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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E8F2F it is the complementary color #D170D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E8F2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E8F2F shade: #338F2A, #44A13D, #55B350, #66C563 and #77D776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E8F2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E8F2F shade: #2E8F2F, #1D7D1C, #0C6B09, #005900 and #004700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E8F2F shade: #2E8E2F, #478E2E, #618E2E, #7B8E2E and #8E872E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E8F2F shade: #2E8E2F, #2E8E49, #2E8E63, #2E8E7D and #2E858E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E8F2F shade matches the following richer shades: #2E8E2F, #1E9D20, #0FAD11 and #00BC02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E8F2F shade: #2E8E2F, #3D7F3E, #4C6F4D, #5C605C and #6B516B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E8F2F shade: #618E2E, #478E2E, #2E8E2E, #2E8E47 and #2E8E61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E8F2F shade: #1A501A, #246F24, #2E8E2F, #38AD39 and #4AC44B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E8F2F shade: #2E8F2F, #2E7B8E and #8E2E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E8F2F shade: #2E8F2F, #2E2E8E and #8E2E2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E8F2F shade: #2E8F2F, #2E7B8E, #8E2E8E and #8E412E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E8F2F shade: #2E8F2F, #2E5E8E, #8E2E8E and #8E5E2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 67 / 44

HEX #2E8F2F

RGB 46 143 47

HSL 120.62, 0.51%, 0.37%

LAB 52.32, -47.46, 41.57

 

Complementary color

CMYK 0 / 46 / 0 / 18

HEX #D170D0

RGB 209 112 208

HSL 300.62, 0.51%, 0.63%

LAB 61.39, 51.65, -33.32

 

CMYK 64 / 0 / 71 / 44

HEX #338F2A

RGB 51 143 42

HSL 114.65, 0.55%, 0.36%

LAB 52.42, -46.84, 43.85

 

CMYK 58 / 0 / 62 / 37

HEX #44A13D

RGB 68 161 61

HSL 115.8, 0.45%, 0.44%

LAB 59.03, -47.48, 42.9

 

CMYK 53 / 0 / 55 / 30

HEX #55B350

RGB 85 179 80

HSL 116.97, 0.39%, 0.51%

LAB 65.55, -47.75, 41.69

 

CMYK 48 / 0 / 50 / 23

HEX #66C563

RGB 102 197 99

HSL 118.16, 0.46%, 0.58%

LAB 72, -47.82, 40.41

 

CMYK 45 / 0 / 45 / 16

HEX #77D776

RGB 119 215 118

HSL 119.38, 0.55%, 0.65%

LAB 78.36, -47.75, 39.13

 

CMYK 68 / 0 / 67 / 44

HEX #2E8F2F

RGB 46 143 47

HSL 120.62, 0.51%, 0.37%

LAB 52.32, -47.46, 41.57

 

CMYK 77 / 0 / 78 / 51

HEX #1D7D1C

RGB 29 125 28

HSL 119.38, 0.63%, 0.3%

LAB 45.65, -46.16, 42.27

 

CMYK 89 / 0 / 92 / 58

HEX #0C6B09

RGB 12 107 9

HSL 118.16, 0.84%, 0.23%

LAB 38.92, -43.82, 41.75

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 68 / 0 / 67 / 44

HEX #2E8E2F

RGB 46 142 47

HSL 120.63, 0.51%, 0.37%

LAB 51.99, -47.09, 41.2

 

CMYK 50 / 0 / 68 / 44

HEX #478E2E

RGB 71 142 46

HSL 104.38, 0.51%, 0.37%

LAB 52.82, -40.59, 42.79

 

CMYK 32 / 0 / 68 / 44

HEX #618E2E

RGB 97 142 46

HSL 88.13, 0.51%, 0.37%

LAB 54.12, -31.45, 44.56

 

CMYK 13 / 0 / 68 / 44

HEX #7B8E2E

RGB 123 142 46

HSL 71.88, 0.51%, 0.37%

LAB 55.84, -20.76, 46.91

 

