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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E7A2A it is the complementary color #D185D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E7A2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E7A2A shade: #337A25, #448C38, #559E4B, #66B05E and #77C271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E7A2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E7A2A shade: #2E7A2A, #1D6817, #0C5604, #004400 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E7A2A shade: #2D7929, #437929, #587929, #6E7929 and #796F29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E7A2A shade: #2D7929, #29793B, #297950, #297966 and #297779

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E7A2A shade matches the following richer shades: #2D7929, #21861C, #15930F and #09A102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E7A2A shade: #2D7929, #396C36, #455F44, #515151 and #5D445E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E7A2A shade: #587929, #427929, #2D7929, #29793A and #297950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E7A2A shade: #163C14, #225A1F, #2D7929, #399834 and #44B73E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E7A2A shade: #2E7A2A, #296D79 and #79294D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E7A2A shade: #2E7A2A, #292D79 and #79292D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E7A2A shade: #2E7A2A, #296D79, #752979 and #793529

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E7A2A shade: #2E7A2A, #295579, #752979 and #794D29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 66 / 52

HEX #2E7A2A

RGB 46 122 42

HSL 117, 0.49%, 0.32%

LAB 45.17, -40.05, 35.95

 

Complementary color

CMYK 2 / 38 / 0 / 16

HEX #D185D5

RGB 209 133 213

HSL 297, 0.49%, 0.68%

LAB 65.85, 41.71, -29.22

 

CMYK 58 / 0 / 70 / 52

HEX #337A25

RGB 51 122 37

HSL 110.12, 0.53%, 0.31%

LAB 45.3, -39.24, 38.42

 

CMYK 51 / 0 / 60 / 45

HEX #448C38

RGB 68 140 56

HSL 111.43, 0.43%, 0.38%

LAB 52.14, -39.61, 37.38

 

CMYK 46 / 0 / 53 / 38

HEX #559E4B

RGB 85 158 75

HSL 112.77, 0.36%, 0.46%

LAB 58.88, -39.69, 36.12

 

CMYK 42 / 0 / 47 / 31

HEX #66B05E

RGB 102 176 94

HSL 114.15, 0.34%, 0.53%

LAB 65.5, -39.61, 34.82

 

CMYK 39 / 0 / 42 / 24

HEX #77C271

RGB 119 194 113

HSL 115.56, 0.4%, 0.6%

LAB 72.03, -39.44, 33.56

 

CMYK 62 / 0 / 66 / 52

HEX #2E7A2A

RGB 46 122 42

HSL 117, 0.49%, 0.32%

LAB 45.17, -40.05, 35.95

 

CMYK 72 / 0 / 78 / 59

HEX #1D6817

RGB 29 104 23

HSL 115.56, 0.64%, 0.25%

LAB 38.24, -39.1, 36.76

 

CMYK 86 / 0 / 95 / 66

HEX #0C5604

RGB 12 86 4

HSL 114.15, 0.91%, 0.18%

LAB 31.21, -37.14, 36.51

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 63 / 0 / 66 / 53

HEX #2D7929

RGB 45 121 41

HSL 117, 0.49%, 0.32%

LAB 44.79, -40.03, 35.99

 

CMYK 45 / 0 / 66 / 53

HEX #437929

RGB 67 121 41

HSL 100.5, 0.49%, 0.32%

LAB 45.67, -33.36, 37.21

 

CMYK 27 / 0 / 66 / 53

HEX #587929

RGB 88 121 41

HSL 84.75, 0.49%, 0.32%

LAB 46.86, -25.35, 38.84

 

CMYK 9 / 0 / 66 / 53

HEX #6E7929

RGB 110 121 41

HSL 68.25, 0.49%, 0.32%

LAB 48.45, -15.84, 41.02

 

CMYK 0 / 8 / 66 / 53

HEX #796F29

RGB 121 111 41

HSL 52.5, 0.49%, 0.32%

LAB 46.44, -5.26, 39.17

 

CMYK 63 / 0 / 66 / 53

HEX #2D7929

RGB 45 121 41

HSL 117, 0.49%, 0.32%

LAB 44.79, -40.03, 35.99

 

CMYK 66 / 0 / 51 / 53

HEX #29793B

RGB 41 121 59

HSL 133.5, 0.49%, 0.32%

LAB 44.89, -38.49, 26.9

 

CMYK 66 / 0 / 34 / 53

HEX #297950

RGB 41 121 80

HSL 149.25, 0.49%, 0.32%

LAB 45.26, -34.46, 15.54

 

CMYK 66 / 0 / 16 / 53

HEX #297966

RGB 41 121 102

HSL 165.75, 0.49%, 0.32%

LAB 45.78, -29.07, 3.33

 

CMYK 66 / 2 / 0 / 53

HEX #297779

RGB 41 119 121

HSL 181.5, 0.49%, 0.32%

LAB 45.7, -22.55, -8.1

 

CMYK 63 / 0 / 66 / 53

HEX #2D7929

RGB 45 121 41

HSL 117, 0.49%, 0.32%

LAB 44.79, -40.03, 35.99

 

CMYK 75 / 0 / 79 / 47

HEX #21861C

RGB 33 134 28

HSL 117.17, 0.65%, 0.32%

LAB 48.83, -48.53, 45.43

 

CMYK 86 / 0 / 90 / 42

HEX #15930F

RGB 21 147 15

HSL 117.27, 0.81%, 0.32%

LAB 53.02, -55.09, 52.81

 

