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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC953 it is the complementary color #D236AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC953 shade: #32C94E, #43DB61, #54ED74, #65FF87 and #76FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC953 shade: #2DC953, #1CB740, #0BA52D, #00931A and #008107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC953 shade: #2DC752, #31C72D, #5AC72D, #84C72D and #AEC72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC953 shade: #2DC752, #2DC77C, #2DC7A6, #2DBFC7 and #2D95C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC953 shade matches the following richer shades: #2DC752, #19DB48 and #05EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC953 shade: #2DC752, #41B35D, #549F67, #688C71 and #7C787B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC953 shade: #5BC72D, #32C72D, #2DC751, #2DC77A and #2DC7A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC953 shade: #1E8436, #25A544, #2DC752, #48D56A and #6ADD86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC953 shade: #2DC953, #2D84C7 and #C72D46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC953 shade: #2DC953, #512DC7 and #C7512D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC953 shade: #2DC953, #2D84C7, #C72DA3 and #C7702D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC953 shade: #2DC953, #2D56C7, #C72DA3 and #C79E2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 59 / 21

HEX #2DC953

RGB 45 201 83

HSL 134.62, 0.63%, 0.48%

LAB 71.52, -63.31, 47.08

 

Complementary color

CMYK 0 / 74 / 18 / 18

HEX #D236AC

RGB 210 54 172

HSL 314.62, 0.63%, 0.52%

LAB 51.06, 70.51, -28.68

 

CMYK 75 / 0 / 61 / 21

HEX #32C94E

RGB 50 201 78

HSL 131.13, 0.6%, 0.49%

LAB 71.56, -63.23, 49.38

 

CMYK 69 / 0 / 56 / 14

HEX #43DB61

RGB 67 219 97

HSL 131.84, 0.68%, 0.56%

LAB 77.71, -64.23, 48.04

 

CMYK 65 / 0 / 51 / 7

HEX #54ED74

RGB 84 237 116

HSL 132.55, 0.81%, 0.63%

LAB 83.82, -64.86, 46.66

 

CMYK 60 / 0 / 47 / 0

HEX #65FF87

RGB 101 255 135

HSL 133.25, 1%, 0.7%

LAB 89.88, -65.23, 45.28

 

CMYK 54 / 0 / 40 / 0

HEX #76FF9A

RGB 118 255 154

HSL 135.77, 1%, 0.73%

LAB 90.64, -58.58, 37.15

 

CMYK 78 / 0 / 59 / 21

HEX #2DC953

RGB 45 201 83

HSL 134.62, 0.63%, 0.48%

LAB 71.52, -63.31, 47.08

 

CMYK 85 / 0 / 65 / 28

HEX #1CB740

RGB 28 183 64

HSL 133.94, 0.73%, 0.41%

LAB 65.34, -61.71, 48.42

 

CMYK 93 / 0 / 73 / 35

HEX #0BA52D

RGB 11 165 45

HSL 133.25, 0.88%, 0.35%

LAB 59.13, -59.37, 49.47

 

CMYK 100 / 0 / 82 / 42

HEX #00931A

RGB 0 147 26

HSL 130.61, 1%, 0.29%

LAB 52.89, -56.1, 49.83

 

CMYK 100 / 0 / 95 / 49

HEX #008107

RGB 0 129 7

HSL 123.26, 1%, 0.25%

LAB 46.6, -51.72, 48.77

 

CMYK 77 / 0 / 59 / 22

HEX #2DC752

RGB 45 199 82

HSL 134.42, 0.63%, 0.48%

LAB 70.88, -62.78, 46.78

 

CMYK 75 / 0 / 77 / 22

HEX #31C72D

RGB 49 199 45

HSL 118.44, 0.63%, 0.48%

LAB 70.66, -65.76, 61.14

 

CMYK 55 / 0 / 77 / 22

HEX #5AC72D

RGB 90 199 45

HSL 102.47, 0.63%, 0.48%

LAB 71.7, -57.16, 62.5

 

