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Color name
HEX #2E3F5C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E3F5C it is the complementary color #D1C0A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E3F5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E3F5C shade: #333F57, #44516A, #55637D, #667590 and #7787A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E3F5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E3F5C shade: #2E3F5C, #1D2D49, #0C1B36, #000923 and #000010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E3F5C shade: #2E3E5B, #2E325B, #352E5B, #422E5B and #4E2E5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E3F5C shade: #2E3E5B, #2E325B and #2E2E5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E3F5C shade matches the following richer shades: #2E3E5B, #223C66, #173971, #0C367C and #013388

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E3F5C shade: #2E3E5B, #394150, #444445, #4F473A and #5A4A2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E3F5C shade: #2E575B, #2E4B5B, #2E3F5B, #2E335B and #342E5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E3F5C shade: #121924, #202C40, #2E3E5B, #3B5177 and #496492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E3F5C shade: #2E3F5C, #532E5B and #515B2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E3F5C shade: #2E3F5C, #5B2E3F and #3F5B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E3F5C shade: #2E3F5C, #532E5B, #5B4A2E and #365B2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E3F5C shade: #2E3F5C, #5B2E56, #5B4A2E and #2E5B33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 32 / 0 / 64

HEX #2E3F5C

RGB 46 63 92

HSL 217.83, 0.33%, 0.27%

LAB 26.47, 2.2, -19.4

 

Complementary color

CMYK 0 / 8 / 22 / 18

HEX #D1C0A3

RGB 209 192 163

HSL 37.83, 0.33%, 0.73%

LAB 78.4, 1.39, 16.8

 

CMYK 41 / 28 / 0 / 66

HEX #333F57

RGB 51 63 87

HSL 220, 0.26%, 0.27%

LAB 26.58, 2.07, -15.95

 

CMYK 36 / 24 / 0 / 58

HEX #44516A

RGB 68 81 106

HSL 219.47, 0.22%, 0.34%

LAB 34.3, 1.64, -16.09

 

CMYK 32 / 21 / 0 / 51

HEX #55637D

RGB 85 99 125

HSL 219, 0.19%, 0.41%

LAB 41.74, 1.3, -16.28

 

CMYK 29 / 19 / 0 / 44

HEX #667590

RGB 102 117 144

HSL 218.57, 0.17%, 0.48%

LAB 48.96, 1.02, -16.51

 

CMYK 27 / 17 / 0 / 36

HEX #7787A3

RGB 119 135 163

HSL 218.18, 0.19%, 0.55%

LAB 55.98, 0.78, -16.77

 

CMYK 50 / 32 / 0 / 64

HEX #2E3F5C

RGB 46 63 92

HSL 217.83, 0.33%, 0.27%

LAB 26.47, 2.2, -19.4

 

CMYK 60 / 38 / 0 / 71

HEX #1D2D49

RGB 29 45 73

HSL 218.18, 0.43%, 0.2%

LAB 18.45, 3.08, -19.44

 

CMYK 78 / 50 / 0 / 79

HEX #0C1B36

RGB 12 27 54

HSL 218.57, 0.64%, 0.13%

LAB 10.02, 4.58, -19.59

 

CMYK 100 / 74 / 0 / 86

HEX #000923

RGB 0 9 35

HSL 224.57, 1%, 0.07%

LAB 2.86, 4.1, -16.77

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 49 / 32 / 0 / 64

HEX #2E3E5B

RGB 46 62 91

HSL 218.67, 0.33%, 0.27%

LAB 26.1, 2.53, -19.33

 

CMYK 49 / 45 / 0 / 64

HEX #2E325B

RGB 46 50 91

HSL 234.67, 0.33%, 0.27%

LAB 22.36, 10.78, -25.21

 

CMYK 42 / 49 / 0 / 64

HEX #352E5B

RGB 53 46 91

HSL 249.33, 0.33%, 0.27%

LAB 21.82, 15.6, -26.03

 

