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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D92E6 it is the complementary color #D26D19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D92E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D92E6 shade: #3292E1, #43A4F4, #54B6FF, #65C8FF and #76DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D92E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D92E6 shade: #2D92E6, #1C80D3, #0B6EC0, #005CAD and #004A9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D92E6 shade: #2D92E6, #2D60E6, #2D2EE6, #5D2DE6 and #8F2DE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D92E6 shade: #2D92E6, #2D60E6, #2D2EE6 and #2D2DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D92E6 shade matches the following richer shades: #2D92E6 and #1A93F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D92E6 shade: #2D92E6, #4090D3, #528EC0, #658CAD and #788B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D92E6 shade: #2DE6D6, #2DC4E6, #2D92E6, #2D61E6 and #2D30E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D92E6 shade: #1467AC, #187DD1, #2D92E6, #51A5EA and #76B8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D92E6 shade: #2D92E6, #A52DE6 and #DDE62D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D92E6 shade: #2D92E6, #E62D92 and #92E62D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D92E6 shade: #2D92E6, #A52DE6, #E6802D and #6DE62D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D92E6 shade: #2D92E6, #DD2DE6, #E6802D and #36E62D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

Complementary color

CMYK 0 / 48 / 88 / 18

HEX #D26D19

RGB 210 109 25

HSL 27.24, 0.79%, 0.46%

LAB 56.79, 34.89, 59.07

 

CMYK 78 / 35 / 0 / 12

HEX #3292E1

RGB 50 146 225

HSL 207.09, 0.74%, 0.54%

LAB 58.67, -0.7, -47.93

 

CMYK 73 / 33 / 0 / 4

HEX #43A4F4

RGB 67 164 244

HSL 207.12, 0.89%, 0.61%

LAB 65.18, -2.37, -48.09

 

CMYK 67 / 29 / 0 / 0

HEX #54B6FF

RGB 84 182 255

HSL 205.61, 1%, 0.66%

LAB 71.26, -6.36, -44.48

 

CMYK 60 / 22 / 0 / 0

HEX #65C8FF

RGB 101 200 255

HSL 201.43, 1%, 0.7%

LAB 76.86, -13.25, -35.71

 

CMYK 54 / 15 / 0 / 0

HEX #76DAFF

RGB 118 218 255

HSL 196.2, 1%, 0.73%

LAB 82.49, -19.33, -26.99

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 87 / 39 / 0 / 17

HEX #1C80D3

RGB 28 128 211

HSL 207.21, 0.77%, 0.47%

LAB 52.27, 2.89, -50.27

 

CMYK 94 / 43 / 0 / 25

HEX #0B6EC0

RGB 11 110 192

HSL 207.18, 0.89%, 0.4%

LAB 45.67, 5.73, -49.96

 

CMYK 100 / 47 / 0 / 32

HEX #005CAD

RGB 0 92 173

HSL 208.09, 1%, 0.34%

LAB 39.02, 9.2, -49.55

 

CMYK 100 / 52 / 0 / 40

HEX #004A9A

RGB 0 74 154

HSL 211.17, 1%, 0.3%

LAB 32.33, 13.36, -49

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 80 / 58 / 0 / 10

HEX #2D60E6

RGB 45 96 230

HSL 223.46, 0.79%, 0.54%

LAB 45.13, 31.63, -72.52

 

CMYK 80 / 80 / 0 / 10

HEX #2D2EE6

RGB 45 46 230

HSL 239.68, 0.79%, 0.54%

LAB 34.45, 60.59, -90.11

 

CMYK 60 / 80 / 0 / 10

HEX #5D2DE6

RGB 93 45 230

HSL 255.57, 0.79%, 0.54%

LAB 37.69, 64.64, -84.63

 

CMYK 38 / 80 / 0 / 10

HEX #8F2DE6

RGB 143 45 230

HSL 271.78, 0.79%, 0.54%

LAB 43.4, 70.79, -75.03

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 80 / 58 / 0 / 10

HEX #2D60E6

RGB 45 96 230

HSL 223.46, 0.79%, 0.54%

LAB 45.13, 31.63, -72.52

 

CMYK 80 / 80 / 0 / 10

HEX #2D2EE6

RGB 45 46 230

HSL 239.68, 0.79%, 0.54%

LAB 34.45, 60.59, -90.11

 

CMYK 80 / 80 / 0 / 10

HEX #2D2DE6

RGB 45 45 230

HSL 240, 0.79%, 0.54%

LAB 34.29, 61.05, -90.38

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 90 / 41 / 0 / 2

HEX #1A93F9

RGB 26 147 249

HSL 207.44, 0.95%, 0.54%

LAB 59.82, 5.71, -59.4

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 70 / 32 / 0 / 17

HEX #4090D3

RGB 64 144 211

HSL 207.35, 0.63%, 0.54%

LAB 57.79, -2.71, -41.47

 