CMYK 0 / 5 / 68 / 44

HEX #8E872E

RGB 142 135 46

HSL 55.63, 0.51%, 0.37%

LAB 55.36, -8.63, 46.89

 

CMYK 68 / 0 / 67 / 44

HEX #2E8E2F

RGB 46 142 47

HSL 120.63, 0.51%, 0.37%

LAB 51.99, -47.09, 41.2

 

CMYK 68 / 0 / 49 / 44

HEX #2E8E49

RGB 46 142 73

HSL 136.88, 0.51%, 0.37%

LAB 52.3, -43.53, 28.7

 

CMYK 68 / 0 / 30 / 44

HEX #2E8E63

RGB 46 142 99

HSL 153.13, 0.51%, 0.37%

LAB 52.76, -38.42, 14.95

 

CMYK 68 / 0 / 12 / 44

HEX #2E8E7D

RGB 46 142 125

HSL 169.38, 0.51%, 0.37%

LAB 53.39, -31.93, 0.93

 

CMYK 68 / 6 / 0 / 44

HEX #2E858E

RGB 46 133 142

HSL 185.63, 0.51%, 0.37%

LAB 51.05, -22.46, -12.43

 

CMYK 68 / 0 / 67 / 44

HEX #2E8E2F

RGB 46 142 47

HSL 120.63, 0.51%, 0.37%

LAB 51.99, -47.09, 41.2

 

CMYK 81 / 0 / 80 / 38

HEX #1E9D20

RGB 30 157 32

HSL 120.94, 0.68%, 0.37%

LAB 56.58, -56.2, 51.58

 

CMYK 91 / 0 / 90 / 32

HEX #0FAD11

RGB 15 173 17

HSL 120.76, 0.84%, 0.37%

LAB 61.68, -63.18, 59.89

 

CMYK 100 / 0 / 99 / 26

HEX #00BC02

RGB 0 188 2

HSL 120.64, 1%, 0.37%

LAB 66.5, -68.49, 65.91

 

CMYK 68 / 0 / 67 / 44

HEX #2E8E2F

RGB 46 142 47

HSL 120.63, 0.51%, 0.37%

LAB 51.99, -47.09, 41.2

 

CMYK 52 / 0 / 51 / 50

HEX #3D7F3E

RGB 61 127 62

HSL 120.91, 0.35%, 0.37%

LAB 47.65, -35.32, 28.87

 

CMYK 32 / 0 / 31 / 56

HEX #4C6F4D

RGB 76 111 77

HSL 121.71, 0.19%, 0.37%

LAB 43.42, -20.05, 15.04

 

CMYK 4 / 0 / 4 / 62

HEX #5C605C

RGB 92 96 92

HSL 120, 0.02%, 0.37%

LAB 40.27, -2.41, 1.73

 

CMYK 0 / 24 / 0 / 58

HEX #6B516B

RGB 107 81 107

HSL 300, 0.14%, 0.37%

LAB 37.97, 15.8, -10.79

 

CMYK 32 / 0 / 68 / 44

HEX #618E2E

RGB 97 142 46

HSL 88.13, 0.51%, 0.37%

LAB 54.12, -31.45, 44.56

 

CMYK 50 / 0 / 68 / 44

HEX #478E2E

RGB 71 142 46

HSL 104.38, 0.51%, 0.37%

LAB 52.82, -40.59, 42.79

 

CMYK 68 / 0 / 68 / 44

HEX #2E8E2E

RGB 46 142 46

HSL 120, 0.51%, 0.37%

LAB 51.98, -47.2, 41.63

 

CMYK 68 / 0 / 50 / 44

HEX #2E8E47

RGB 46 142 71

HSL 135.63, 0.51%, 0.37%

LAB 52.27, -43.86, 29.73

 

CMYK 68 / 0 / 32 / 44

HEX #2E8E61

RGB 46 142 97

HSL 151.88, 0.51%, 0.37%

LAB 52.72, -38.87, 16.02

 

