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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DAD31 it is the complementary color #D252CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DAD31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DAD31 shade: #32AD2C, #43BF3F, #54D152, #65E365 and #76F578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DAD31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DAD31 shade: #2DAD31, #1C9B1E, #0B890B, #007700 and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DAD31 shade: #2CAE31, #4BAE2C, #6EAE2C, #91AE2C and #AEA82C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DAD31 shade: #2CAE31, #2CAE53, #2CAE76, #2CAE99 and #2CA0AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DAD31 shade matches the following richer shades: #2CAE31, #1BC020 and #09D10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DAD31 shade: #2CAE31, #3E9C41, #508A52, #627962 and #736773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DAD31 shade: #6FAE2C, #4DAE2C, #2CAE2F, #2CAE51 and #2CAE74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DAD31 shade: #1C6C1E, #248D27, #2CAE31, #38CB3D and #59D45D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DAD31 shade: #2DAD31, #2C92AE and #AE2C5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DAD31 shade: #2DAD31, #2F2CAE and #AE2F2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DAD31 shade: #2DAD31, #2C92AE, #AE2CAC and #AE482C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DAD31 shade: #2DAD31, #2C6BAE, #AE2CAC and #AE6F2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 72 / 32

HEX #2DAD31

RGB 45 173 49

HSL 121.88, 0.59%, 0.43%

LAB 62.23, -57.8, 51.28

 

Complementary color

CMYK 0 / 61 / 2 / 18

HEX #D252CE

RGB 210 82 206

HSL 301.88, 0.59%, 0.57%

LAB 56.28, 65.43, -40.18

 

CMYK 71 / 0 / 75 / 32

HEX #32AD2C

RGB 50 173 44

HSL 117.21, 0.59%, 0.43%

LAB 62.29, -57.35, 53.24

 

CMYK 65 / 0 / 67 / 25

HEX #43BF3F

RGB 67 191 63

HSL 118.13, 0.5%, 0.5%

LAB 68.62, -58.46, 52.62

 

CMYK 60 / 0 / 61 / 18

HEX #54D152

RGB 84 209 82

HSL 119.06, 0.58%, 0.57%

LAB 74.88, -59.13, 51.62

 

CMYK 56 / 0 / 56 / 11

HEX #65E365

RGB 101 227 101

HSL 120, 0.69%, 0.64%

LAB 81.1, -59.5, 50.45

 

CMYK 52 / 0 / 51 / 4

HEX #76F578

RGB 118 245 120

HSL 120.94, 0.86%, 0.71%

LAB 87.25, -59.67, 49.21

 

CMYK 74 / 0 / 72 / 32

HEX #2DAD31

RGB 45 173 49

HSL 121.88, 0.59%, 0.43%

LAB 62.23, -57.8, 51.28

 

CMYK 82 / 0 / 81 / 39

HEX #1C9B1E

RGB 28 155 30

HSL 120.94, 0.69%, 0.36%

LAB 55.87, -55.96, 51.52

 

CMYK 92 / 0 / 92 / 46

HEX #0B890B

RGB 11 137 11

HSL 120, 0.85%, 0.29%

LAB 49.48, -53.13, 50.5

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 75 / 0 / 72 / 32

HEX #2CAE31

RGB 44 174 49

HSL 122.31, 0.6%, 0.43%

LAB 62.53, -58.29, 51.59

 

CMYK 57 / 0 / 75 / 32

HEX #4BAE2C

RGB 75 174 44

HSL 105.69, 0.6%, 0.43%

LAB 63.3, -52.09, 54.47

 

CMYK 37 / 0 / 75 / 32

HEX #6EAE2C

RGB 110 174 44

HSL 89.54, 0.6%, 0.43%

LAB 64.78, -41.09, 56.42

 

CMYK 17 / 0 / 75 / 32

HEX #91AE2C

RGB 145 174 44

HSL 73.38, 0.6%, 0.43%

LAB 66.88, -27.48, 59.18

 

