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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E5879 it is the complementary color #D1A786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E5879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E5879 shade: #335874, #446A87, #557C9A, #668EAD and #77A0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E5879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E5879 shade: #2E5879, #1D4666, #0C3453, #002240 and #00102D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E5879 shade: #2E587A, #2E447A, #2E2F7A, #412E7A and #552E7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E5879 shade: #2E587A, #2E447A, #2E2F7A and #2E2E7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E5879 shade matches the following richer shades: #2E587A, #205A87, #135B95 and #055DA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E5879 shade: #2E587A, #3B576C, #49555E, #575351 and #645243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E5879 shade: #2E7A72, #2E6D7A, #2E597A, #2E457A and #2E307A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E5879 shade: #172D3E, #22425C, #2E587A, #396E97 and #4484B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E5879 shade: #2E5879, #5E2E7A and #777A2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E5879 shade: #2E5879, #7A2E59 and #597A2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E5879 shade: #2E5879, #5E2E7A, #7A4F2E and #4A7A2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E5879 shade: #2E5879, #742E7A, #7A4F2E and #337A2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 27 / 0 / 53

HEX #2E5879

RGB 46 88 121

HSL 206.4, 0.45%, 0.33%

LAB 35.87, -3.84, -23.09

 

Complementary color

CMYK 0 / 20 / 36 / 18

HEX #D1A786

RGB 209 167 134

HSL 26.4, 0.45%, 0.67%

LAB 71.5, 10.87, 22.93

 

CMYK 56 / 24 / 0 / 55

HEX #335874

RGB 51 88 116

HSL 205.85, 0.39%, 0.33%

LAB 35.88, -4.42, -19.97

 

CMYK 50 / 21 / 0 / 47

HEX #446A87

RGB 68 106 135

HSL 205.97, 0.33%, 0.4%

LAB 43.19, -4.92, -20.18

 

CMYK 45 / 19 / 0 / 40

HEX #557C9A

RGB 85 124 154

HSL 206.09, 0.29%, 0.47%

LAB 50.31, -5.29, -20.41

 

CMYK 41 / 18 / 0 / 32

HEX #668EAD

RGB 102 142 173

HSL 206.2, 0.3%, 0.54%

LAB 57.26, -5.57, -20.66

 

CMYK 38 / 17 / 0 / 25

HEX #77A0C0

RGB 119 160 192

HSL 206.3, 0.37%, 0.61%

LAB 64.05, -5.8, -20.92

 

CMYK 62 / 27 / 0 / 53

HEX #2E5879

RGB 46 88 121

HSL 206.4, 0.45%, 0.33%

LAB 35.87, -3.84, -23.09

 

CMYK 72 / 31 / 0 / 60

HEX #1D4666

RGB 29 70 102

HSL 206.3, 0.56%, 0.26%

LAB 28.38, -2.77, -22.92

 

CMYK 86 / 37 / 0 / 67

HEX #0C3453

RGB 12 52 83

HSL 206.2, 0.75%, 0.19%

LAB 20.67, -1.08, -22.72

 

CMYK 100 / 47 / 0 / 75

HEX #002240

RGB 0 34 64

HSL 208.13, 1%, 0.13%

LAB 12.7, 1.65, -22.44

 

CMYK 100 / 64 / 0 / 82

HEX #00102D

RGB 0 16 45

HSL 218.67, 1%, 0.09%

LAB 5.06, 5.19, -20.96

 

CMYK 62 / 28 / 0 / 52

HEX #2E587A

RGB 46 88 122

HSL 206.84, 0.45%, 0.33%

LAB 35.92, -3.49, -23.63

 

CMYK 62 / 44 / 0 / 52

HEX #2E447A

RGB 46 68 122

HSL 222.63, 0.45%, 0.33%

LAB 29.71, 9.57, -33.41

 

CMYK 62 / 61 / 0 / 52

HEX #2E2F7A

RGB 46 47 122

HSL 239.21, 0.45%, 0.33%

LAB 23.73, 23.94, -43.04

 

