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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E5C1C it is the complementary color #D1A3E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E5C1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E5C1C shade: #335C17, #446E2A, #55803D, #669250 and #77A463

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E5C1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E5C1C shade: #2E5C1C, #1D4A09, #0C3800, #002600 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E5C1C shade: #2F5D1C, #405D1C, #515D1C, #5D571C and #5D461C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E5C1C shade: #2F5D1C, #1D5D1C, #1C5D2D, #1C5D3F and #1C5D50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E5C1C shade matches the following richer shades: #2F5D1C, #2A6712 and #267108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E5C1C shade: #2F5D1C, #335326, #374930, #3C3F3A and #403644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E5C1C shade: #515D1C, #405D1C, #2F5D1C, #1D5D1C and #1C5D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E5C1C shade: #0F1E09, #1F3E13, #2F5D1C, #3E7D26 and #4E9C30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E5C1C shade: #2E5C1C, #1C5D58 and #5D1C49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E5C1C shade: #2E5C1C, #1C2F5D and #5D1C2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E5C1C shade: #2E5C1C, #1C5D58, #4B1C5D and #5D1C22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E5C1C shade: #2E5C1C, #1C4F5D, #4B1C5D and #5D2A1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 70 / 64

HEX #2E5C1C

RGB 46 92 28

HSL 103.13, 0.53%, 0.24%

LAB 34.64, -28.9, 30.98

 

Complementary color

CMYK 8 / 28 / 0 / 11

HEX #D1A3E3

RGB 209 163 227

HSL 283.13, 0.53%, 0.76%

LAB 73.09, 28.21, -25.82

 

CMYK 45 / 0 / 75 / 64

HEX #335C17

RGB 51 92 23

HSL 95.65, 0.6%, 0.23%

LAB 34.84, -27.56, 33.57

 

CMYK 38 / 0 / 62 / 57

HEX #446E2A

RGB 68 110 42

HSL 97.06, 0.45%, 0.3%

LAB 42.07, -27.8, 32.71

 

CMYK 34 / 0 / 52 / 50

HEX #55803D

RGB 85 128 61

HSL 98.51, 0.35%, 0.37%

LAB 49.14, -27.81, 31.49

 

CMYK 30 / 0 / 45 / 43

HEX #669250

RGB 102 146 80

HSL 100, 0.29%, 0.44%

LAB 56.05, -27.71, 30.21

 

CMYK 27 / 0 / 40 / 36

HEX #77A463

RGB 119 164 99

HSL 101.54, 0.26%, 0.52%

LAB 62.82, -27.56, 28.97

 

CMYK 50 / 0 / 70 / 64

HEX #2E5C1C

RGB 46 92 28

HSL 103.13, 0.53%, 0.24%

LAB 34.64, -28.9, 30.98

 

CMYK 61 / 0 / 88 / 71

HEX #1D4A09

RGB 29 74 9

HSL 101.54, 0.78%, 0.16%

LAB 27.24, -28.27, 31.32

 

CMYK 79 / 0 / 100 / 78

HEX #0C3800

RGB 12 56 0

HSL 107.14, 1%, 0.11%

LAB 19.67, -26.51, 27.06

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 49 / 0 / 70 / 64

HEX #2F5D1C

RGB 47 93 28

HSL 102.46, 0.54%, 0.24%

LAB 35.04, -29.01, 31.43

 

CMYK 31 / 0 / 70 / 64

HEX #405D1C

RGB 64 93 28

HSL 86.77, 0.54%, 0.24%

LAB 35.99, -22.4, 32.74

 

CMYK 13 / 0 / 70 / 64

HEX #515D1C

RGB 81 93 28

HSL 71.08, 0.54%, 0.24%

LAB 37.23, -14.81, 34.42

 

CMYK 0 / 6 / 70 / 64

HEX #5D571C

RGB 93 87 28

HSL 54.46, 0.54%, 0.24%

LAB 36.42, -5.62, 33.91

 

