB 53.07, 43.55, 55.74

 

CMYK 77 / 27 / 0 / 12

HEX #33A4E0

RGB 51 164 224

HSL 200.81, 0.74%, 0.54%

LAB 63.87, -11.18, -39.2

 

CMYK 72 / 25 / 0 / 5

HEX #44B6F3

RGB 68 182 243

HSL 200.91, 0.88%, 0.61%

LAB 70.29, -12.55, -39.54

 

CMYK 67 / 22 / 0 / 0

HEX #55C8FF

RGB 85 200 255

HSL 199.41, 1%, 0.67%

LAB 76.35, -15.87, -36.54

 

CMYK 60 / 15 / 0 / 0

HEX #66DAFF

RGB 102 218 255

HSL 194.51, 1%, 0.7%

LAB 81.94, -22.33, -27.89

 

CMYK 53 / 7 / 0 / 0

HEX #77ECFF

RGB 119 236 255

HSL 188.38, 1%, 0.73%

LAB 87.55, -28.03, -19.31

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 86 / 30 / 0 / 18

HEX #1D92D2

RGB 29 146 210

HSL 201.22, 0.76%, 0.47%

LAB 57.53, -8.02, -41.37

 

CMYK 94 / 33 / 0 / 25

HEX #0C80BF

RGB 12 128 191

HSL 201.12, 0.88%, 0.4%

LAB 51.01, -5.62, -40.9

 

CMYK 100 / 36 / 0 / 33

HEX #006EAC

RGB 0 110 172

HSL 201.63, 1%, 0.34%

LAB 44.42, -2.67, -40.34

 

CMYK 100 / 40 / 0 / 40

HEX #005C99

RGB 0 92 153

HSL 203.92, 1%, 0.3%

LAB 37.76, 0.94, -39.66

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 80 / 50 / 0 / 10

HEX #2E72E5

RGB 46 114 229

HSL 217.7, 0.78%, 0.54%

LAB 49.83, 19.91, -64.33

 

CMYK 80 / 72 / 0 / 10

HEX #2E41E5

RGB 46 65 229

HSL 233.77, 0.78%, 0.54%

LAB 37.88, 50.37, -83.86

 

CMYK 67 / 80 / 0 / 10

HEX #4C2EE5

RGB 76 46 229

HSL 249.84, 0.78%, 0.54%

LAB 36.27, 62.38, -86.47

 

CMYK 45 / 80 / 0 / 10

HEX #7D2EE5

RGB 125 46 229

HSL 265.9, 0.78%, 0.54%

LAB 41.17, 67.74, -78.21

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 80 / 50 / 0 / 10

HEX #2E72E5

RGB 46 114 229

HSL 217.7, 0.78%, 0.54%

LAB 49.83, 19.91, -64.33

 

CMYK 80 / 72 / 0 / 10

HEX #2E41E5

RGB 46 65 229

HSL 233.77, 0.78%, 0.54%

LAB 37.88, 50.37, -83.86

 

CMYK 80 / 80 / 0 / 10

HEX #2E2EE5

RGB 46 46 229

HSL 240, 0.78%, 0.54%

LAB 34.38, 60.33, -89.65

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 89 / 32 / 0 / 3

HEX #1BA9F8

RGB 27 169 248

HSL 201.45, 0.94%, 0.54%

LAB 66.05, -7.34, -48.96

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 69 / 25 / 0 / 18

HEX #419ED2

RGB 65 158 210

HSL 201.52, 0.62%, 0.54%

LAB 61.85, -10.83, -34.55

 

CMYK 56 / 20 / 0 / 25

HEX #5499BF

RGB 84 153 191

HSL 201.31, 0.46%, 0.54%

LAB 60.27, -10.77, -26.3

 

CMYK 40 / 15 / 0 / 33

HEX #6793AC

RGB 103 147 172

HSL 201.74, 0.29%, 0.54%

LAB 58.72, -8.38, -17.85

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E99

RGB 122 142 153

HSL 201.29, 0.13%, 0.54%

LAB 57.83, -4.65, -8.23

 

