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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D8EA7 it is the complementary color #D27158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D8EA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D8EA7 shade: #328EA2, #43A0B5, #54B2C8, #65C4DB and #76D6EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D8EA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D8EA7 shade: #2D8EA7, #1C7C94, #0B6A81, #00586E and #00465B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D8EA7 shade: #2C8FA9, #2C6EA9, #2C4CA9, #2E2CA9 and #502CA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D8EA7 shade: #2C8FA9, #2C6EA9, #2C4CA9 and #2C2CA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D8EA7 shade matches the following richer shades: #2C8FA9, #1B99BA and #0AA4CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D8EA7 shade: #2C8FA9, #3E8597, #4F7B86, #607175 and #726663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D8EA7 shade: #2CA97F, #2CA9A0, #2C90A9, #2C6FA9 and #2C4EA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D8EA7 shade: #1B5868, #247488, #2C8FA9, #35ABC9 and #56B8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D8EA7 shade: #2D8EA7, #5E2CA9 and #A9902C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D8EA7 shade: #2D8EA7, #A92C90 and #90A92C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D8EA7 shade: #2D8EA7, #5E2CA9, #A9452C and #77A92C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D8EA7 shade: #2D8EA7, #832CA9, #A9452C and #52A92C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 15 / 0 / 35

HEX #2D8EA7

RGB 45 142 167

HSL 192.3, 0.58%, 0.42%

LAB 54.76, -19.29, -21.25

 

Complementary color

CMYK 0 / 46 / 58 / 18

HEX #D27158

RGB 210 113 88

HSL 12.3, 0.58%, 0.58%

LAB 58.24, 35.78, 30.83

 

CMYK 69 / 12 / 0 / 36

HEX #328EA2

RGB 50 142 162

HSL 190.71, 0.53%, 0.42%

LAB 54.69, -20.2, -18.47

 

CMYK 63 / 12 / 0 / 29

HEX #43A0B5

RGB 67 160 181

HSL 191.05, 0.46%, 0.49%

LAB 61.37, -20.89, -19.05

 

CMYK 58 / 11 / 0 / 22

HEX #54B2C8

RGB 84 178 200

HSL 191.38, 0.51%, 0.56%

LAB 67.94, -21.39, -19.58

 

CMYK 54 / 11 / 0 / 14

HEX #65C4DB

RGB 101 196 219

HSL 191.69, 0.62%, 0.63%

LAB 74.42, -21.75, -20.07

 

CMYK 50 / 10 / 0 / 7

HEX #76D6EE

RGB 118 214 238

HSL 192, 0.78%, 0.7%

LAB 80.8, -22.01, -20.54

 

CMYK 73 / 15 / 0 / 35

HEX #2D8EA7

RGB 45 142 167

HSL 192.3, 0.58%, 0.42%

LAB 54.76, -19.29, -21.25

 

CMYK 81 / 16 / 0 / 42

HEX #1C7C94

RGB 28 124 148

HSL 192, 0.68%, 0.35%

LAB 48.01, -18.07, -20.61

 

CMYK 91 / 18 / 0 / 49

HEX #0B6A81

RGB 11 106 129

HSL 191.69, 0.84%, 0.27%

LAB 41.16, -16.35, -19.85

 

CMYK 100 / 20 / 0 / 57

HEX #00586E

RGB 0 88 110

HSL 192, 1%, 0.22%

LAB 34.2, -13.99, -18.95

 

CMYK 100 / 23 / 0 / 64

HEX #00465B

RGB 0 70 91

HSL 193.85, 1%, 0.18%

LAB 27.12, -10.8, -17.88

 

CMYK 74 / 15 / 0 / 34

HEX #2C8FA9

RGB 44 143 169

HSL 192.48, 0.59%, 0.42%

LAB 55.12, -19.29, -21.85

 

CMYK 74 / 35 / 0 / 34

HEX #2C6EA9

RGB 44 110 169

HSL 208.32, 0.59%, 0.42%

LAB 45.01, -0.35, -37.59

 