CMYK 47 / 62 / 0 / 52

HEX #412E7A

RGB 65 46 122

HSL 255, 0.45%, 0.33%

LAB 25.21, 28.62, -40.57

 

CMYK 30 / 62 / 0 / 52

HEX #552E7A

RGB 85 46 122

HSL 270.79, 0.45%, 0.33%

LAB 27.55, 33.56, -36.68

 

CMYK 62 / 28 / 0 / 52

HEX #2E587A

RGB 46 88 122

HSL 206.84, 0.45%, 0.33%

LAB 35.92, -3.49, -23.63

 

CMYK 62 / 44 / 0 / 52

HEX #2E447A

RGB 46 68 122

HSL 222.63, 0.45%, 0.33%

LAB 29.71, 9.57, -33.41

 

CMYK 62 / 61 / 0 / 52

HEX #2E2F7A

RGB 46 47 122

HSL 239.21, 0.45%, 0.33%

LAB 23.73, 23.94, -43.04

 

CMYK 62 / 62 / 0 / 52

HEX #2E2E7A

RGB 46 46 122

HSL 240, 0.45%, 0.33%

LAB 23.47, 24.61, -43.46

 

CMYK 62 / 28 / 0 / 52

HEX #2E587A

RGB 46 88 122

HSL 206.84, 0.45%, 0.33%

LAB 35.92, -3.49, -23.63

 

CMYK 76 / 33 / 0 / 47

HEX #205A87

RGB 32 90 135

HSL 206.21, 0.62%, 0.33%

LAB 36.68, -2.4, -30.44

 

CMYK 87 / 39 / 0 / 42

HEX #135B95

RGB 19 91 149

HSL 206.77, 0.77%, 0.33%

LAB 37.46, 1.06, -37.71

 

CMYK 97 / 43 / 0 / 36

HEX #055DA2

RGB 5 93 162

HSL 206.37, 0.94%, 0.33%

LAB 38.67, 4.24, -43.58

 

CMYK 62 / 28 / 0 / 52

HEX #2E587A

RGB 46 88 122

HSL 206.84, 0.45%, 0.33%

LAB 35.92, -3.49, -23.63

 

CMYK 45 / 19 / 0 / 58

HEX #3B576C

RGB 59 87 108

HSL 205.71, 0.29%, 0.33%

LAB 35.65, -4.26, -15.31

 

CMYK 22 / 10 / 0 / 63

HEX #49555E

RGB 73 85 94

HSL 205.71, 0.13%, 0.33%

LAB 35.44, -2.46, -6.8

 

CMYK 0 / 5 / 7 / 66

HEX #575351

RGB 87 83 81

HSL 20, 0.04%, 0.33%

LAB 35.61, 1.22, 1.74

 

CMYK 0 / 18 / 33 / 61

HEX #645243

RGB 100 82 67

HSL 27.27, 0.2%, 0.33%

LAB 36.27, 4.98, 11.61

 

CMYK 62 / 0 / 7 / 52

HEX #2E7A72

RGB 46 122 114

HSL 173.68, 0.45%, 0.33%

LAB 46.6, -25.25, -2.58

 

CMYK 62 / 11 / 0 / 52

HEX #2E6D7A

RGB 46 109 122

HSL 190.26, 0.45%, 0.33%

LAB 42.65, -15.9, -13.28

 

CMYK 62 / 27 / 0 / 52

HEX #2E597A

RGB 46 89 122

HSL 206.05, 0.45%, 0.33%

LAB 36.23, -4.11, -23.14

 

CMYK 62 / 43 / 0 / 52

HEX #2E457A

RGB 46 69 122

HSL 221.84, 0.45%, 0.33%

LAB 30.02, 8.9, -32.93

 

CMYK 62 / 61 / 0 / 52

HEX #2E307A

RGB 46 48 122

HSL 238.42, 0.45%, 0.33%

LAB 24, 23.26, -42.61

 

