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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E8A7A it is the complementary color #D17585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E8A7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E8A7A shade: #338A75, #449C88, #55AE9B, #66C0AE and #77D2C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E8A7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E8A7A shade: #2E8A7A, #1D7867, #0C6654, #005441 and #00422E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E8A7A shade: #2D8979, #2D8960, #2D8948, #2D892F and #45892D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E8A7A shade: #2D8979, #2D8089, #2D6889, #2D4F89 and #2D3689

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E8A7A shade matches the following richer shades: #2D8979, #1F9883, #10A78D and #01B696

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E8A7A shade: #2D8979, #3C7A70, #4B6B66, #5A5D5C and #694E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E8A7A shade: #2D8947, #2D8960, #2D8978, #2D8289 and #2D6989

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E8A7A shade: #194B43, #236A5E, #2D8979, #38A895 and #48C2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E8A7A shade: #2E8A7A, #2F2D89 and #89542D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E8A7A shade: #2E8A7A, #782D89 and #89782D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E8A7A shade: #2E8A7A, #2F2D89, #892D3E and #88892D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E8A7A shade: #2E8A7A, #4A2D89, #892D3E and #6C892D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 12 / 46

HEX #2E8A7A

RGB 46 138 122

HSL 169.57, 0.5%, 0.36%

LAB 52.02, -30.86, 0.67

 

Complementary color

CMYK 0 / 44 / 36 / 18

HEX #D17585

RGB 209 117 133

HSL 349.57, 0.5%, 0.64%

LAB 59.86, 37.72, 7.29

 

CMYK 63 / 0 / 15 / 46

HEX #338A75

RGB 51 138 117

HSL 165.52, 0.46%, 0.37%

LAB 52.02, -31.27, 3.59

 

CMYK 56 / 0 / 13 / 39

HEX #449C88

RGB 68 156 136

HSL 166.36, 0.39%, 0.44%

LAB 58.77, -31.41, 2.54

 

CMYK 51 / 0 / 11 / 32

HEX #55AE9B

RGB 85 174 155

HSL 167.19, 0.35%, 0.51%

LAB 65.41, -31.42, 1.59

 

CMYK 47 / 0 / 9 / 25

HEX #66C0AE

RGB 102 192 174

HSL 168, 0.42%, 0.58%

LAB 71.95, -31.36, 0.73

 

CMYK 43 / 0 / 8 / 18

HEX #77D2C1

RGB 119 210 193

HSL 168.79, 0.5%, 0.65%

LAB 78.38, -31.26, -0.07

 

CMYK 67 / 0 / 12 / 46

HEX #2E8A7A

RGB 46 138 122

HSL 169.57, 0.5%, 0.36%

LAB 52.02, -30.86, 0.67

 

CMYK 76 / 0 / 14 / 53

HEX #1D7867

RGB 29 120 103

HSL 168.79, 0.61%, 0.29%

LAB 45.18, -30.29, 1.84

 

CMYK 88 / 0 / 18 / 60

HEX #0C6654

RGB 12 102 84

HSL 168, 0.79%, 0.22%

LAB 38.24, -29.27, 3.22

 

CMYK 100 / 0 / 23 / 67

HEX #005441

RGB 0 84 65

HSL 166.43, 1%, 0.16%

LAB 31.17, -27.6, 4.87

 

CMYK 100 / 0 / 30 / 74

HEX #00422E

RGB 0 66 46

HSL 161.82, 1%, 0.13%

LAB 23.98, -24.8, 6.91

 

CMYK 67 / 0 / 12 / 46

HEX #2D8979

RGB 45 137 121

HSL 169.57, 0.51%, 0.36%

LAB 51.64, -30.83, 0.7

 

CMYK 67 / 0 / 30 / 46

HEX #2D8960

RGB 45 137 96

HSL 153.26, 0.51%, 0.36%

LAB 51.03, -37.12, 14.26

 

CMYK 67 / 0 / 47 / 46

HEX #2D8948

RGB 45 137 72

HSL 137.61, 0.51%, 0.36%

LAB 50.59, -41.91, 27.07

 