CMYK 27 / 49 / 0 / 64

HEX #422E5B

RGB 66 46 91

HSL 266.67, 0.33%, 0.27%

LAB 23.23, 19.65, -23.71

 

CMYK 14 / 49 / 0 / 64

HEX #4E2E5B

RGB 78 46 91

HSL 282.67, 0.33%, 0.27%

LAB 24.73, 23.6, -21.25

 

CMYK 49 / 32 / 0 / 64

HEX #2E3E5B

RGB 46 62 91

HSL 218.67, 0.33%, 0.27%

LAB 26.1, 2.53, -19.33

 

CMYK 49 / 45 / 0 / 64

HEX #2E325B

RGB 46 50 91

HSL 234.67, 0.33%, 0.27%

LAB 22.36, 10.78, -25.21

 

CMYK 49 / 49 / 0 / 64

HEX #2E2E5B

RGB 46 46 91

HSL 240, 0.33%, 0.27%

LAB 21.17, 13.59, -27.11

 

CMYK 49 / 32 / 0 / 64

HEX #2E3E5B

RGB 46 62 91

HSL 218.67, 0.33%, 0.27%

LAB 26.1, 2.53, -19.33

 

CMYK 67 / 41 / 0 / 60

HEX #223C66

RGB 34 60 102

HSL 217.06, 0.5%, 0.27%

LAB 25.35, 4.93, -27.68

 

CMYK 80 / 50 / 0 / 56

HEX #173971

RGB 23 57 113

HSL 217.33, 0.66%, 0.27%

LAB 24.64, 9.6, -35.91

 

CMYK 90 / 56 / 0 / 51

HEX #0C367C

RGB 12 54 124

HSL 217.5, 0.82%, 0.27%

LAB 24.23, 15.29, -43.57

 

CMYK 99 / 63 / 0 / 47

HEX #013388

RGB 1 51 136

HSL 217.78, 0.99%, 0.27%

LAB 24.17, 21.89, -51.22

 

CMYK 49 / 32 / 0 / 64

HEX #2E3E5B

RGB 46 62 91

HSL 218.67, 0.33%, 0.27%

LAB 26.1, 2.53, -19.33

 

CMYK 29 / 19 / 0 / 69

HEX #394150

RGB 57 65 80

HSL 219.13, 0.17%, 0.27%

LAB 27.38, 0.69, -10.13

 

CMYK 1 / 1 / 0 / 73

HEX #444445

RGB 68 68 69

HSL 240, 0.01%, 0.27%

LAB 28.88, 0.23, -0.61

 

CMYK 0 / 10 / 27 / 69

HEX #4F473A

RGB 79 71 58

HSL 37.14, 0.15%, 0.27%

LAB 30.58, 0.95, 9.05

 

CMYK 0 / 18 / 48 / 65

HEX #5A4A2F

RGB 90 74 47

HSL 37.67, 0.31%, 0.27%

LAB 32.43, 2.61, 18.63

 

CMYK 49 / 4 / 0 / 64

HEX #2E575B

RGB 46 87 91

HSL 185.33, 0.33%, 0.27%

LAB 34.3, -13.14, -6.8

 

CMYK 49 / 18 / 0 / 64

HEX #2E4B5B

RGB 46 75 91

HSL 201.33, 0.33%, 0.27%

LAB 30.32, -5.91, -12.81

 

CMYK 49 / 31 / 0 / 64

HEX #2E3F5B

RGB 46 63 91

HSL 217.33, 0.33%, 0.27%

LAB 26.42, 1.86, -18.83

 

CMYK 49 / 44 / 0 / 64

HEX #2E335B

RGB 46 51 91

HSL 233.33, 0.33%, 0.27%

LAB 22.67, 10.08, -24.73

 

CMYK 43 / 49 / 0 / 64

HEX #342E5B

RGB 52 46 91

HSL 248, 0.33%, 0.27%

LAB 21.72, 15.3, -26.19

 