CMYK 74 / 55 / 0 / 34

HEX #2C4CA9

RGB 44 76 169

HSL 224.64, 0.59%, 0.42%

LAB 35.14, 21.63, -53.4

 

CMYK 73 / 74 / 0 / 34

HEX #2E2CA9

RGB 46 44 169

HSL 240.96, 0.59%, 0.42%

LAB 27.43, 42.3, -66.02

 

CMYK 53 / 74 / 0 / 34

HEX #502CA9

RGB 80 44 169

HSL 257.28, 0.59%, 0.42%

LAB 30.33, 46.67, -61.14

 

CMYK 74 / 15 / 0 / 34

HEX #2C8FA9

RGB 44 143 169

HSL 192.48, 0.59%, 0.42%

LAB 55.12, -19.29, -21.85

 

CMYK 74 / 35 / 0 / 34

HEX #2C6EA9

RGB 44 110 169

HSL 208.32, 0.59%, 0.42%

LAB 45.01, -0.35, -37.59

 

CMYK 74 / 55 / 0 / 34

HEX #2C4CA9

RGB 44 76 169

HSL 224.64, 0.59%, 0.42%

LAB 35.14, 21.63, -53.4

 

CMYK 74 / 74 / 0 / 34

HEX #2C2CA9

RGB 44 44 169

HSL 240, 0.59%, 0.42%

LAB 27.3, 42.1, -66.23

 

CMYK 74 / 15 / 0 / 34

HEX #2C8FA9

RGB 44 143 169

HSL 192.48, 0.59%, 0.42%

LAB 55.12, -19.29, -21.85

 

CMYK 85 / 18 / 0 / 27

HEX #1B99BA

RGB 27 153 186

HSL 192.45, 0.75%, 0.42%

LAB 58.57, -20.55, -26.24

 

CMYK 95 / 19 / 0 / 20

HEX #0AA4CB

RGB 10 164 203

HSL 192.12, 0.91%, 0.42%

LAB 62.45, -21.31, -29.8

 

CMYK 74 / 15 / 0 / 34

HEX #2C8FA9

RGB 44 143 169

HSL 192.48, 0.59%, 0.42%

LAB 55.12, -19.29, -21.85

 

CMYK 59 / 12 / 0 / 41

HEX #3E8597

RGB 62 133 151

HSL 192.13, 0.42%, 0.42%

LAB 51.88, -16.72, -16.37

 

CMYK 41 / 8 / 0 / 47

HEX #4F7B86

RGB 79 123 134

HSL 192, 0.26%, 0.42%

LAB 48.94, -12.09, -10.77

 

CMYK 18 / 3 / 0 / 54

HEX #607175

RGB 96 113 117

HSL 191.43, 0.1%, 0.42%

LAB 46.42, -5.37, -4.34

 

CMYK 0 / 11 / 13 / 55

HEX #726663

RGB 114 102 99

HSL 12, 0.07%, 0.42%

LAB 44.21, 4.19, 3.42

 

CMYK 74 / 0 / 25 / 34

HEX #2CA97F

RGB 44 169 127

HSL 159.84, 0.59%, 0.42%

LAB 62.04, -43.71, 12.16

 

CMYK 74 / 0 / 5 / 34

HEX #2CA9A0

RGB 44 169 160

HSL 175.68, 0.59%, 0.42%

LAB 62.89, -35.03, -5.04

 

CMYK 74 / 15 / 0 / 34

HEX #2C90A9

RGB 44 144 169

HSL 192, 0.59%, 0.42%

LAB 55.43, -19.83, -21.37

 

CMYK 74 / 34 / 0 / 34

HEX #2C6FA9

RGB 44 111 169

HSL 207.84, 0.59%, 0.42%

LAB 45.32, -0.96, -37.11

 

CMYK 74 / 54 / 0 / 34

HEX #2C4EA9

RGB 44 78 169

HSL 223.68, 0.59%, 0.42%

LAB 35.69, 20.3, -52.51

 