CMYK 67 / 0 / 66 / 46

HEX #2D892F

RGB 45 137 47

HSL 121.3, 0.51%, 0.36%

LAB 50.28, -45.47, 39.31

 

CMYK 50 / 0 / 67 / 46

HEX #45892D

RGB 69 137 45

HSL 104.35, 0.51%, 0.36%

LAB 51.09, -39.23, 41.33

 

CMYK 67 / 0 / 12 / 46

HEX #2D8979

RGB 45 137 121

HSL 169.57, 0.51%, 0.36%

LAB 51.64, -30.83, 0.7

 

CMYK 67 / 7 / 0 / 46

HEX #2D8089

RGB 45 128 137

HSL 185.87, 0.51%, 0.36%

LAB 49.26, -21.58, -12.21

 

CMYK 67 / 24 / 0 / 46

HEX #2D6889

RGB 45 104 137

HSL 201.52, 0.51%, 0.36%

LAB 41.63, -8.14, -23.88

 

CMYK 67 / 42 / 0 / 46

HEX #2D4F89

RGB 45 79 137

HSL 217.83, 0.51%, 0.36%

LAB 33.89, 7.61, -36.06

 

CMYK 67 / 61 / 0 / 46

HEX #2D3689

RGB 45 54 137

HSL 234.13, 0.51%, 0.36%

LAB 26.74, 24.52, -47.57

 

CMYK 67 / 0 / 12 / 46

HEX #2D8979

RGB 45 137 121

HSL 169.57, 0.51%, 0.36%

LAB 51.64, -30.83, 0.7

 

CMYK 80 / 0 / 14 / 40

HEX #1F9883

RGB 31 152 131

HSL 169.59, 0.66%, 0.36%

LAB 56.47, -36.94, 1.93

 

CMYK 90 / 0 / 16 / 35

HEX #10A78D

RGB 16 167 141

HSL 169.67, 0.83%, 0.36%

LAB 61.37, -41.96, 3.35

 

CMYK 99 / 0 / 18 / 29

HEX #01B696

RGB 1 182 150

HSL 169.39, 0.99%, 0.36%

LAB 66.26, -46.45, 5.4

 

CMYK 67 / 0 / 12 / 46

HEX #2D8979

RGB 45 137 121

HSL 169.57, 0.51%, 0.36%

LAB 51.64, -30.83, 0.7

 

CMYK 51 / 0 / 8 / 52

HEX #3C7A70

RGB 60 122 112

HSL 170.32, 0.34%, 0.36%

LAB 47.04, -22.66, -0.69

 

CMYK 30 / 0 / 5 / 58

HEX #4B6B66

RGB 75 107 102

HSL 170.63, 0.18%, 0.36%

LAB 42.72, -12.75, -0.93

 

CMYK 3 / 0 / 1 / 64

HEX #5A5D5C

RGB 90 93 92

HSL 160, 0.02%, 0.36%

LAB 39.2, -1.39, 0.16

 

CMYK 0 / 26 / 22 / 59

HEX #694E52

RGB 105 78 82

HSL 351.11, 0.15%, 0.36%

LAB 36.1, 12.04, 2.07

 

CMYK 67 / 0 / 48 / 46

HEX #2D8947

RGB 45 137 71

HSL 136.96, 0.51%, 0.36%

LAB 50.57, -42.08, 27.59

 

CMYK 67 / 0 / 30 / 46

HEX #2D8960

RGB 45 137 96

HSL 153.26, 0.51%, 0.36%

LAB 51.03, -37.12, 14.26

 

CMYK 67 / 0 / 12 / 46

HEX #2D8978

RGB 45 137 120

HSL 168.91, 0.51%, 0.36%

LAB 51.62, -31.1, 1.24

 

CMYK 67 / 5 / 0 / 46

HEX #2D8289

RGB 45 130 137

HSL 184.57, 0.51%, 0.36%

LAB 49.89, -22.63, -11.24

 