CMYK 50 / 31 / 0 / 86

HEX #121924

RGB 18 25 36

HSL 216.67, 0.33%, 0.11%

LAB 8.58, 0.44, -8.61

 

CMYK 50 / 31 / 0 / 75

HEX #202C40

RGB 32 44 64

HSL 217.5, 0.33%, 0.19%

LAB 17.82, 1.35, -14.26

 

CMYK 49 / 32 / 0 / 64

HEX #2E3E5B

RGB 46 62 91

HSL 218.67, 0.33%, 0.27%

LAB 26.1, 2.53, -19.33

 

CMYK 50 / 32 / 0 / 53

HEX #3B5177

RGB 59 81 119

HSL 218, 0.34%, 0.35%

LAB 34.29, 3.06, -24.27

 

CMYK 50 / 32 / 0 / 43

HEX #496492

RGB 73 100 146

HSL 217.81, 0.33%, 0.43%

LAB 42.16, 3.52, -28.35

 

CMYK 50 / 32 / 0 / 64

HEX #2E3F5C

RGB 46 63 92

HSL 217.83, 0.33%, 0.27%

LAB 26.47, 2.2, -19.4

 

CMYK 9 / 49 / 0 / 64

HEX #532E5B

RGB 83 46 91

HSL 289.33, 0.33%, 0.27%

LAB 25.41, 25.28, -20.14

 

CMYK 11 / 0 / 49 / 64

HEX #515B2E

RGB 81 91 46

HSL 73.33, 0.33%, 0.27%

LAB 36.8, -11.91, 24.53

 

CMYK 50 / 32 / 0 / 64

HEX #2E3F5C

RGB 46 63 92

HSL 217.83, 0.33%, 0.27%

LAB 26.47, 2.2, -19.4

 

CMYK 0 / 49 / 31 / 64

HEX #5B2E3F

RGB 91 46 63

HSL 337.33, 0.33%, 0.27%

LAB 25.37, 22.82, -1.47

 

CMYK 31 / 0 / 49 / 64

HEX #3F5B2E

RGB 63 91 46

HSL 97.33, 0.33%, 0.27%

LAB 35.47, -19.68, 22.59

 

CMYK 50 / 32 / 0 / 64

HEX #2E3F5C

RGB 46 63 92

HSL 217.83, 0.33%, 0.27%

LAB 26.47, 2.2, -19.4

 

CMYK 9 / 49 / 0 / 64

HEX #532E5B

RGB 83 46 91

HSL 289.33, 0.33%, 0.27%

LAB 25.41, 25.28, -20.14

 

CMYK 0 / 19 / 49 / 64

HEX #5B4A2E

RGB 91 74 46

HSL 37.33, 0.33%, 0.27%

LAB 32.52, 2.96, 19.38

 

CMYK 41 / 0 / 49 / 64

HEX #365B2E

RGB 54 91 46

HSL 109.33, 0.33%, 0.27%

LAB 34.93, -23.18, 21.8

 

CMYK 50 / 32 / 0 / 64

HEX #2E3F5C

RGB 46 63 92

HSL 217.83, 0.33%, 0.27%

LAB 26.47, 2.2, -19.4

 

CMYK 0 / 49 / 5 / 64

HEX #5B2E56

RGB 91 46 86

HSL 306.67, 0.33%, 0.27%

LAB 26.3, 26.95, -15.37

 

CMYK 0 / 19 / 49 / 64

HEX #5B4A2E

RGB 91 74 46

HSL 37.33, 0.33%, 0.27%

LAB 32.52, 2.96, 19.38

 

CMYK 49 / 0 / 44 / 64

HEX #2E5B33

RGB 46 91 51

HSL 126.67, 0.33%, 0.27%

LAB 34.6, -25.13, 18.38

 

Description

Color code: HEX #2E3F5C | qconv.com Color code: HEX #2E3F5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 63 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 63 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 32 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 32% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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