CMYK 74 / 15 / 0 / 59

HEX #1B5868

RGB 27 88 104

HSL 192.47, 0.59%, 0.26%

LAB 34.42, -13.49, -14.83

 

CMYK 74 / 15 / 0 / 47

HEX #247488

RGB 36 116 136

HSL 192, 0.58%, 0.34%

LAB 45.14, -16.84, -17.89

 

CMYK 74 / 15 / 0 / 34

HEX #2C8FA9

RGB 44 143 169

HSL 192.48, 0.59%, 0.42%

LAB 55.12, -19.29, -21.85

 

CMYK 74 / 15 / 0 / 21

HEX #35ABC9

RGB 53 171 201

HSL 192.16, 0.58%, 0.5%

LAB 65.04, -22.37, -24.64

 

CMYK 59 / 12 / 0 / 18

HEX #56B8D2

RGB 86 184 210

HSL 192.58, 0.58%, 0.58%

LAB 70.11, -21.15, -21.77

 

CMYK 73 / 15 / 0 / 35

HEX #2D8EA7

RGB 45 142 167

HSL 192.3, 0.58%, 0.42%

LAB 54.76, -19.29, -21.25

 

CMYK 44 / 74 / 0 / 34

HEX #5E2CA9

RGB 94 44 169

HSL 264, 0.59%, 0.42%

LAB 31.91, 48.96, -58.49

 

CMYK 0 / 15 / 74 / 34

HEX #A9902C

RGB 169 144 44

HSL 48, 0.59%, 0.42%

LAB 60.39, -1.46, 53.61

 

CMYK 73 / 15 / 0 / 35

HEX #2D8EA7

RGB 45 142 167

HSL 192.3, 0.58%, 0.42%

LAB 54.76, -19.29, -21.25

 

CMYK 0 / 74 / 15 / 34

HEX #A92C90

RGB 169 44 144

HSL 312, 0.59%, 0.42%

LAB 41.61, 60.05, -27.21

 

CMYK 15 / 0 / 74 / 34

HEX #90A92C

RGB 144 169 44

HSL 72, 0.59%, 0.42%

LAB 65.35, -25.46, 57.69

 

CMYK 73 / 15 / 0 / 35

HEX #2D8EA7

RGB 45 142 167

HSL 192.3, 0.58%, 0.42%

LAB 54.76, -19.29, -21.25

 

CMYK 44 / 74 / 0 / 34

HEX #5E2CA9

RGB 94 44 169

HSL 264, 0.59%, 0.42%

LAB 31.91, 48.96, -58.49

 

CMYK 0 / 59 / 74 / 34

HEX #A9452C

RGB 169 69 44

HSL 12, 0.59%, 0.42%

LAB 42.57, 39.61, 35.23

 

CMYK 30 / 0 / 74 / 34

HEX #77A92C

RGB 119 169 44

HSL 84, 0.59%, 0.42%

LAB 63.74, -35.54, 55.57

 

CMYK 73 / 15 / 0 / 35

HEX #2D8EA7

RGB 45 142 167

HSL 192.3, 0.58%, 0.42%

LAB 54.76, -19.29, -21.25

 

CMYK 22 / 74 / 0 / 34

HEX #832CA9

RGB 131 44 169

HSL 281.76, 0.59%, 0.42%

LAB 36.91, 55.95, -50.13

 

CMYK 0 / 59 / 74 / 34

HEX #A9452C

RGB 169 69 44

HSL 12, 0.59%, 0.42%

LAB 42.57, 39.61, 35.23

 

CMYK 51 / 0 / 74 / 34

HEX #52A92C

RGB 82 169 44

HSL 101.76, 0.59%, 0.42%

LAB 61.96, -48.24, 53.21

 

Description

Color code: HEX #2D8EA7 | qconv.com Color code: HEX #2D8EA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 142 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 142 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 15 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 15% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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