CMYK 34 / 0 / 77 / 22

HEX #84C72D

RGB 132 199 45

HSL 86.1, 0.63%, 0.48%

LAB 73.51, -43.82, 64.85

 

CMYK 13 / 0 / 77 / 22

HEX #AEC72D

RGB 174 199 45

HSL 69.74, 0.63%, 0.48%

LAB 76.09, -27.46, 68.19

 

CMYK 77 / 0 / 59 / 22

HEX #2DC752

RGB 45 199 82

HSL 134.42, 0.63%, 0.48%

LAB 70.88, -62.78, 46.78

 

CMYK 77 / 0 / 38 / 22

HEX #2DC77C

RGB 45 199 124

HSL 150.78, 0.63%, 0.48%

LAB 71.46, -56.01, 26.69

 

CMYK 77 / 0 / 17 / 22

HEX #2DC7A6

RGB 45 199 166

HSL 167.14, 0.63%, 0.48%

LAB 72.33, -46.53, 5.45

 

CMYK 77 / 4 / 0 / 22

HEX #2DBFC7

RGB 45 191 199

HSL 183.12, 0.63%, 0.48%

LAB 70.83, -33.76, -14.75

 

CMYK 77 / 25 / 0 / 22

HEX #2D95C7

RGB 45 149 199

HSL 199.48, 0.63%, 0.48%

LAB 58.2, -12.21, -34.11

 

CMYK 77 / 0 / 59 / 22

HEX #2DC752

RGB 45 199 82

HSL 134.42, 0.63%, 0.48%

LAB 70.88, -62.78, 46.78

 

CMYK 89 / 0 / 67 / 14

HEX #19DB48

RGB 25 219 72

HSL 134.54, 0.8%, 0.48%

LAB 76.88, -72.07, 57.72

 

CMYK 98 / 0 / 74 / 6

HEX #05EF3E

RGB 5 239 62

HSL 134.62, 0.96%, 0.48%

LAB 82.97, -79.51, 67.65

 

CMYK 77 / 0 / 59 / 22

HEX #2DC752

RGB 45 199 82

HSL 134.42, 0.63%, 0.48%

LAB 70.88, -62.78, 46.78

 

CMYK 64 / 0 / 48 / 30

HEX #41B35D

RGB 65 179 93

HSL 134.74, 0.47%, 0.48%

LAB 65.08, -50.75, 34.53

 

CMYK 47 / 0 / 35 / 38

HEX #549F67

RGB 84 159 103

HSL 135.2, 0.31%, 0.48%

LAB 59.58, -36, 22.21

 

CMYK 26 / 0 / 19 / 45

HEX #688C71

RGB 104 140 113

HSL 135, 0.15%, 0.48%

LAB 54.96, -18.37, 10.41

 

CMYK 0 / 3 / 1 / 51

HEX #7C787B

RGB 124 120 123

HSL 315, 0.02%, 0.48%

LAB 50.86, 2.12, -1.1

 

CMYK 54 / 0 / 77 / 22

HEX #5BC72D

RGB 91 199 45

HSL 102.08, 0.63%, 0.48%

LAB 71.73, -56.89, 62.54

 

CMYK 75 / 0 / 77 / 22

HEX #32C72D

RGB 50 199 45

HSL 118.05, 0.63%, 0.48%

LAB 70.67, -65.61, 61.16

 

CMYK 77 / 0 / 59 / 22

HEX #2DC751

RGB 45 199 81

HSL 134.03, 0.63%, 0.48%

LAB 70.87, -62.9, 47.22

 

CMYK 77 / 0 / 39 / 22

HEX #2DC77A

RGB 45 199 122

HSL 150, 0.63%, 0.48%

LAB 71.43, -56.4, 27.69

 

CMYK 77 / 0 / 18 / 22

HEX #2DC7A3

RGB 45 199 163

HSL 165.97, 0.63%, 0.48%

LAB 72.26, -47.28, 6.97

 

