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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DBE9D it is the complementary color #D24162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DBE9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DBE9D shade: #32BE98, #43D0AB, #54E2BE, #65F4D1 and #76FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DBE9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DBE9D shade: #2DBE9D, #1CAC8A, #0B9A77, #008864 and #007651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DBE9D shade: #2CBE9C, #2CBE75, #2CBE4E, #31BE2C and #59BE2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DBE9D shade: #2CBE9C, #2CB7BE, #2C90BE, #2C69BE and #2C42BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DBE9D shade matches the following richer shades: #2CBE9C, #19D1A7 and #06E3B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DBE9D shade: #2CBE9C, #3FAB92, #529888, #65857D and #787273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DBE9D shade: #2CBE4E, #2CBE75, #2CBE9C, #2CB9BE and #2C92BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DBE9D shade: #1C7B65, #249C81, #2CBE9C, #41D2B1 and #62DABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DBE9D shade: #2DBE9D, #2C31BE and #BE612C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DBE9D shade: #2DBE9D, #9C2CBE and #BE9C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DBE9D shade: #2DBE9D, #2C31BE, #BE2C4E and #BEB92C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DBE9D shade: #2DBE9D, #532CBE, #BE2C4E and #97BE2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

Complementary color

CMYK 0 / 69 / 53 / 18

HEX #D24162

RGB 210 65 98

HSL 346.34, 0.62%, 0.54%

LAB 49.93, 58.76, 13.99

 

CMYK 74 / 0 / 20 / 25

HEX #32BE98

RGB 50 190 152

HSL 163.71, 0.58%, 0.47%

LAB 69.31, -45.66, 8.73

 

CMYK 68 / 0 / 18 / 18

HEX #43D0AB

RGB 67 208 171

HSL 164.26, 0.6%, 0.54%

LAB 75.6, -46.21, 7.5

 

CMYK 63 / 0 / 16 / 11

HEX #54E2BE

RGB 84 226 190

HSL 164.79, 0.71%, 0.61%

LAB 81.84, -46.55, 6.39

 

CMYK 59 / 0 / 14 / 4

HEX #65F4D1

RGB 101 244 209

HSL 165.31, 0.87%, 0.68%

LAB 88, -46.75, 5.37

 

CMYK 54 / 0 / 11 / 0

HEX #76FFE4

RGB 118 255 228

HSL 168.18, 1%, 0.73%

LAB 92.12, -43.81, 1.53

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 84 / 0 / 20 / 33

HEX #1CAC8A

RGB 28 172 138

HSL 165.83, 0.72%, 0.39%

LAB 63, -44.02, 7.38

 

CMYK 93 / 0 / 23 / 40

HEX #0B9A77

RGB 11 154 119

HSL 165.31, 0.87%, 0.32%

LAB 56.6, -42.59, 8.9

 

CMYK 100 / 0 / 26 / 47

HEX #008864

RGB 0 136 100

HSL 164.12, 1%, 0.27%

LAB 50.13, -40.62, 10.62

 

CMYK 100 / 0 / 31 / 54

HEX #007651

RGB 0 118 81

HSL 161.19, 1%, 0.23%

LAB 43.58, -38.03, 12.55

 

CMYK 77 / 0 / 18 / 25

HEX #2CBE9C

RGB 44 190 156

HSL 166.03, 0.62%, 0.46%

LAB 69.3, -45.39, 6.52

 

CMYK 77 / 0 / 38 / 25

HEX #2CBE75

RGB 44 190 117

HSL 150, 0.62%, 0.46%

LAB 68.49, -54.15, 26.41

 

CMYK 77 / 0 / 59 / 25

HEX #2CBE4E

RGB 44 190 78

HSL 133.97, 0.62%, 0.46%

LAB 67.96, -60.44, 45.2

 

CMYK 74 / 0 / 77 / 25

HEX #31BE2C

RGB 49 190 44

HSL 117.95, 0.62%, 0.46%

LAB 67.77, -63.02, 58.65

 

CMYK 53 / 0 / 77 / 25

HEX #59BE2C

RGB 89 190 44

HSL 101.51, 0.62%, 0.46%

LAB 68.85, -54.2, 60.06

 

CMYK 77 / 0 / 18 / 25

HEX #2CBE9C

RGB 44 190 156

HSL 166.03, 0.62%, 0.46%

LAB 69.3, -45.39, 6.52

 

CMYK 77 / 4 / 0 / 25

HEX #2CB7BE

RGB 44 183 190

HSL 182.88, 0.62%, 0.46%

LAB 68.11, -32.78, -13.91

 

CMYK 77 / 24 / 0 / 25

HEX #2C90BE

RGB 44 144 190

HSL 198.9, 0.62%, 0.46%

LAB 56.29, -12.68, -32.01

 

CMYK 77 / 45 / 0 / 25

HEX #2C69BE

RGB 44 105 190

HSL 214.93, 0.62%, 0.46%

LAB 44.74, 10.68, -50.27

 

CMYK 77 / 65 / 0 / 25

HEX #2C42BE

RGB 44 66 190

HSL 230.96, 0.62%, 0.46%

LAB 34.29, 36, -67.22

 

CMYK 77 / 0 / 18 / 25

HEX #2CBE9C

RGB 44 190 156

HSL 166.03, 0.62%, 0.46%

LAB 69.3, -45.39, 6.52

 