CMYK 68 / 0 / 68 / 69

HEX #1A501A

RGB 26 80 26

HSL 120, 0.51%, 0.21%

LAB 29.49, -30.04, 26.04

 

CMYK 68 / 0 / 68 / 56

HEX #246F24

RGB 36 111 36

HSL 120, 0.51%, 0.29%

LAB 41.01, -38.88, 34.07

 

CMYK 68 / 0 / 67 / 44

HEX #2E8E2F

RGB 46 142 47

HSL 120.63, 0.51%, 0.37%

LAB 51.99, -47.09, 41.2

 

CMYK 68 / 0 / 67 / 32

HEX #38AD39

RGB 56 173 57

HSL 120.51, 0.51%, 0.45%

LAB 62.53, -55.05, 48.44

 

CMYK 62 / 0 / 62 / 23

HEX #4AC44B

RGB 74 196 75

HSL 120.49, 0.51%, 0.53%

LAB 70.49, -57.48, 49.63

 

CMYK 68 / 0 / 67 / 44

HEX #2E8F2F

RGB 46 143 47

HSL 120.62, 0.51%, 0.37%

LAB 52.32, -47.46, 41.57

 

CMYK 68 / 13 / 0 / 44

HEX #2E7B8E

RGB 46 123 142

HSL 191.88, 0.51%, 0.37%

LAB 47.88, -17.12, -17.23

 

CMYK 0 / 68 / 41 / 44

HEX #8E2E54

RGB 142 46 84

HSL 336.25, 0.51%, 0.37%

LAB 34.69, 43.87, -0.6

 

CMYK 68 / 0 / 67 / 44

HEX #2E8F2F

RGB 46 143 47

HSL 120.62, 0.51%, 0.37%

LAB 52.32, -47.46, 41.57

 

CMYK 68 / 68 / 0 / 44

HEX #2E2E8E

RGB 46 46 142

HSL 240, 0.51%, 0.37%

LAB 25.22, 31.76, -53.15

 

CMYK 0 / 68 / 68 / 44

HEX #8E2E2E

RGB 142 46 46

HSL 0, 0.51%, 0.37%

LAB 33.78, 40.56, 22.57

 

CMYK 68 / 0 / 67 / 44

HEX #2E8F2F

RGB 46 143 47

HSL 120.62, 0.51%, 0.37%

LAB 52.32, -47.46, 41.57

 

CMYK 68 / 13 / 0 / 44

HEX #2E7B8E

RGB 46 123 142

HSL 191.88, 0.51%, 0.37%

LAB 47.88, -17.12, -17.23

 

CMYK 0 / 68 / 0 / 44

HEX #8E2E8E

RGB 142 46 142

HSL 300, 0.51%, 0.37%

LAB 37.22, 52.39, -33.2

 

CMYK 0 / 54 / 68 / 44

HEX #8E412E

RGB 142 65 46

HSL 11.88, 0.51%, 0.37%

LAB 37.35, 31.17, 26.92

 

CMYK 68 / 0 / 67 / 44

HEX #2E8F2F

RGB 46 143 47

HSL 120.62, 0.51%, 0.37%

LAB 52.32, -47.46, 41.57

 

CMYK 68 / 34 / 0 / 44

HEX #2E5E8E

RGB 46 94 142

HSL 210, 0.51%, 0.37%

LAB 38.79, -0.04, -31.33

 

CMYK 0 / 68 / 0 / 44

HEX #8E2E8E

RGB 142 46 142

HSL 300, 0.51%, 0.37%

LAB 37.22, 52.39, -33.2

 

CMYK 0 / 34 / 68 / 44

HEX #8E5E2E

RGB 142 94 46

HSL 30, 0.51%, 0.37%

LAB 44.17, 14.72, 34.83

 

Description

Color code: HEX #2E8F2F | qconv.com Color code: HEX #2E8F2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 143 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 143 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 67 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 67% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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