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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB89B it is the complementary color #D24764. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB89B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB89B shade: #32B896, #43CAA9, #54DCBC, #65EECF and #76FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB89B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB89B shade: #2DB89B, #1CA688, #0B9475, #008262 and #00704F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB89B shade: #2CB89B, #2CB875, #2CB850, #2FB82C and #54B82C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB89B shade: #2CB89B, #2CB0B8, #2C8AB8, #2C64B8 and #2C3EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB89B shade matches the following richer shades: #2CB89B, #1ACBA6 and #07DDB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB89B shade: #2CB89B, #3FA690, #519385, #64817B and #776E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB89B shade: #2CB84F, #2CB875, #2CB89A, #2CB1B8 and #2C8CB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB89B shade: #1C7663, #24977F, #2CB89B, #3ED0B1 and #5FD8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB89B shade: #2DB89B, #2C2FB8 and #B8622C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB89B shade: #2DB89B, #9A2CB8 and #B89A2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB89B shade: #2DB89B, #2C2FB8, #B82C4B and #B8B62C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB89B shade: #2DB89B, #542CB8, #B82C4B and #91B82C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 16 / 28

HEX #2DB89B

RGB 45 184 155

HSL 167.48, 0.61%, 0.45%

LAB 67.43, -42.98, 4.38

 

Complementary color

CMYK 0 / 66 / 52 / 18

HEX #D24764

RGB 210 71 100

HSL 347.48, 0.61%, 0.55%

LAB 50.84, 56.57, 14.03

 

CMYK 73 / 0 / 18 / 28

HEX #32B896

RGB 50 184 150

HSL 164.78, 0.57%, 0.46%

LAB 67.4, -43.62, 7.09

 

CMYK 67 / 0 / 16 / 21

HEX #43CAA9

RGB 67 202 169

HSL 165.33, 0.56%, 0.53%

LAB 73.74, -44.13, 5.9

 

CMYK 62 / 0 / 15 / 14

HEX #54DCBC

RGB 84 220 188

HSL 165.88, 0.66%, 0.6%

LAB 80.01, -44.45, 4.82

 

CMYK 58 / 0 / 13 / 7

HEX #65EECF

RGB 101 238 207

HSL 166.42, 0.8%, 0.66%

LAB 86.22, -44.63, 3.83

 

CMYK 54 / 0 / 11 / 0

HEX #76FFE2

RGB 118 255 226

HSL 167.3, 1%, 0.73%

LAB 92.07, -44.28, 2.49

 

CMYK 76 / 0 / 16 / 28

HEX #2DB89B

RGB 45 184 155

HSL 167.48, 0.61%, 0.45%

LAB 67.43, -42.98, 4.38

 

CMYK 83 / 0 / 18 / 35

HEX #1CA688

RGB 28 166 136

HSL 166.96, 0.71%, 0.38%

LAB 61.04, -42.01, 5.7

 

CMYK 93 / 0 / 21 / 42

HEX #0B9475

RGB 11 148 117

HSL 166.42, 0.86%, 0.31%

LAB 54.59, -40.6, 7.18

 

CMYK 100 / 0 / 25 / 49

HEX #008262

RGB 0 130 98

HSL 165.23, 1%, 0.25%

LAB 48.07, -38.64, 8.87

 

CMYK 100 / 0 / 29 / 56

HEX #00704F

RGB 0 112 79

HSL 162.32, 1%, 0.22%

LAB 41.46, -36.05, 10.79

 

CMYK 76 / 0 / 16 / 28

HEX #2CB89B

RGB 44 184 155

HSL 167.57, 0.61%, 0.45%

LAB 67.41, -43.1, 4.36

 

CMYK 76 / 0 / 36 / 28

HEX #2CB875

RGB 44 184 117

HSL 151.29, 0.61%, 0.45%

LAB 66.6, -51.89, 23.87

 

CMYK 76 / 0 / 57 / 28

HEX #2CB850

RGB 44 184 80

HSL 135.43, 0.61%, 0.45%

LAB 66.06, -58.15, 42.03

 