CMYK 80 / 0 / 15 / 10

HEX #2EE5C3

RGB 46 229 195

HSL 168.85, 0.78%, 0.54%

LAB 82.14, -51.49, 4.1

 

CMYK 80 / 7 / 0 / 10

HEX #2ED5E5

RGB 46 213 229

HSL 185.25, 0.78%, 0.54%

LAB 78.36, -34.98, -19.61

 

CMYK 80 / 28 / 0 / 10

HEX #2EA5E5

RGB 46 165 229

HSL 200.98, 0.78%, 0.54%

LAB 64.28, -10.5, -41.31

 

CMYK 80 / 49 / 0 / 10

HEX #2E74E5

RGB 46 116 229

HSL 217.05, 0.78%, 0.54%

LAB 50.37, 18.65, -63.46

 

CMYK 80 / 71 / 0 / 10

HEX #2E43E5

RGB 46 67 229

HSL 233.11, 0.78%, 0.54%

LAB 38.29, 49.22, -83.18

 

CMYK 88 / 31 / 0 / 33

HEX #1576AB

RGB 21 118 171

HSL 201.2, 0.78%, 0.38%

LAB 47.05, -6.84, -35.58

 

CMYK 88 / 31 / 0 / 18

HEX #198FD0

RGB 25 143 208

HSL 201.31, 0.79%, 0.46%

LAB 56.49, -7.3, -41.89

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 65 / 23 / 0 / 9

HEX #52B4E9

RGB 82 180 233

HSL 201.06, 0.77%, 0.62%

LAB 69.7, -12.68, -34.99

 

CMYK 50 / 18 / 0 / 7

HEX #77C4EE

RGB 119 196 238

HSL 201.18, 0.78%, 0.7%

LAB 75.81, -12.54, -28.15

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 36 / 80 / 0 / 10

HEX #922EE5

RGB 146 46 229

HSL 272.79, 0.78%, 0.54%

LAB 43.83, 70.68, -73.75

 

CMYK 0 / 4 / 80 / 10

HEX #E5DC2E

RGB 229 220 46

HSL 57.05, 0.78%, 0.54%

LAB 86.03, -14.7, 78.34

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 0 / 80 / 28 / 10

HEX #E52EA5

RGB 229 46 165

HSL 320.98, 0.78%, 0.54%

LAB 53.31, 76.21, -20.82

 

CMYK 28 / 0 / 80 / 10

HEX #A5E52E

RGB 165 229 46

HSL 80.98, 0.78%, 0.54%

LAB 84.09, -44.54, 74.94

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 36 / 80 / 0 / 10

HEX #922EE5

RGB 146 46 229

HSL 272.79, 0.78%, 0.54%

LAB 43.83, 70.68, -73.75

 

CMYK 0 / 52 / 80 / 10

HEX #E56E2E

RGB 229 110 46

HSL 20.98, 0.78%, 0.54%

LAB 59.9, 42.44, 54.88

 

CMYK 44 / 0 / 80 / 10

HEX #80E52E

RGB 128 229 46

HSL 93.11, 0.78%, 0.54%

LAB 82.28, -57.2, 72.64

 

CMYK 80 / 28 / 0 / 10

HEX #2EA4E5

RGB 46 164 229

HSL 201.31, 0.78%, 0.54%

LAB 63.99, -9.95, -41.77

 

CMYK 12 / 80 / 0 / 10

HEX #C92EE5

RGB 201 46 229

HSL 290.82, 0.78%, 0.54%

LAB 51.87, 79.66, -60.34

 

CMYK 0 / 52 / 80 / 10

HEX #E56E2E

RGB 229 110 46

HSL 20.98, 0.78%, 0.54%

LAB 59.9, 42.44, 54.88

 

CMYK 68 / 0 / 80 / 10

HEX #49E52E

RGB 73 229 46

HSL 111.15, 0.78%, 0.54%

LAB 80.55, -71.01, 70.39

 

Description

Color code: HEX #2EA4E5 | qconv.com Color code: HEX #2EA4E5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 164 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 164 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 28 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 28% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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