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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E1CF6 it is the complementary color #D1E309. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E1CF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E1CF6 shade: #331CF1, #442EFF, #5540FF, #6652FF and #7764FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E1CF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E1CF6 shade: #2E1CF6, #1D0AE3, #0C00D0, #0000BD and #0000AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E1CF6 shade: #2F1DF5, #691DF5, #A31DF5, #DE1DF5 and #F51DD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E1CF6 shade: #2F1DF5 and #1D1DF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E1CF6 shade matches the following richer shades: #2F1DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E1CF6 shade: #2F1DF5, #3F30E2, #4F43CF, #5F56BC and #6E69A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E1CF6 shade: #1D82F5, #1D48F5, #2C1DF5, #651DF5 and #9F1DF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E1CF6 shade: #1607B9, #1B09E0, #2F1DF5, #5445F7 and #786DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E1CF6 shade: #2E1CF6, #F51DBC and #65F51D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E1CF6 shade: #2E1CF6, #F52C1D and #1DF52C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E1CF6 shade: #2E1CF6, #F51DBC, #E7F51D and #1DF557

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E1CF6 shade: #2E1CF6, #F51D7B, #E7F51D and #1DF598

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 89 / 0 / 4

HEX #2E1CF6

RGB 46 28 246

HSL 244.95, 0.92%, 0.54%

LAB 34.12, 72.04, -99.74

 

Complementary color

CMYK 8 / 0 / 96 / 11

HEX #D1E309

RGB 209 227 9

HSL 64.95, 0.92%, 0.46%

LAB 86.26, -27.15, 84.17

 

CMYK 79 / 88 / 0 / 5

HEX #331CF1

RGB 51 28 241

HSL 246.48, 0.88%, 0.53%

LAB 33.74, 70.89, -97.53

 

CMYK 73 / 82 / 0 / 0

HEX #442EFF

RGB 68 46 255

HSL 246.32, 1%, 0.59%

LAB 38.56, 69.07, -97.37

 

CMYK 67 / 75 / 0 / 0

HEX #5540FF

RGB 85 64 255

HSL 246.6, 1%, 0.63%

LAB 42.49, 62.29, -90.83

 

CMYK 60 / 68 / 0 / 0

HEX #6652FF

RGB 102 82 255

HSL 246.94, 1%, 0.66%

LAB 47.08, 54.94, -83.23

 

CMYK 53 / 61 / 0 / 0

HEX #7764FF

RGB 119 100 255

HSL 247.35, 1%, 0.7%

LAB 52.13, 47.6, -74.93

 

CMYK 81 / 89 / 0 / 4

HEX #2E1CF6

RGB 46 28 246

HSL 244.95, 0.92%, 0.54%

LAB 34.12, 72.04, -99.74

 

CMYK 87 / 96 / 0 / 11

HEX #1D0AE3

RGB 29 10 227

HSL 245.25, 0.92%, 0.46%

LAB 29.47, 71.04, -96.7

 

CMYK 94 / 100 / 0 / 18

HEX #0C00D0

RGB 12 0 208

HSL 243.46, 1%, 0.41%

LAB 25.66, 67.99, -92.1

 

CMYK 100 / 100 / 0 / 26

HEX #0000BD

RGB 0 0 189

HSL 240, 1%, 0.37%

LAB 22.56, 63.23, -86.12

 

CMYK 100 / 100 / 0 / 33

HEX #0000AA

RGB 0 0 170

HSL 240, 1%, 0.33%

LAB 19.65, 58.45, -79.61

 

CMYK 81 / 88 / 0 / 4

HEX #2F1DF5

RGB 47 29 245

HSL 245, 0.92%, 0.54%

LAB 34.14, 71.51, -99.13

 

CMYK 57 / 88 / 0 / 4

HEX #691DF5

RGB 105 29 245

HSL 261.11, 0.92%, 0.54%

LAB 38.68, 74.73, -91.46

 

CMYK 33 / 88 / 0 / 4

HEX #A31DF5

RGB 163 29 245

HSL 277.22, 0.92%, 0.54%

LAB 45.99, 80.75, -79.17

 

CMYK 9 / 88 / 0 / 4

HEX #DE1DF5

RGB 222 29 245

HSL 293.61, 0.92%, 0.54%

LAB 55.07, 89.16, -64

 

CMYK 0 / 88 / 14 / 4

HEX #F51DD2

RGB 245 29 210

HSL 309.72, 0.92%, 0.54%

LAB 57.02, 88.15, -40.91

 

CMYK 81 / 88 / 0 / 4

HEX #2F1DF5

RGB 47 29 245

HSL 245, 0.92%, 0.54%

LAB 34.14, 71.51, -99.13

 

CMYK 88 / 88 / 0 / 4

HEX #1D1DF5

RGB 29 29 245

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.04, -100.35

 

CMYK 81 / 88 / 0 / 4

HEX #2F1DF5

RGB 47 29 245

HSL 245, 0.92%, 0.54%

LAB 34.14, 71.51, -99.13

 

CMYK 81 / 88 / 0 / 4

HEX #2F1DF5

RGB 47 29 245

HSL 245, 0.92%, 0.54%

LAB 34.14, 71.51, -99.13

 

CMYK 72 / 79 / 0 / 11

HEX #3F30E2

RGB 63 48 226

HSL 245.06, 0.75%, 0.54%

LAB 35.32, 59.57, -86.34

 