CMYK 74 / 0 / 76 / 28

HEX #2FB82C

RGB 47 184 44

HSL 118.71, 0.61%, 0.45%

LAB 65.8, -61.43, 56.71

 

CMYK 54 / 0 / 76 / 28

HEX #54B82C

RGB 84 184 44

HSL 102.86, 0.61%, 0.45%

LAB 66.78, -53.36, 58

 

CMYK 76 / 0 / 16 / 28

HEX #2CB89B

RGB 44 184 155

HSL 167.57, 0.61%, 0.45%

LAB 67.41, -43.1, 4.36

 

CMYK 76 / 4 / 0 / 28

HEX #2CB0B8

RGB 44 176 184

HSL 183.43, 0.61%, 0.45%

LAB 65.79, -31.24, -14.09

 

CMYK 76 / 25 / 0 / 28

HEX #2C8AB8

RGB 44 138 184

HSL 199.71, 0.61%, 0.45%

LAB 54.21, -11.42, -31.83

 

CMYK 76 / 46 / 0 / 28

HEX #2C64B8

RGB 44 100 184

HSL 216, 0.61%, 0.45%

LAB 42.93, 11.6, -49.68

 

CMYK 76 / 66 / 0 / 28

HEX #2C3EB8

RGB 44 62 184

HSL 232.29, 0.61%, 0.45%

LAB 32.79, 36.37, -66.15

 

CMYK 76 / 0 / 16 / 28

HEX #2CB89B

RGB 44 184 155

HSL 167.57, 0.61%, 0.45%

LAB 67.41, -43.1, 4.36

 

CMYK 87 / 0 / 18 / 20

HEX #1ACBA6

RGB 26 203 166

HSL 167.46, 0.77%, 0.45%

LAB 73.34, -49.78, 6.87

 

CMYK 97 / 0 / 20 / 13

HEX #07DDB1

RGB 7 221 177

HSL 167.66, 0.94%, 0.45%

LAB 79, -54.98, 9.07

 

CMYK 76 / 0 / 16 / 28

HEX #2CB89B

RGB 44 184 155

HSL 167.57, 0.61%, 0.45%

LAB 67.41, -43.1, 4.36

 

CMYK 62 / 0 / 13 / 35

HEX #3FA690

RGB 63 166 144

HSL 167.18, 0.45%, 0.45%

LAB 61.95, -35.06, 2.61

 

CMYK 45 / 0 / 10 / 42

HEX #519385

RGB 81 147 133

HSL 167.27, 0.29%, 0.45%

LAB 56.4, -24.6, 0.85

 

CMYK 22 / 0 / 5 / 49

HEX #64817B

RGB 100 129 123

HSL 167.59, 0.13%, 0.45%

LAB 51.66, -11.68, -0.16

 

CMYK 0 / 8 / 6 / 53

HEX #776E70

RGB 119 110 112

HSL 346.67, 0.04%, 0.45%

LAB 47.29, 3.89, 0.15

 

CMYK 76 / 0 / 57 / 28

HEX #2CB84F

RGB 44 184 79

HSL 135, 0.61%, 0.45%

LAB 66.04, -58.29, 42.49

 

CMYK 76 / 0 / 36 / 28

HEX #2CB875

RGB 44 184 117

HSL 151.29, 0.61%, 0.45%

LAB 66.6, -51.89, 23.87

 

CMYK 76 / 0 / 16 / 28

HEX #2CB89A

RGB 44 184 154

HSL 167.14, 0.61%, 0.45%

LAB 67.39, -43.35, 4.87

 

CMYK 76 / 4 / 0 / 28

HEX #2CB1B8

RGB 44 177 184

HSL 183, 0.61%, 0.45%

LAB 66.09, -31.72, -13.63

 

CMYK 76 / 24 / 0 / 28

HEX #2C8CB8

RGB 44 140 184

HSL 198.86, 0.61%, 0.45%

LAB 54.82, -12.54, -30.89

 