CMYK 0 / 25 / 70 / 64

HEX #5D461C

RGB 93 70 28

HSL 38.77, 0.54%, 0.24%

LAB 31.33, 4.73, 28.44

 

CMYK 49 / 0 / 70 / 64

HEX #2F5D1C

RGB 47 93 28

HSL 102.46, 0.54%, 0.24%

LAB 35.04, -29.01, 31.43

 

CMYK 69 / 0 / 70 / 64

HEX #1D5D1C

RGB 29 93 28

HSL 119.08, 0.54%, 0.24%

LAB 34.34, -34.38, 30.47

 

CMYK 70 / 0 / 52 / 64

HEX #1C5D2D

RGB 28 93 45

HSL 135.69, 0.54%, 0.24%

LAB 34.53, -32.13, 21.64

 

CMYK 70 / 0 / 32 / 64

HEX #1C5D3F

RGB 28 93 63

HSL 152.31, 0.54%, 0.24%

LAB 34.87, -28.37, 11.38

 

CMYK 70 / 0 / 14 / 64

HEX #1C5D50

RGB 28 93 80

HSL 168, 0.54%, 0.24%

LAB 35.31, -23.85, 1.5

 

CMYK 49 / 0 / 70 / 64

HEX #2F5D1C

RGB 47 93 28

HSL 102.46, 0.54%, 0.24%

LAB 35.04, -29.01, 31.43

 

CMYK 59 / 0 / 83 / 60

HEX #2A6712

RGB 42 103 18

HSL 103.06, 0.7%, 0.24%

LAB 38.26, -35.76, 38.79

 

CMYK 66 / 0 / 93 / 56

HEX #267108

RGB 38 113 8

HSL 102.86, 0.87%, 0.24%

LAB 41.59, -41.21, 44.53

 

CMYK 49 / 0 / 70 / 64

HEX #2F5D1C

RGB 47 93 28

HSL 102.46, 0.54%, 0.24%

LAB 35.04, -29.01, 31.43

 

CMYK 39 / 0 / 54 / 67

HEX #335326

RGB 51 83 38

HSL 102.67, 0.37%, 0.24%

LAB 31.88, -21.44, 22.56

 

CMYK 25 / 0 / 34 / 71

HEX #374930

RGB 55 73 48

HSL 103.2, 0.21%, 0.24%

LAB 28.88, -12.67, 12.73

 

CMYK 5 / 0 / 8 / 75

HEX #3C3F3A

RGB 60 63 58

HSL 96, 0.04%, 0.24%

LAB 26.22, -2.38, 2.63

 

CMYK 6 / 21 / 0 / 73

HEX #403644

RGB 64 54 68

HSL 282.86, 0.11%, 0.24%

LAB 24.15, 7.52, -7.03

 

CMYK 13 / 0 / 70 / 64

HEX #515D1C

RGB 81 93 28

HSL 71.08, 0.54%, 0.24%

LAB 37.23, -14.81, 34.42

 

CMYK 31 / 0 / 70 / 64

HEX #405D1C

RGB 64 93 28

HSL 86.77, 0.54%, 0.24%

LAB 35.99, -22.4, 32.74

 

CMYK 49 / 0 / 70 / 64

HEX #2F5D1C

RGB 47 93 28

HSL 102.46, 0.54%, 0.24%

LAB 35.04, -29.01, 31.43

 

CMYK 69 / 0 / 70 / 64

HEX #1D5D1C

RGB 29 93 28

HSL 119.08, 0.54%, 0.24%

LAB 34.34, -34.38, 30.47

 

CMYK 70 / 0 / 53 / 64

HEX #1C5D2C

RGB 28 93 44

HSL 134.77, 0.54%, 0.24%

LAB 34.51, -32.3, 22.19

 

