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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9EB7 it is the complementary color #D26148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9EB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9EB7 shade: #329EB2, #43B0C5, #54C2D8, #65D4EB and #76E6FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9EB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9EB7 shade: #2D9EB7, #1C8CA4, #0B7A91, #00687E and #00566B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9EB7 shade: #2C9FB8, #2C79B8, #2C53B8, #2C2EB8 and #512CB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9EB7 shade: #2C9FB8, #2C79B8, #2C53B8, #2C2EB8 and #2C2CB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9EB7 shade matches the following richer shades: #2C9FB8, #1AABCB and #07B7DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9EB7 shade: #2C9FB8, #3F93A6, #518793, #647B81 and #77706E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9EB7 shade: #2CB885, #2CB8AA, #2CA1B8, #2C7CB8 and #2C56B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9EB7 shade: #1C6676, #248297, #2C9FB8, #3EB5D0 and #5FC2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9EB7 shade: #2D9EB7, #602CB8 and #B8982C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9EB7 shade: #2D9EB7, #B82CA1 and #A1B82C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9EB7 shade: #2D9EB7, #602CB8, #B8442C and #85B82C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9EB7 shade: #2D9EB7, #8A2CB8, #B8442C and #5BB82C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 14 / 0 / 28

HEX #2D9EB7

RGB 45 158 183

HSL 190.87, 0.61%, 0.45%

LAB 60.28, -22.45, -21.9

 

Complementary color

CMYK 0 / 54 / 66 / 18

HEX #D26148

RGB 210 97 72

HSL 10.87, 0.61%, 0.55%

LAB 54.78, 42.82, 35.47

 

CMYK 72 / 11 / 0 / 30

HEX #329EB2

RGB 50 158 178

HSL 189.38, 0.56%, 0.45%

LAB 60.2, -23.43, -19.18

 

CMYK 66 / 11 / 0 / 23

HEX #43B0C5

RGB 67 176 197

HSL 189.69, 0.53%, 0.52%

LAB 66.73, -24.23, -19.82

 

CMYK 61 / 10 / 0 / 15

HEX #54C2D8

RGB 84 194 216

HSL 190, 0.63%, 0.59%

LAB 73.17, -24.81, -20.39

 

CMYK 57 / 10 / 0 / 8

HEX #65D4EB

RGB 101 212 235

HSL 190.3, 0.77%, 0.66%

LAB 79.53, -25.25, -20.93

 

CMYK 54 / 9 / 0 / 0

HEX #76E6FE

RGB 118 230 254

HSL 190.59, 0.99%, 0.73%

LAB 85.81, -25.58, -21.43

 

CMYK 75 / 14 / 0 / 28

HEX #2D9EB7

RGB 45 158 183

HSL 190.87, 0.61%, 0.45%

LAB 60.28, -22.45, -21.9

 

CMYK 83 / 15 / 0 / 36

HEX #1C8CA4

RGB 28 140 164

HSL 190.59, 0.71%, 0.38%

LAB 53.69, -21.14, -21.19

 

CMYK 92 / 16 / 0 / 43

HEX #0B7A91

RGB 11 122 145

HSL 190.3, 0.86%, 0.31%

LAB 47.02, -19.36, -20.38

 

CMYK 100 / 17 / 0 / 51

HEX #00687E

RGB 0 104 126

HSL 190.48, 1%, 0.25%

LAB 40.26, -17.01, -19.43

 

CMYK 100 / 20 / 0 / 58

HEX #00566B

RGB 0 86 107

HSL 191.78, 1%, 0.21%

LAB 33.39, -13.99, -18.34

 

CMYK 76 / 14 / 0 / 28

HEX #2C9FB8

RGB 44 159 184

HSL 190.71, 0.61%, 0.45%

LAB 60.6, -22.76, -21.97

 

CMYK 76 / 34 / 0 / 28

HEX #2C79B8

RGB 44 121 184

HSL 207, 0.61%, 0.45%

LAB 49.09, -1.5, -39.86

 