CMYK 76 / 0 / 16 / 54

HEX #1C7663

RGB 28 118 99

HSL 167.33, 0.62%, 0.29%

LAB 44.38, -30.62, 3.06

 

CMYK 76 / 0 / 16 / 41

HEX #24977F

RGB 36 151 127

HSL 167.48, 0.61%, 0.37%

LAB 56.13, -37, 3.72

 

CMYK 76 / 0 / 16 / 28

HEX #2CB89B

RGB 44 184 155

HSL 167.57, 0.61%, 0.45%

LAB 67.41, -43.1, 4.36

 

CMYK 70 / 0 / 15 / 18

HEX #3ED0B1

RGB 62 208 177

HSL 167.26, 0.61%, 0.53%

LAB 75.64, -45.46, 4.33

 

CMYK 56 / 0 / 12 / 15

HEX #5FD8BF

RGB 95 216 191

HSL 167.6, 0.61%, 0.61%

LAB 79.22, -39.9, 2.11

 

CMYK 76 / 0 / 16 / 28

HEX #2DB89B

RGB 45 184 155

HSL 167.48, 0.61%, 0.45%

LAB 67.43, -42.98, 4.38

 

CMYK 76 / 74 / 0 / 28

HEX #2C2FB8

RGB 44 47 184

HSL 238.71, 0.61%, 0.45%

LAB 29.49, 45.42, -71.59

 

CMYK 0 / 47 / 76 / 28

HEX #B8622C

RGB 184 98 44

HSL 23.14, 0.61%, 0.45%

LAB 50.81, 30.61, 44.67

 

CMYK 76 / 0 / 16 / 28

HEX #2DB89B

RGB 45 184 155

HSL 167.48, 0.61%, 0.45%

LAB 67.43, -42.98, 4.38

 

CMYK 16 / 76 / 0 / 28

HEX #9A2CB8

RGB 154 44 184

HSL 287.14, 0.61%, 0.45%

LAB 41.43, 63.51, -51.59

 

CMYK 0 / 16 / 76 / 28

HEX #B89A2C

RGB 184 154 44

HSL 47.14, 0.61%, 0.45%

LAB 64.55, -0.17, 58.11

 

CMYK 76 / 0 / 16 / 28

HEX #2DB89B

RGB 45 184 155

HSL 167.48, 0.61%, 0.45%

LAB 67.43, -42.98, 4.38

 

CMYK 76 / 74 / 0 / 28

HEX #2C2FB8

RGB 44 47 184

HSL 238.71, 0.61%, 0.45%

LAB 29.49, 45.42, -71.59

 

CMYK 0 / 76 / 59 / 28

HEX #B82C4B

RGB 184 44 75

HSL 346.71, 0.61%, 0.45%

LAB 42, 56.71, 16.54

 

CMYK 0 / 1 / 76 / 28

HEX #B8B62C

RGB 184 182 44

HSL 59.14, 0.61%, 0.45%

LAB 72.11, -14.88, 65.14

 

CMYK 76 / 0 / 16 / 28

HEX #2DB89B

RGB 45 184 155

HSL 167.48, 0.61%, 0.45%

LAB 67.43, -42.98, 4.38

 

CMYK 54 / 76 / 0 / 28

HEX #542CB8

RGB 84 44 184

HSL 257.14, 0.61%, 0.45%

LAB 32.14, 51.49, -67.11

 

CMYK 0 / 76 / 59 / 28

HEX #B82C4B

RGB 184 44 75

HSL 346.71, 0.61%, 0.45%

LAB 42, 56.71, 16.54

 

CMYK 21 / 0 / 76 / 28

HEX #91B82C

RGB 145 184 44

HSL 76.71, 0.61%, 0.45%

LAB 69.81, -32.22, 61.96

 

Description

Color code: HEX #2DB89B | qconv.com Color code: HEX #2DB89B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 184 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 184 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 16 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 16% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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