CMYK 0 / 3 / 75 / 32

HEX #AEA82C

RGB 174 168 44

HSL 57.23, 0.6%, 0.43%

LAB 67.42, -12.03, 60.48

 

CMYK 75 / 0 / 72 / 32

HEX #2CAE31

RGB 44 174 49

HSL 122.31, 0.6%, 0.43%

LAB 62.53, -58.29, 51.59

 

CMYK 75 / 0 / 52 / 32

HEX #2CAE53

RGB 44 174 83

HSL 138, 0.6%, 0.43%

LAB 62.87, -54.24, 36.71

 

CMYK 75 / 0 / 32 / 32

HEX #2CAE76

RGB 44 174 118

HSL 154.15, 0.6%, 0.43%

LAB 63.44, -47.79, 19.05

 

CMYK 75 / 0 / 12 / 32

HEX #2CAE99

RGB 44 174 153

HSL 170.31, 0.6%, 0.43%

LAB 64.25, -39.25, 0.87

 

CMYK 75 / 8 / 0 / 32

HEX #2CA0AE

RGB 44 160 174

HSL 186.46, 0.6%, 0.43%

LAB 60.55, -26.47, -16.41

 

CMYK 75 / 0 / 72 / 32

HEX #2CAE31

RGB 44 174 49

HSL 122.31, 0.6%, 0.43%

LAB 62.53, -58.29, 51.59

 

CMYK 86 / 0 / 83 / 25

HEX #1BC020

RGB 27 192 32

HSL 121.82, 0.75%, 0.43%

LAB 68.05, -67.06, 62.28

 

CMYK 96 / 0 / 93 / 18

HEX #09D10F

RGB 9 209 15

HSL 121.8, 0.92%, 0.43%

LAB 73.35, -73.54, 70.07

 

CMYK 75 / 0 / 72 / 32

HEX #2CAE31

RGB 44 174 49

HSL 122.31, 0.6%, 0.43%

LAB 62.53, -58.29, 51.59

 

CMYK 60 / 0 / 58 / 39

HEX #3E9C41

RGB 62 156 65

HSL 121.91, 0.43%, 0.43%

LAB 57.25, -46.57, 38.92

 

CMYK 42 / 0 / 41 / 46

HEX #508A52

RGB 80 138 82

HSL 122.07, 0.27%, 0.43%

LAB 52.39, -31.23, 24.19

 

CMYK 19 / 0 / 19 / 53

HEX #627962

RGB 98 121 98

HSL 120, 0.11%, 0.43%

LAB 48.45, -13.26, 9.88

 

CMYK 0 / 10 / 0 / 55

HEX #736773

RGB 115 103 115

HSL 300, 0.06%, 0.43%

LAB 45.06, 7.11, -4.99

 

CMYK 36 / 0 / 75 / 32

HEX #6FAE2C

RGB 111 174 44

HSL 89.08, 0.6%, 0.43%

LAB 64.83, -40.73, 56.49

 

CMYK 56 / 0 / 75 / 32

HEX #4DAE2C

RGB 77 174 44

HSL 104.77, 0.6%, 0.43%

LAB 63.37, -51.55, 54.56

 

CMYK 75 / 0 / 73 / 32

HEX #2CAE2F

RGB 44 174 47

HSL 121.38, 0.6%, 0.43%

LAB 62.52, -58.46, 52.33

 

CMYK 75 / 0 / 53 / 32

HEX #2CAE51

RGB 44 174 81

HSL 137.08, 0.6%, 0.43%

LAB 62.85, -54.54, 37.67

 

CMYK 75 / 0 / 33 / 32

HEX #2CAE74

RGB 44 174 116

HSL 153.23, 0.6%, 0.43%

LAB 63.4, -48.22, 20.08

 