CMYK 57 / 26 / 0 / 25

HEX #528EC0

RGB 82 142 192

HSL 207.27, 0.47%, 0.54%

LAB 57.02, -4.68, -31.91

 

CMYK 42 / 19 / 0 / 32

HEX #658CAD

RGB 101 140 173

HSL 207.5, 0.31%, 0.54%

LAB 56.62, -4.71, -21.63

 

CMYK 22 / 10 / 0 / 40

HEX #788B9A

RGB 120 139 154

HSL 206.47, 0.14%, 0.54%

LAB 56.87, -3.38, -10.25

 

CMYK 80 / 0 / 7 / 10

HEX #2DE6D6

RGB 45 230 214

HSL 174.81, 0.79%, 0.54%

LAB 82.92, -46.99, -4.82

 

CMYK 80 / 15 / 0 / 10

HEX #2DC4E6

RGB 45 196 230

HSL 191.03, 0.79%, 0.54%

LAB 73.38, -26.53, -27.74

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 80 / 58 / 0 / 10

HEX #2D61E6

RGB 45 97 230

HSL 223.14, 0.79%, 0.54%

LAB 45.39, 31, -72.11

 

CMYK 80 / 79 / 0 / 10

HEX #2D30E6

RGB 45 48 230

HSL 239.03, 0.79%, 0.54%

LAB 34.77, 59.64, -89.57

 

CMYK 88 / 40 / 0 / 33

HEX #1467AC

RGB 20 103 172

HSL 207.24, 0.79%, 0.38%

LAB 42.5, 2.68, -43.37

 

CMYK 89 / 40 / 0 / 18

HEX #187DD1

RGB 24 125 209

HSL 207.24, 0.79%, 0.46%

LAB 51.23, 3.7, -50.81

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 65 / 29 / 0 / 8

HEX #51A5EA

RGB 81 165 234

HSL 207.06, 0.78%, 0.62%

LAB 65.44, -4.27, -42.18

 

CMYK 51 / 23 / 0 / 6

HEX #76B8EF

RGB 118 184 239

HSL 207.27, 0.79%, 0.7%

LAB 72.47, -6.05, -33.83

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 28 / 80 / 0 / 10

HEX #A52DE6

RGB 165 45 230

HSL 278.92, 0.79%, 0.54%

LAB 46.43, 74.1, -69.97

 

CMYK 4 / 0 / 80 / 10

HEX #DDE62D

RGB 221 230 45

HSL 62.92, 0.79%, 0.54%

LAB 88.04, -22.93, 80.1

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 0 / 80 / 37 / 10

HEX #E62D92

RGB 230 45 146

HSL 327.24, 0.79%, 0.54%

LAB 52.7, 74.65, -10.47

 

CMYK 37 / 0 / 80 / 10

HEX #92E62D

RGB 146 230 45

HSL 87.24, 0.79%, 0.54%

LAB 83.39, -51.76, 74.2

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 28 / 80 / 0 / 10

HEX #A52DE6

RGB 165 45 230

HSL 278.92, 0.79%, 0.54%

LAB 46.43, 74.1, -69.97

 

CMYK 0 / 44 / 80 / 10

HEX #E6802D

RGB 230 128 45

HSL 26.92, 0.79%, 0.54%

LAB 63.71, 33.66, 58.9

 

CMYK 53 / 0 / 80 / 10

HEX #6DE62D

RGB 109 230 45

HSL 99.24, 0.79%, 0.54%

LAB 81.86, -63.15, 72.24

 

CMYK 80 / 37 / 0 / 10

HEX #2D92E6

RGB 45 146 230

HSL 207.24, 0.79%, 0.54%

LAB 58.82, 0.61, -50.49

 

CMYK 4 / 80 / 0 / 10

HEX #DD2DE6

RGB 221 45 230

HSL 297.08, 0.79%, 0.54%

LAB 55.03, 83.64, -55.65

 

CMYK 0 / 44 / 80 / 10

HEX #E6802D

RGB 230 128 45

HSL 26.92, 0.79%, 0.54%

LAB 63.71, 33.66, 58.9

 

CMYK 77 / 0 / 80 / 10

HEX #36E62D

RGB 54 230 45

HSL 117.08, 0.79%, 0.54%

LAB 80.5, -74.41, 70.49

 

Description

Color code: HEX #2D92E6 | qconv.com Color code: HEX #2D92E6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 146 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 146 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 37 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 37% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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