CMYK 77 / 0 / 59 / 48

HEX #1E8436

RGB 30 132 54

HSL 134.12, 0.63%, 0.32%

LAB 48.32, -45.57, 33.61

 

CMYK 78 / 0 / 59 / 35

HEX #25A544

RGB 37 165 68

HSL 134.53, 0.63%, 0.4%

LAB 59.64, -54.25, 40.13

 

CMYK 77 / 0 / 59 / 22

HEX #2DC752

RGB 45 199 82

HSL 134.42, 0.63%, 0.48%

LAB 70.88, -62.78, 46.78

 

CMYK 66 / 0 / 50 / 16

HEX #48D56A

RGB 72 213 106

HSL 134.47, 0.63%, 0.56%

LAB 76.07, -60, 41.82

 

CMYK 52 / 0 / 39 / 13

HEX #6ADD86

RGB 106 221 134

HSL 134.61, 0.63%, 0.64%

LAB 79.9, -51.24, 32.98

 

CMYK 78 / 0 / 59 / 21

HEX #2DC953

RGB 45 201 83

HSL 134.62, 0.63%, 0.48%

LAB 71.52, -63.31, 47.08

 

CMYK 77 / 34 / 0 / 22

HEX #2D84C7

RGB 45 132 199

HSL 206.1, 0.63%, 0.48%

LAB 53.15, -2.45, -42.05

 

CMYK 0 / 77 / 65 / 22

HEX #C72D46

RGB 199 45 70

HSL 350.26, 0.63%, 0.48%

LAB 44.89, 60.45, 23.97

 

CMYK 78 / 0 / 59 / 21

HEX #2DC953

RGB 45 201 83

HSL 134.62, 0.63%, 0.48%

LAB 71.52, -63.31, 47.08

 

CMYK 59 / 77 / 0 / 22

HEX #512DC7

RGB 81 45 199

HSL 254.03, 0.63%, 0.48%

LAB 33.46, 54.85, -73.78

 

CMYK 0 / 59 / 77 / 22

HEX #C7512D

RGB 199 81 45

HSL 14.03, 0.63%, 0.48%

LAB 49.76, 45.12, 43.83

 

CMYK 78 / 0 / 59 / 21

HEX #2DC953

RGB 45 201 83

HSL 134.62, 0.63%, 0.48%

LAB 71.52, -63.31, 47.08

 

CMYK 77 / 34 / 0 / 22

HEX #2D84C7

RGB 45 132 199

HSL 206.1, 0.63%, 0.48%

LAB 53.15, -2.45, -42.05

 

CMYK 0 / 77 / 18 / 22

HEX #C72DA3

RGB 199 45 163

HSL 314.03, 0.63%, 0.48%

LAB 47.83, 69.41, -28.53

 

CMYK 0 / 44 / 77 / 22

HEX #C7702D

RGB 199 112 45

HSL 26.1, 0.63%, 0.48%

LAB 56.01, 29.38, 50.09

 

CMYK 78 / 0 / 59 / 21

HEX #2DC953

RGB 45 201 83

HSL 134.62, 0.63%, 0.48%

LAB 71.52, -63.31, 47.08

 

CMYK 77 / 57 / 0 / 22

HEX #2D56C7

RGB 45 86 199

HSL 224.03, 0.63%, 0.48%

LAB 40.14, 26.51, -62.91

 

CMYK 0 / 77 / 18 / 22

HEX #C72DA3

RGB 199 45 163

HSL 314.03, 0.63%, 0.48%

LAB 47.83, 69.41, -28.53

 

CMYK 0 / 21 / 77 / 22

HEX #C79E2D

RGB 199 158 45

HSL 44.03, 0.63%, 0.48%

LAB 67.12, 4.35, 60.7

 

Description

Color code: HEX #2DC953 | qconv.com Color code: HEX #2DC953 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 201 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 201 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 59 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 59% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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