CMYK 94 / 0 / 99 / 37

HEX #09A102

RGB 9 161 2

HSL 117.36, 0.98%, 0.32%

LAB 57.61, -60.54, 58.75

 

CMYK 63 / 0 / 66 / 53

HEX #2D7929

RGB 45 121 41

HSL 117, 0.49%, 0.32%

LAB 44.79, -40.03, 35.99

 

CMYK 47 / 0 / 50 / 58

HEX #396C36

RGB 57 108 54

HSL 116.67, 0.33%, 0.32%

LAB 40.99, -29.17, 24.91

 

CMYK 27 / 0 / 28 / 63

HEX #455F44

RGB 69 95 68

HSL 117.78, 0.17%, 0.32%

LAB 37.6, -15.73, 12.4

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 1 / 28 / 0 / 63

HEX #5D445E

RGB 93 68 94

HSL 297.69, 0.16%, 0.32%

LAB 32.41, 15.81, -11.18

 

CMYK 27 / 0 / 66 / 53

HEX #587929

RGB 88 121 41

HSL 84.75, 0.49%, 0.32%

LAB 46.86, -25.35, 38.84

 

CMYK 45 / 0 / 66 / 53

HEX #427929

RGB 66 121 41

HSL 101.25, 0.49%, 0.32%

LAB 45.62, -33.71, 37.14

 

CMYK 63 / 0 / 66 / 53

HEX #2D7929

RGB 45 121 41

HSL 117, 0.49%, 0.32%

LAB 44.79, -40.03, 35.99

 

CMYK 66 / 0 / 52 / 53

HEX #29793A

RGB 41 121 58

HSL 132.75, 0.49%, 0.32%

LAB 44.87, -38.66, 27.42

 

CMYK 66 / 0 / 34 / 53

HEX #297950

RGB 41 121 80

HSL 149.25, 0.49%, 0.32%

LAB 45.26, -34.46, 15.54

 

CMYK 63 / 0 / 67 / 76

HEX #163C14

RGB 22 60 20

HSL 117, 0.5%, 0.16%

LAB 21.77, -23.12, 20.38

 

CMYK 62 / 0 / 66 / 65

HEX #225A1F

RGB 34 90 31

HSL 116.95, 0.49%, 0.24%

LAB 33.46, -31.46, 28.04

 

CMYK 63 / 0 / 66 / 53

HEX #2D7929

RGB 45 121 41

HSL 117, 0.49%, 0.32%

LAB 44.79, -40.03, 35.99

 

CMYK 63 / 0 / 66 / 40

HEX #399834

RGB 57 152 52

HSL 117, 0.49%, 0.4%

LAB 55.66, -47.77, 43.1

 

CMYK 63 / 0 / 66 / 28

HEX #44B73E

RGB 68 183 62

HSL 117.02, 0.49%, 0.48%

LAB 66.09, -55.53, 50.31

 

CMYK 62 / 0 / 66 / 52

HEX #2E7A2A

RGB 46 122 42

HSL 117, 0.49%, 0.32%

LAB 45.17, -40.05, 35.95

 

CMYK 66 / 10 / 0 / 53

HEX #296D79

RGB 41 109 121

HSL 189, 0.49%, 0.32%

LAB 42.44, -17.18, -13

 

CMYK 0 / 66 / 36 / 53

HEX #79294D

RGB 121 41 77

HSL 333, 0.49%, 0.32%

LAB 29.88, 38.43, -3.56

 

CMYK 62 / 0 / 66 / 52

HEX #2E7A2A

RGB 46 122 42

HSL 117, 0.49%, 0.32%

LAB 45.17, -40.05, 35.95

 

CMYK 66 / 63 / 0 / 53

HEX #292D79

RGB 41 45 121

HSL 237, 0.49%, 0.32%

LAB 22.75, 24.03, -44.02

 

CMYK 0 / 66 / 63 / 53

HEX #79292D

RGB 121 41 45

HSL 357, 0.49%, 0.32%

LAB 29.01, 35.18, 16.35

 

CMYK 62 / 0 / 66 / 52

HEX #2E7A2A

RGB 46 122 42

HSL 117, 0.49%, 0.32%

LAB 45.17, -40.05, 35.95

 

CMYK 66 / 10 / 0 / 53

HEX #296D79

RGB 41 109 121

HSL 189, 0.49%, 0.32%

LAB 42.44, -17.18, -13

 

CMYK 3 / 66 / 0 / 53

HEX #752979

RGB 117 41 121

HSL 297, 0.49%, 0.32%

LAB 31.23, 44.31, -29.91

 

CMYK 0 / 56 / 66 / 53

HEX #793529

RGB 121 53 41

HSL 9, 0.49%, 0.32%

LAB 31.28, 28.72, 21.78

 

CMYK 62 / 0 / 66 / 52

HEX #2E7A2A

RGB 46 122 42

HSL 117, 0.49%, 0.32%

LAB 45.17, -40.05, 35.95

 

CMYK 66 / 30 / 0 / 53

HEX #295579

RGB 41 85 121

HSL 207, 0.49%, 0.32%

LAB 34.7, -2.99, -24.93

 

CMYK 3 / 66 / 0 / 53

HEX #752979

RGB 117 41 121

HSL 297, 0.49%, 0.32%

LAB 31.23, 44.31, -29.91

 

CMYK 0 / 36 / 66 / 53

HEX #794D29

RGB 121 77 41

HSL 27, 0.49%, 0.32%

LAB 36.99, 14.81, 28.62

 

Description

Color code: HEX #2E7A2A | qconv.com Color code: HEX #2E7A2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 122 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 122 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 66 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 66% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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