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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DAA11 it is the complementary color #D255EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DAA11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DAA11 shade: #32AA0C, #43BC1F, #54CE32, #65E045 and #76F258

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DAA11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DAA11 shade: #2DAA11, #1C9800, #0B8600, #007400 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DAA11 shade: #2DAB10, #57AB10, #80AB10, #AAAB10 and #AB8310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DAA11 shade: #2DAB10, #10AB1E, #10AB48, #10AB71 and #10AB9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DAA11 shade matches the following richer shades: #2DAB10 and #23BA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DAA11 shade: #2DAB10, #369C20, #408D2F, #4A7D3E and #546E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DAA11 shade: #7FAB10, #56AB10, #2DAB10, #10AB1D and #10AB47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DAA11 shade: #196009, #23860D, #2DAB10, #37D114 and #49E925

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DAA11 shade: #2DAA11, #10A9AB and #AB106B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DAA11 shade: #2DAA11, #102DAB and #AB102D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DAA11 shade: #2DAA11, #10A9AB, #8F10AB and #AB1310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DAA11 shade: #2DAA11, #107AAB, #8F10AB and #AB4110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 90 / 33

HEX #2DAA11

RGB 45 170 17

HSL 109.02, 0.82%, 0.37%

LAB 61.09, -58.76, 59.54

 

Complementary color

CMYK 12 / 64 / 0 / 7

HEX #D255EE

RGB 210 85 238

HSL 289.02, 0.82%, 0.63%

LAB 58.39, 69.81, -54.88

 

CMYK 71 / 0 / 93 / 33

HEX #32AA0C

RGB 50 170 12

HSL 105.57, 0.87%, 0.36%

LAB 61.18, -58, 60.5

 

CMYK 64 / 0 / 84 / 26

HEX #43BC1F

RGB 67 188 31

HSL 106.24, 0.72%, 0.43%

LAB 67.47, -59.71, 62.28

 

CMYK 59 / 0 / 76 / 19

HEX #54CE32

RGB 84 206 50

HSL 106.92, 0.61%, 0.5%

LAB 73.71, -60.86, 62.79

 

CMYK 55 / 0 / 69 / 12

HEX #65E045

RGB 101 224 69

HSL 107.61, 0.71%, 0.57%

LAB 79.9, -61.61, 62.53

 

CMYK 51 / 0 / 64 / 5

HEX #76F258

RGB 118 242 88

HSL 108.31, 0.86%, 0.65%

LAB 86.04, -62.07, 61.84

 

CMYK 74 / 0 / 90 / 33

HEX #2DAA11

RGB 45 170 17

HSL 109.02, 0.82%, 0.37%

LAB 61.09, -58.76, 59.54

 

CMYK 82 / 0 / 100 / 40

HEX #1C9800

RGB 28 152 0

HSL 108.95, 1%, 0.3%

LAB 54.77, -56.25, 56.85

 

CMYK 92 / 0 / 100 / 47

HEX #0B8600

RGB 11 134 0

HSL 115.07, 1%, 0.26%

LAB 48.41, -52.62, 51.69

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 74 / 0 / 91 / 33

HEX #2DAB10

RGB 45 171 16

HSL 108.77, 0.83%, 0.37%

LAB 61.41, -59.11, 60

 

CMYK 49 / 0 / 91 / 33

HEX #57AB10

RGB 87 171 16

HSL 92.52, 0.83%, 0.37%

LAB 62.67, -48.86, 61.56

 

CMYK 25 / 0 / 91 / 33

HEX #80AB10

RGB 128 171 16

HSL 76.65, 0.83%, 0.37%

LAB 64.77, -34.05, 64.16

 

CMYK 1 / 0 / 91 / 33

HEX #AAAB10

RGB 170 171 16

HSL 60.39, 0.83%, 0.37%

LAB 67.81, -16.19, 67.87

 

CMYK 0 / 23 / 91 / 33

HEX #AB8310

RGB 171 131 16

HSL 44.52, 0.83%, 0.37%

LAB 57.01, 5.7, 59.47

 

CMYK 74 / 0 / 91 / 33

HEX #2DAB10

RGB 45 171 16

HSL 108.77, 0.83%, 0.37%

LAB 61.41, -59.11, 60

 

CMYK 91 / 0 / 82 / 33

HEX #10AB1E

RGB 16 171 30

HSL 125.42, 0.83%, 0.37%

LAB 61.07, -61.94, 56.36

 

CMYK 91 / 0 / 58 / 33

HEX #10AB48

RGB 16 171 72

HSL 141.68, 0.83%, 0.37%

LAB 61.4, -57.84, 40.23

 

CMYK 91 / 0 / 34 / 33

HEX #10AB71

RGB 16 171 113

HSL 157.55, 0.83%, 0.37%

LAB 62.02, -50.47, 19.78

 

CMYK 91 / 0 / 9 / 33

HEX #10AB9B

RGB 16 171 155

HSL 173.81, 0.83%, 0.37%

LAB 63.01, -39.78, -2.09

 

CMYK 74 / 0 / 91 / 33

HEX #2DAB10

RGB 45 171 16

HSL 108.77, 0.83%, 0.37%

LAB 61.41, -59.11, 60

 

CMYK 81 / 0 / 99 / 27

HEX #23BA01

RGB 35 186 1

HSL 108.97, 0.99%, 0.37%

LAB 66.12, -65.46, 65.84

 

CMYK 74 / 0 / 91 / 33

HEX #2DAB10

RGB 45 171 16

HSL 108.77, 0.83%, 0.37%

LAB 61.41, -59.11, 60

 