CMYK 50 / 0 / 70 / 88

HEX #0F1E09

RGB 15 30 9

HSL 102.86, 0.54%, 0.08%

LAB 9.4, -11.41, 10.15

 

CMYK 50 / 0 / 69 / 76

HEX #1F3E13

RGB 31 62 19

HSL 103.26, 0.53%, 0.16%

LAB 22.94, -21.06, 22.39

 

CMYK 49 / 0 / 70 / 64

HEX #2F5D1C

RGB 47 93 28

HSL 102.46, 0.54%, 0.24%

LAB 35.04, -29.01, 31.43

 

CMYK 50 / 0 / 70 / 51

HEX #3E7D26

RGB 62 125 38

HSL 103.45, 0.53%, 0.32%

LAB 46.75, -37.07, 39.67

 

CMYK 50 / 0 / 69 / 39

HEX #4E9C30

RGB 78 156 48

HSL 103.33, 0.53%, 0.4%

LAB 57.67, -43.98, 47.2

 

CMYK 50 / 0 / 70 / 64

HEX #2E5C1C

RGB 46 92 28

HSL 103.13, 0.53%, 0.24%

LAB 34.64, -28.9, 30.98

 

CMYK 70 / 0 / 5 / 64

HEX #1C5D58

RGB 28 93 88

HSL 175.38, 0.54%, 0.24%

LAB 35.56, -21.45, -3.12

 

CMYK 0 / 70 / 22 / 64

HEX #5D1C49

RGB 93 28 73

HSL 318.46, 0.54%, 0.24%

LAB 22.44, 34.85, -12.62

 

CMYK 50 / 0 / 70 / 64

HEX #2E5C1C

RGB 46 92 28

HSL 103.13, 0.53%, 0.24%

LAB 34.64, -28.9, 30.98

 

CMYK 70 / 49 / 0 / 64

HEX #1C2F5D

RGB 28 47 93

HSL 222.46, 0.54%, 0.24%

LAB 20.32, 9.32, -29.86

 

CMYK 0 / 70 / 49 / 64

HEX #5D1C2F

RGB 93 28 47

HSL 342.46, 0.54%, 0.24%

LAB 21.44, 31.33, 3.81

 

CMYK 50 / 0 / 70 / 64

HEX #2E5C1C

RGB 46 92 28

HSL 103.13, 0.53%, 0.24%

LAB 34.64, -28.9, 30.98

 

CMYK 70 / 0 / 5 / 64

HEX #1C5D58

RGB 28 93 88

HSL 175.38, 0.54%, 0.24%

LAB 35.56, -21.45, -3.12

 

CMYK 19 / 70 / 0 / 64

HEX #4B1C5D

RGB 75 28 93

HSL 283.38, 0.54%, 0.24%

LAB 20.51, 33.58, -29.29

 

CMYK 0 / 70 / 63 / 64

HEX #5D1C22

RGB 93 28 34

HSL 354.46, 0.54%, 0.24%

LAB 21.11, 30.09, 12.37

 

CMYK 50 / 0 / 70 / 64

HEX #2E5C1C

RGB 46 92 28

HSL 103.13, 0.53%, 0.24%

LAB 34.64, -28.9, 30.98

 

CMYK 70 / 15 / 0 / 64

HEX #1C4F5D

RGB 28 79 93

HSL 192.92, 0.54%, 0.24%

LAB 30.95, -11.93, -13.21

 

CMYK 19 / 70 / 0 / 64

HEX #4B1C5D

RGB 75 28 93

HSL 283.38, 0.54%, 0.24%

LAB 20.51, 33.58, -29.29

 

CMYK 0 / 55 / 70 / 64

HEX #5D2A1C

RGB 93 42 28

HSL 12.92, 0.54%, 0.24%

LAB 23.89, 22.05, 19.88

 

Description

Color code: HEX #2E5C1C | qconv.com Color code: HEX #2E5C1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 92 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 92 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 70 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 70% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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