CMYK 63 / 27 / 0 / 76

HEX #172D3E

RGB 23 45 62

HSL 206.15, 0.46%, 0.17%

LAB 17.49, -2.71, -13.43

 

CMYK 63 / 28 / 0 / 64

HEX #22425C

RGB 34 66 92

HSL 206.9, 0.46%, 0.25%

LAB 26.76, -2.9, -19

 

CMYK 62 / 28 / 0 / 52

HEX #2E587A

RGB 46 88 122

HSL 206.84, 0.45%, 0.33%

LAB 35.92, -3.49, -23.63

 

CMYK 62 / 27 / 0 / 41

HEX #396E97

RGB 57 110 151

HSL 206.17, 0.45%, 0.41%

LAB 44.6, -4.58, -27.59

 

CMYK 62 / 27 / 0 / 29

HEX #4484B5

RGB 68 132 181

HSL 206.02, 0.45%, 0.49%

LAB 53.02, -5.29, -31.91

 

CMYK 62 / 27 / 0 / 53

HEX #2E5879

RGB 46 88 121

HSL 206.4, 0.45%, 0.33%

LAB 35.87, -3.84, -23.09

 

CMYK 23 / 62 / 0 / 52

HEX #5E2E7A

RGB 94 46 122

HSL 277.89, 0.45%, 0.33%

LAB 28.74, 35.93, -34.7

 

CMYK 2 / 0 / 62 / 52

HEX #777A2E

RGB 119 122 46

HSL 62.37, 0.45%, 0.33%

LAB 49.54, -11.95, 40.11

 

CMYK 62 / 27 / 0 / 53

HEX #2E5879

RGB 46 88 121

HSL 206.4, 0.45%, 0.33%

LAB 35.87, -3.84, -23.09

 

CMYK 0 / 62 / 27 / 52

HEX #7A2E59

RGB 122 46 89

HSL 326.05, 0.45%, 0.33%

LAB 31.38, 38.01, -9.14

 

CMYK 27 / 0 / 62 / 52

HEX #597A2E

RGB 89 122 46

HSL 86.05, 0.45%, 0.33%

LAB 47.29, -24.98, 36.98

 

CMYK 62 / 27 / 0 / 53

HEX #2E5879

RGB 46 88 121

HSL 206.4, 0.45%, 0.33%

LAB 35.87, -3.84, -23.09

 

CMYK 23 / 62 / 0 / 52

HEX #5E2E7A

RGB 94 46 122

HSL 277.89, 0.45%, 0.33%

LAB 28.74, 35.93, -34.7

 

CMYK 0 / 35 / 62 / 52

HEX #7A4F2E

RGB 122 79 46

HSL 26.05, 0.45%, 0.33%

LAB 37.71, 14.46, 26.65

 

CMYK 39 / 0 / 62 / 52

HEX #4A7A2E

RGB 74 122 46

HSL 97.89, 0.45%, 0.33%

LAB 46.41, -30.8, 35.75

 

CMYK 62 / 27 / 0 / 53

HEX #2E5879

RGB 46 88 121

HSL 206.4, 0.45%, 0.33%

LAB 35.87, -3.84, -23.09

 

CMYK 5 / 62 / 0 / 52

HEX #742E7A

RGB 116 46 122

HSL 295.26, 0.45%, 0.33%

LAB 31.97, 41.9, -29.37

 

CMYK 0 / 35 / 62 / 52

HEX #7A4F2E

RGB 122 79 46

HSL 26.05, 0.45%, 0.33%

LAB 37.71, 14.46, 26.65

 

CMYK 58 / 0 / 62 / 52

HEX #337A2E

RGB 51 122 46

HSL 116.05, 0.45%, 0.33%

LAB 45.39, -38.25, 34.31

 

Description

Color code: HEX #2E5879 | qconv.com Color code: HEX #2E5879 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 88 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 88 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 27 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 27% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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