CMYK 76 / 55 / 0 / 28

HEX #2C53B8

RGB 44 83 184

HSL 223.29, 0.61%, 0.45%

LAB 38.17, 22.69, -57.37

 

CMYK 76 / 75 / 0 / 28

HEX #2C2EB8

RGB 44 46 184

HSL 239.14, 0.61%, 0.45%

LAB 29.29, 45.98, -71.92

 

CMYK 56 / 76 / 0 / 28

HEX #512CB8

RGB 81 44 184

HSL 255.86, 0.61%, 0.45%

LAB 31.83, 51.08, -67.62

 

CMYK 76 / 14 / 0 / 28

HEX #2C9FB8

RGB 44 159 184

HSL 190.71, 0.61%, 0.45%

LAB 60.6, -22.76, -21.97

 

CMYK 76 / 34 / 0 / 28

HEX #2C79B8

RGB 44 121 184

HSL 207, 0.61%, 0.45%

LAB 49.09, -1.5, -39.86

 

CMYK 76 / 55 / 0 / 28

HEX #2C53B8

RGB 44 83 184

HSL 223.29, 0.61%, 0.45%

LAB 38.17, 22.69, -57.37

 

CMYK 76 / 75 / 0 / 28

HEX #2C2EB8

RGB 44 46 184

HSL 239.14, 0.61%, 0.45%

LAB 29.29, 45.98, -71.92

 

CMYK 76 / 76 / 0 / 28

HEX #2C2CB8

RGB 44 44 184

HSL 240, 0.61%, 0.45%

LAB 28.9, 47.09, -72.56

 

CMYK 76 / 14 / 0 / 28

HEX #2C9FB8

RGB 44 159 184

HSL 190.71, 0.61%, 0.45%

LAB 60.6, -22.76, -21.97

 

CMYK 87 / 16 / 0 / 20

HEX #1AABCB

RGB 26 171 203

HSL 190.85, 0.77%, 0.45%

LAB 64.69, -24.19, -26.33

 

CMYK 97 / 17 / 0 / 13

HEX #07B7DD

RGB 7 183 221

HSL 190.65, 0.94%, 0.45%

LAB 68.85, -25.02, -29.85

 

CMYK 76 / 14 / 0 / 28

HEX #2C9FB8

RGB 44 159 184

HSL 190.71, 0.61%, 0.45%

LAB 60.6, -22.76, -21.97

 

CMYK 62 / 11 / 0 / 35

HEX #3F93A6

RGB 63 147 166

HSL 191.07, 0.45%, 0.45%

LAB 56.76, -19.4, -17.58

 

CMYK 45 / 8 / 0 / 42

HEX #518793

RGB 81 135 147

HSL 190.91, 0.29%, 0.45%

LAB 53.15, -14.57, -12.04

 

CMYK 22 / 5 / 0 / 49

HEX #647B81

RGB 100 123 129

HSL 192.41, 0.13%, 0.45%

LAB 50.05, -6.9, -6.04

 

CMYK 0 / 6 / 8 / 53

HEX #77706E

RGB 119 112 110

HSL 13.33, 0.04%, 0.45%

LAB 47.8, 2.32, 2.07

 

CMYK 76 / 0 / 28 / 28

HEX #2CB885

RGB 44 184 133

HSL 158.14, 0.61%, 0.45%

LAB 66.91, -48.46, 15.68

 

CMYK 76 / 0 / 8 / 28

HEX #2CB8AA

RGB 44 184 170

HSL 174, 0.61%, 0.45%

LAB 67.81, -39.06, -3.33

 

CMYK 76 / 13 / 0 / 28

HEX #2CA1B8

RGB 44 161 184

HSL 189.86, 0.61%, 0.45%

LAB 61.21, -23.79, -21.03

 

CMYK 76 / 33 / 0 / 28

HEX #2C7CB8

RGB 44 124 184

HSL 205.71, 0.61%, 0.45%

LAB 49.99, -3.3, -38.45

 