CMYK 88 / 0 / 20 / 18

HEX #19D1A7

RGB 25 209 167

HSL 166.3, 0.79%, 0.46%

LAB 75.2, -52.01, 8.99

 

CMYK 97 / 0 / 22 / 11

HEX #06E3B1

RGB 6 227 177

HSL 166.43, 0.95%, 0.46%

LAB 80.82, -57.33, 11.67

 

CMYK 77 / 0 / 18 / 25

HEX #2CBE9C

RGB 44 190 156

HSL 166.03, 0.62%, 0.46%

LAB 69.3, -45.39, 6.52

 

CMYK 63 / 0 / 15 / 33

HEX #3FAB92

RGB 63 171 146

HSL 166.11, 0.46%, 0.46%

LAB 63.56, -36.84, 3.82

 

CMYK 46 / 0 / 11 / 40

HEX #529888

RGB 82 152 136

HSL 166.29, 0.3%, 0.46%

LAB 58.06, -26.11, 1.57

 

CMYK 24 / 0 / 6 / 48

HEX #65857D

RGB 101 133 125

HSL 165, 0.14%, 0.46%

LAB 52.97, -13.09, 0.61

 

CMYK 0 / 5 / 4 / 53

HEX #787273

RGB 120 114 115

HSL 350, 0.03%, 0.46%

LAB 48.59, 2.51, 0.27

 

CMYK 77 / 0 / 59 / 25

HEX #2CBE4E

RGB 44 190 78

HSL 133.97, 0.62%, 0.46%

LAB 67.96, -60.44, 45.2

 

CMYK 77 / 0 / 38 / 25

HEX #2CBE75

RGB 44 190 117

HSL 150, 0.62%, 0.46%

LAB 68.49, -54.15, 26.41

 

CMYK 77 / 0 / 18 / 25

HEX #2CBE9C

RGB 44 190 156

HSL 166.03, 0.62%, 0.46%

LAB 69.3, -45.39, 6.52

 

CMYK 77 / 3 / 0 / 25

HEX #2CB9BE

RGB 44 185 190

HSL 182.05, 0.62%, 0.46%

LAB 68.72, -33.73, -13

 

CMYK 77 / 23 / 0 / 25

HEX #2C92BE

RGB 44 146 190

HSL 198.08, 0.62%, 0.46%

LAB 56.89, -13.79, -31.07

 

CMYK 77 / 0 / 18 / 52

HEX #1C7B65

RGB 28 123 101

HSL 166.11, 0.63%, 0.3%

LAB 46.11, -32.39, 4.37

 

CMYK 77 / 0 / 17 / 39

HEX #249C81

RGB 36 156 129

HSL 166.5, 0.63%, 0.38%

LAB 57.79, -38.68, 4.97

 

CMYK 77 / 0 / 18 / 25

HEX #2CBE9C

RGB 44 190 156

HSL 166.03, 0.62%, 0.46%

LAB 69.3, -45.39, 6.52

 

CMYK 69 / 0 / 16 / 18

HEX #41D2B1

RGB 65 210 177

HSL 166.34, 0.62%, 0.54%

LAB 76.31, -45.89, 5.29

 

CMYK 55 / 0 / 12 / 15

HEX #62DABF

RGB 98 218 191

HSL 166.5, 0.62%, 0.62%

LAB 79.9, -40.19, 3.11

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 77 / 74 / 0 / 25

HEX #2C31BE

RGB 44 49 190

HSL 237.95, 0.62%, 0.46%

LAB 30.52, 46.29, -73.43

 

CMYK 0 / 49 / 77 / 25

HEX #BE612C

RGB 190 97 44

HSL 21.78, 0.62%, 0.46%

LAB 51.47, 33.6, 45.62

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 18 / 77 / 0 / 25

HEX #9C2CBE

RGB 156 44 190

HSL 286.03, 0.62%, 0.46%

LAB 42.13, 65.03, -53.95

 

CMYK 0 / 18 / 77 / 25

HEX #BE9C2C

RGB 190 156 44

HSL 46.03, 0.62%, 0.46%

LAB 65.68, 1.41, 59.38

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 77 / 74 / 0 / 25

HEX #2C31BE

RGB 44 49 190

HSL 237.95, 0.62%, 0.46%

LAB 30.52, 46.29, -73.43

 

CMYK 0 / 77 / 59 / 25

HEX #BE2C4E

RGB 190 44 78

HSL 346.03, 0.62%, 0.46%

LAB 43.21, 58.65, 16.49

 

CMYK 0 / 3 / 77 / 25

HEX #BEB92C

RGB 190 185 44

HSL 57.95, 0.62%, 0.46%

LAB 73.43, -13.82, 66.53

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 56 / 77 / 0 / 25

HEX #532CBE

RGB 83 44 190

HSL 256.03, 0.62%, 0.46%

LAB 32.61, 53.04, -69.88

 

CMYK 0 / 77 / 59 / 25

HEX #BE2C4E

RGB 190 44 78

HSL 346.03, 0.62%, 0.46%

LAB 43.21, 58.65, 16.49

 

CMYK 21 / 0 / 77 / 25

HEX #97BE2C

RGB 151 190 44

HSL 76.03, 0.62%, 0.46%

LAB 71.95, -32.61, 64.11

 

Description

Color code: HEX #2DBE9D | qconv.com Color code: HEX #2DBE9D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 190 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 190 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 17 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 17% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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