CMYK 62 / 68 / 0 / 19

HEX #4F43CF

RGB 79 67 207

HSL 245.14, 0.59%, 0.54%

LAB 38.17, 45.41, -70.69

 

CMYK 49 / 54 / 0 / 26

HEX #5F56BC

RGB 95 86 188

HSL 245.29, 0.43%, 0.54%

LAB 42.34, 30.94, -52.82

 

CMYK 35 / 38 / 0 / 34

HEX #6E69A9

RGB 110 105 169

HSL 244.69, 0.27%, 0.54%

LAB 47.34, 17.48, -33.66

 

CMYK 88 / 47 / 0 / 4

HEX #1D82F5

RGB 29 130 245

HSL 211.94, 0.92%, 0.54%

LAB 54.89, 14.69, -65.11

 

CMYK 88 / 71 / 0 / 4

HEX #1D48F5

RGB 29 72 245

HSL 228.06, 0.92%, 0.54%

LAB 40.39, 50.85, -88.78

 

CMYK 82 / 88 / 0 / 4

HEX #2C1DF5

RGB 44 29 245

HSL 244.17, 0.92%, 0.54%

LAB 34, 71.41, -99.38

 

CMYK 59 / 88 / 0 / 4

HEX #651DF5

RGB 101 29 245

HSL 260, 0.92%, 0.54%

LAB 38.27, 74.42, -92.16

 

CMYK 35 / 88 / 0 / 4

HEX #9F1DF5

RGB 159 29 245

HSL 276.11, 0.92%, 0.54%

LAB 45.42, 80.25, -80.13

 

CMYK 88 / 96 / 0 / 27

HEX #1607B9

RGB 22 7 185

HSL 245.06, 0.93%, 0.38%

LAB 23.09, 60.8, -82.85

 

CMYK 88 / 96 / 0 / 12

HEX #1B09E0

RGB 27 9 224

HSL 245.02, 0.92%, 0.46%

LAB 28.93, 70.43, -95.89

 

CMYK 81 / 88 / 0 / 4

HEX #2F1DF5

RGB 47 29 245

HSL 245, 0.92%, 0.54%

LAB 34.14, 71.51, -99.13

 

CMYK 66 / 72 / 0 / 3

HEX #5445F7

RGB 84 69 247

HSL 245.06, 0.92%, 0.62%

LAB 42.55, 57.28, -86.26

 

CMYK 52 / 56 / 0 / 3

HEX #786DF8

RGB 120 109 248

HSL 244.75, 0.91%, 0.7%

LAB 53.72, 40.53, -68.47

 

CMYK 81 / 89 / 0 / 4

HEX #2E1CF6

RGB 46 28 246

HSL 244.95, 0.92%, 0.54%

LAB 34.12, 72.04, -99.74

 

CMYK 0 / 88 / 23 / 4

HEX #F51DBC

RGB 245 29 188

HSL 315.83, 0.92%, 0.54%

LAB 56.01, 85.48, -29.84

 

CMYK 59 / 0 / 88 / 4

HEX #65F51D

RGB 101 245 29

HSL 100, 0.92%, 0.54%

LAB 86.09, -70.91, 79.32

 

CMYK 81 / 89 / 0 / 4

HEX #2E1CF6

RGB 46 28 246

HSL 244.95, 0.92%, 0.54%

LAB 34.12, 72.04, -99.74

 

CMYK 0 / 82 / 88 / 4

HEX #F52C1D

RGB 245 44 29

HSL 4.17, 0.92%, 0.54%

LAB 53.28, 72.22, 57.53

 

CMYK 88 / 0 / 82 / 4

HEX #1DF52C

RGB 29 245 44

HSL 124.17, 0.92%, 0.54%

LAB 84.87, -81.19, 74.67

 

CMYK 81 / 89 / 0 / 4

HEX #2E1CF6

RGB 46 28 246

HSL 244.95, 0.92%, 0.54%

LAB 34.12, 72.04, -99.74

 

CMYK 0 / 88 / 23 / 4

HEX #F51DBC

RGB 245 29 188

HSL 315.83, 0.92%, 0.54%

LAB 56.01, 85.48, -29.84

 

CMYK 6 / 0 / 88 / 4

HEX #E7F51D

RGB 231 245 29

HSL 63.89, 0.92%, 0.54%

LAB 92.74, -26.34, 87.53

 

CMYK 88 / 0 / 64 / 4

HEX #1DF557

RGB 29 245 87

HSL 136.11, 0.92%, 0.54%

LAB 85.13, -77.92, 60.73

 

CMYK 81 / 89 / 0 / 4

HEX #2E1CF6

RGB 46 28 246

HSL 244.95, 0.92%, 0.54%

LAB 34.12, 72.04, -99.74

 

CMYK 0 / 88 / 50 / 4

HEX #F51D7B

RGB 245 29 123

HSL 333.89, 0.92%, 0.54%

LAB 53.73, 79.28, 5.16

 

CMYK 6 / 0 / 88 / 4

HEX #E7F51D

RGB 231 245 29

HSL 63.89, 0.92%, 0.54%

LAB 92.74, -26.34, 87.53

 

CMYK 88 / 0 / 38 / 4

HEX #1DF598

RGB 29 245 152

HSL 154.17, 0.92%, 0.54%

LAB 85.92, -68.33, 31.6

 

Description

Color code: HEX #2E1CF6 | qconv.com Color code: HEX #2E1CF6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 28 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 28 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 89 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 89% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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