CMYK 67 / 23 / 0 / 46

HEX #2D6989

RGB 45 105 137

HSL 200.87, 0.51%, 0.36%

LAB 41.95, -8.74, -23.39

 

CMYK 67 / 0 / 11 / 71

HEX #194B43

RGB 25 75 67

HSL 170.4, 0.5%, 0.2%

LAB 28.5, -18.89, -0.2

 

CMYK 67 / 0 / 11 / 58

HEX #236A5E

RGB 35 106 94

HSL 169.86, 0.5%, 0.28%

LAB 40.37, -25.05, 0.27

 

CMYK 67 / 0 / 12 / 46

HEX #2D8979

RGB 45 137 121

HSL 169.57, 0.51%, 0.36%

LAB 51.64, -30.83, 0.7

 

CMYK 67 / 0 / 11 / 34

HEX #38A895

RGB 56 168 149

HSL 169.82, 0.5%, 0.44%

LAB 62.52, -35.9, 0.62

 

CMYK 63 / 0 / 11 / 24

HEX #48C2AC

RGB 72 194 172

HSL 169.18, 0.5%, 0.52%

LAB 71.51, -39.03, 1.07

 

CMYK 67 / 0 / 12 / 46

HEX #2E8A7A

RGB 46 138 122

HSL 169.57, 0.5%, 0.36%

LAB 52.02, -30.86, 0.67

 

CMYK 66 / 67 / 0 / 46

HEX #2F2D89

RGB 47 45 137

HSL 241.3, 0.51%, 0.36%

LAB 24.6, 30.79, -51.06

 

CMYK 0 / 39 / 67 / 46

HEX #89542D

RGB 137 84 45

HSL 25.43, 0.51%, 0.36%

LAB 40.97, 18.23, 31.56

 

CMYK 67 / 0 / 12 / 46

HEX #2E8A7A

RGB 46 138 122

HSL 169.57, 0.5%, 0.36%

LAB 52.02, -30.86, 0.67

 

CMYK 12 / 67 / 0 / 46

HEX #782D89

RGB 120 45 137

HSL 288.91, 0.51%, 0.36%

LAB 33.3, 46.43, -36.57

 

CMYK 0 / 12 / 67 / 46

HEX #89782D

RGB 137 120 45

HSL 48.91, 0.51%, 0.36%

LAB 50.62, -2.66, 42.22

 

CMYK 67 / 0 / 12 / 46

HEX #2E8A7A

RGB 46 138 122

HSL 169.57, 0.5%, 0.36%

LAB 52.02, -30.86, 0.67

 

CMYK 66 / 67 / 0 / 46

HEX #2F2D89

RGB 47 45 137

HSL 241.3, 0.51%, 0.36%

LAB 24.6, 30.79, -51.06

 

CMYK 0 / 67 / 55 / 46

HEX #892D3E

RGB 137 45 62

HSL 348.91, 0.51%, 0.36%

LAB 33.01, 40.44, 11.14

 

CMYK 1 / 0 / 67 / 46

HEX #88892D

RGB 136 137 45

HSL 60.65, 0.51%, 0.36%

LAB 55.4, -12.48, 47.19

 

CMYK 67 / 0 / 12 / 46

HEX #2E8A7A

RGB 46 138 122

HSL 169.57, 0.5%, 0.36%

LAB 52.02, -30.86, 0.67

 

CMYK 46 / 67 / 0 / 46

HEX #4A2D89

RGB 74 45 137

HSL 258.91, 0.51%, 0.36%

LAB 27.13, 35.74, -46.83

 

CMYK 0 / 67 / 55 / 46

HEX #892D3E

RGB 137 45 62

HSL 348.91, 0.51%, 0.36%

LAB 33.01, 40.44, 11.14

 

CMYK 21 / 0 / 67 / 46

HEX #6C892D

RGB 108 137 45

HSL 78.91, 0.51%, 0.36%

LAB 53.24, -24.68, 44.28

 

Description

Color code: HEX #2E8A7A | qconv.com Color code: HEX #2E8A7A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 138 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 138 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 12 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 12% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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