CMYK 74 / 0 / 72 / 58

HEX #1C6C1E

RGB 28 108 30

HSL 121.5, 0.59%, 0.27%

LAB 39.69, -40.13, 35.32

 

CMYK 74 / 0 / 72 / 45

HEX #248D27

RGB 36 141 39

HSL 121.71, 0.59%, 0.35%

LAB 51.35, -49.48, 43.85

 

CMYK 75 / 0 / 72 / 32

HEX #2CAE31

RGB 44 174 49

HSL 122.31, 0.6%, 0.43%

LAB 62.53, -58.29, 51.59

 

CMYK 72 / 0 / 70 / 20

HEX #38CB3D

RGB 56 203 61

HSL 122.04, 0.59%, 0.51%

LAB 72.15, -64.7, 57.1

 

CMYK 58 / 0 / 56 / 17

HEX #59D45D

RGB 89 212 93

HSL 121.95, 0.59%, 0.59%

LAB 76.07, -57.79, 48.08

 

CMYK 74 / 0 / 72 / 32

HEX #2DAD31

RGB 45 173 49

HSL 121.88, 0.59%, 0.43%

LAB 62.23, -57.8, 51.28

 

CMYK 75 / 16 / 0 / 32

HEX #2C92AE

RGB 44 146 174

HSL 192.92, 0.6%, 0.43%

LAB 56.24, -19.23, -22.99

 

CMYK 0 / 75 / 46 / 32

HEX #AE2C5E

RGB 174 44 94

HSL 336.92, 0.6%, 0.43%

LAB 40.59, 55.34, 2.33

 

CMYK 74 / 0 / 72 / 32

HEX #2DAD31

RGB 45 173 49

HSL 121.88, 0.59%, 0.43%

LAB 62.23, -57.8, 51.28

 

CMYK 73 / 75 / 0 / 32

HEX #2F2CAE

RGB 47 44 174

HSL 241.38, 0.6%, 0.43%

LAB 28.01, 44.06, -68.05

 

CMYK 0 / 73 / 75 / 32

HEX #AE2F2C

RGB 174 47 44

HSL 1.38, 0.6%, 0.43%

LAB 39.94, 50.87, 32.55

 

CMYK 74 / 0 / 72 / 32

HEX #2DAD31

RGB 45 173 49

HSL 121.88, 0.59%, 0.43%

LAB 62.23, -57.8, 51.28

 

CMYK 75 / 16 / 0 / 32

HEX #2C92AE

RGB 44 146 174

HSL 192.92, 0.6%, 0.43%

LAB 56.24, -19.23, -22.99

 

CMYK 0 / 75 / 1 / 32

HEX #AE2CAC

RGB 174 44 172

HSL 300.92, 0.6%, 0.43%

LAB 43.91, 65.5, -40.33

 

CMYK 0 / 59 / 75 / 32

HEX #AE482C

RGB 174 72 44

HSL 12.92, 0.6%, 0.43%

LAB 43.97, 40.04, 37

 

CMYK 74 / 0 / 72 / 32

HEX #2DAD31

RGB 45 173 49

HSL 121.88, 0.59%, 0.43%

LAB 62.23, -57.8, 51.28

 

CMYK 75 / 39 / 0 / 32

HEX #2C6BAE

RGB 44 107 174

HSL 210.92, 0.6%, 0.43%

LAB 44.39, 3.37, -41.51

 

CMYK 0 / 75 / 1 / 32

HEX #AE2CAC

RGB 174 44 172

HSL 300.92, 0.6%, 0.43%

LAB 43.91, 65.5, -40.33

 

CMYK 0 / 36 / 75 / 32

HEX #AE6F2C

RGB 174 111 44

HSL 30.92, 0.6%, 0.43%

LAB 52.45, 19.19, 45.9

 

Description

Color code: HEX #2DAD31 | qconv.com Color code: HEX #2DAD31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 173 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 173 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 72 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 72% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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