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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D40DB it is the complementary color #D2BF24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D40DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D40DB shade: #3240D6, #4352E9, #5464FC, #6576FF and #7688FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D40DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D40DB shade: #2D40DB, #1C2EC8, #0B1CB5, #000AA2 and #00008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D40DB shade: #2D40DB, #492DDB, #782DDB, #A72DDB and #D62DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D40DB shade: #2D40DB and #2D2DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D40DB shade matches the following richer shades: #2D40DB and #1931EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D40DB shade: #2D40DB, #4150C7, #555FB3, #696FA0 and #7C7E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D40DB shade: #2D9EDB, #2D70DB, #2D41DB, #472DDB and #762DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D40DB shade: #1A289C, #2031BF, #2D40DB, #5060E1 and #7480E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D40DB shade: #2D40DB, #DB2DCD and #87DB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D40DB shade: #2D40DB, #DB2D41 and #41DB2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D40DB shade: #2D40DB, #DB2DCD, #DBC72D and #2DDB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D40DB shade: #2D40DB, #DB2D98, #DBC72D and #2DDB70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

Complementary color

CMYK 0 / 9 / 83 / 18

HEX #D2BF24

RGB 210 191 36

HSL 53.45, 0.71%, 0.48%

LAB 76.73, -8.5, 72.34

 

CMYK 77 / 70 / 0 / 16

HEX #3240D6

RGB 50 64 214

HSL 234.88, 0.67%, 0.52%

LAB 36.37, 46.19, -77.76

 

CMYK 71 / 65 / 0 / 9

HEX #4352E9

RGB 67 82 233

HSL 234.58, 0.79%, 0.59%

LAB 42.93, 43.58, -77.78

 

CMYK 67 / 60 / 0 / 1

HEX #5464FC

RGB 84 100 252

HSL 234.29, 0.97%, 0.66%

LAB 49.53, 41.22, -77.6

 

CMYK 60 / 54 / 0 / 0

HEX #6576FF

RGB 101 118 255

HSL 233.38, 1%, 0.7%

LAB 55.01, 33.94, -70.31

 

CMYK 54 / 47 / 0 / 0

HEX #7688FF

RGB 118 136 255

HSL 232.12, 1%, 0.73%

LAB 60.5, 26.33, -61.43

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 86 / 77 / 0 / 22

HEX #1C2EC8

RGB 28 46 200

HSL 233.72, 0.75%, 0.45%

LAB 30.33, 50.3, -79.64

 

CMYK 94 / 85 / 0 / 29

HEX #0B1CB5

RGB 11 28 181

HSL 234, 0.89%, 0.38%

LAB 24.44, 52.67, -78.21

 

CMYK 100 / 94 / 0 / 36

HEX #000AA2

RGB 0 10 162

HSL 236.3, 1%, 0.32%

LAB 19.33, 53.53, -75.27

 

CMYK 100 / 100 / 0 / 44

HEX #00008F

RGB 0 0 143

HSL 240, 1%, 0.28%

LAB 15.4, 51.48, -70.12

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 67 / 79 / 0 / 14

HEX #492DDB

RGB 73 45 219

HSL 249.66, 0.71%, 0.52%

LAB 34.82, 59.72, -83.15

 

CMYK 45 / 79 / 0 / 14

HEX #782DDB

RGB 120 45 219

HSL 265.86, 0.71%, 0.52%

LAB 39.55, 65.05, -75.18

 

CMYK 24 / 79 / 0 / 14

HEX #A72DDB

RGB 167 45 219

HSL 282.07, 0.71%, 0.52%

LAB 45.92, 72.27, -64.53

 

CMYK 2 / 79 / 0 / 14

HEX #D62DDB

RGB 214 45 219

HSL 298.28, 0.71%, 0.52%

LAB 53.26, 80.64, -52.32

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 79 / 79 / 0 / 14

HEX #2D2DDB

RGB 45 45 219

HSL 240, 0.71%, 0.52%

LAB 33.03, 57.72, -86.17

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 90 / 79 / 0 / 6

HEX #1931EF

RGB 25 49 239

HSL 233.27, 0.87%, 0.52%

LAB 35.27, 61.15, -93.88

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 67 / 60 / 0 / 22

HEX #4150C7

RGB 65 80 199

HSL 233.28, 0.54%, 0.52%

LAB 39.55, 32.87, -63.83

 

CMYK 53 / 47 / 0 / 30

HEX #555FB3

RGB 85 95 179

HSL 233.62, 0.38%, 0.52%

LAB 43.32, 20.26, -46.03

 