CMYK 65 / 0 / 79 / 39

HEX #369C20

RGB 54 156 32

HSL 109.35, 0.66%, 0.37%

LAB 56.75, -51.6, 51.92

 

CMYK 55 / 0 / 67 / 45

HEX #408D2F

RGB 64 141 47

HSL 109.15, 0.5%, 0.37%

LAB 52.23, -42.18, 41.62

 

CMYK 41 / 0 / 50 / 51

HEX #4A7D3E

RGB 74 125 62

HSL 108.57, 0.34%, 0.37%

LAB 47.59, -30.22, 28.92

 

CMYK 24 / 0 / 29 / 57

HEX #546E4E

RGB 84 110 78

HSL 108.75, 0.17%, 0.37%

LAB 43.63, -16.32, 14.83

 

CMYK 26 / 0 / 91 / 33

HEX #7FAB10

RGB 127 171 16

HSL 77.03, 0.83%, 0.37%

LAB 64.7, -34.45, 64.08

 

CMYK 50 / 0 / 91 / 33

HEX #56AB10

RGB 86 171 16

HSL 92.9, 0.83%, 0.37%

LAB 62.63, -49.17, 61.51

 

CMYK 74 / 0 / 91 / 33

HEX #2DAB10

RGB 45 171 16

HSL 108.77, 0.83%, 0.37%

LAB 61.41, -59.11, 60

 

CMYK 91 / 0 / 83 / 33

HEX #10AB1D

RGB 16 171 29

HSL 125.03, 0.83%, 0.37%

LAB 61.07, -61.99, 56.63

 

CMYK 91 / 0 / 58 / 33

HEX #10AB47

RGB 16 171 71

HSL 141.29, 0.83%, 0.37%

LAB 61.39, -57.98, 40.69

 

CMYK 74 / 0 / 91 / 62

HEX #196009

RGB 25 96 9

HSL 108.97, 0.83%, 0.21%

LAB 35.19, -37.99, 38.53

 

CMYK 74 / 0 / 90 / 47

HEX #23860D

RGB 35 134 13

HSL 109.09, 0.82%, 0.29%

LAB 48.81, -49.01, 49.65

 

CMYK 74 / 0 / 91 / 33

HEX #2DAB10

RGB 45 171 16

HSL 108.77, 0.83%, 0.37%

LAB 61.41, -59.11, 60

 

CMYK 74 / 0 / 90 / 18

HEX #37D114

RGB 55 209 20

HSL 108.89, 0.83%, 0.45%

LAB 73.85, -69.05, 69.97

 

CMYK 69 / 0 / 84 / 9

HEX #49E925

RGB 73 233 37

HSL 108.98, 0.82%, 0.53%

LAB 81.74, -72.68, 73.71

 

CMYK 74 / 0 / 90 / 33

HEX #2DAA11

RGB 45 170 17

HSL 109.02, 0.82%, 0.37%

LAB 61.09, -58.76, 59.54

 

CMYK 91 / 1 / 0 / 33

HEX #10A9AB

RGB 16 169 171

HSL 180.77, 0.83%, 0.37%

LAB 62.87, -34.1, -11.27

 

CMYK 0 / 91 / 37 / 33

HEX #AB106B

RGB 171 16 107

HSL 324.77, 0.83%, 0.37%

LAB 38, 62.79, -9.78

 

CMYK 74 / 0 / 90 / 33

HEX #2DAA11

RGB 45 170 17

HSL 109.02, 0.82%, 0.37%

LAB 61.09, -58.76, 59.54

 

CMYK 91 / 74 / 0 / 33

HEX #102DAB

RGB 16 45 171

HSL 228.77, 0.83%, 0.37%

LAB 26.53, 40.32, -68.75

 

CMYK 0 / 91 / 74 / 33

HEX #AB102D

RGB 171 16 45

HSL 348.77, 0.83%, 0.37%

LAB 36.4, 58.33, 27.73

 

CMYK 74 / 0 / 90 / 33

HEX #2DAA11

RGB 45 170 17

HSL 109.02, 0.82%, 0.37%

LAB 61.09, -58.76, 59.54

 

CMYK 91 / 1 / 0 / 33

HEX #10A9AB

RGB 16 169 171

HSL 180.77, 0.83%, 0.37%

LAB 62.87, -34.1, -11.27

 

CMYK 16 / 91 / 0 / 33

HEX #8F10AB

RGB 143 16 171

HSL 289.16, 0.83%, 0.37%

LAB 36.27, 66.34, -52.27

 

CMYK 0 / 89 / 91 / 33

HEX #AB1310

RGB 171 19 16

HSL 1.16, 0.83%, 0.37%

LAB 36.29, 56.98, 43.8

 

CMYK 74 / 0 / 90 / 33

HEX #2DAA11

RGB 45 170 17

HSL 109.02, 0.82%, 0.37%

LAB 61.09, -58.76, 59.54

 

CMYK 91 / 29 / 0 / 33

HEX #107AAB

RGB 16 122 171

HSL 198.97, 0.83%, 0.37%

LAB 48.22, -9.51, -33.74

 

CMYK 16 / 91 / 0 / 33

HEX #8F10AB

RGB 143 16 171

HSL 289.16, 0.83%, 0.37%

LAB 36.27, 66.34, -52.27

 

CMYK 0 / 62 / 91 / 33

HEX #AB4110

RGB 171 65 16

HSL 18.97, 0.83%, 0.37%

LAB 41.96, 41.37, 47.98

 

Description

Color code: HEX #2DAA11 | qconv.com Color code: HEX #2DAA11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 170 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 170 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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