CMYK 76 / 53 / 0 / 28

HEX #2C56B8

RGB 44 86 184

HSL 222, 0.61%, 0.45%

LAB 38.99, 20.72, -56.04

 

CMYK 76 / 14 / 0 / 54

HEX #1C6676

RGB 28 102 118

HSL 190.67, 0.62%, 0.29%

LAB 39.68, -16.39, -15.42

 

CMYK 76 / 14 / 0 / 41

HEX #248297

RGB 36 130 151

HSL 190.96, 0.61%, 0.37%

LAB 50.19, -19.38, -19.01

 

CMYK 76 / 14 / 0 / 28

HEX #2C9FB8

RGB 44 159 184

HSL 190.71, 0.61%, 0.45%

LAB 60.6, -22.76, -21.97

 

CMYK 70 / 13 / 0 / 18

HEX #3EB5D0

RGB 62 181 208

HSL 191.1, 0.61%, 0.53%

LAB 68.48, -24.1, -23.23

 

CMYK 56 / 10 / 0 / 15

HEX #5FC2D8

RGB 95 194 216

HSL 190.91, 0.61%, 0.61%

LAB 73.53, -22.78, -19.82

 

CMYK 75 / 14 / 0 / 28

HEX #2D9EB7

RGB 45 158 183

HSL 190.87, 0.61%, 0.45%

LAB 60.28, -22.45, -21.9

 

CMYK 48 / 76 / 0 / 28

HEX #602CB8

RGB 96 44 184

HSL 262.29, 0.61%, 0.45%

LAB 33.45, 53.24, -64.9

 

CMYK 0 / 17 / 76 / 28

HEX #B8982C

RGB 184 152 44

HSL 46.29, 0.61%, 0.45%

LAB 64.02, 0.91, 57.61

 

CMYK 75 / 14 / 0 / 28

HEX #2D9EB7

RGB 45 158 183

HSL 190.87, 0.61%, 0.45%

LAB 60.28, -22.45, -21.9

 

CMYK 0 / 76 / 13 / 28

HEX #B82CA1

RGB 184 44 161

HSL 309.86, 0.61%, 0.45%

LAB 45.03, 66.02, -31.91

 

CMYK 13 / 0 / 76 / 28

HEX #A1B82C

RGB 161 184 44

HSL 69.86, 0.61%, 0.45%

LAB 70.9, -25.67, 63.37

 

CMYK 75 / 14 / 0 / 28

HEX #2D9EB7

RGB 45 158 183

HSL 190.87, 0.61%, 0.45%

LAB 60.28, -22.45, -21.9

 

CMYK 48 / 76 / 0 / 28

HEX #602CB8

RGB 96 44 184

HSL 262.29, 0.61%, 0.45%

LAB 33.45, 53.24, -64.9

 

CMYK 0 / 63 / 76 / 28

HEX #B8442C

RGB 184 68 44

HSL 10.29, 0.61%, 0.45%

LAB 44.95, 45.61, 38.56

 

CMYK 28 / 0 / 76 / 28

HEX #85B82C

RGB 133 184 44

HSL 81.86, 0.61%, 0.45%

LAB 69.08, -36.94, 61

 

CMYK 75 / 14 / 0 / 28

HEX #2D9EB7

RGB 45 158 183

HSL 190.87, 0.61%, 0.45%

LAB 60.28, -22.45, -21.9

 

CMYK 25 / 76 / 0 / 28

HEX #8A2CB8

RGB 138 44 184

HSL 280.29, 0.61%, 0.45%

LAB 39.01, 60.45, -55.6

 

CMYK 0 / 63 / 76 / 28

HEX #B8442C

RGB 184 68 44

HSL 10.29, 0.61%, 0.45%

LAB 44.95, 45.61, 38.56

 

CMYK 51 / 0 / 76 / 28

HEX #5BB82C

RGB 91 184 44

HSL 99.86, 0.61%, 0.45%

LAB 67.04, -51.36, 58.34

 

Description

Color code: HEX #2D9EB7 | qconv.com Color code: HEX #2D9EB7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 158 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 158 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 14 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 14% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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