CMYK 34 / 31 / 0 / 37

HEX #696FA0

RGB 105 111 160

HSL 233.45, 0.22%, 0.52%

LAB 48.15, 9.87, -27.16

 

CMYK 11 / 10 / 0 / 45

HEX #7C7E8C

RGB 124 126 140

HSL 232.5, 0.07%, 0.52%

LAB 53.06, 2.22, -7.82

 

CMYK 79 / 28 / 0 / 14

HEX #2D9EDB

RGB 45 158 219

HSL 201.03, 0.71%, 0.52%

LAB 61.76, -10.21, -39.73

 

CMYK 79 / 49 / 0 / 14

HEX #2D70DB

RGB 45 112 219

HSL 216.9, 0.71%, 0.52%

LAB 48.59, 17.32, -60.69

 

CMYK 79 / 70 / 0 / 14

HEX #2D41DB

RGB 45 65 219

HSL 233.1, 0.71%, 0.52%

LAB 36.84, 46.91, -79.86

 

CMYK 68 / 79 / 0 / 14

HEX #472DDB

RGB 71 45 219

HSL 248.97, 0.71%, 0.52%

LAB 34.66, 59.55, -83.41

 

CMYK 46 / 79 / 0 / 14

HEX #762DDB

RGB 118 45 219

HSL 265.17, 0.71%, 0.52%

LAB 39.31, 64.78, -75.58

 

CMYK 83 / 74 / 0 / 39

HEX #1A289C

RGB 26 40 156

HSL 233.54, 0.71%, 0.36%

LAB 24.12, 38.48, -63.62

 

CMYK 83 / 74 / 0 / 25

HEX #2031BF

RGB 32 49 191

HSL 233.58, 0.71%, 0.44%

LAB 30.07, 45.8, -74.78

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 64 / 57 / 0 / 12

HEX #5060E1

RGB 80 96 225

HSL 233.38, 0.71%, 0.6%

LAB 46.32, 34.04, -67.69

 

CMYK 50 / 45 / 0 / 9

HEX #7480E7

RGB 116 128 231

HSL 233.74, 0.71%, 0.68%

LAB 57, 23.29, -53.75

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 0 / 79 / 6 / 14

HEX #DB2DCD

RGB 219 45 205

HSL 304.83, 0.71%, 0.52%

LAB 53.32, 79.5, -44.18

 

CMYK 38 / 0 / 79 / 14

HEX #87DB2D

RGB 135 219 45

HSL 88.97, 0.71%, 0.52%

LAB 79.62, -51.06, 70.58

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 0 / 79 / 70 / 14

HEX #DB2D41

RGB 219 45 65

HSL 353.1, 0.71%, 0.52%

LAB 48.66, 65.86, 32.5

 

CMYK 70 / 0 / 79 / 14

HEX #41DB2D

RGB 65 219 45

HSL 113.1, 0.71%, 0.52%

LAB 77.27, -69.38, 67.54

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 0 / 79 / 6 / 14

HEX #DB2DCD

RGB 219 45 205

HSL 304.83, 0.71%, 0.52%

LAB 53.32, 79.5, -44.18

 

CMYK 0 / 9 / 79 / 14

HEX #DBC72D

RGB 219 199 45

HSL 53.1, 0.71%, 0.52%

LAB 79.67, -8.44, 72.74

 

CMYK 79 / 0 / 73 / 14

HEX #2DDB3C

RGB 45 219 60

HSL 125.17, 0.71%, 0.52%

LAB 77.01, -71.29, 62.41

 

CMYK 79 / 71 / 0 / 14

HEX #2D40DB

RGB 45 64 219

HSL 233.45, 0.71%, 0.52%

LAB 36.63, 47.5, -80.21

 

CMYK 0 / 79 / 31 / 14

HEX #DB2D98

RGB 219 45 152

HSL 323.1, 0.71%, 0.52%

LAB 50.92, 72.69, -16.92

 

CMYK 0 / 9 / 79 / 14

HEX #DBC72D

RGB 219 199 45

HSL 53.1, 0.71%, 0.52%

LAB 79.67, -8.44, 72.74

 

CMYK 79 / 0 / 49 / 14

HEX #2DDB70

RGB 45 219 112

HSL 143.1, 0.71%, 0.52%

LAB 77.51, -65.17, 40.59

 

Description

Color code: HEX #2D40DB | qconv.com Color code: HEX #2D40DB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 64 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 64 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 71 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 71% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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